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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 163 84 it is the complementary color RGB 122 92 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 163 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 163 84 shade: RGB 138 163 79, RGB 155 181 98, RGB 172 199 117, RGB 189 217 136 and RGB 206 235 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 163 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 163 84 shade: RGB 133 163 84, RGB 116 145 65, RGB 99 127 46, RGB 82 109 27 and RGB 65 91 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 163 84 shade: RGB 132 162 83, RGB 153 162 83, RGB 162 149 83, RGB 162 128 83 and RGB 162 107 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 163 84 shade: RGB 132 162 83, RGB 111 162 83, RGB 90 162 83, RGB 83 162 98 and RGB 83 162 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 163 84 shade matches the following richer shades: RGB 132 162 83, RGB 137 181 63, RGB 141 201 44, RGB 146 221 24 and RGB 151 241 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 163 84 shade: RGB 132 162 83, RGB 127 142 103, RGB 122 122 123, RGB 118 102 143 and RGB 113 82 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 163 84 shade: RGB 162 149 83, RGB 154 162 83, RGB 133 162 83, RGB 112 162 83 and RGB 91 162 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 163 84 shade: RGB 87 107 55, RGB 110 134 69, RGB 132 162 83, RGB 152 179 107 and RGB 171 193 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 163 84 shade: RGB 133 163 84, RGB 83 162 128 and RGB 159 83 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 163 84 shade: RGB 133 163 84, RGB 83 133 162 and RGB 162 83 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 163 84 shade: RGB 133 163 84, RGB 83 162 128, RGB 112 83 162 and RGB 162 83 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 163 84 shade: RGB 133 163 84, RGB 83 162 151, RGB 112 83 162 and RGB 162 83 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

Complementary color

CMYK 29 / 46 / 0 / 33

HEX #7A5CAB

RGB 122 92 171

HSL 262.78, 0.32%, 0.52%

LAB 45.27, 29.32, -38.04

 

CMYK 15 / 0 / 52 / 36

HEX #8AA34F

RGB 138 163 79

HSL 77.86, 0.35%, 0.47%

LAB 63.48, -22.26, 40.38

 

CMYK 14 / 0 / 46 / 29

HEX #9BB562

RGB 155 181 98

HSL 78.8, 0.36%, 0.55%

LAB 70.1, -22.42, 39.2

 

CMYK 14 / 0 / 41 / 22

HEX #ACC775

RGB 172 199 117

HSL 79.76, 0.42%, 0.62%

LAB 76.62, -22.52, 38.02

 

CMYK 13 / 0 / 37 / 15

HEX #BDD988

RGB 189 217 136

HSL 80.74, 0.52%, 0.69%

LAB 83.03, -22.58, 36.87

 

CMYK 12 / 0 / 34 / 8

HEX #CEEB9B

RGB 206 235 155

HSL 81.75, 0.67%, 0.76%

LAB 89.35, -22.62, 35.76

 

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

CMYK 20 / 0 / 55 / 43

HEX #749141

RGB 116 145 65

HSL 81.75, 0.38%, 0.41%

LAB 56.43, -23.58, 38.62

 

CMYK 22 / 0 / 64 / 50

HEX #637F2E

RGB 99 127 46

HSL 80.74, 0.47%, 0.34%

LAB 49.53, -23.35, 39.65

 

CMYK 25 / 0 / 75 / 57

HEX #526D1B

RGB 82 109 27

HSL 79.76, 0.6%, 0.27%

LAB 42.48, -22.93, 40.23

 

CMYK 29 / 0 / 91 / 64

HEX #415B08

RGB 65 91 8

HSL 78.8, 0.84%, 0.19%

LAB 35.25, -22.2, 39.58

 

CMYK 19 / 0 / 49 / 36

HEX #84A253

RGB 132 162 83

HSL 82.78, 0.32%, 0.48%

LAB 62.82, -23.72, 37.48

 

