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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 102 21 it is the complementary color RGB 119 153 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 102 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 102 21 shade: RGB 141 102 16, RGB 158 120 35, RGB 175 138 54, RGB 192 156 73 and RGB 209 174 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 102 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 102 21 shade: RGB 136 102 21, RGB 119 84 2, RGB 102 66 0, RGB 85 48 0 and RGB 68 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 102 21 shade: RGB 137 103 21, RGB 137 72 21, RGB 137 40 21 and RGB 137 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 102 21 shade: RGB 137 103 21, RGB 137 134 21, RGB 109 137 21, RGB 78 137 21 and RGB 46 137 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 102 21 shade matches the following richer shades: RGB 137 103 21 and RGB 150 108 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 102 21 shade: RGB 137 103 21, RGB 124 97 34, RGB 111 92 47, RGB 98 87 60 and RGB 86 82 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 102 21 shade: RGB 137 41 21, RGB 137 71 21, RGB 137 102 21, RGB 137 133 21 and RGB 110 137 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 102 21 shade: RGB 65 49 10, RGB 101 76 16, RGB 137 103 21, RGB 172 129 27 and RGB 208 156 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 102 21 shade: RGB 136 102 21, RGB 33 137 21 and RGB 56 21 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 102 21 shade: RGB 136 102 21, RGB 21 137 102 and RGB 102 21 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 102 21 shade: RGB 136 102 21, RGB 33 137 21, RGB 21 56 137 and RGB 125 21 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 102 21 shade: RGB 136 102 21, RGB 21 137 44, RGB 21 56 137 and RGB 137 21 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

Complementary color

CMYK 49 / 35 / 0 / 8

HEX #7799EA

RGB 119 153 234

HSL 222.26, 0.73%, 0.69%

LAB 63.87, 10.14, -44.52

 

CMYK 0 / 28 / 89 / 45

HEX #8D6610

RGB 141 102 16

HSL 41.28, 0.8%, 0.31%

LAB 45.91, 8.24, 49.22

 

CMYK 0 / 24 / 78 / 38

HEX #9E7823

RGB 158 120 35

HSL 41.46, 0.64%, 0.38%

LAB 52.76, 6.49, 49.42

 

CMYK 0 / 21 / 69 / 31

HEX #AF8A36

RGB 175 138 54

HSL 41.65, 0.53%, 0.45%

LAB 59.49, 5.06, 48.67

 

CMYK 0 / 19 / 62 / 25

HEX #C09C49

RGB 192 156 73

HSL 41.85, 0.49%, 0.52%

LAB 66.11, 3.88, 47.54

 

CMYK 0 / 17 / 56 / 18

HEX #D1AE5C

RGB 209 174 92

HSL 42.05, 0.56%, 0.59%

LAB 72.63, 2.9, 46.29

 

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

CMYK 0 / 29 / 98 / 53

HEX #775402

RGB 119 84 2

HSL 42.05, 0.97%, 0.24%

LAB 38.32, 7.97, 46.02

 

CMYK 0 / 35 / 100 / 60

HEX #664200

RGB 102 66 0

HSL 38.82, 1%, 0.2%

LAB 31.16, 10.48, 40.77

 

CMYK 0 / 44 / 100 / 67

HEX #553000

RGB 85 48 0

HSL 33.88, 1%, 0.17%

LAB 23.82, 13.22, 33.52

 

CMYK 0 / 56 / 100 / 73

HEX #441E00

RGB 68 30 0

HSL 26.47, 1%, 0.13%

LAB 16.29, 16.11, 24.28

 

CMYK 0 / 25 / 85 / 46

HEX #896715

RGB 137 103 21

HSL 42.41, 0.73%, 0.31%

LAB 45.73, 5.91, 47.32

 

CMYK 0 / 47 / 85 / 46

HEX #894815

RGB 137 72 21

HSL 26.38, 0.73%, 0.31%

LAB 37.86, 23.95, 40.37

 

CMYK 0 / 71 / 85 / 46

HEX #892815

RGB 137 40 21

HSL 9.83, 0.73%, 0.31%

LAB 31.56, 40.23, 34.6

 

CMYK 0 / 85 / 85 / 46

HEX #891515

RGB 137 21 21

HSL 0, 0.73%, 0.31%

LAB 29.18, 46.83, 32.36

 

CMYK 0 / 25 / 85 / 46

HEX #896715

RGB 137 103 21

HSL 42.41, 0.73%, 0.31%

LAB 45.73, 5.91, 47.32

 

CMYK 0 / 2 / 85 / 46

HEX #898615

RGB 137 134 21

HSL 58.45, 0.73%, 0.31%

LAB 54.47, -11.53, 54.81

 

CMYK 20 / 0 / 85 / 46

HEX #6D8915

RGB 109 137 21

HSL 74.48, 0.73%, 0.31%

LAB 53.16, -25.61, 52.82

 

CMYK 43 / 0 / 85 / 46

HEX #4E8915

RGB 78 137 21

HSL 90.52, 0.73%, 0.31%

LAB 51.34, -37.89, 50.51

 

CMYK 66 / 0 / 85 / 46

HEX #2E8915

RGB 46 137 21

HSL 107.07, 0.73%, 0.31%

LAB 50.13, -47.37, 48.96

 

