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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 64 156 it is the complementary color RGB 121 191 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 64 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 64 156: RGB 139 64 151, RGB 156 82 170, RGB 173 100 189, RGB 190 118 208 and RGB 207 136 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 64 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 64 156: RGB 134 64 156, RGB 117 46 137, RGB 100 28 118, RGB 83 10 99 and RGB 66 0 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

Complementary color

CMYK 37 / 0 / 48 / 25

HEX #79BF63

RGB 121 191 99

HSL 105.65, 0.42%, 0.57%

LAB 71.03, -39.41, 39.4

 

CMYK 8 / 58 / 0 / 41

HEX #8B4097

RGB 139 64 151

HSL 291.72, 0.4%, 0.42%

LAB 40.23, 45.12, -33.95

 

CMYK 8 / 52 / 0 / 33

HEX #9C52AA

RGB 156 82 170

HSL 290.45, 0.35%, 0.49%

LAB 46.98, 44.49, -34.48

 

CMYK 8 / 47 / 0 / 26

HEX #AD64BD

RGB 173 100 189

HSL 289.21, 0.4%, 0.57%

LAB 53.68, 43.75, -34.88

 

CMYK 9 / 43 / 0 / 18

HEX #BE76D0

RGB 190 118 208

HSL 288, 0.49%, 0.64%

LAB 60.3, 42.98, -35.2

 

CMYK 9 / 40 / 0 / 11

HEX #CF88E3

RGB 207 136 227

HSL 286.81, 0.62%, 0.71%

LAB 66.84, 42.21, -35.48

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 15 / 66 / 0 / 46

HEX #752E89

RGB 117 46 137

HSL 286.81, 0.5%, 0.36%

LAB 33.01, 45.23, -37.06

 

CMYK 15 / 76 / 0 / 54

HEX #641C76

RGB 100 28 118

HSL 288, 0.62%, 0.29%

LAB 26.3, 45.08, -36.03

 

CMYK 16 / 90 / 0 / 61

HEX #530A63

RGB 83 10 99

HSL 289.21, 0.82%, 0.21%

LAB 19.87, 43.67, -34.21

 

CMYK 18 / 100 / 0 / 69

HEX #420050

RGB 66 0 80

HSL 289.5, 1%, 0.16%

LAB 14.04, 39.87, -31.01

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 5 / 59 / 0 / 39

HEX #943F9B

RGB 148 63 155

HSL 295.43, 0.42%, 0.43%

LAB 41.56, 48.83, -34.17

 

CMYK 0 / 59 / 5 / 39

HEX #9B3F94

RGB 155 63 148

HSL 304.57, 0.42%, 0.43%

LAB 42.25, 49.46, -28.8

 

CMYK 0 / 59 / 15 / 39

HEX #9B3F84

RGB 155 63 132

HSL 315, 0.42%, 0.43%

LAB 41.52, 46.78, -20.22

 

CMYK 0 / 59 / 25 / 39

HEX #9B3F75

RGB 155 63 117

HSL 324.78, 0.42%, 0.43%

LAB 40.91, 44.5, -11.92

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 14 / 59 / 0 / 19

HEX #B255CF

RGB 178 85 207

HSL 285.74, 0.56%, 0.57%

LAB 52.36, 56.3, -47.23

 

CMYK 0 / 67 / 0 / 99

HEX #030103

RGB 3 1 3

HSL 300, 0.5%, 0.01%

LAB 0.43, 0.8, -0.57

 

CMYK 15 / 59 / 0 / 79

HEX #2E1636

RGB 46 22 54

HSL 285, 0.42%, 0.15%

LAB 12.1, 18.74, -16.07

 

CMYK 14 / 59 / 0 / 59

HEX #5A2B69

RGB 90 43 105

HSL 285.48, 0.42%, 0.29%

LAB 26.51, 32.46, -27.44

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 0 / 59 / 56 / 39

HEX #9B3F44

RGB 155 63 68

HSL 356.74, 0.42%, 0.43%

LAB 39.48, 38.87, 16.62

 

CMYK 59 / 0 / 39 / 39

HEX #3F9B5F

RGB 63 155 95

HSL 140.87, 0.42%, 0.43%

LAB 57.39, -41.21, 23.52

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 0 / 15 / 59 / 39

HEX #9B843F

RGB 155 132 63

HSL 45, 0.42%, 0.43%

LAB 55.92, 0.07, 39.85

 

CMYK 59 / 0 / 15 / 39

HEX #3F9B84

RGB 63 155 132

HSL 165, 0.42%, 0.43%

LAB 58.19, -33.01, 3.94

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 0 / 59 / 56 / 39

HEX #9B3F44

RGB 155 63 68

HSL 356.74, 0.42%, 0.43%

LAB 39.48, 38.87, 16.62

 

CMYK 45 / 0 / 59 / 39

HEX #569B3F

RGB 86 155 63

HSL 105, 0.42%, 0.43%

LAB 57.83, -39.55, 40.78

 

CMYK 59 / 0 / 3 / 39

HEX #3F9B97

RGB 63 155 151

HSL 177.39, 0.42%, 0.43%

LAB 58.73, -27.93, -6.07

 

CMYK 14 / 59 / 0 / 39

HEX #86409C

RGB 134 64 156

HSL 285.65, 0.42%, 0.43%

LAB 39.81, 44.79, -37.67

 

CMYK 0 / 45 / 59 / 39

HEX #9B563F

RGB 155 86 63

HSL 15, 0.42%, 0.43%

LAB 44.21, 26.24, 25.78

 

CMYK 45 / 0 / 59 / 39

HEX #569B3F

RGB 86 155 63

HSL 105, 0.42%, 0.43%

LAB 57.83, -39.55, 40.78

 

CMYK 59 / 15 / 0 / 39

HEX #3F849B

RGB 63 132 155

HSL 195, 0.42%, 0.43%

LAB 51.75, -14.72, -18.87

 

Description

Color code: RGB 134 64 156 | qconv.com Color code: RGB 134 64 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 64 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 64 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 59 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 59% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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