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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 143 51 it is the complementary color RGB 121 112 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 143 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 143 51 shade: RGB 139 143 46, RGB 156 161 65, RGB 173 179 84, RGB 190 197 103 and RGB 207 215 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 143 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 143 51 shade: RGB 134 143 51, RGB 117 125 32, RGB 100 107 13, RGB 83 89 0 and RGB 66 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 143 51 shade: RGB 133 142 51, RGB 142 126 51, RGB 142 102 51, RGB 142 77 51 and RGB 142 53 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 143 51 shade: RGB 133 142 51, RGB 108 142 51, RGB 84 142 51, RGB 59 142 51 and RGB 51 142 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 143 51 shade matches the following richer shades: RGB 133 142 51, RGB 146 158 35, RGB 158 173 20 and RGB 171 189 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 143 51 shade: RGB 133 142 51, RGB 120 126 67, RGB 108 111 82, RGB 95 95 98 and RGB 83 79 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 143 51 shade: RGB 142 101 51, RGB 142 125 51, RGB 134 142 51, RGB 110 142 51 and RGB 86 142 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 143 51 shade: RGB 76 81 29, RGB 105 112 40, RGB 133 142 51, RGB 161 172 62 and RGB 182 193 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 143 51 shade: RGB 134 143 51, RGB 51 142 77 and RGB 113 51 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 143 51 shade: RGB 134 143 51, RGB 51 134 142 and RGB 142 51 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 143 51 shade: RGB 134 143 51, RGB 51 142 77, RGB 58 51 142 and RGB 142 51 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 143 51 shade: RGB 134 143 51, RGB 51 142 104, RGB 58 51 142 and RGB 142 51 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

Complementary color

CMYK 41 / 45 / 0 / 20

HEX #7970CC

RGB 121 112 204

HSL 245.87, 0.47%, 0.62%

LAB 51.85, 26.08, -46.7

 

CMYK 3 / 0 / 68 / 44

HEX #8B8F2E

RGB 139 143 46

HSL 62.47, 0.51%, 0.37%

LAB 57.4, -14.27, 48.91

 

CMYK 3 / 0 / 60 / 37

HEX #9CA141

RGB 156 161 65

HSL 63.13, 0.42%, 0.44%

LAB 64.11, -14.97, 48.15

 

CMYK 3 / 0 / 53 / 30

HEX #ADB354

RGB 173 179 84

HSL 63.79, 0.38%, 0.52%

LAB 70.71, -15.52, 47.11

 

CMYK 4 / 0 / 48 / 23

HEX #BEC567

RGB 190 197 103

HSL 64.47, 0.45%, 0.59%

LAB 77.2, -15.95, 45.98

 

CMYK 4 / 0 / 43 / 16

HEX #CFD77A

RGB 207 215 122

HSL 65.16, 0.54%, 0.66%

LAB 83.58, -16.3, 44.81

 

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

CMYK 6 / 0 / 74 / 51

HEX #757D20

RGB 117 125 32

HSL 65.16, 0.59%, 0.31%

LAB 50.16, -15.39, 46.71

 

CMYK 7 / 0 / 88 / 58

HEX #646B0D

RGB 100 107 13

HSL 64.47, 0.78%, 0.24%

LAB 43.14, -14.36, 46.04

 

CMYK 7 / 0 / 100 / 65

HEX #535900

RGB 83 89 0

HSL 64.04, 1%, 0.17%

LAB 35.95, -12.97, 43.2

 

CMYK 7 / 0 / 100 / 72

HEX #424700

RGB 66 71 0

HSL 64.23, 1%, 0.14%

LAB 28.55, -11.15, 36.98

 

CMYK 6 / 0 / 64 / 44

HEX #858E33

RGB 133 142 51

HSL 65.93, 0.47%, 0.38%

LAB 56.66, -16.06, 45.83

 

