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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 8 180 it is the complementary color RGB 121 247 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 8 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 8 180 shade: RGB 139 8 175, RGB 156 26 194, RGB 173 44 213, RGB 190 62 232 and RGB 207 80 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 8 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 117 0 161, RGB 100 0 142, RGB 83 0 123 and RGB 66 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 180 8 179, RGB 180 8 133, RGB 180 8 87 and RGB 180 8 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 87 8 180, RGB 41 8 180 and RGB 8 8 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 8 180 shade matches the following richer shades: RGB 134 8 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 127 23 164, RGB 120 39 149, RGB 112 54 134 and RGB 105 69 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 8 180 shade: RGB 39 8 180, RGB 85 8 180, RGB 131 8 180, RGB 177 8 180 and RGB 180 8 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 8 180 shade: RGB 75 4 101, RGB 104 6 140, RGB 134 8 180, RGB 163 10 219 and RGB 186 26 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 180 8 22 and RGB 8 180 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 180 131 8 and RGB 8 180 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 180 8 22, RGB 57 180 8 and RGB 8 180 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 8 180 shade: RGB 134 8 180, RGB 180 45 8, RGB 57 180 8 and RGB 8 143 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

Complementary color

CMYK 51 / 0 / 70 / 3

HEX #79F74B

RGB 121 247 75

HSL 103.95, 0.91%, 0.63%

LAB 87.53, -64.16, 68.44

 

CMYK 21 / 95 / 0 / 31

HEX #8B08AF

RGB 139 8 175

HSL 287.07, 0.91%, 0.36%

LAB 35.51, 67.58, -55.93

 

CMYK 20 / 87 / 0 / 24

HEX #9C1AC2

RGB 156 26 194

HSL 286.43, 0.76%, 0.43%

LAB 40.74, 70.66, -58.55

 

CMYK 19 / 79 / 0 / 16

HEX #AD2CD5

RGB 173 44 213

HSL 285.8, 0.67%, 0.5%

LAB 46.3, 72.45, -60.43

 

CMYK 18 / 73 / 0 / 9

HEX #BE3EE8

RGB 190 62 232

HSL 285.18, 0.79%, 0.58%

LAB 52.08, 73.33, -61.77

 

CMYK 18 / 68 / 0 / 2

HEX #CF50FB

RGB 207 80 251

HSL 284.56, 0.96%, 0.65%

LAB 58.01, 73.61, -62.74

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 27 / 100 / 0 / 37

HEX #7500A1

RGB 117 0 161

HSL 283.6, 1%, 0.32%

LAB 30.29, 63.07, -56.16

 

CMYK 30 / 100 / 0 / 44

HEX #64008E

RGB 100 0 142

HSL 282.25, 1%, 0.28%

LAB 25.75, 57.17, -52.03

 

CMYK 33 / 100 / 0 / 52

HEX #53007B

RGB 83 0 123

HSL 280.49, 1%, 0.24%

LAB 21.09, 51.12, -47.8

 

CMYK 37 / 100 / 0 / 59

HEX #420068

RGB 66 0 104

HSL 278.08, 1%, 0.2%

LAB 16.29, 44.91, -43.46

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 0 / 96 / 1 / 29

HEX #B408B3

RGB 180 8 179

HSL 300.35, 0.91%, 0.37%

LAB 42.96, 74.73, -45.93

 

CMYK 0 / 96 / 26 / 29

HEX #B40885

RGB 180 8 133

HSL 316.4, 0.91%, 0.37%

LAB 40.53, 68.58, -22.01

 

CMYK 0 / 96 / 52 / 29

HEX #B40857

RGB 180 8 87

HSL 332.44, 0.91%, 0.37%

LAB 38.84, 64.11, 4.41

 

CMYK 0 / 96 / 78 / 29

HEX #B40828

RGB 180 8 40

HSL 348.84, 0.91%, 0.37%

LAB 37.9, 61.53, 33.01

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 52 / 96 / 0 / 29

HEX #5708B4

RGB 87 8 180

HSL 267.56, 0.91%, 0.37%

LAB 28.1, 62.51, -71.37

 

CMYK 77 / 96 / 0 / 29

HEX #2908B4

RGB 41 8 180

HSL 251.51, 0.91%, 0.37%

LAB 23.47, 59.76, -79.19

 

CMYK 96 / 96 / 0 / 29

HEX #0808B4

RGB 8 8 180

HSL 240, 0.91%, 0.37%

LAB 22.02, 59.06, -81.66

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 23 / 86 / 0 / 36

HEX #7F17A4

RGB 127 23 164

HSL 284.26, 0.75%, 0.37%

LAB 33.57, 61.01, -52.57

 

