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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 103 21 it is the complementary color RGB 121 152 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 103 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 103 21 shade: RGB 139 103 16, RGB 156 121 35, RGB 173 139 54, RGB 190 157 73 and RGB 207 175 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 103 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 103 21 shade: RGB 134 103 21, RGB 117 85 2, RGB 100 67 0, RGB 83 49 0 and RGB 66 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 103 21 shade: RGB 132 102 21, RGB 132 72 21, RGB 132 41 21 and RGB 132 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 103 21 shade: RGB 132 102 21, RGB 132 132 21, RGB 103 132 21, RGB 73 132 21 and RGB 43 132 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 103 21 shade matches the following richer shades: RGB 132 102 21 and RGB 145 107 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 103 21 shade: RGB 132 102 21, RGB 120 96 33, RGB 108 91 45, RGB 95 85 58 and RGB 83 79 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 103 21 shade: RGB 132 41 21, RGB 132 71 21, RGB 132 101 21, RGB 132 130 21 and RGB 104 132 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 103 21 shade: RGB 61 47 10, RGB 97 74 15, RGB 132 102 21, RGB 168 129 26 and RGB 204 157 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 103 21 shade: RGB 134 103 21, RGB 30 132 21 and RGB 56 21 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 103 21 shade: RGB 134 103 21, RGB 21 132 101 and RGB 101 21 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 103 21 shade: RGB 134 103 21, RGB 30 132 21, RGB 21 52 132 and RGB 123 21 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 103 21 shade: RGB 134 103 21, RGB 21 132 45, RGB 21 52 132 and RGB 132 21 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

Complementary color

CMYK 48 / 35 / 0 / 8

HEX #7998EA

RGB 121 152 234

HSL 223.54, 0.73%, 0.7%

LAB 63.72, 11.18, -44.74

 

CMYK 0 / 26 / 88 / 45

HEX #8B6710

RGB 139 103 16

HSL 42.44, 0.79%, 0.3%

LAB 45.94, 6.71, 49.15

 

CMYK 0 / 22 / 78 / 39

HEX #9C7923

RGB 156 121 35

HSL 42.64, 0.63%, 0.37%

LAB 52.8, 5, 49.38

 

CMYK 0 / 20 / 69 / 32

HEX #AD8B36

RGB 173 139 54

HSL 42.86, 0.52%, 0.45%

LAB 59.54, 3.62, 48.66

 

CMYK 0 / 17 / 62 / 25

HEX #BE9D49

RGB 190 157 73

HSL 43.08, 0.47%, 0.52%

LAB 66.17, 2.47, 47.56

 

CMYK 0 / 15 / 56 / 19

HEX #CFAF5C

RGB 207 175 92

HSL 43.3, 0.55%, 0.59%

LAB 72.69, 1.52, 46.32

 

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

CMYK 0 / 27 / 98 / 54

HEX #755502

RGB 117 85 2

HSL 43.3, 0.97%, 0.23%

LAB 38.35, 6.39, 45.93

 

CMYK 0 / 33 / 100 / 61

HEX #644300

RGB 100 67 0

HSL 40.2, 1%, 0.2%

LAB 31.17, 8.86, 40.65

 

CMYK 0 / 41 / 100 / 67

HEX #533100

RGB 83 49 0

HSL 35.42, 1%, 0.16%

LAB 23.79, 11.57, 33.39

 

CMYK 0 / 53 / 100 / 74

HEX #421F00

RGB 66 31 0

HSL 28.18, 1%, 0.13%

LAB 16.2, 14.47, 24.08

 

CMYK 0 / 23 / 84 / 48

HEX #846615

RGB 132 102 21

HSL 43.78, 0.73%, 0.3%

LAB 44.89, 4.11, 46.36

 

CMYK 0 / 45 / 84 / 48

HEX #844815

RGB 132 72 21

HSL 27.57, 0.73%, 0.3%

LAB 37.1, 21.71, 39.41

 

CMYK 0 / 69 / 84 / 48

HEX #842915

RGB 132 41 21

HSL 10.81, 0.73%, 0.3%

LAB 30.75, 37.98, 33.5

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 0 / 23 / 84 / 48

HEX #846615

RGB 132 102 21

HSL 43.78, 0.73%, 0.3%

LAB 44.89, 4.11, 46.36

 

CMYK 0 / 0 / 84 / 48

HEX #848415

RGB 132 132 21

HSL 60, 0.73%, 0.3%

LAB 53.45, -12.75, 53.77

 

CMYK 22 / 0 / 84 / 48

HEX #678415

RGB 103 132 21

HSL 75.68, 0.73%, 0.3%

LAB 51.2, -25.71, 50.93

 

CMYK 45 / 0 / 84 / 48

HEX #498415

RGB 73 132 21

HSL 91.89, 0.73%, 0.3%

LAB 49.46, -37.52, 48.73

 

CMYK 67 / 0 / 84 / 48

HEX #2B8415

RGB 43 132 21

HSL 108.11, 0.73%, 0.3%

LAB 48.35, -46.28, 47.29

 

CMYK 0 / 23 / 84 / 48

HEX #846615

RGB 132 102 21

HSL 43.78, 0.73%, 0.3%

LAB 44.89, 4.11, 46.36

 

