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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 195 199 it is the complementary color RGB 123 60 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 195 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 195 199 shade: RGB 137 195 194, RGB 154 213 213, RGB 171 231 232, RGB 188 249 251 and RGB 205 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 195 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 195 199 shade: RGB 132 195 199, RGB 115 177 180, RGB 98 159 161, RGB 81 141 142 and RGB 64 123 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 195 199 shade: RGB 133 195 199, RGB 133 177 199, RGB 133 159 199, RGB 133 141 199 and RGB 142 133 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 195 199 shade: RGB 133 195 199, RGB 133 177 199, RGB 133 159 199, RGB 133 141 199 and RGB 133 133 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 195 199 shade matches the following richer shades: RGB 133 195 199, RGB 118 208 213, RGB 104 220 228 and RGB 89 233 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 195 199 shade: RGB 133 195 199, RGB 147 182 184, RGB 162 169 170, RGB 176 157 155 and RGB 190 144 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 195 199 shade: RGB 133 199 167, RGB 133 199 184, RGB 133 195 199, RGB 133 178 199 and RGB 133 160 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 195 199 shade: RGB 78 165 171, RGB 104 181 186, RGB 133 195 199, RGB 161 209 212 and RGB 189 223 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 195 199 shade: RGB 132 195 199, RGB 149 133 199 and RGB 199 176 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 195 199 shade: RGB 132 195 199, RGB 199 133 195 and RGB 195 199 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 195 199 shade: RGB 132 195 199, RGB 149 133 199, RGB 199 136 133 and RGB 182 199 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 195 199 shade: RGB 132 195 199, RGB 169 133 199, RGB 199 136 133 and RGB 162 199 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

Complementary color

CMYK 0 / 51 / 54 / 52

HEX #7B3C38

RGB 123 60 56

HSL 3.58, 0.37%, 0.35%

LAB 33.41, 26.92, 15.13

 

CMYK 30 / 0 / 1 / 24

HEX #89C3C2

RGB 137 195 194

HSL 178.97, 0.33%, 0.65%

LAB 74.98, -18.8, -5.51

 

CMYK 28 / 0 / 0 / 16

HEX #9AD5D5

RGB 154 213 213

HSL 180, 0.41%, 0.72%

LAB 81.44, -18.71, -6.09

 

CMYK 26 / 0 / 0 / 9

HEX #ABE7E8

RGB 171 231 232

HSL 180.98, 0.57%, 0.79%

LAB 87.79, -18.62, -6.64

 

CMYK 25 / 1 / 0 / 2

HEX #BCF9FB

RGB 188 249 251

HSL 181.9, 0.89%, 0.86%

LAB 94.06, -18.54, -7.18

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

CMYK 36 / 2 / 0 / 29

HEX #73B1B4

RGB 115 177 180

HSL 182.77, 0.3%, 0.58%

LAB 68.3, -19.09, -7.87

 

CMYK 39 / 1 / 0 / 37

HEX #629FA1

RGB 98 159 161

HSL 181.9, 0.25%, 0.51%

LAB 61.63, -19.14, -7.28

 

CMYK 43 / 1 / 0 / 44

HEX #518D8E

RGB 81 141 142

HSL 180.98, 0.27%, 0.44%

LAB 54.82, -19.17, -6.65

 

CMYK 48 / 0 / 0 / 52

HEX #407B7B

RGB 64 123 123

HSL 180, 0.32%, 0.37%

LAB 47.86, -19.16, -5.97

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 33 / 11 / 0 / 22

HEX #85B1C7

RGB 133 177 199

HSL 200, 0.37%, 0.65%

LAB 69.86, -9.33, -15.91

 

CMYK 33 / 20 / 0 / 22

HEX #859FC7

RGB 133 159 199

HSL 216.36, 0.37%, 0.65%

LAB 64.89, 0.55, -23.47

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 29 / 33 / 0 / 22

HEX #8E85C7

RGB 142 133 199

HSL 248.18, 0.37%, 0.65%

LAB 58.65, 18.11, -33.05

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 33 / 11 / 0 / 22

HEX #85B1C7

RGB 133 177 199

HSL 200, 0.37%, 0.65%

LAB 69.86, -9.33, -15.91

 

CMYK 33 / 20 / 0 / 22

HEX #859FC7

RGB 133 159 199

HSL 216.36, 0.37%, 0.65%

LAB 64.89, 0.55, -23.47

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 33 / 33 / 0 / 22

HEX #8585C7

RGB 133 133 199

HSL 240, 0.37%, 0.65%

LAB 57.93, 15.49, -34.23

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 45 / 2 / 0 / 16

HEX #76D0D5

RGB 118 208 213

HSL 183.16, 0.53%, 0.65%

LAB 78.33, -25.63, -10.89

 

CMYK 54 / 4 / 0 / 11

HEX #68DCE4

RGB 104 220 228

HSL 183.87, 0.7%, 0.65%

LAB 81.69, -30.51, -13.93

 

