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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132.3 18.4 59 it is the complementary color RGB 122.7 236.6 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132.3 18.4 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132.3 18.4 59 shade: RGB 137.3 18.4 54, RGB 154.3 36.4 73, RGB 171.3 54.4 92, RGB 188.3 72.4 111 and RGB 205.3 90.4 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132.3 18.4 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132.3 18.4 59 shade: RGB 132.3 18.4 59, RGB 115.3 0.4 40, RGB 98.3 0 21, RGB 81.3 0 2 and RGB 64.3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132.3 18.4 59 shade: RGB 135 18 60, RGB 135 18 28 and RGB 135 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132.3 18.4 59 shade: RGB 135 18 60, RGB 135 18 91, RGB 135 18 123, RGB 115 18 135 and RGB 84 18 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132.3 18.4 59 shade matches the following richer shades: RGB 135 18 60 and RGB 147 6 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132.3 18.4 59 shade: RGB 135 18 60, RGB 122 31 63, RGB 110 43 67, RGB 98 55 70 and RGB 85 68 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132.3 18.4 59 shade: RGB 135 18 123, RGB 135 18 92, RGB 135 18 61, RGB 135 18 30 and RGB 135 38 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132.3 18.4 59 shade: RGB 62 8 28, RGB 98 13 44, RGB 135 18 60, RGB 171 23 76 and RGB 207 28 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132.3 18.4 59 shade: RGB 132.3 18.4 59, RGB 135 115 18 and RGB 18 108 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132.3 18.4 59 shade: RGB 132.3 18.4 59, RGB 61 135 18 and RGB 18 61 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132.3 18.4 59 shade: RGB 132.3 18.4 59, RGB 135 115 18, RGB 18 135 92 and RGB 18 38 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132.3 18.4 59 shade: RGB 132.3 18.4 59, RGB 119 135 18, RGB 18 135 92 and RGB 34 18 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

Complementary color

CMYK 48 / 0 / 17 / 7

HEX #7AECC4

RGB 122.7 236.6 196

HSL 158.61, 0.76%, 0.7%

LAB 86.26, -41.9, 9.74

 

CMYK 0 / 87 / 61 / 46

HEX #891236

RGB 137.3 18.4 54

HSL 342.04, 0.76%, 0.31%

LAB 29.55, 49.18, 11.69

 

CMYK 0 / 76 / 53 / 39

HEX #9A2449

RGB 154.3 36.4 73

HSL 341.37, 0.62%, 0.37%

LAB 35.33, 50.3, 7.73

 

CMYK 0 / 68 / 46 / 33

HEX #AB365C

RGB 171.3 54.4 92

HSL 340.7, 0.52%, 0.44%

LAB 41.44, 50.46, 4.75

 

CMYK 0 / 62 / 41 / 26

HEX #BC486F

RGB 188.3 72.4 111

HSL 340.02, 0.46%, 0.51%

LAB 47.71, 50.09, 2.43

 

CMYK 0 / 56 / 37 / 19

HEX #CD5A82

RGB 205.3 90.4 130

HSL 339.32, 0.54%, 0.58%

LAB 54.04, 49.44, 0.57

 

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

CMYK 0 / 100 / 65 / 55

HEX #730028

RGB 115.3 0.4 40

HSL 339.32, 0.99%, 0.23%

LAB 23.09, 45.93, 11.71

 

CMYK 0 / 100 / 79 / 61

HEX #620015

RGB 98.3 0 21

HSL 347.18, 1%, 0.19%

LAB 18.66, 40.47, 18.58

 

CMYK 0 / 100 / 98 / 68

HEX #510002

RGB 81.3 0 2

HSL 358.52, 1%, 0.16%

LAB 14.21, 35, 21.39

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64.3 0 0

HSL 0, 1%, 0.13%

LAB 9.8, 29.85, 15.47

 

CMYK 0 / 87 / 56 / 47

HEX #87123C

RGB 135 18 60

HSL 338.46, 0.76%, 0.3%

LAB 29.18, 49.08, 7.08

 

CMYK 0 / 87 / 79 / 47

HEX #87121C

RGB 135 18 28

HSL 354.87, 0.76%, 0.3%

LAB 28.56, 47.23, 27.4

 

CMYK 0 / 87 / 87 / 47

HEX #871212

RGB 135 18 18

HSL 0, 0.76%, 0.3%

LAB 28.45, 46.91, 33.21

 

CMYK 0 / 87 / 56 / 47

HEX #87123C

RGB 135 18 60

HSL 338.46, 0.76%, 0.3%

LAB 29.18, 49.08, 7.08

 

CMYK 0 / 87 / 33 / 47

HEX #87125B

RGB 135 18 91

HSL 322.56, 0.76%, 0.3%

LAB 30.25, 52.14, -11.92

 

CMYK 0 / 87 / 9 / 47

HEX #87127B

RGB 135 18 123

HSL 306.15, 0.76%, 0.3%

LAB 31.84, 56.49, -30

 

CMYK 15 / 87 / 0 / 47

HEX #731287

RGB 115 18 135

HSL 289.74, 0.76%, 0.3%

LAB 28.97, 54.6, -42.32

 

CMYK 38 / 87 / 0 / 47

HEX #541287

RGB 84 18 135

HSL 273.85, 0.76%, 0.3%

LAB 23.89, 49.4, -50.8

 

CMYK 0 / 87 / 56 / 47

HEX #87123C

RGB 135 18 60

HSL 338.46, 0.76%, 0.3%

LAB 29.18, 49.08, 7.08

 

