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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 71 191 it is the complementary color RGB 121 184 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 71 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 71 191 shade: RGB 139 71 186, RGB 156 89 205, RGB 173 107 224, RGB 190 125 243 and RGB 207 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 71 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 71 191 shade: RGB 134 71 191, RGB 117 53 172, RGB 100 35 153, RGB 83 17 134 and RGB 66 0 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 71 191 shade: RGB 133 70 190, RGB 165 70 190, RGB 190 70 182, RGB 190 70 149 and RGB 190 70 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 71 191 shade: RGB 133 70 190, RGB 100 70 190 and RGB 70 70 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 71 191 shade matches the following richer shades: RGB 133 70 190, RGB 134 49 210, RGB 135 29 230 and RGB 136 9 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 71 191 shade: RGB 133 70 190, RGB 132 90 169, RGB 131 110 149, RGB 130 130 129 and RGB 129 150 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 71 191 shade: RGB 70 72 190, RGB 100 70 190, RGB 132 70 190, RGB 164 70 190 and RGB 190 70 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 71 191 shade: RGB 90 46 131, RGB 112 56 161, RGB 133 70 190, RGB 153 100 200 and RGB 173 131 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 71 191 shade: RGB 134 71 191, RGB 190 70 104 and RGB 70 190 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 71 191 shade: RGB 134 71 191, RGB 190 132 70 and RGB 70 190 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 71 191 shade: RGB 134 71 191, RGB 190 70 104, RGB 128 190 70 and RGB 70 190 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 71 191 shade: RGB 134 71 191, RGB 190 72 70, RGB 128 190 70 and RGB 70 188 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

Complementary color

CMYK 34 / 0 / 65 / 28

HEX #79B840

RGB 121 184 64

HSL 91.5, 0.48%, 0.49%

LAB 68.55, -40.05, 52.74

 

CMYK 25 / 62 / 0 / 27

HEX #8B47BA

RGB 139 71 186

HSL 275.48, 0.45%, 0.5%

LAB 43.57, 49.14, -49.43

 

CMYK 24 / 57 / 0 / 20

HEX #9C59CD

RGB 156 89 205

HSL 274.66, 0.54%, 0.58%

LAB 50.24, 48.37, -49.63

 

CMYK 23 / 52 / 0 / 12

HEX #AD6BE0

RGB 173 107 224

HSL 273.85, 0.65%, 0.65%

LAB 56.86, 47.52, -49.75

 

CMYK 22 / 49 / 0 / 5

HEX #BE7DF3

RGB 190 125 243

HSL 273.05, 0.83%, 0.72%

LAB 63.41, 46.67, -49.82

 

CMYK 19 / 44 / 0 / 0

HEX #CF8FFF

RGB 207 143 255

HSL 274.29, 1%, 0.78%

LAB 69.56, 44.3, -46.58

 

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

CMYK 32 / 69 / 0 / 33

HEX #7535AC

RGB 117 53 172

HSL 272.27, 0.53%, 0.44%

LAB 36.57, 49.81, -52.58

 

CMYK 35 / 77 / 0 / 40

HEX #642399

RGB 100 35 153

HSL 273.05, 0.63%, 0.37%

LAB 29.94, 50.04, -51.97

 

CMYK 38 / 87 / 0 / 47

HEX #531186

RGB 83 17 134

HSL 273.85, 0.77%, 0.3%

LAB 23.54, 49.33, -50.75

 

CMYK 43 / 100 / 0 / 55

HEX #420073

RGB 66 0 115

HSL 274.43, 1%, 0.23%

LAB 17.44, 47.37, -48.76

 

CMYK 30 / 63 / 0 / 25

HEX #8546BE

RGB 133 70 190

HSL 271.5, 0.48%, 0.51%

LAB 42.89, 49.19, -52.89

 

CMYK 13 / 63 / 0 / 25

HEX #A546BE

RGB 165 70 190

HSL 287.5, 0.48%, 0.51%

LAB 47.1, 56.7, -45.91

 

CMYK 0 / 63 / 4 / 25

HEX #BE46B6

RGB 190 70 182

HSL 304, 0.48%, 0.51%

LAB 50.34, 61.41, -35.89

 

CMYK 0 / 63 / 22 / 25

HEX #BE4695

RGB 190 70 149

HSL 320.5, 0.48%, 0.51%

LAB 48.88, 56.37, -18.7

 

CMYK 0 / 63 / 38 / 25

HEX #BE4675

RGB 190 70 117

HSL 336.5, 0.48%, 0.51%

LAB 47.77, 52.34, -1.09

 

CMYK 30 / 63 / 0 / 25

HEX #8546BE

RGB 133 70 190

HSL 271.5, 0.48%, 0.51%

LAB 42.89, 49.19, -52.89

 

CMYK 47 / 63 / 0 / 25

HEX #6446BE

RGB 100 70 190

HSL 255, 0.48%, 0.51%

LAB 39.25, 42.1, -58.95

 

CMYK 63 / 63 / 0 / 25

HEX #4646BE

RGB 70 70 190

HSL 240, 0.48%, 0.51%

LAB 36.74, 36.78, -63.15

 

CMYK 30 / 63 / 0 / 25

HEX #8546BE

RGB 133 70 190

HSL 271.5, 0.48%, 0.51%

LAB 42.89, 49.19, -52.89

 

CMYK 36 / 77 / 0 / 18

HEX #8631D2

RGB 134 49 210

HSL 271.68, 0.64%, 0.51%

LAB 41.09, 63.53, -67.42

 