CMYK 6 / 0 / 49 / 36

HEX #99A253

RGB 153 162 83

HSL 66.84, 0.32%, 0.48%

LAB 64.35, -15.17, 39.7

 

CMYK 0 / 8 / 49 / 36

HEX #A29553

RGB 162 149 83

HSL 50.13, 0.32%, 0.48%

LAB 61.48, -4.44, 36.38

 

CMYK 0 / 21 / 49 / 36

HEX #A28053

RGB 162 128 83

HSL 34.18, 0.32%, 0.48%

LAB 55.83, 7.21, 29.33

 

CMYK 0 / 34 / 49 / 36

HEX #A26B53

RGB 162 107 83

HSL 18.23, 0.32%, 0.48%

LAB 50.48, 19.14, 22.4

 

CMYK 19 / 0 / 49 / 36

HEX #84A253

RGB 132 162 83

HSL 82.78, 0.32%, 0.48%

LAB 62.82, -23.72, 37.48

 

CMYK 31 / 0 / 49 / 36

HEX #6FA253

RGB 111 162 83

HSL 98.73, 0.32%, 0.48%

LAB 61.52, -31.69, 35.59

 

CMYK 44 / 0 / 49 / 36

HEX #5AA253

RGB 90 162 83

HSL 114.68, 0.32%, 0.48%

LAB 60.46, -38.78, 34.04

 

CMYK 49 / 0 / 40 / 36

HEX #53A262

RGB 83 162 98

HSL 131.39, 0.32%, 0.48%

LAB 60.39, -38.51, 25.99

 

CMYK 49 / 0 / 27 / 36

HEX #53A277

RGB 83 162 119

HSL 147.34, 0.32%, 0.48%

LAB 60.79, -34.51, 15.03

 

CMYK 19 / 0 / 49 / 36

HEX #84A253

RGB 132 162 83

HSL 82.78, 0.32%, 0.48%

LAB 62.82, -23.72, 37.48

 

CMYK 24 / 0 / 65 / 29

HEX #89B53F

RGB 137 181 63

HSL 82.37, 0.48%, 0.48%

LAB 68.55, -32.8, 53.44

 

CMYK 30 / 0 / 78 / 21

HEX #8DC92C

RGB 141 201 44

HSL 82.93, 0.64%, 0.48%

LAB 74.58, -41.43, 66.33

 

CMYK 34 / 0 / 89 / 13

HEX #92DD18

RGB 146 221 24

HSL 82.84, 0.8%, 0.48%

LAB 80.68, -48.77, 76.32

 

CMYK 37 / 0 / 98 / 5

HEX #97F104

RGB 151 241 4

HSL 82.78, 0.97%, 0.48%

LAB 86.75, -55.4, 83.45

 

CMYK 19 / 0 / 49 / 36

HEX #84A253

RGB 132 162 83

HSL 82.78, 0.32%, 0.48%

LAB 62.82, -23.72, 37.48

 

CMYK 11 / 0 / 27 / 44

HEX #7F8E67

RGB 127 142 103

HSL 83.08, 0.16%, 0.48%

LAB 56.92, -12.63, 19.03

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 17 / 29 / 0 / 44

HEX #76668F

RGB 118 102 143

HSL 263.41, 0.17%, 0.48%

LAB 46.09, 15.06, -20.19

 

CMYK 30 / 49 / 0 / 36

HEX #7152A2

RGB 113 82 162

HSL 263.25, 0.33%, 0.48%

LAB 41.46, 30.4, -38.8

 

CMYK 0 / 8 / 49 / 36

HEX #A29553

RGB 162 149 83

HSL 50.13, 0.32%, 0.48%

LAB 61.48, -4.44, 36.38

 

CMYK 5 / 0 / 49 / 36

HEX #9AA253

RGB 154 162 83

HSL 66.08, 0.32%, 0.48%

LAB 64.43, -14.76, 39.81

 