CMYK 0 / 25 / 85 / 46

HEX #896715

RGB 137 103 21

HSL 42.41, 0.73%, 0.31%

LAB 45.73, 5.91, 47.32

 

CMYK 0 / 28 / 94 / 41

HEX #966C09

RGB 150 108 9

HSL 42.13, 0.89%, 0.31%

LAB 48.55, 8.86, 53.43

 

CMYK 0 / 25 / 85 / 46

HEX #896715

RGB 137 103 21

HSL 42.41, 0.73%, 0.31%

LAB 45.73, 5.91, 47.32

 

CMYK 0 / 22 / 73 / 51

HEX #7C6122

RGB 124 97 34

HSL 42, 0.57%, 0.31%

LAB 42.69, 3.83, 38.61

 

CMYK 0 / 17 / 58 / 56

HEX #6F5C2F

RGB 111 92 47

HSL 42.19, 0.41%, 0.31%

LAB 39.98, 1.6, 28.49

 

CMYK 0 / 11 / 39 / 62

HEX #62573C

RGB 98 87 60

HSL 42.63, 0.24%, 0.31%

LAB 37.37, 0.03, 17.35

 

CMYK 0 / 5 / 15 / 66

HEX #565249

RGB 86 82 73

HSL 41.54, 0.08%, 0.31%

LAB 34.99, -0.14, 5.87

 

CMYK 0 / 70 / 85 / 46

HEX #892915

RGB 137 41 21

HSL 10.34, 0.73%, 0.31%

LAB 31.71, 39.8, 34.75

 

CMYK 0 / 48 / 85 / 46

HEX #894715

RGB 137 71 21

HSL 25.86, 0.73%, 0.31%

LAB 37.62, 24.51, 40.16

 

CMYK 0 / 26 / 85 / 46

HEX #896615

RGB 137 102 21

HSL 41.9, 0.73%, 0.31%

LAB 45.46, 6.49, 47.08

 

CMYK 0 / 3 / 85 / 46

HEX #898515

RGB 137 133 21

HSL 57.93, 0.73%, 0.31%

LAB 54.18, -10.99, 54.57

 

CMYK 20 / 0 / 85 / 46

HEX #6E8915

RGB 110 137 21

HSL 73.97, 0.73%, 0.31%

LAB 53.23, -25.18, 52.91

 

CMYK 0 / 25 / 85 / 75

HEX #41310A

RGB 65 49 10

HSL 42.55, 0.73%, 0.15%

LAB 21.37, 2.6, 26.02

 

CMYK 0 / 25 / 84 / 60

HEX #654C10

RGB 101 76 16

HSL 42.35, 0.73%, 0.23%

LAB 33.93, 4.33, 37.04

 

CMYK 0 / 25 / 85 / 46

HEX #896715

RGB 137 103 21

HSL 42.41, 0.73%, 0.31%

LAB 45.73, 5.91, 47.32

 

CMYK 0 / 25 / 84 / 33

HEX #AC811B

RGB 172 129 27

HSL 42.21, 0.73%, 0.39%

LAB 56.63, 7.54, 56.32

 

CMYK 0 / 25 / 85 / 18

HEX #D09C20

RGB 208 156 32

HSL 42.27, 0.73%, 0.47%

LAB 67.49, 8.97, 65.58

 

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

CMYK 76 / 0 / 85 / 46

HEX #218915

RGB 33 137 21

HSL 113.79, 0.73%, 0.31%

LAB 49.82, -49.98, 48.56

 

CMYK 59 / 85 / 0 / 46

HEX #381589

RGB 56 21 137

HSL 258.1, 0.73%, 0.31%

LAB 20.76, 45.11, -57.33

 

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

CMYK 85 / 0 / 26 / 46

HEX #158966

RGB 21 137 102

HSL 161.9, 0.73%, 0.31%

LAB 50.7, -39.1, 10.29

 

CMYK 26 / 85 / 0 / 46

HEX #661589

RGB 102 21 137

HSL 281.9, 0.73%, 0.31%

LAB 27.21, 51.86, -46.53

 

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

CMYK 76 / 0 / 85 / 46

HEX #218915

RGB 33 137 21

HSL 113.79, 0.73%, 0.31%

LAB 49.82, -49.98, 48.56

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 9 / 85 / 0 / 46

HEX #7D1589

RGB 125 21 137

HSL 293.79, 0.73%, 0.31%

LAB 31.12, 56.1, -40.01

 

CMYK 0 / 25 / 85 / 47

HEX #886615

RGB 136 102 21

HSL 42.26, 0.73%, 0.31%

LAB 45.35, 6.02, 46.94

 

CMYK 85 / 0 / 68 / 46

HEX #15892C

RGB 21 137 44

HSL 131.9, 0.73%, 0.31%

LAB 49.78, -49.79, 39.97

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 0 / 85 / 17 / 46

HEX #891572

RGB 137 21 114

HSL 311.9, 0.73%, 0.31%

LAB 31.96, 54.91, -24.07

 

Description

Color code: RGB 136 102 21 | qconv.com Color code: RGB 136 102 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 102 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 102 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 85 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 85% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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