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Color name
RGB 132 213 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 213 92 it is the complementary color RGB 123 42 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 213 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 213 92 shade: RGB 137 213 87, RGB 154 231 106, RGB 171 249 125, RGB 188 255 144 and RGB 205 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 213 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 115 195 73, RGB 98 177 54, RGB 81 159 35 and RGB 64 141 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 165 213 92, RGB 197 213 92, RGB 213 196 92 and RGB 213 163 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 100 213 92, RGB 92 213 117, RGB 92 213 150 and RGB 92 213 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 213 92 shade matches the following richer shades: RGB 132 213 92, RGB 127 229 76 and RGB 121 246 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 138 196 109, RGB 143 180 125, RGB 149 163 142 and RGB 154 147 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 213 92 shade: RGB 197 213 92, RGB 165 213 92, RGB 132 213 92, RGB 100 213 92 and RGB 92 213 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 213 92 shade: RGB 89 177 45, RGB 107 204 60, RGB 132 213 92, RGB 157 221 125 and RGB 182 230 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 92 213 197 and RGB 213 92 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 92 132 213 and RGB 213 92 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 92 213 197, RGB 173 92 213 and RGB 213 92 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 213 92 shade: RGB 132 213 92, RGB 92 193 213, RGB 173 92 213 and RGB 213 112 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

Complementary color

CMYK 25 / 74 / 0 / 36

HEX #7B2AA3

RGB 123 42 163

HSL 280.17, 0.59%, 0.4%

LAB 35.03, 53.86, -49.64

 

CMYK 36 / 0 / 59 / 16

HEX #89D557

RGB 137 213 87

HSL 96.19, 0.6%, 0.59%

LAB 78.22, -44.95, 53.77

 

CMYK 33 / 0 / 54 / 9

HEX #9AE76A

RGB 154 231 106

HSL 96.96, 0.72%, 0.66%

LAB 84.52, -45, 52.75

 

CMYK 31 / 0 / 50 / 2

HEX #ABF97D

RGB 171 249 125

HSL 97.74, 0.91%, 0.73%

LAB 90.73, -44.98, 51.64

 

CMYK 26 / 0 / 44 / 0

HEX #BCFF90

RGB 188 255 144

HSL 96.22, 1%, 0.78%

LAB 93.55, -39.65, 46.36

 

CMYK 20 / 0 / 36 / 0

HEX #CDFFA3

RGB 205 255 163

HSL 92.61, 1%, 0.82%

LAB 94.8, -31.38, 38.91

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 41 / 0 / 63 / 24

HEX #73C349

RGB 115 195 73

HSL 99.34, 0.5%, 0.53%

LAB 71.66, -46, 52.23

 

CMYK 45 / 0 / 69 / 31

HEX #62B136

RGB 98 177 54

HSL 98.54, 0.53%, 0.45%

LAB 65.21, -45.73, 52.94

 

CMYK 49 / 0 / 78 / 38

HEX #519F23

RGB 81 159 35

HSL 97.74, 0.64%, 0.38%

LAB 58.66, -45.21, 53.1

 

CMYK 55 / 0 / 89 / 45

HEX #408D10

RGB 64 141 16

HSL 96.96, 0.8%, 0.31%

LAB 52.04, -44.31, 52.14

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 23 / 0 / 57 / 16

HEX #A5D55C

RGB 165 213 92

HSL 83.8, 0.59%, 0.6%

LAB 79.82, -34.47, 53.78

 

CMYK 8 / 0 / 57 / 16

HEX #C5D55C

RGB 197 213 92

HSL 67.93, 0.59%, 0.6%

LAB 81.96, -22.02, 56.79

 

CMYK 0 / 8 / 57 / 16

HEX #D5C45C

RGB 213 196 92

HSL 51.57, 0.59%, 0.6%

LAB 78.69, -6.94, 53.42

 

CMYK 0 / 23 / 57 / 16

HEX #D5A35C

RGB 213 163 92

HSL 35.21, 0.59%, 0.6%

LAB 70.26, 10.46, 43.57

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 53 / 0 / 57 / 16

HEX #64D55C

RGB 100 213 92

HSL 116.03, 0.59%, 0.6%

LAB 76.72, -55.56, 49.39

 

CMYK 57 / 0 / 45 / 16

HEX #5CD575

RGB 92 213 117

HSL 132.4, 0.59%, 0.6%

LAB 76.77, -54.15, 37.4

 

CMYK 57 / 0 / 30 / 16

HEX #5CD596

RGB 92 213 150

HSL 148.76, 0.59%, 0.6%

LAB 77.32, -48.31, 21.17

 

CMYK 57 / 0 / 15 / 16

HEX #5CD5B6

RGB 92 213 182

HSL 164.63, 0.59%, 0.6%

LAB 78.02, -41.31, 5.17

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 45 / 0 / 67 / 10

HEX #7FE54C

RGB 127 229 76

HSL 100, 0.75%, 0.6%

LAB 82.42, -55.63, 62.8

 