CMYK 19 / 74 / 0 / 42

HEX #782795

RGB 120 39 149

HSL 284.18, 0.59%, 0.37%

LAB 33.17, 51.48, -44.16

 

CMYK 16 / 60 / 0 / 47

HEX #703686

RGB 112 54 134

HSL 283.5, 0.43%, 0.37%

LAB 33.57, 39.26, -34.35

 

CMYK 12 / 42 / 0 / 53

HEX #694577

RGB 105 69 119

HSL 283.2, 0.27%, 0.37%

LAB 35.19, 25.11, -22.55

 

CMYK 78 / 96 / 0 / 29

HEX #2708B4

RGB 39 8 180

HSL 250.81, 0.91%, 0.37%

LAB 23.34, 59.69, -79.42

 

CMYK 53 / 96 / 0 / 29

HEX #5508B4

RGB 85 8 180

HSL 266.86, 0.91%, 0.37%

LAB 27.85, 62.34, -71.8

 

CMYK 27 / 96 / 0 / 29

HEX #8308B4

RGB 131 8 180

HSL 282.91, 0.91%, 0.37%

LAB 34.59, 67.39, -60.47

 

CMYK 2 / 96 / 0 / 29

HEX #B108B4

RGB 177 8 180

HSL 298.95, 0.91%, 0.37%

LAB 42.48, 74.37, -47.32

 

CMYK 0 / 96 / 24 / 29

HEX #B40889

RGB 180 8 137

HSL 315, 0.91%, 0.37%

LAB 40.71, 69.05, -24.18

 

CMYK 26 / 96 / 0 / 60

HEX #4B0465

RGB 75 4 101

HSL 283.92, 0.92%, 0.21%

LAB 18.02, 44.32, -38.6

 

CMYK 26 / 96 / 0 / 45

HEX #68068C

RGB 104 6 140

HSL 283.88, 0.92%, 0.29%

LAB 26.64, 56.18, -49.3

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 26 / 95 / 0 / 14

HEX #A30ADB

RGB 163 10 219

HSL 283.92, 0.91%, 0.45%

LAB 42.94, 78.63, -69.39

 

CMYK 24 / 89 / 0 / 4

HEX #BA1AF4

RGB 186 26 244

HSL 284.04, 0.91%, 0.53%

LAB 49.14, 84.13, -73.32

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 0 / 96 / 88 / 29

HEX #B40816

RGB 180 8 22

HSL 355.12, 0.91%, 0.37%

LAB 37.73, 61.06, 42.91

 

CMYK 96 / 0 / 66 / 29

HEX #08B43E

RGB 8 180 62

HSL 138.84, 0.91%, 0.37%

LAB 64.19, -62.36, 47.96

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 0 / 27 / 96 / 29

HEX #B48308

RGB 180 131 8

HSL 42.91, 0.91%, 0.37%

LAB 57.99, 9.68, 62.12

 

CMYK 96 / 0 / 27 / 29

HEX #08B483

RGB 8 180 131

HSL 162.91, 0.91%, 0.37%

LAB 65.23, -50.17, 14.37

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 0 / 96 / 88 / 29

HEX #B40816

RGB 180 8 22

HSL 355.12, 0.91%, 0.37%

LAB 37.73, 61.06, 42.91

 

CMYK 68 / 0 / 96 / 29

HEX #39B408

RGB 57 180 8

HSL 102.91, 0.91%, 0.37%

LAB 64.59, -59.95, 63.91

 

CMYK 96 / 0 / 8 / 29

HEX #08B4A5

RGB 8 180 165

HSL 174.77, 0.91%, 0.37%

LAB 66.07, -41.2, -3.17

 

CMYK 26 / 96 / 0 / 29

HEX #8608B4

RGB 134 8 180

HSL 283.95, 0.91%, 0.37%

LAB 35.08, 67.8, -59.65

 

CMYK 0 / 75 / 96 / 29

HEX #B42D08

RGB 180 45 8

HSL 12.91, 0.91%, 0.37%

LAB 40.57, 52.59, 50.41

 

CMYK 68 / 0 / 96 / 29

HEX #39B408

RGB 57 180 8

HSL 102.91, 0.91%, 0.37%

LAB 64.59, -59.95, 63.91

 

CMYK 96 / 21 / 0 / 29

HEX #088FB4

RGB 8 143 180

HSL 192.91, 0.91%, 0.37%

LAB 55.06, -18.33, -28.26

 

Description

Color code: RGB 134 8 180 | qconv.com Color code: RGB 134 8 180 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 8 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 8 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 96 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 96% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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