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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 227 186 it is the complementary color RGB 123 28 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 227 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 227 186: RGB 137 227 181, RGB 154 245 200, RGB 171 255 219, RGB 188 255 238 and RGB 205 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 227 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 227 186: RGB 132 227 186, RGB 115 209 167, RGB 98 191 148, RGB 81 173 129 and RGB 64 155 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

Complementary color

CMYK 0 / 77 / 44 / 52

HEX #7B1C45

RGB 123 28 69

HSL 334.11, 0.63%, 0.3%

LAB 28.04, 43.5, -0.92

 

CMYK 40 / 0 / 20 / 11

HEX #89E3B5

RGB 137 227 181

HSL 149.33, 0.62%, 0.71%

LAB 83.75, -37.05, 14.11

 

CMYK 37 / 0 / 18 / 4

HEX #9AF5C8

RGB 154 245 200

HSL 150.33, 0.82%, 0.78%

LAB 90.02, -36.81, 13.18

 

CMYK 33 / 0 / 14 / 0

HEX #ABFFDB

RGB 171 255 219

HSL 154.29, 1%, 0.84%

LAB 94.01, -32.89, 9.17

 

CMYK 26 / 0 / 7 / 0

HEX #BCFFEE

RGB 188 255 238

HSL 164.78, 1%, 0.87%

LAB 95.32, -24.19, 1.39

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 45 / 0 / 20 / 18

HEX #73D1A7

RGB 115 209 167

HSL 153.19, 0.51%, 0.64%

LAB 77.3, -37.59, 12.27

 

CMYK 49 / 0 / 23 / 25

HEX #62BF94

RGB 98 191 148

HSL 152.26, 0.42%, 0.57%

LAB 70.87, -37.78, 13.3

 

CMYK 53 / 0 / 25 / 32

HEX #51AD81

RGB 81 173 129

HSL 151.3, 0.36%, 0.5%

LAB 64.34, -37.91, 14.43

 

CMYK 59 / 0 / 29 / 39

HEX #409B6E

RGB 64 155 110

HSL 150.33, 0.42%, 0.43%

LAB 57.71, -37.95, 15.67

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 42 / 0 / 12 / 11

HEX #82E2C8

RGB 130 226 200

HSL 163.75, 0.62%, 0.7%

LAB 83.6, -34.43, 3.85

 

CMYK 42 / 0 / 4 / 11

HEX #82E2D9

RGB 130 226 217

HSL 174.38, 0.62%, 0.7%

LAB 84.04, -30.5, -4.49

 

CMYK 42 / 3 / 0 / 11

HEX #82DCE2

RGB 130 220 226

HSL 183.75, 0.62%, 0.7%

LAB 82.61, -25.4, -11.4

 

CMYK 42 / 10 / 0 / 11

HEX #82CCE2

RGB 130 204 226

HSL 193.75, 0.62%, 0.7%

LAB 78.12, -17.38, -18.13

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 43 / 0 / 17 / 91

HEX #0D1713

RGB 13 23 19

HSL 156, 0.28%, 0.07%

LAB 6.73, -4.86, 1.18

 

CMYK 42 / 0 / 18 / 71

HEX #2B4A3D

RGB 43 74 61

HSL 154.84, 0.26%, 0.23%

LAB 28.77, -14.98, 4.17

 

CMYK 42 / 0 / 18 / 51

HEX #497D66

RGB 73 125 102

HSL 153.46, 0.26%, 0.39%

LAB 48.31, -23.09, 7.13

 

CMYK 42 / 0 / 18 / 31

HEX #66B090

RGB 102 176 144

HSL 154.05, 0.32%, 0.55%

LAB 66.44, -30.59, 9.24

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 42 / 33 / 0 / 11

HEX #8298E2

RGB 130 152 226

HSL 226.25, 0.62%, 0.7%

LAB 63.91, 11.05, -39.99

 

CMYK 0 / 35 / 42 / 11

HEX #E29282

RGB 226 146 130

HSL 10, 0.62%, 0.7%

LAB 68.27, 28.4, 21.03

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 19 / 42 / 0 / 11

HEX #B882E2

RGB 184 130 226

HSL 273.75, 0.62%, 0.7%

LAB 63.05, 38.52, -41.02

 

CMYK 0 / 19 / 42 / 11

HEX #E2B882

RGB 226 184 130

HSL 33.75, 0.62%, 0.7%

LAB 77.32, 8.1, 33.11

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 42 / 33 / 0 / 11

HEX #8298E2

RGB 130 152 226

HSL 226.25, 0.62%, 0.7%

LAB 63.91, 11.05, -39.99

 

CMYK 0 / 42 / 24 / 11

HEX #E282AC

RGB 226 130 172

HSL 333.75, 0.62%, 0.7%

LAB 65.84, 42.06, -6.02

 

CMYK 0 / 10 / 42 / 11

HEX #E2CC82

RGB 226 204 130

HSL 46.25, 0.62%, 0.7%

LAB 82.36, -2.36, 39.61

 

CMYK 42 / 0 / 18 / 11

HEX #84E3BA

RGB 132 227 186

HSL 154.11, 0.63%, 0.7%

LAB 83.65, -37.38, 11.3

 

CMYK 40 / 42 / 0 / 11

HEX #8882E2

RGB 136 130 226

HSL 243.75, 0.62%, 0.7%

LAB 58.69, 25.41, -48.19

 

CMYK 0 / 42 / 24 / 11

HEX #E282AC

RGB 226 130 172

HSL 333.75, 0.62%, 0.7%

LAB 65.84, 42.06, -6.02

 

CMYK 3 / 0 / 42 / 11

HEX #DCE282

RGB 220 226 130

HSL 63.75, 0.62%, 0.7%

LAB 87.59, -15.84, 46.1

 

Description

Color code: RGB 132 227 186 | qconv.com Color code: RGB 132 227 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 227 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 227 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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