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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 134 127 it is the complementary color RGB 122 121 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 134 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 133 134 127: RGB 138 134 122, RGB 155 152 141, RGB 172 170 160, RGB 189 188 179 and RGB 206 206 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 134 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 133 134 127: RGB 133 134 127, RGB 116 116 108, RGB 99 98 89, RGB 82 80 70 and RGB 65 62 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

Complementary color

CMYK 5 / 5 / 0 / 50

HEX #7A7980

RGB 122 121 128

HSL 248.57, 0.03%, 0.49%

LAB 51.12, 1.81, -3.69

 

CMYK 0 / 3 / 12 / 46

HEX #8A867A

RGB 138 134 122

HSL 45, 0.06%, 0.51%

LAB 55.95, -0.72, 6.99

 

CMYK 0 / 2 / 9 / 39

HEX #9B988D

RGB 155 152 141

HSL 47.14, 0.07%, 0.58%

LAB 62.8, -0.92, 6.17

 

CMYK 0 / 1 / 7 / 33

HEX #ACAAA0

RGB 172 170 160

HSL 50, 0.07%, 0.65%

LAB 69.51, -1.1, 5.4

 

CMYK 0 / 1 / 5 / 26

HEX #BDBCB3

RGB 189 188 179

HSL 54, 0.07%, 0.72%

LAB 76.09, -1.27, 4.66

 

CMYK 0 / 0 / 4 / 19

HEX #CECEC6

RGB 206 206 198

HSL 60, 0.08%, 0.79%

LAB 82.56, -1.43, 3.96

SW® 7654

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 0 / 0 / 7 / 55

HEX #74746C

RGB 116 116 108

HSL 60, 0.04%, 0.44%

LAB 48.62, -1.57, 4.41

 

CMYK 0 / 1 / 10 / 61

HEX #636259

RGB 99 98 89

HSL 54, 0.05%, 0.37%

LAB 41.39, -1.39, 5.26

 

CMYK 0 / 2 / 15 / 68

HEX #525046

RGB 82 80 70

HSL 50, 0.08%, 0.3%

LAB 33.93, -1.19, 6.19

 

CMYK 0 / 5 / 22 / 75

HEX #413E33

RGB 65 62 51

HSL 47.14, 0.12%, 0.23%

LAB 26.18, -0.93, 7.24

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 2 / 0 / 5 / 48

HEX #83857E

RGB 131 133 126

HSL 77.14, 0.03%, 0.51%

LAB 55.18, -2.1, 3.5

 

CMYK 2 / 0 / 5 / 48

HEX #82857E

RGB 130 133 126

HSL 85.71, 0.03%, 0.51%

LAB 55.1, -2.48, 3.38

 

CMYK 3 / 0 / 5 / 48

HEX #81857E

RGB 129 133 126

HSL 94.29, 0.03%, 0.51%

LAB 55.02, -2.86, 3.25

 

CMYK 5 / 0 / 5 / 48

HEX #7F857E

RGB 127 133 126

HSL 111.43, 0.03%, 0.51%

LAB 54.86, -3.61, 3

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 1 / 0 / 5 / 27

HEX #B8B9AF

RGB 184 185 175

HSL 66, 0.07%, 0.71%

LAB 74.81, -2.17, 4.94

 

CMYK 1 / 0 / 5 / 7

HEX #EAECE0

RGB 234 236 224

HSL 70, 0.24%, 0.9%

LAB 92.96, -2.76, 5.57

 

CMYK 0 / 0 / 6 / 87

HEX #20201E

RGB 32 32 30

HSL 60, 0.03%, 0.12%

LAB 12.18, -0.49, 1.36

 

CMYK 1 / 0 / 5 / 67

HEX #52534F

RGB 82 83 79

HSL 75, 0.02%, 0.32%

LAB 35.09, -1.25, 2.19

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 5 / 0 / 4 / 48

HEX #7E8580

RGB 126 133 128

HSL 137.14, 0.03%, 0.51%

LAB 54.83, -3.59, 1.79

 

CMYK 2 / 5 / 0 / 48

HEX #837E85

RGB 131 126 133

HSL 282.86, 0.03%, 0.51%

LAB 53.43, 3.27, -3.12

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 5 / 1 / 0 / 48

HEX #7E8485

RGB 126 132 133

HSL 188.57, 0.03%, 0.51%

LAB 54.69, -2, -1.31

 

CMYK 0 / 5 / 1 / 48

HEX #857E84

RGB 133 126 132

HSL 308.57, 0.03%, 0.51%

LAB 53.57, 3.82, -2.31

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 5 / 0 / 4 / 48

HEX #7E8580

RGB 126 133 128

HSL 137.14, 0.03%, 0.51%

LAB 54.83, -3.59, 1.79

 

CMYK 5 / 5 / 0 / 48

HEX #7F7E85

RGB 127 126 133

HSL 248.57, 0.03%, 0.51%

LAB 53.09, 1.8, -3.66

 

CMYK 0 / 5 / 2 / 48

HEX #857E83

RGB 133 126 131

HSL 317.14, 0.03%, 0.51%

LAB 53.54, 3.62, -1.77

 

CMYK 1 / 0 / 5 / 47

HEX #85867F

RGB 133 134 127

HSL 68.57, 0.03%, 0.51%

LAB 55.65, -1.72, 3.63

 

CMYK 5 / 0 / 2 / 48

HEX #7E8583

RGB 126 133 131

HSL 162.86, 0.03%, 0.51%

LAB 54.92, -2.98, 0.18

 

CMYK 5 / 5 / 0 / 48

HEX #7F7E85

RGB 127 126 133

HSL 248.57, 0.03%, 0.51%

LAB 53.09, 1.8, -3.66

 

CMYK 0 / 5 / 3 / 48

HEX #857E81

RGB 133 126 129

HSL 334.29, 0.03%, 0.51%

LAB 53.49, 3.23, -0.68

 

Description

Color code: RGB 133 134 127 | qconv.com Color code: RGB 133 134 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 134 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 134 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 5 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 5% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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