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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 244 11 it is the complementary color RGB 124 11 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 244 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 244 11 shade: RGB 136 244 6, RGB 153 255 25, RGB 170 255 44, RGB 187 255 63 and RGB 204 255 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 244 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 114 226 0, RGB 97 208 0, RGB 80 190 0 and RGB 63 172 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 194 244 11, RGB 244 231 11, RGB 244 168 11 and RGB 244 106 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 68 244 11, RGB 11 244 17, RGB 11 244 80 and RGB 11 244 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 244 11 shade matches the following richer shades: RGB 131 244 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 130 223 32, RGB 130 202 53, RGB 129 182 73 and RGB 129 161 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 244 11 shade: RGB 244 232 11, RGB 193 244 11, RGB 131 244 11, RGB 69 244 11 and RGB 11 244 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 244 11 shade: RGB 89 165 8, RGB 110 204 10, RGB 131 244 11, RGB 151 245 51 and RGB 171 247 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 11 244 170 and RGB 244 11 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 11 131 244 and RGB 244 11 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 11 244 170, RGB 124 11 244 and RGB 244 11 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 244 11 shade: RGB 131 244 11, RGB 11 244 240, RGB 124 11 244 and RGB 244 11 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

Complementary color

CMYK 49 / 95 / 0 / 4

HEX #7C0BF4

RGB 124 11 244

HSL 269.1, 0.91%, 0.5%

LAB 39.67, 79.36, -89.18

 

CMYK 44 / 0 / 98 / 4

HEX #88F406

RGB 136 244 6

HSL 87.23, 0.95%, 0.49%

LAB 86.97, -61.39, 83.19

 

CMYK 40 / 0 / 90 / 0

HEX #99FF19

RGB 153 255 25

HSL 86.61, 1%, 0.55%

LAB 90.95, -59.85, 84.76

 

CMYK 33 / 0 / 83 / 0

HEX #AAFF2C

RGB 170 255 44

HSL 84.17, 1%, 0.59%

LAB 91.8, -53.63, 82.36

 

CMYK 27 / 0 / 75 / 0

HEX #BBFF3F

RGB 187 255 63

HSL 81.25, 1%, 0.62%

LAB 92.77, -46.82, 78.58

 

CMYK 20 / 0 / 68 / 0

HEX #CCFF52

RGB 204 255 82

HSL 77.69, 1%, 0.66%

LAB 93.87, -39.51, 73.68

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 50 / 0 / 100 / 11

HEX #72E200

RGB 114 226 0

HSL 89.73, 1%, 0.44%

LAB 80.72, -61.5, 78.4

 

CMYK 53 / 0 / 100 / 18

HEX #61D000

RGB 97 208 0

HSL 92.02, 1%, 0.41%

LAB 74.61, -59.9, 73.33

 

CMYK 58 / 0 / 100 / 25

HEX #50BE00

RGB 80 190 0

HSL 94.74, 1%, 0.37%

LAB 68.41, -58.15, 68.21

 

CMYK 63 / 0 / 100 / 33

HEX #3FAC00

RGB 63 172 0

HSL 98.02, 1%, 0.34%

LAB 62.14, -56.18, 63.03

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 20 / 0 / 95 / 4

HEX #C2F40B

RGB 194 244 11

HSL 72.88, 0.91%, 0.5%

LAB 89.95, -40.89, 86.4

 

CMYK 0 / 5 / 95 / 4

HEX #F4E70B

RGB 244 231 11

HSL 56.65, 0.91%, 0.5%

LAB 90.05, -14.47, 88.06

 

CMYK 0 / 31 / 95 / 4

HEX #F4A80B

RGB 244 168 11

HSL 40.43, 0.91%, 0.5%

LAB 74.36, 17.81, 76.71

 

CMYK 0 / 57 / 95 / 4

HEX #F46A0B

RGB 244 106 11

HSL 24.46, 0.91%, 0.5%

LAB 61.28, 49.32, 67.98

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 72 / 0 / 95 / 4

HEX #44F40B

RGB 68 244 11

HSL 105.32, 0.91%, 0.5%

LAB 84.97, -77.55, 80.35

 

CMYK 95 / 0 / 93 / 4

HEX #0BF411

RGB 11 244 17

HSL 121.55, 0.91%, 0.5%

LAB 84.39, -82.74, 79.03

 

CMYK 95 / 0 / 67 / 4

HEX #0BF450

RGB 11 244 80

HSL 137.77, 0.91%, 0.5%

LAB 84.66, -79.18, 62.96

 

