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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 188 92 it is the complementary color RGB 120 67 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 188 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 188 92: RGB 140 188 87, RGB 157 206 106, RGB 174 224 125, RGB 191 242 144 and RGB 208 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 188 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 188 92: RGB 135 188 92, RGB 118 170 73, RGB 101 152 54, RGB 84 134 35 and RGB 67 116 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

Complementary color

CMYK 26 / 59 / 0 / 36

HEX #7843A3

RGB 120 67 163

HSL 273.13, 0.42%, 0.45%

LAB 38.99, 41.14, -43.29

 

CMYK 26 / 0 / 54 / 26

HEX #8CBC57

RGB 140 188 87

HSL 88.51, 0.43%, 0.54%

LAB 71.03, -32.74, 45.49

 

CMYK 24 / 0 / 49 / 19

HEX #9DCE6A

RGB 157 206 106

HSL 89.4, 0.51%, 0.61%

LAB 77.49, -32.78, 44.35

 

CMYK 22 / 0 / 44 / 12

HEX #AEE07D

RGB 174 224 125

HSL 90.3, 0.61%, 0.68%

LAB 83.86, -32.76, 43.2

 

CMYK 21 / 0 / 40 / 5

HEX #BFF290

RGB 191 242 144

HSL 91.22, 0.79%, 0.76%

LAB 90.13, -32.72, 42.06

 

CMYK 18 / 0 / 36 / 0

HEX #D0FFA3

RGB 208 255 163

HSL 90.65, 1%, 0.82%

LAB 94.98, -30.34, 39.19

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 31 / 0 / 57 / 33

HEX #76AA49

RGB 118 170 73

HSL 92.16, 0.4%, 0.48%

LAB 64.23, -34.01, 43.86

 

CMYK 34 / 0 / 64 / 40

HEX #659836

RGB 101 152 54

HSL 91.22, 0.48%, 0.4%

LAB 57.55, -33.88, 44.82

 

CMYK 37 / 0 / 74 / 47

HEX #548623

RGB 84 134 35

HSL 90.3, 0.59%, 0.33%

LAB 50.75, -33.56, 45.38

 

CMYK 42 / 0 / 86 / 55

HEX #437410

RGB 67 116 16

HSL 89.4, 0.76%, 0.26%

LAB 43.83, -32.96, 44.96

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 37 / 0 / 51 / 26

HEX #77BC5C

RGB 119 188 92

HSL 103.13, 0.42%, 0.55%

LAB 69.94, -39.63, 41.49

 

CMYK 45 / 0 / 51 / 26

HEX #67BC5C

RGB 103 188 92

HSL 113.13, 0.42%, 0.55%

LAB 69.2, -44.72, 40.42

 

CMYK 51 / 0 / 49 / 26

HEX #5CBC60

RGB 92 188 96

HSL 122.5, 0.42%, 0.55%

LAB 68.81, -47.33, 37.87

 

CMYK 51 / 0 / 40 / 26

HEX #5CBC70

RGB 92 188 112

HSL 132.5, 0.42%, 0.55%

LAB 69.05, -44.86, 29.99

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 28 / 0 / 51 / 6

HEX #ACEF75

RGB 172 239 117

HSL 92.95, 0.79%, 0.7%

LAB 87.87, -41.16, 51.91

 

CMYK 29 / 0 / 51 / 86

HEX #192311

RGB 25 35 17

HSL 93.33, 0.35%, 0.1%

LAB 12.28, -8.7, 10.42

 

CMYK 28 / 0 / 51 / 66

HEX #3E562A

RGB 62 86 42

HSL 92.73, 0.34%, 0.25%

LAB 33.66, -17.98, 22.63

 

CMYK 28 / 0 / 51 / 46

HEX #628943

RGB 98 137 67

HSL 93.43, 0.34%, 0.4%

LAB 52.83, -26.52, 33.02

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 51 / 0 / 13 / 26

HEX #5CBCA4

RGB 92 188 164

HSL 165, 0.42%, 0.55%

LAB 70.12, -34.23, 3.49

 

CMYK 0 / 51 / 8 / 26

HEX #BC5CAD

RGB 188 92 173

HSL 309.38, 0.42%, 0.55%

LAB 53.34, 49.33, -25.99

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 51 / 28 / 0 / 26

HEX #5C87BC

RGB 92 135 188

HSL 213.13, 0.42%, 0.55%

LAB 55.31, 0.33, -32.26

 

CMYK 0 / 51 / 28 / 26

HEX #BC5C87

RGB 188 92 135

HSL 333.13, 0.42%, 0.55%

LAB 51.94, 43.51, -5.77

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 51 / 0 / 13 / 26

HEX #5CBCA4

RGB 92 188 164

HSL 165, 0.42%, 0.55%

LAB 70.12, -34.23, 3.49

 

CMYK 23 / 51 / 0 / 26

HEX #915CBC

RGB 145 92 188

HSL 273.13, 0.42%, 0.55%

LAB 48.64, 39.93, -42.46

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 28 / 0 / 51 / 26

HEX #87BC5C

RGB 135 188 92

HSL 93.13, 0.42%, 0.55%

LAB 70.8, -34.04, 42.73

 

CMYK 51 / 3 / 0 / 26

HEX #5CB7BC

RGB 92 183 188

HSL 183.13, 0.42%, 0.55%

LAB 69.31, -25.68, -10.89

 

CMYK 23 / 51 / 0 / 26

HEX #915CBC

RGB 145 92 188

HSL 273.13, 0.42%, 0.55%

LAB 48.64, 39.93, -42.46

 

CMYK 0 / 49 / 51 / 26

HEX #BC605C

RGB 188 96 92

HSL 2.5, 0.42%, 0.55%

LAB 51.64, 36.52, 19.33

 

Description

Color code: RGB 135 188 92 | qconv.com Color code: RGB 135 188 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 188 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 188 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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