CMYK 0 / 11 / 64 / 44

HEX #8E7E33

RGB 142 126 51

HSL 49.45, 0.47%, 0.38%

LAB 52.85, -3.33, 41.95

 

CMYK 0 / 28 / 64 / 44

HEX #8E6633

RGB 142 102 51

HSL 33.63, 0.47%, 0.38%

LAB 46.3, 10.41, 34.61

 

CMYK 0 / 46 / 64 / 44

HEX #8E4D33

RGB 142 77 51

HSL 17.14, 0.47%, 0.38%

LAB 40.08, 24.88, 27.26

 

CMYK 0 / 63 / 64 / 44

HEX #8E3533

RGB 142 53 51

HSL 1.32, 0.47%, 0.38%

LAB 35.08, 37.64, 21.06

 

CMYK 6 / 0 / 64 / 44

HEX #858E33

RGB 133 142 51

HSL 65.93, 0.47%, 0.38%

LAB 56.66, -16.06, 45.83

 

CMYK 24 / 0 / 64 / 44

HEX #6C8E33

RGB 108 142 51

HSL 82.42, 0.47%, 0.38%

LAB 54.84, -26.67, 43.33

 

CMYK 41 / 0 / 64 / 44

HEX #548E33

RGB 84 142 51

HSL 98.24, 0.47%, 0.38%

LAB 53.46, -35.8, 41.42

 

CMYK 58 / 0 / 64 / 44

HEX #3B8E33

RGB 59 142 51

HSL 114.73, 0.47%, 0.38%

LAB 52.41, -43.54, 39.97

 

CMYK 64 / 0 / 53 / 44

HEX #338E43

RGB 51 142 67

HSL 130.55, 0.47%, 0.38%

LAB 52.35, -43.41, 31.95

 

CMYK 6 / 0 / 64 / 44

HEX #858E33

RGB 133 142 51

HSL 65.93, 0.47%, 0.38%

LAB 56.66, -16.06, 45.83

 

CMYK 8 / 0 / 78 / 38

HEX #929E23

RGB 146 158 35

HSL 65.85, 0.64%, 0.38%

LAB 62.24, -19.54, 57.84

 

CMYK 9 / 0 / 88 / 32

HEX #9EAD14

RGB 158 173 20

HSL 65.88, 0.79%, 0.38%

LAB 67.43, -22.36, 66.47

 

CMYK 10 / 0 / 98 / 26

HEX #ABBD04

RGB 171 189 4

HSL 65.84, 0.96%, 0.38%

LAB 72.93, -24.9, 73.34

 

CMYK 6 / 0 / 64 / 44

HEX #858E33

RGB 133 142 51

HSL 65.93, 0.47%, 0.38%

LAB 56.66, -16.06, 45.83

 

CMYK 5 / 0 / 47 / 51

HEX #787E43

RGB 120 126 67

HSL 66.1, 0.31%, 0.38%

LAB 51.06, -11.71, 31.21

 

CMYK 3 / 0 / 26 / 56

HEX #6C6F52

RGB 108 111 82

HSL 66.21, 0.15%, 0.38%

LAB 45.86, -6.46, 15.81

 

CMYK 3 / 3 / 0 / 62

HEX #5F5F62

RGB 95 95 98

HSL 240, 0.02%, 0.38%

LAB 40.41, 0.64, -1.71

 

CMYK 27 / 31 / 0 / 55

HEX #534F72

RGB 83 79 114

HSL 246.86, 0.18%, 0.38%

LAB 35.29, 10.14, -19.45

 

CMYK 0 / 29 / 64 / 44

HEX #8E6533

RGB 142 101 51

HSL 32.97, 0.47%, 0.38%

LAB 46.04, 10.99, 34.31

 

CMYK 0 / 12 / 64 / 44

HEX #8E7D33

RGB 142 125 51

HSL 48.79, 0.47%, 0.38%

LAB 52.57, -2.77, 41.64

 