CMYK 95 / 0 / 42 / 4

HEX #0BF48E

RGB 11 244 142

HSL 153.73, 0.91%, 0.5%

LAB 85.37, -70.62, 35.83

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 42 / 0 / 86 / 13

HEX #82DF20

RGB 130 223 32

HSL 89.21, 0.75%, 0.5%

LAB 80.53, -54.8, 74.43

 

CMYK 36 / 0 / 74 / 21

HEX #82CA35

RGB 130 202 53

HSL 88.99, 0.58%, 0.5%

LAB 74.35, -45.36, 63.03

 

CMYK 29 / 0 / 60 / 29

HEX #81B649

RGB 129 182 73

HSL 89.17, 0.43%, 0.5%

LAB 68.46, -35.45, 48.86

 

CMYK 20 / 0 / 42 / 37

HEX #81A15E

RGB 129 161 94

HSL 88.66, 0.26%, 0.5%

LAB 62.48, -23.04, 31.3

 

CMYK 0 / 5 / 95 / 4

HEX #F4E80B

RGB 244 232 11

HSL 56.91, 0.91%, 0.5%

LAB 90.31, -14.96, 88.25

 

CMYK 21 / 0 / 95 / 4

HEX #C1F40B

RGB 193 244 11

HSL 73.13, 0.91%, 0.5%

LAB 89.89, -41.27, 86.33

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 72 / 0 / 95 / 4

HEX #45F40B

RGB 69 244 11

HSL 105.06, 0.91%, 0.5%

LAB 84.99, -77.39, 80.37

 

CMYK 95 / 0 / 94 / 4

HEX #0BF40F

RGB 11 244 15

HSL 121.03, 0.91%, 0.5%

LAB 84.38, -82.78, 79.24

 

CMYK 46 / 0 / 95 / 35

HEX #59A508

RGB 89 165 8

HSL 89.04, 0.91%, 0.34%

LAB 60.83, -46.06, 61.28

 

CMYK 46 / 0 / 95 / 20

HEX #6ECC0A

RGB 110 204 10

HSL 89.07, 0.91%, 0.42%

LAB 73.88, -54.43, 71.95

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 38 / 0 / 79 / 4

HEX #97F533

RGB 151 245 51

HSL 89.07, 0.91%, 0.58%

LAB 88.03, -55.8, 76.93

 

CMYK 31 / 0 / 64 / 3

HEX #ABF75A

RGB 171 247 90

HSL 89.04, 0.91%, 0.66%

LAB 89.82, -47.45, 65.82

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 95 / 0 / 30 / 4

HEX #0BF4AA

RGB 11 244 170

HSL 160.94, 0.91%, 0.5%

LAB 85.84, -65.09, 22.33

 

CMYK 0 / 95 / 8 / 4

HEX #F40BE0

RGB 244 11 224

HSL 305.15, 0.91%, 0.5%

LAB 56.93, 91.62, -49.01

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 95 / 46 / 0 / 4

HEX #0B83F4

RGB 11 131 244

HSL 209.1, 0.91%, 0.5%

LAB 54.9, 12.96, -64.54

 

CMYK 0 / 95 / 46 / 4

HEX #F40B83

RGB 244 11 131

HSL 329.1, 0.91%, 0.5%

LAB 53.07, 81.68, -0.64

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 95 / 0 / 30 / 4

HEX #0BF4AA

RGB 11 244 170

HSL 160.94, 0.91%, 0.5%

LAB 85.84, -65.09, 22.33

 

CMYK 49 / 95 / 0 / 4

HEX #7C0BF4

RGB 124 11 244

HSL 269.1, 0.91%, 0.5%

LAB 39.67, 79.36, -89.18

 

CMYK 0 / 95 / 65 / 4

HEX #F40B55

RGB 244 11 85

HSL 340.94, 0.91%, 0.5%

LAB 51.98, 78.73, 25.73

 

CMYK 46 / 0 / 95 / 4

HEX #83F40B

RGB 131 244 11

HSL 89.1, 0.91%, 0.5%

LAB 86.78, -62.86, 82.55

 

CMYK 95 / 0 / 2 / 4

HEX #0BF4F0

RGB 11 244 240

HSL 178.97, 0.91%, 0.5%

LAB 87.52, -47.42, -11.7

 

CMYK 49 / 95 / 0 / 4

HEX #7C0BF4

RGB 124 11 244

HSL 269.1, 0.91%, 0.5%

LAB 39.67, 79.36, -89.18

 

CMYK 0 / 95 / 94 / 4

HEX #F40B0F

RGB 244 11 15

HSL 358.97, 0.91%, 0.5%

LAB 51.28, 76.79, 61.19

 

Description

Color code: RGB 131 244 11 | qconv.com Color code: RGB 131 244 11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 244 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 244 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 95 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 95% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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