CMYK 0 / 26 / 94 / 43

HEX #916B08

RGB 145 107 8

HSL 43.36, 0.9%, 0.3%

LAB 47.69, 7.06, 52.74

 

CMYK 0 / 23 / 84 / 48

HEX #846615

RGB 132 102 21

HSL 43.78, 0.73%, 0.3%

LAB 44.89, 4.11, 46.36

 

CMYK 0 / 20 / 73 / 53

HEX #786021

RGB 120 96 33

HSL 43.45, 0.57%, 0.3%

LAB 41.95, 2.45, 38.18

 

CMYK 0 / 16 / 58 / 58

HEX #6C5B2D

RGB 108 91 45

HSL 43.81, 0.41%, 0.3%

LAB 39.34, 0.59, 28.76

 

CMYK 0 / 11 / 39 / 63

HEX #5F553A

RGB 95 85 58

HSL 43.78, 0.24%, 0.3%

LAB 36.43, -0.4, 17.26

 

CMYK 0 / 5 / 16 / 67

HEX #534F46

RGB 83 79 70

HSL 41.54, 0.08%, 0.3%

LAB 33.72, -0.14, 5.9

 

CMYK 0 / 69 / 84 / 48

HEX #842915

RGB 132 41 21

HSL 10.81, 0.73%, 0.3%

LAB 30.75, 37.98, 33.5

 

CMYK 0 / 46 / 84 / 48

HEX #844715

RGB 132 71 21

HSL 27.03, 0.73%, 0.3%

LAB 36.87, 22.29, 39.19

 

CMYK 0 / 23 / 84 / 48

HEX #846515

RGB 132 101 21

HSL 43.24, 0.73%, 0.3%

LAB 44.61, 4.7, 46.12

 

CMYK 0 / 2 / 84 / 48

HEX #848215

RGB 132 130 21

HSL 58.92, 0.73%, 0.3%

LAB 52.87, -11.67, 53.27

 

CMYK 21 / 0 / 84 / 48

HEX #688415

RGB 104 132 21

HSL 75.14, 0.73%, 0.3%

LAB 51.27, -25.29, 51.02

 

CMYK 0 / 23 / 84 / 76

HEX #3D2F0A

RGB 61 47 10

HSL 43.53, 0.72%, 0.14%

LAB 20.23, 1.77, 24.62

 

CMYK 0 / 24 / 85 / 62

HEX #614A0F

RGB 97 74 15

HSL 43.17, 0.73%, 0.22%

LAB 32.86, 3.51, 36.29

 

CMYK 0 / 23 / 84 / 48

HEX #846615

RGB 132 102 21

HSL 43.78, 0.73%, 0.3%

LAB 44.89, 4.11, 46.36

 

CMYK 0 / 23 / 85 / 34

HEX #A8811A

RGB 168 129 26

HSL 43.52, 0.73%, 0.38%

LAB 56.19, 5.69, 56.07

 

CMYK 0 / 23 / 84 / 20

HEX #CC9D20

RGB 204 157 32

HSL 43.6, 0.73%, 0.46%

LAB 67.32, 6.67, 65.26

 

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

CMYK 77 / 0 / 84 / 48

HEX #1E8415

RGB 30 132 21

HSL 115.14, 0.73%, 0.3%

LAB 48.05, -48.83, 46.91

 

CMYK 58 / 84 / 0 / 48

HEX #381584

RGB 56 21 132

HSL 258.92, 0.73%, 0.3%

LAB 20.22, 43.69, -55.09

 

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

CMYK 84 / 0 / 23 / 48

HEX #158465

RGB 21 132 101

HSL 163.24, 0.73%, 0.3%

LAB 49.01, -37.22, 8.48

 

CMYK 23 / 84 / 0 / 48

HEX #651584

RGB 101 21 132

HSL 283.24, 0.73%, 0.3%

LAB 26.65, 50.64, -44.31

 

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

CMYK 77 / 0 / 84 / 48

HEX #1E8415

RGB 30 132 21

HSL 115.14, 0.73%, 0.3%

LAB 48.05, -48.83, 46.91

 

CMYK 84 / 61 / 0 / 48

HEX #153484

RGB 21 52 132

HSL 223.24, 0.73%, 0.3%

LAB 24.58, 20.82, -48.02

 

CMYK 7 / 84 / 0 / 48

HEX #7B1584

RGB 123 21 132

HSL 295.14, 0.73%, 0.3%

LAB 30.43, 54.82, -38.02

 

CMYK 0 / 23 / 84 / 47

HEX #866715

RGB 134 103 21

HSL 43.54, 0.73%, 0.3%

LAB 45.39, 4.48, 46.89

 

CMYK 84 / 0 / 66 / 48

HEX #15842D

RGB 21 132 45

HSL 132.97, 0.73%, 0.3%

LAB 48.07, -47.99, 37.63

 

CMYK 84 / 61 / 0 / 48

HEX #153484

RGB 21 52 132

HSL 223.24, 0.73%, 0.3%

LAB 24.58, 20.82, -48.02

 

CMYK 0 / 84 / 18 / 48

HEX #84156C

RGB 132 21 108

HSL 312.97, 0.73%, 0.3%

LAB 30.7, 52.92, -22.29

 

Description

Color code: RGB 134 103 21 | qconv.com Color code: RGB 134 103 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 103 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 103 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 84 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 84% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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