CMYK 18 / 0 / 49 / 36

HEX #85A253

RGB 133 162 83

HSL 82.03, 0.32%, 0.48%

LAB 62.89, -23.32, 37.58

 

CMYK 31 / 0 / 49 / 36

HEX #70A253

RGB 112 162 83

HSL 97.97, 0.32%, 0.48%

LAB 61.58, -31.33, 35.67

 

CMYK 44 / 0 / 49 / 36

HEX #5BA253

RGB 91 162 83

HSL 113.92, 0.32%, 0.48%

LAB 60.51, -38.47, 34.11

 

CMYK 19 / 0 / 49 / 58

HEX #576B37

RGB 87 107 55

HSL 83.08, 0.32%, 0.32%

LAB 42.49, -17.02, 26.61

 

CMYK 18 / 0 / 49 / 47

HEX #6E8645

RGB 110 134 69

HSL 82.15, 0.32%, 0.4%

LAB 52.72, -19.98, 32.02

 

CMYK 19 / 0 / 49 / 36

HEX #84A253

RGB 132 162 83

HSL 82.78, 0.32%, 0.48%

LAB 62.82, -23.72, 37.48

 

CMYK 15 / 0 / 40 / 30

HEX #98B36B

RGB 152 179 107

HSL 82.5, 0.32%, 0.56%

LAB 69.45, -21.5, 33.73

 

CMYK 11 / 0 / 31 / 24

HEX #ABC186

RGB 171 193 134

HSL 82.37, 0.32%, 0.64%

LAB 75.15, -17.68, 27.3

 

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

CMYK 49 / 0 / 21 / 36

HEX #53A280

RGB 83 162 128

HSL 154.18, 0.32%, 0.48%

LAB 60.99, -32.57, 10.29

 

CMYK 2 / 49 / 0 / 36

HEX #9F53A2

RGB 159 83 162

HSL 297.72, 0.32%, 0.48%

LAB 47.19, 43.27, -29.4

 

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

CMYK 49 / 18 / 0 / 36

HEX #5385A2

RGB 83 133 162

HSL 202.03, 0.32%, 0.48%

LAB 53.19, -8.6, -20.65

 

CMYK 0 / 49 / 18 / 36

HEX #A25385

RGB 162 83 133

HSL 322.03, 0.32%, 0.48%

LAB 46.39, 39.11, -13.28

 

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

CMYK 49 / 0 / 21 / 36

HEX #53A280

RGB 83 162 128

HSL 154.18, 0.32%, 0.48%

LAB 60.99, -32.57, 10.29

 

CMYK 31 / 49 / 0 / 36

HEX #7053A2

RGB 112 83 162

HSL 262.03, 0.32%, 0.48%

LAB 41.59, 29.52, -38.59

 

CMYK 0 / 49 / 28 / 36

HEX #A25375

RGB 162 83 117

HSL 334.18, 0.32%, 0.48%

LAB 45.84, 36.69, -4.42

 

CMYK 18 / 0 / 48 / 36

HEX #85A354

RGB 133 163 84

HSL 82.78, 0.32%, 0.48%

LAB 63.19, -23.71, 37.45

 

CMYK 49 / 0 / 7 / 36

HEX #53A297

RGB 83 162 151

HSL 171.65, 0.32%, 0.48%

LAB 61.58, -27.06, -1.78

 

CMYK 31 / 49 / 0 / 36

HEX #7053A2

RGB 112 83 162

HSL 262.03, 0.32%, 0.48%

LAB 41.59, 29.52, -38.59

 

CMYK 0 / 49 / 42 / 36

HEX #A2535E

RGB 162 83 94

HSL 351.65, 0.32%, 0.48%

LAB 45.19, 33.73, 8.64

 

Description

Color code: RGB 133 163 84 | qconv.com Color code: RGB 133 163 84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 163 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 163 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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