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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 192 228 it is the complementary color RGB 120 63 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 192 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 192 228: RGB 140 192 223, RGB 157 210 242, RGB 174 228 255, RGB 191 246 255 and RGB 208 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 192 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 192 228: RGB 135 192 228, RGB 118 174 209, RGB 101 156 190, RGB 84 138 171 and RGB 67 120 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

Complementary color

CMYK 0 / 48 / 78 / 53

HEX #783F1B

RGB 120 63 27

HSL 23.23, 0.63%, 0.29%

LAB 33.19, 21.78, 32.08

 

CMYK 37 / 14 / 0 / 13

HEX #8CC0DF

RGB 140 192 223

HSL 202.41, 0.56%, 0.71%

LAB 75.2, -9.33, -20.88

 

CMYK 35 / 13 / 0 / 5

HEX #9DD2F2

RGB 157 210 242

HSL 202.59, 0.77%, 0.78%

LAB 81.66, -9.46, -21.2

 

CMYK 32 / 11 / 0 / 0

HEX #AEE4FF

RGB 174 228 255

HSL 200, 1%, 0.84%

LAB 87.83, -11, -18.65

 

CMYK 25 / 4 / 0 / 0

HEX #BFF6FF

RGB 191 246 255

HSL 188.44, 1%, 0.87%

LAB 93.54, -15.33, -10

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 44 / 17 / 0 / 18

HEX #76AED1

RGB 118 174 209

HSL 203.08, 0.5%, 0.64%

LAB 68.55, -9.11, -23.48

 

CMYK 47 / 18 / 0 / 25

HEX #659CBE

RGB 101 156 190

HSL 202.92, 0.41%, 0.57%

LAB 61.88, -8.84, -23.21

 

CMYK 51 / 19 / 0 / 33

HEX #548AAB

RGB 84 138 171

HSL 202.76, 0.34%, 0.5%

LAB 55.07, -8.49, -22.94

 

CMYK 56 / 21 / 0 / 40

HEX #437898

RGB 67 120 152

HSL 202.59, 0.39%, 0.43%

LAB 48.13, -8.02, -22.68

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 41 / 22 / 0 / 11

HEX #86B0E3

RGB 134 176 227

HSL 212.9, 0.62%, 0.71%

LAB 70.64, -1.2, -30.07

 

CMYK 41 / 30 / 0 / 11

HEX #86A0E3

RGB 134 160 227

HSL 223.23, 0.62%, 0.71%

LAB 66.33, 7.77, -36.74

 

CMYK 41 / 36 / 0 / 11

HEX #8691E3

RGB 134 145 227

HSL 232.9, 0.62%, 0.71%

LAB 62.39, 16.41, -42.91

 

CMYK 39 / 41 / 0 / 11

HEX #8B86E3

RGB 139 134 227

HSL 243.23, 0.62%, 0.71%

LAB 59.97, 24.12, -46.71

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 42 / 17 / 0 / 91

HEX #0E1418

RGB 14 20 24

HSL 204, 0.26%, 0.07%

LAB 5.96, -1.26, -3.46

 

CMYK 41 / 16 / 0 / 71

HEX #2C3F4B

RGB 44 63 75

HSL 203.23, 0.26%, 0.23%

LAB 25.56, -3.97, -9.7

 

CMYK 40 / 16 / 0 / 51

HEX #4B6A7E

RGB 75 106 126

HSL 203.53, 0.25%, 0.39%

LAB 43.23, -5.71, -14.68

 

CMYK 41 / 16 / 0 / 31

HEX #6995B1

RGB 105 149 177

HSL 203.33, 0.32%, 0.55%

LAB 59.59, -7.58, -19.35

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 17 / 41 / 0 / 11

HEX #BC86E3

RGB 188 134 227

HSL 274.84, 0.62%, 0.71%

LAB 64.39, 37.7, -39.44

 

CMYK 0 / 0 / 41 / 11

HEX #E3E286

RGB 227 226 134

HSL 59.35, 0.62%, 0.71%

LAB 88.18, -12.7, 45

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 0 / 41 / 16 / 11

HEX #E386BF

RGB 227 134 191

HSL 323.23, 0.62%, 0.71%

LAB 67.38, 43.16, -14.39

 

CMYK 16 / 0 / 41 / 11

HEX #BFE386

RGB 191 227 134

HSL 83.23, 0.62%, 0.71%

LAB 85.87, -26.9, 41.54

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 17 / 41 / 0 / 11

HEX #BC86E3

RGB 188 134 227

HSL 274.84, 0.62%, 0.71%

LAB 64.39, 37.7, -39.44

 

CMYK 0 / 25 / 41 / 11

HEX #E3AA86

RGB 227 170 134

HSL 23.23, 0.62%, 0.71%

LAB 74.06, 16.38, 26.7

 

CMYK 24 / 0 / 41 / 11

HEX #ADE386

RGB 173 227 134

HSL 94.84, 0.62%, 0.71%

LAB 84.76, -33.39, 39.9

 

CMYK 41 / 16 / 0 / 11

HEX #87C0E4

RGB 135 192 228

HSL 203.23, 0.63%, 0.71%

LAB 75.11, -9.34, -23.76

 

CMYK 5 / 41 / 0 / 11

HEX #D886E3

RGB 216 134 227

HSL 292.9, 0.62%, 0.71%

LAB 67.42, 45.94, -34.49

 

CMYK 0 / 25 / 41 / 11

HEX #E3AA86

RGB 227 170 134

HSL 23.23, 0.62%, 0.71%

LAB 74.06, 16.38, 26.7

 

CMYK 36 / 0 / 41 / 11

HEX #91E386

RGB 145 227 134

HSL 112.9, 0.62%, 0.71%

LAB 83.27, -42.73, 37.69

 

Description

Color code: RGB 135 192 228 | qconv.com Color code: RGB 135 192 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 192 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 192 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 16 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 16% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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