CMYK 0 / 96 / 62 / 42

HEX #930638

RGB 147 6 56

HSL 338.72, 0.92%, 0.3%

LAB 30.92, 54.11, 12.56

 

CMYK 0 / 87 / 56 / 47

HEX #87123C

RGB 135 18 60

HSL 338.46, 0.76%, 0.3%

LAB 29.18, 49.08, 7.08

 

CMYK 0 / 75 / 48 / 52

HEX #7A1F3F

RGB 122 31 63

HSL 338.9, 0.59%, 0.3%

LAB 28.05, 41.46, 3.09

 

CMYK 0 / 61 / 39 / 57

HEX #6E2B43

RGB 110 43 67

HSL 338.51, 0.44%, 0.3%

LAB 27.97, 32.35, 0.03

 

CMYK 0 / 44 / 29 / 62

HEX #623746

RGB 98 55 70

HSL 339.07, 0.28%, 0.3%

LAB 28.83, 21.32, -0.93

 

CMYK 0 / 20 / 13 / 67

HEX #55444A

RGB 85 68 74

HSL 338.82, 0.11%, 0.3%

LAB 30.78, 8.42, -0.86

 

CMYK 0 / 87 / 9 / 47

HEX #87127B

RGB 135 18 123

HSL 306.15, 0.76%, 0.3%

LAB 31.84, 56.49, -30

 

CMYK 0 / 87 / 32 / 47

HEX #87125C

RGB 135 18 92

HSL 322.05, 0.76%, 0.3%

LAB 30.29, 52.26, -12.51

 

CMYK 0 / 87 / 55 / 47

HEX #87123D

RGB 135 18 61

HSL 337.95, 0.76%, 0.3%

LAB 29.21, 49.16, 6.45

 

CMYK 0 / 87 / 78 / 47

HEX #87121E

RGB 135 18 30

HSL 353.85, 0.76%, 0.3%

LAB 28.58, 47.3, 26.17

 

CMYK 0 / 72 / 87 / 47

HEX #872612

RGB 135 38 18

HSL 10.26, 0.76%, 0.3%

LAB 30.83, 40.27, 35.35

 

CMYK 0 / 87 / 55 / 76

HEX #3E081C

RGB 62 8 28

HSL 337.78, 0.77%, 0.14%

LAB 11.15, 27.25, 1.98

 

CMYK 0 / 87 / 55 / 62

HEX #620D2C

RGB 98 13 44

HSL 338.12, 0.77%, 0.22%

LAB 20.31, 38.47, 4.44

 

CMYK 0 / 87 / 56 / 47

HEX #87123C

RGB 135 18 60

HSL 338.46, 0.76%, 0.3%

LAB 29.18, 49.08, 7.08

 

CMYK 0 / 87 / 56 / 33

HEX #AB174C

RGB 171 23 76

HSL 338.51, 0.76%, 0.38%

LAB 37.47, 58.81, 9.27

 

CMYK 0 / 86 / 56 / 19

HEX #CF1C5C

RGB 207 28 92

HSL 338.55, 0.76%, 0.46%

LAB 45.45, 68.12, 11.37

 

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

CMYK 0 / 15 / 87 / 47

HEX #877312

RGB 135 115 18

HSL 49.74, 0.76%, 0.3%

LAB 48.83, -2.04, 50.8

 

CMYK 87 / 20 / 0 / 47

HEX #126C87

RGB 18 108 135

HSL 193.85, 0.76%, 0.3%

LAB 42.16, -14.76, -21.91

 

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

CMYK 55 / 0 / 87 / 47

HEX #3D8712

RGB 61 135 18

HSL 97.95, 0.76%, 0.3%

LAB 49.93, -42.79, 49.77

 

CMYK 87 / 55 / 0 / 47

HEX #123D87

RGB 18 61 135

HSL 217.95, 0.76%, 0.3%

LAB 27.34, 15.45, -45.41

 

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

CMYK 0 / 15 / 87 / 47

HEX #877312

RGB 135 115 18

HSL 49.74, 0.76%, 0.3%

LAB 48.83, -2.04, 50.8

 

CMYK 87 / 0 / 32 / 47

HEX #12875C

RGB 18 135 92

HSL 157.95, 0.76%, 0.3%

LAB 49.77, -40.99, 14.74

 

CMYK 87 / 72 / 0 / 47

HEX #122687

RGB 18 38 135

HSL 229.74, 0.76%, 0.3%

LAB 21.07, 31.42, -55.66

 

CMYK 0 / 86 / 55 / 48

HEX #84123B

RGB 132.3 18.4 59

HSL 338.61, 0.76%, 0.3%

LAB 28.62, 48.16, 6.88

 

CMYK 12 / 0 / 87 / 47

HEX #778712

RGB 119 135 18

HSL 68.21, 0.76%, 0.3%

LAB 53.27, -20.32, 53.96

 

CMYK 87 / 0 / 32 / 47

HEX #12875C

RGB 18 135 92

HSL 157.95, 0.76%, 0.3%

LAB 49.77, -40.99, 14.74

 

CMYK 75 / 87 / 0 / 47

HEX #221287

RGB 34 18 135

HSL 248.21, 0.76%, 0.3%

LAB 18.02, 43.78, -60.69

 

Description

Color code: RGB 132.3 18.4 59 | qconv.com Color code: RGB 132.3 18.4 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132.3 red, 18.4 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132.3 18.4 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 55 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 55% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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