CMYK 6 / 0 / 64 / 44

HEX #868E33

RGB 134 142 51

HSL 65.27, 0.47%, 0.38%

LAB 56.74, -15.62, 45.94

 

CMYK 23 / 0 / 64 / 44

HEX #6E8E33

RGB 110 142 51

HSL 81.1, 0.47%, 0.38%

LAB 54.97, -25.85, 43.51

 

CMYK 39 / 0 / 64 / 44

HEX #568E33

RGB 86 142 51

HSL 96.92, 0.47%, 0.38%

LAB 53.56, -35.09, 41.56

 

CMYK 6 / 0 / 64 / 68

HEX #4C511D

RGB 76 81 29

HSL 65.77, 0.47%, 0.22%

LAB 32.94, -10.28, 29.19

 

CMYK 6 / 0 / 64 / 56

HEX #697028

RGB 105 112 40

HSL 65.83, 0.47%, 0.3%

LAB 45.28, -13.3, 37.97

 

CMYK 6 / 0 / 64 / 44

HEX #858E33

RGB 133 142 51

HSL 65.93, 0.47%, 0.38%

LAB 56.66, -16.06, 45.83

 

CMYK 6 / 0 / 64 / 33

HEX #A1AC3E

RGB 161 172 62

HSL 66, 0.47%, 0.46%

LAB 67.6, -18.7, 53.35

 

CMYK 6 / 0 / 57 / 24

HEX #B6C153

RGB 182 193 83

HSL 66, 0.47%, 0.54%

LAB 75.27, -18.95, 52.98

 

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

CMYK 64 / 0 / 46 / 44

HEX #338E4D

RGB 51 142 77

HSL 137.14, 0.47%, 0.38%

LAB 52.49, -41.79, 26.84

 

CMYK 20 / 64 / 0 / 44

HEX #71338E

RGB 113 51 142

HSL 280.88, 0.47%, 0.38%

LAB 33.63, 42.88, -39.18

 

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

CMYK 64 / 6 / 0 / 44

HEX #33868E

RGB 51 134 142

HSL 185.27, 0.47%, 0.38%

LAB 51.5, -22.14, -11.72

 

CMYK 0 / 64 / 6 / 44

HEX #8E3386

RGB 142 51 134

HSL 305.27, 0.47%, 0.38%

LAB 37.55, 48.89, -27.76

 

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

CMYK 64 / 0 / 46 / 44

HEX #338E4D

RGB 51 142 77

HSL 137.14, 0.47%, 0.38%

LAB 52.49, -41.79, 26.84

 

CMYK 59 / 64 / 0 / 44

HEX #3A338E

RGB 58 51 142

HSL 244.62, 0.47%, 0.38%

LAB 27.35, 30.52, -49.63

 

CMYK 0 / 64 / 18 / 44

HEX #8E3374

RGB 142 51 116

HSL 317.14, 0.47%, 0.38%

LAB 36.7, 45.95, -17.9

 

CMYK 6 / 0 / 64 / 44

HEX #868F33

RGB 134 143 51

HSL 65.87, 0.47%, 0.38%

LAB 57.03, -16.14, 46.25

 

CMYK 64 / 0 / 27 / 44

HEX #338E68

RGB 51 142 104

HSL 154.95, 0.47%, 0.38%

LAB 53, -36.31, 12.46

 

CMYK 59 / 64 / 0 / 44

HEX #3A338E

RGB 58 51 142

HSL 244.62, 0.47%, 0.38%

LAB 27.35, 30.52, -49.63

 

CMYK 0 / 64 / 37 / 44

HEX #8E3359

RGB 142 51 89

HSL 334.95, 0.47%, 0.38%

LAB 35.67, 42.22, -2.37

 

Description

Color code: RGB 134 143 51 | qconv.com Color code: RGB 134 143 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 143 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 143 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 64 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 64% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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