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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 232 12 it is the complementary color RGB 121 23 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 232 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 232 12 shade: RGB 139 232 7, RGB 156 250 26, RGB 173 255 45, RGB 190 255 64 and RGB 207 255 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 232 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 117 214 0, RGB 100 196 0, RGB 83 178 0 and RGB 66 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 193 232 12, RGB 232 211 12, RGB 232 152 12 and RGB 232 93 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 74 232 12, RGB 15 232 12, RGB 12 232 68 and RGB 12 232 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 232 12 shade matches the following richer shades: RGB 134 232 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 132 212 32, RGB 130 192 51, RGB 127 173 71 and RGB 125 153 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 232 12 shade: RGB 232 210 12, RGB 195 232 12, RGB 137 232 12, RGB 78 232 12 and RGB 19 232 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 232 12 shade: RGB 89 154 8, RGB 111 193 10, RGB 134 232 12, RGB 154 243 42 and RGB 172 245 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 12 232 151 and RGB 232 12 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 12 137 232 and RGB 232 12 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 12 232 151, RGB 107 12 232 and RGB 232 12 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 232 12 shade: RGB 134 232 12, RGB 12 232 217, RGB 107 12 232 and RGB 232 12 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

Complementary color

CMYK 50 / 91 / 0 / 5

HEX #7917F3

RGB 121 23 243

HSL 266.73, 0.9%, 0.52%

LAB 39.83, 77, -88.37

 

CMYK 40 / 0 / 97 / 9

HEX #8BE807

RGB 139 232 7

HSL 84.8, 0.94%, 0.47%

LAB 83.56, -55.86, 80.46

 

CMYK 38 / 0 / 90 / 2

HEX #9CFA1A

RGB 156 250 26

HSL 85.18, 0.96%, 0.54%

LAB 89.63, -56.92, 83.6

 

CMYK 32 / 0 / 82 / 0

HEX #ADFF2D

RGB 173 255 45

HSL 83.43, 1%, 0.59%

LAB 91.95, -52.55, 82.32

 

CMYK 25 / 0 / 75 / 0

HEX #BEFF40

RGB 190 255 64

HSL 80.42, 1%, 0.63%

LAB 92.94, -45.68, 78.5

 

CMYK 19 / 0 / 67 / 0

HEX #CFFF53

RGB 207 255 83

HSL 76.74, 1%, 0.66%

LAB 94.06, -38.32, 73.57

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 45 / 0 / 100 / 16

HEX #75D600

RGB 117 214 0

HSL 87.2, 1%, 0.42%

LAB 77.21, -56.17, 75.7

 

CMYK 49 / 0 / 100 / 23

HEX #64C400

RGB 100 196 0

HSL 89.39, 1%, 0.38%

LAB 71, -54.67, 70.55

 

CMYK 53 / 0 / 100 / 30

HEX #53B200

RGB 83 178 0

HSL 92.02, 1%, 0.35%

LAB 64.71, -53.04, 65.34

 

CMYK 59 / 0 / 100 / 37

HEX #42A000

RGB 66 160 0

HSL 95.25, 1%, 0.31%

LAB 58.32, -51.25, 60.05

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 17 / 0 / 95 / 9

HEX #C1E80C

RGB 193 232 12

HSL 70.64, 0.9%, 0.48%

LAB 86.54, -35.92, 83.66

 

CMYK 0 / 9 / 95 / 9

HEX #E8D30C

RGB 232 211 12

HSL 54.27, 0.9%, 0.48%

LAB 83.85, -9.62, 82.91

 

CMYK 0 / 34 / 95 / 9

HEX #E8980C

RGB 232 152 12

HSL 38.18, 0.9%, 0.48%

LAB 69.21, 21.17, 72.32

 

CMYK 0 / 60 / 95 / 9

HEX #E85D0C

RGB 232 93 12

HSL 22.09, 0.9%, 0.48%

LAB 57.09, 50.91, 64.22

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 68 / 0 / 95 / 9

HEX #4AE80C

RGB 74 232 12

HSL 103.09, 0.9%, 0.48%

LAB 81.4, -72.91, 77.39

 

CMYK 94 / 0 / 95 / 9

HEX #0FE80C

RGB 15 232 12

HSL 119.18, 0.9%, 0.48%

LAB 80.65, -79.53, 76.47

 

CMYK 95 / 0 / 71 / 9

HEX #0CE844

RGB 12 232 68

HSL 135.27, 0.9%, 0.48%

LAB 80.85, -76.85, 63.42

 

CMYK 95 / 0 / 45 / 9

HEX #0CE87F

RGB 12 232 127

HSL 151.36, 0.9%, 0.48%

LAB 81.47, -69.28, 38.2

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 38 / 0 / 85 / 17

HEX #84D420

RGB 132 212 32

HSL 86.67, 0.74%, 0.48%

LAB 77.34, -49.77, 71.71

 

