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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 105 21 it is the complementary color RGB 119 150 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 105 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 105 21 shade: RGB 141 105 16, RGB 158 123 35, RGB 175 141 54, RGB 192 159 73 and RGB 209 177 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 105 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 105 21 shade: RGB 136 105 21, RGB 119 87 2, RGB 102 69 0, RGB 85 51 0 and RGB 68 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 105 21 shade: RGB 137 106 21, RGB 137 75 21, RGB 137 43 21 and RGB 137 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 105 21 shade: RGB 137 106 21, RGB 137 137 21, RGB 106 137 21, RGB 74 137 21 and RGB 43 137 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 105 21 shade matches the following richer shades: RGB 137 106 21 and RGB 150 112 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 105 21 shade: RGB 137 106 21, RGB 124 100 34, RGB 111 94 47, RGB 98 88 60 and RGB 86 82 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 105 21 shade: RGB 137 43 21, RGB 137 73 21, RGB 137 104 21, RGB 137 135 21 and RGB 108 137 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 105 21 shade: RGB 65 51 10, RGB 101 78 16, RGB 137 106 21, RGB 172 133 27 and RGB 208 161 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 105 21 shade: RGB 136 105 21, RGB 31 137 21 and RGB 58 21 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 105 21 shade: RGB 136 105 21, RGB 21 137 104 and RGB 104 21 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 105 21 shade: RGB 136 105 21, RGB 31 137 21, RGB 21 54 137 and RGB 127 21 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 105 21 shade: RGB 136 105 21, RGB 21 137 46, RGB 21 54 137 and RGB 137 21 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

Complementary color

CMYK 49 / 36 / 0 / 8

HEX #7796EA

RGB 119 150 234

HSL 223.83, 0.73%, 0.69%

LAB 63.07, 11.88, -45.77

 

CMYK 0 / 26 / 89 / 45

HEX #8D6910

RGB 141 105 16

HSL 42.72, 0.8%, 0.31%

LAB 46.72, 6.5, 49.88

 

CMYK 0 / 22 / 78 / 38

HEX #9E7B23

RGB 158 123 35

HSL 42.93, 0.64%, 0.38%

LAB 53.55, 4.79, 50.17

 

CMYK 0 / 19 / 69 / 31

HEX #AF8D36

RGB 175 141 54

HSL 43.14, 0.53%, 0.45%

LAB 60.28, 3.4, 49.49

 

CMYK 0 / 17 / 62 / 25

HEX #C09F49

RGB 192 159 73

HSL 43.36, 0.49%, 0.52%

LAB 66.89, 2.26, 48.42

 

CMYK 0 / 15 / 56 / 18

HEX #D1B15C

RGB 209 177 92

HSL 43.59, 0.56%, 0.59%

LAB 73.4, 1.3, 47.2

 

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

CMYK 0 / 27 / 98 / 53

HEX #775702

RGB 119 87 2

HSL 43.59, 0.97%, 0.24%

LAB 39.14, 6.17, 46.61

 

CMYK 0 / 32 / 100 / 60

HEX #664500

RGB 102 69 0

HSL 40.59, 1%, 0.2%

LAB 31.99, 8.62, 41.34

 

CMYK 0 / 40 / 100 / 67

HEX #553300

RGB 85 51 0

HSL 36, 1%, 0.17%

LAB 24.64, 11.31, 34.32

 

CMYK 0 / 51 / 100 / 73

HEX #442100

RGB 68 33 0

HSL 29.12, 1%, 0.13%

LAB 17.07, 14.2, 25.24

 

CMYK 0 / 23 / 85 / 46

HEX #896A15

RGB 137 106 21

HSL 43.97, 0.73%, 0.31%

LAB 46.55, 4.17, 48.03

 

CMYK 0 / 45 / 85 / 46

HEX #894B15

RGB 137 75 21

HSL 27.93, 0.73%, 0.31%

LAB 38.56, 22.23, 41

 

CMYK 0 / 69 / 85 / 46

HEX #892B15

RGB 137 43 21

HSL 11.38, 0.73%, 0.31%

LAB 32.03, 38.93, 35.05

 

CMYK 0 / 85 / 85 / 46

HEX #891515

RGB 137 21 21

HSL 0, 0.73%, 0.31%

LAB 29.18, 46.83, 32.36

 

CMYK 0 / 23 / 85 / 46

HEX #896A15

RGB 137 106 21

HSL 43.97, 0.73%, 0.31%

LAB 46.55, 4.17, 48.03

 

CMYK 0 / 0 / 85 / 46

HEX #898915

RGB 137 137 21

HSL 60, 0.73%, 0.31%

LAB 55.34, -13.13, 55.55

 

CMYK 23 / 0 / 85 / 46

HEX #6A8915

RGB 106 137 21

HSL 76.03, 0.73%, 0.31%

LAB 52.96, -26.89, 52.56

 

CMYK 46 / 0 / 85 / 46

HEX #4A8915

RGB 74 137 21

HSL 92.59, 0.73%, 0.31%

LAB 51.15, -39.29, 50.27

 

CMYK 69 / 0 / 85 / 46

HEX #2B8915

RGB 43 137 21

HSL 108.62, 0.73%, 0.31%

LAB 50.05, -48.04, 48.86

 

CMYK 0 / 23 / 85 / 46

HEX #896A15

RGB 137 106 21

HSL 43.97, 0.73%, 0.31%

LAB 46.55, 4.17, 48.03

 