CMYK 41 / 87 / 0 / 10

HEX #871DE6

RGB 135 29 230

HSL 271.64, 0.8%, 0.51%

LAB 40.8, 74.29, -79.34

 

CMYK 46 / 96 / 0 / 2

HEX #8809FA

RGB 136 9 250

HSL 271.62, 0.96%, 0.51%

LAB 41.74, 81.85, -89.1

 

CMYK 30 / 63 / 0 / 25

HEX #8546BE

RGB 133 70 190

HSL 271.5, 0.48%, 0.51%

LAB 42.89, 49.19, -52.89

 

CMYK 22 / 47 / 0 / 34

HEX #845AA9

RGB 132 90 169

HSL 271.9, 0.31%, 0.51%

LAB 45.75, 32.89, -36.03

 

CMYK 12 / 26 / 0 / 42

HEX #836E95

RGB 131 110 149

HSL 272.31, 0.16%, 0.51%

LAB 49.67, 16.1, -18.15

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 14 / 0 / 27 / 41

HEX #81966D

RGB 129 150 109

HSL 90.73, 0.16%, 0.51%

LAB 59.51, -15.17, 19.23

 

CMYK 63 / 62 / 0 / 25

HEX #4648BE

RGB 70 72 190

HSL 239, 0.48%, 0.51%

LAB 37.22, 35.54, -62.38

 

CMYK 47 / 63 / 0 / 25

HEX #6446BE

RGB 100 70 190

HSL 255, 0.48%, 0.51%

LAB 39.25, 42.1, -58.95

 

CMYK 31 / 63 / 0 / 25

HEX #8446BE

RGB 132 70 190

HSL 271, 0.48%, 0.51%

LAB 42.77, 48.96, -53.1

 

CMYK 14 / 63 / 0 / 25

HEX #A446BE

RGB 164 70 190

HSL 287, 0.48%, 0.51%

LAB 46.96, 56.46, -46.14

 

CMYK 0 / 63 / 3 / 25

HEX #BE46B8

RGB 190 70 184

HSL 303, 0.48%, 0.51%

LAB 50.44, 61.74, -36.9

 

CMYK 31 / 65 / 0 / 49

HEX #5A2E83

RGB 90 46 131

HSL 271.06, 0.48%, 0.35%

LAB 28.82, 37.15, -40.26

 

CMYK 30 / 65 / 0 / 37

HEX #7038A1

RGB 112 56 161

HSL 272, 0.48%, 0.43%

LAB 35.69, 44.56, -47.44

 

CMYK 30 / 63 / 0 / 25

HEX #8546BE

RGB 133 70 190

HSL 271.5, 0.48%, 0.51%

LAB 42.89, 49.19, -52.89

 

CMYK 24 / 50 / 0 / 22

HEX #9964C8

RGB 153 100 200

HSL 271.8, 0.48%, 0.59%

LAB 51.9, 40.49, -44.15

 

CMYK 18 / 38 / 0 / 17

HEX #AD83D3

RGB 173 131 211

HSL 271.5, 0.48%, 0.67%

LAB 61.5, 31.39, -35.15

 

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

CMYK 0 / 63 / 45 / 25

HEX #BE4668

RGB 190 70 104

HSL 343, 0.48%, 0.51%

LAB 47.4, 50.98, 6.29

 

CMYK 63 / 0 / 56 / 25

HEX #46BE54

RGB 70 190 84

HSL 127, 0.48%, 0.51%

LAB 68.58, -55.1, 43.27

 

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

CMYK 0 / 31 / 63 / 25

HEX #BE8446

RGB 190 132 70

HSL 31, 0.48%, 0.51%

LAB 59.79, 15.97, 41.76

 

CMYK 63 / 0 / 31 / 25

HEX #46BE84

RGB 70 190 132

HSL 151, 0.48%, 0.51%

LAB 69.32, -46.97, 19.64

 

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

CMYK 0 / 63 / 45 / 25

HEX #BE4668

RGB 190 70 104

HSL 343, 0.48%, 0.51%

LAB 47.4, 50.98, 6.29

 

CMYK 33 / 0 / 63 / 25

HEX #80BE46

RGB 128 190 70

HSL 91, 0.48%, 0.51%

LAB 70.77, -39.67, 52.73

 

CMYK 63 / 0 / 18 / 25

HEX #46BE9C

RGB 70 190 156

HSL 163, 0.48%, 0.51%

LAB 69.84, -41.58, 7.38

 

CMYK 30 / 63 / 0 / 25

HEX #8647BF

RGB 134 71 191

HSL 271.5, 0.48%, 0.51%

LAB 43.27, 49.14, -52.87

 

CMYK 0 / 62 / 63 / 25

HEX #BE4846

RGB 190 72 70

HSL 1, 0.48%, 0.51%

LAB 47.01, 47.31, 26.33

 

CMYK 33 / 0 / 63 / 25

HEX #80BE46

RGB 128 190 70

HSL 91, 0.48%, 0.51%

LAB 70.77, -39.67, 52.73

 

CMYK 63 / 1 / 0 / 25

HEX #46BCBE

RGB 70 188 190

HSL 181, 0.48%, 0.51%

LAB 70.17, -31.72, -10.77

 

Description

Color code: RGB 134 71 191 | qconv.com Color code: RGB 134 71 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 71 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 71 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 63 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 63% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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