CMYK 51 / 0 / 76 / 4

HEX #79F63B

RGB 121 246 59

HSL 100.11, 0.91%, 0.6%

LAB 87.14, -64.85, 73.37

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 30 / 0 / 44 / 23

HEX #8AC46D

RGB 138 196 109

HSL 100, 0.42%, 0.6%

LAB 73.54, -34.58, 37.72

 

CMYK 21 / 0 / 31 / 29

HEX #8FB47D

RGB 143 180 125

HSL 100.36, 0.27%, 0.6%

LAB 69.44, -22.82, 24.1

 

CMYK 9 / 0 / 13 / 36

HEX #95A38E

RGB 149 163 142

HSL 100, 0.1%, 0.6%

LAB 65.39, -8.96, 9.24

 

CMYK 3 / 7 / 0 / 38

HEX #9A939E

RGB 154 147 158

HSL 278.18, 0.05%, 0.6%

LAB 61.83, 4.69, -4.87

 

CMYK 8 / 0 / 57 / 16

HEX #C5D55C

RGB 197 213 92

HSL 67.93, 0.59%, 0.6%

LAB 81.96, -22.02, 56.79

 

CMYK 23 / 0 / 57 / 16

HEX #A5D55C

RGB 165 213 92

HSL 83.8, 0.59%, 0.6%

LAB 79.82, -34.47, 53.78

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 53 / 0 / 57 / 16

HEX #64D55C

RGB 100 213 92

HSL 116.03, 0.59%, 0.6%

LAB 76.72, -55.56, 49.39

 

CMYK 57 / 0 / 46 / 16

HEX #5CD574

RGB 92 213 116

HSL 131.9, 0.59%, 0.6%

LAB 76.75, -54.3, 37.88

 

CMYK 50 / 0 / 75 / 31

HEX #59B12D

RGB 89 177 45

HSL 100, 0.59%, 0.44%

LAB 64.77, -49.19, 55.74

 

CMYK 48 / 0 / 71 / 20

HEX #6BCC3C

RGB 107 204 60

HSL 100.42, 0.59%, 0.52%

LAB 73.96, -53.2, 59.81

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 29 / 0 / 43 / 13

HEX #9DDD7D

RGB 157 221 125

HSL 100, 0.59%, 0.68%

LAB 82.03, -37.35, 40.7

 

CMYK 21 / 0 / 31 / 10

HEX #B6E69E

RGB 182 230 158

HSL 100, 0.59%, 0.76%

LAB 86.51, -28.34, 30.19

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 57 / 0 / 8 / 16

HEX #5CD5C5

RGB 92 213 197

HSL 172.07, 0.59%, 0.6%

LAB 78.4, -37.63, -2.3

 

CMYK 0 / 57 / 15 / 16

HEX #D55CB5

RGB 213 92 181

HSL 315.87, 0.59%, 0.6%

LAB 57.21, 57.91, -24.37

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 57 / 38 / 0 / 16

HEX #5C84D5

RGB 92 132 213

HSL 220.17, 0.59%, 0.6%

LAB 55.67, 10.06, -45.87

 

CMYK 0 / 57 / 38 / 16

HEX #D55C84

RGB 213 92 132

HSL 340.17, 0.59%, 0.6%

LAB 55.55, 51.45, 1.73

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 57 / 0 / 8 / 16

HEX #5CD5C5

RGB 92 213 197

HSL 172.07, 0.59%, 0.6%

LAB 78.4, -37.63, -2.3

 

CMYK 19 / 57 / 0 / 16

HEX #AD5CD5

RGB 173 92 213

HSL 280.17, 0.59%, 0.6%

LAB 53.32, 52.87, -49.16

 

CMYK 0 / 57 / 49 / 16

HEX #D55C6C

RGB 213 92 108

HSL 352.07, 0.59%, 0.6%

LAB 54.95, 49.02, 15.03

 

CMYK 38 / 0 / 57 / 16

HEX #84D55C

RGB 132 213 92

HSL 100.17, 0.59%, 0.6%

LAB 78.03, -46.11, 51.25

 

CMYK 57 / 9 / 0 / 16

HEX #5CC1D5

RGB 92 193 213

HSL 189.92, 0.59%, 0.6%

LAB 73.04, -23.72, -18.95

 

CMYK 19 / 57 / 0 / 16

HEX #AD5CD5

RGB 173 92 213

HSL 280.17, 0.59%, 0.6%

LAB 53.32, 52.87, -49.16

 

CMYK 0 / 47 / 57 / 16

HEX #D5705C

RGB 213 112 92

HSL 9.92, 0.59%, 0.6%

LAB 58.52, 37.76, 29.02

 

Description

Color code: RGB 132 213 92 | qconv.com Color code: RGB 132 213 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 213 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 213 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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