CMYK 0 / 25 / 94 / 41

HEX #967009

RGB 150 112 9

HSL 43.83, 0.89%, 0.31%

LAB 49.61, 6.56, 54.23

 

CMYK 0 / 23 / 85 / 46

HEX #896A15

RGB 137 106 21

HSL 43.97, 0.73%, 0.31%

LAB 46.55, 4.17, 48.03

 

CMYK 0 / 19 / 73 / 51

HEX #7C6422

RGB 124 100 34

HSL 44, 0.57%, 0.31%

LAB 43.53, 2.06, 39.48

 

CMYK 0 / 15 / 58 / 56

HEX #6F5E2F

RGB 111 94 47

HSL 44.06, 0.41%, 0.31%

LAB 40.56, 0.41, 29.18

 

CMYK 0 / 10 / 39 / 62

HEX #62583C

RGB 98 88 60

HSL 44.21, 0.24%, 0.31%

LAB 37.67, -0.57, 17.74

 

CMYK 0 / 5 / 15 / 66

HEX #565249

RGB 86 82 73

HSL 41.54, 0.08%, 0.31%

LAB 34.99, -0.14, 5.87

 

CMYK 0 / 69 / 85 / 46

HEX #892B15

RGB 137 43 21

HSL 11.38, 0.73%, 0.31%

LAB 32.03, 38.93, 35.05

 

CMYK 0 / 47 / 85 / 46

HEX #894915

RGB 137 73 21

HSL 26.9, 0.73%, 0.31%

LAB 38.09, 23.38, 40.58

 

CMYK 0 / 24 / 85 / 46

HEX #896815

RGB 137 104 21

HSL 42.93, 0.73%, 0.31%

LAB 46.01, 5.33, 47.55

 

CMYK 0 / 1 / 85 / 46

HEX #898715

RGB 137 135 21

HSL 58.97, 0.73%, 0.31%

LAB 54.76, -12.06, 55.06

 

CMYK 21 / 0 / 85 / 46

HEX #6C8915

RGB 108 137 21

HSL 75, 0.73%, 0.31%

LAB 53.1, -26.04, 52.73

 

CMYK 0 / 22 / 85 / 75

HEX #41330A

RGB 65 51 10

HSL 44.73, 0.73%, 0.15%

LAB 21.99, 1.28, 26.69

 

CMYK 0 / 23 / 84 / 60

HEX #654E10

RGB 101 78 16

HSL 43.76, 0.73%, 0.23%

LAB 34.5, 3.11, 37.57

 

CMYK 0 / 23 / 85 / 46

HEX #896A15

RGB 137 106 21

HSL 43.97, 0.73%, 0.31%

LAB 46.55, 4.17, 48.03

 

CMYK 0 / 23 / 84 / 33

HEX #AC851B

RGB 172 133 27

HSL 43.86, 0.73%, 0.39%

LAB 57.68, 5.31, 57.21

 

CMYK 0 / 23 / 85 / 18

HEX #D0A120

RGB 208 161 32

HSL 43.98, 0.73%, 0.47%

LAB 68.75, 6.28, 66.63

 

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

CMYK 77 / 0 / 85 / 46

HEX #1F8915

RGB 31 137 21

HSL 114.83, 0.73%, 0.31%

LAB 49.78, -50.32, 48.51

 

CMYK 58 / 85 / 0 / 46

HEX #3A1589

RGB 58 21 137

HSL 259.14, 0.73%, 0.31%

LAB 20.99, 45.34, -56.95

 

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

CMYK 85 / 0 / 24 / 46

HEX #158968

RGB 21 137 104

HSL 162.93, 0.73%, 0.31%

LAB 50.75, -38.59, 9.2

 

CMYK 24 / 85 / 0 / 46

HEX #681589

RGB 104 21 137

HSL 282.93, 0.73%, 0.31%

LAB 27.53, 52.21, -45.98

 

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

CMYK 77 / 0 / 85 / 46

HEX #1F8915

RGB 31 137 21

HSL 114.83, 0.73%, 0.31%

LAB 49.78, -50.32, 48.51

 

CMYK 85 / 61 / 0 / 46

HEX #153689

RGB 21 54 137

HSL 222.93, 0.73%, 0.31%

LAB 25.58, 21.46, -49.52

 

CMYK 7 / 85 / 0 / 46

HEX #7F1589

RGB 127 21 137

HSL 294.83, 0.73%, 0.31%

LAB 31.47, 56.48, -39.42

 

CMYK 0 / 23 / 85 / 47

HEX #886915

RGB 136 105 21

HSL 43.83, 0.73%, 0.31%

LAB 46.17, 4.27, 47.65

 

CMYK 85 / 0 / 66 / 46

HEX #15892E

RGB 21 137 46

HSL 132.93, 0.73%, 0.31%

LAB 49.8, -49.56, 39.09

 

CMYK 85 / 61 / 0 / 46

HEX #153689

RGB 21 54 137

HSL 222.93, 0.73%, 0.31%

LAB 25.58, 21.46, -49.52

 

CMYK 0 / 85 / 18 / 46

HEX #891570

RGB 137 21 112

HSL 312.93, 0.73%, 0.31%

LAB 31.86, 54.63, -22.96

 

Description

Color code: RGB 136 105 21 | qconv.com Color code: RGB 136 105 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 105 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 105 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 85 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 85% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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