CMYK 63 / 4 / 0 / 5

HEX #59E9F2

RGB 89 233 242

HSL 183.53, 0.85%, 0.65%

LAB 85.41, -35.41, -15.8

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 20 / 1 / 0 / 28

HEX #93B6B8

RGB 147 182 184

HSL 183.24, 0.21%, 0.65%

LAB 71.64, -11.31, -4.93

 

CMYK 5 / 1 / 0 / 33

HEX #A2A9AA

RGB 162 169 170

HSL 187.5, 0.04%, 0.65%

LAB 68.72, -2.27, -1.38

 

CMYK 0 / 11 / 12 / 31

HEX #B09D9B

RGB 176 157 155

HSL 5.71, 0.12%, 0.65%

LAB 66.3, 6.62, 3.58

 

CMYK 0 / 24 / 26 / 25

HEX #BE908D

RGB 190 144 141

HSL 3.67, 0.27%, 0.65%

LAB 64.01, 16.94, 8.34

 

CMYK 33 / 0 / 16 / 22

HEX #85C7A7

RGB 133 199 167

HSL 150.91, 0.37%, 0.65%

LAB 75.22, -27.86, 9.42

 

CMYK 33 / 0 / 8 / 22

HEX #85C7B8

RGB 133 199 184

HSL 166.36, 0.37%, 0.65%

LAB 75.63, -24.23, 0.84

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 33 / 11 / 0 / 22

HEX #85B2C7

RGB 133 178 199

HSL 199.09, 0.37%, 0.65%

LAB 70.14, -9.86, -15.49

 

CMYK 33 / 20 / 0 / 22

HEX #85A0C7

RGB 133 160 199

HSL 215.45, 0.37%, 0.65%

LAB 65.16, -0.01, -23.05

 

CMYK 54 / 4 / 0 / 33

HEX #4EA5AB

RGB 78 165 171

HSL 183.87, 0.37%, 0.49%

LAB 62.9, -24.3, -11.08

 

CMYK 44 / 3 / 0 / 27

HEX #68B5BA

RGB 104 181 186

HSL 183.66, 0.37%, 0.57%

LAB 69.14, -22.45, -9.99

 

CMYK 33 / 2 / 0 / 22

HEX #85C3C7

RGB 133 195 199

HSL 183.64, 0.37%, 0.65%

LAB 74.91, -18.75, -8.35

 

CMYK 24 / 1 / 0 / 17

HEX #A1D1D4

RGB 161 209 212

HSL 183.53, 0.37%, 0.73%

LAB 80.7, -14.86, -6.6

 

CMYK 16 / 1 / 0 / 12

HEX #BDDFE1

RGB 189 223 225

HSL 183.33, 0.38%, 0.81%

LAB 86.52, -10.69, -4.72

 

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

CMYK 25 / 33 / 0 / 22

HEX #9585C7

RGB 149 133 199

HSL 254.55, 0.37%, 0.65%

LAB 59.24, 20.2, -32.09

 

CMYK 0 / 12 / 33 / 22

HEX #C7B085

RGB 199 176 133

HSL 39.09, 0.37%, 0.65%

LAB 72.82, 1.93, 25.09

 

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

CMYK 0 / 33 / 2 / 22

HEX #C785C3

RGB 199 133 195

HSL 303.64, 0.37%, 0.65%

LAB 64.05, 35.18, -22.01

 

CMYK 2 / 0 / 33 / 22

HEX #C3C785

RGB 195 199 133

HSL 63.64, 0.37%, 0.65%

LAB 78.54, -11.68, 32.64

 

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

CMYK 25 / 33 / 0 / 22

HEX #9585C7

RGB 149 133 199

HSL 254.55, 0.37%, 0.65%

LAB 59.24, 20.2, -32.09

 

CMYK 0 / 32 / 33 / 22

HEX #C78885

RGB 199 136 133

HSL 2.73, 0.37%, 0.65%

LAB 62.88, 23.73, 11.4

 

CMYK 9 / 0 / 33 / 22

HEX #B6C785

RGB 182 199 133

HSL 75.45, 0.37%, 0.65%

LAB 77.57, -16.68, 31.18

 

CMYK 34 / 2 / 0 / 22

HEX #84C3C7

RGB 132 195 199

HSL 183.58, 0.37%, 0.65%

LAB 74.86, -19.03, -8.43

 

CMYK 15 / 33 / 0 / 22

HEX #A985C7

RGB 169 133 199

HSL 272.73, 0.37%, 0.65%

LAB 61.07, 26.36, -29.1

 

CMYK 0 / 32 / 33 / 22

HEX #C78885

RGB 199 136 133

HSL 2.73, 0.37%, 0.65%

LAB 62.88, 23.73, 11.4

 

CMYK 19 / 0 / 33 / 22

HEX #A2C785

RGB 162 199 133

HSL 93.64, 0.37%, 0.65%

LAB 76.21, -24.13, 29.12

 

Description

Color code: RGB 132 195 199 | qconv.com Color code: RGB 132 195 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 195 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 195 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 2 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 2% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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