CMYK 32 / 0 / 73 / 25

HEX #82C033

RGB 130 192 51

HSL 86.38, 0.58%, 0.48%

LAB 71.34, -41.21, 60.77

 

CMYK 27 / 0 / 59 / 32

HEX #7FAD47

RGB 127 173 71

HSL 87.06, 0.42%, 0.48%

LAB 65.63, -32.23, 46.54

 

CMYK 18 / 0 / 41 / 40

HEX #7D995B

RGB 125 153 91

HSL 87.1, 0.25%, 0.48%

LAB 59.8, -20.94, 29.41

 

CMYK 0 / 9 / 95 / 9

HEX #E8D20C

RGB 232 210 12

HSL 54, 0.9%, 0.48%

LAB 83.59, -9.11, 82.72

 

CMYK 16 / 0 / 95 / 9

HEX #C3E80C

RGB 195 232 12

HSL 70.09, 0.9%, 0.48%

LAB 86.67, -35.12, 83.81

 

CMYK 41 / 0 / 95 / 9

HEX #89E80C

RGB 137 232 12

HSL 85.91, 0.9%, 0.48%

LAB 83.47, -56.46, 79.93

 

CMYK 66 / 0 / 95 / 9

HEX #4EE80C

RGB 78 232 12

HSL 102, 0.9%, 0.48%

LAB 81.49, -72.14, 77.5

 

CMYK 92 / 0 / 95 / 9

HEX #13E80C

RGB 19 232 12

HSL 118.09, 0.9%, 0.48%

LAB 80.67, -79.34, 76.5

 

CMYK 42 / 0 / 95 / 40

HEX #599A08

RGB 89 154 8

HSL 86.71, 0.9%, 0.32%

LAB 57.32, -41.58, 58.44

 

CMYK 42 / 0 / 95 / 24

HEX #6FC10A

RGB 111 193 10

HSL 86.89, 0.9%, 0.4%

LAB 70.55, -49.84, 69.29

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 37 / 0 / 83 / 5

HEX #9AF32A

RGB 154 243 42

HSL 86.57, 0.89%, 0.56%

LAB 87.55, -54.37, 78.79

 

CMYK 30 / 0 / 67 / 4

HEX #ACF551

RGB 172 245 81

HSL 86.71, 0.89%, 0.64%

LAB 89.24, -46.91, 68.71

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 95 / 0 / 35 / 9

HEX #0CE897

RGB 12 232 151

HSL 157.91, 0.9%, 0.48%

LAB 81.85, -64.79, 26.63

 

CMYK 0 / 95 / 3 / 9

HEX #E80CE1

RGB 232 12 225

HSL 301.91, 0.9%, 0.48%

LAB 54.92, 89.69, -52.9

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 95 / 41 / 0 / 9

HEX #0C89E8

RGB 12 137 232

HSL 205.91, 0.9%, 0.48%

LAB 55.88, 4.7, -56.3

 

CMYK 0 / 95 / 41 / 9

HEX #E80C89

RGB 232 12 137

HSL 325.91, 0.9%, 0.48%

LAB 50.95, 79.53, -7.65

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 95 / 0 / 35 / 9

HEX #0CE897

RGB 12 232 151

HSL 157.91, 0.9%, 0.48%

LAB 81.85, -64.79, 26.63

 

CMYK 54 / 95 / 0 / 9

HEX #6B0CE8

RGB 107 12 232

HSL 265.91, 0.9%, 0.48%

LAB 36.39, 75.28, -87.87

 

CMYK 0 / 95 / 60 / 9

HEX #E80C5D

RGB 232 12 93

HSL 337.91, 0.9%, 0.48%

LAB 49.75, 76.3, 17.46

 

CMYK 42 / 0 / 95 / 9

HEX #86E80C

RGB 134 232 12

HSL 86.73, 0.9%, 0.48%

LAB 83.34, -57.43, 79.77

 

CMYK 95 / 0 / 6 / 9

HEX #0CE8D9

RGB 12 232 217

HSL 175.91, 0.9%, 0.48%

LAB 83.34, -48.76, -5.81

 

CMYK 54 / 95 / 0 / 9

HEX #6B0CE8

RGB 107 12 232

HSL 265.91, 0.9%, 0.48%

LAB 36.39, 75.28, -87.87

 

CMYK 0 / 95 / 89 / 9

HEX #E80C1A

RGB 232 12 26

HSL 356.18, 0.9%, 0.48%

LAB 48.88, 73.89, 54.39

 

Description

Color code: RGB 134 232 12 | qconv.com Color code: RGB 134 232 12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 232 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 232 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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