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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 210 162 it is the complementary color RGB 124 45 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 210 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 210 162 shade: RGB 136 210 157, RGB 153 228 176, RGB 170 246 195, RGB 187 255 214 and RGB 204 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 210 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 114 192 143, RGB 97 174 124, RGB 80 156 105 and RGB 63 138 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 131 210 141, RGB 142 210 131, RGB 164 210 131 and RGB 185 210 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 131 210 183, RGB 131 210 204, RGB 131 194 210 and RGB 131 173 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 210 162 shade matches the following richer shades: RGB 131 210 162, RGB 117 224 159, RGB 104 237 156 and RGB 90 251 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 144 196 165, RGB 158 183 168, RGB 172 169 171 and RGB 185 155 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 210 162 shade: RGB 143 210 131, RGB 131 210 140, RGB 131 210 161, RGB 131 210 182 and RGB 131 210 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 210 162 shade: RGB 70 188 116, RGB 100 199 139, RGB 131 210 162, RGB 161 221 185 and RGB 191 232 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 131 164 210 and RGB 210 131 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 161 131 210 and RGB 210 161 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 131 164 210, RGB 210 131 180 and RGB 210 177 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 210 162 shade: RGB 131 210 162, RGB 131 140 210, RGB 210 131 180 and RGB 210 201 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

Complementary color

CMYK 0 / 64 / 25 / 51

HEX #7C2D5D

RGB 124 45 93

HSL 323.54, 0.47%, 0.33%

LAB 31.7, 39.73, -11.21

 

CMYK 35 / 0 / 25 / 18

HEX #88D29D

RGB 136 210 157

HSL 137.03, 0.45%, 0.68%

LAB 78.32, -34.11, 19.14

 

CMYK 33 / 0 / 23 / 11

HEX #99E4B0

RGB 153 228 176

HSL 138.4, 0.58%, 0.75%

LAB 84.69, -33.85, 18.14

 

CMYK 31 / 0 / 21 / 4

HEX #AAF6C3

RGB 170 246 195

HSL 139.74, 0.81%, 0.82%

LAB 90.96, -33.59, 17.2

 

CMYK 27 / 0 / 16 / 0

HEX #BBFFD6

RGB 187 255 214

HSL 143.82, 1%, 0.87%

LAB 94.71, -29.16, 12.86

 

CMYK 20 / 0 / 9 / 0

HEX #CCFFE9

RGB 204 255 233

HSL 154.12, 1%, 0.9%

LAB 96.1, -20.38, 5.2

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 41 / 0 / 26 / 25

HEX #72C08F

RGB 114 192 143

HSL 142.31, 0.38%, 0.6%

LAB 71.73, -34.92, 17.3

 

CMYK 44 / 0 / 29 / 32

HEX #61AE7C

RGB 97 174 124

HSL 141.04, 0.32%, 0.53%

LAB 65.18, -35.17, 18.42

 

CMYK 49 / 0 / 33 / 39

HEX #509C69

RGB 80 156 105

HSL 139.74, 0.32%, 0.46%

LAB 58.51, -35.39, 19.63

 

CMYK 54 / 0 / 38 / 46

HEX #3F8A56

RGB 63 138 86

HSL 138.4, 0.37%, 0.39%

LAB 51.73, -35.53, 20.97

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 38 / 0 / 33 / 18

HEX #83D28D

RGB 131 210 141

HSL 127.59, 0.47%, 0.67%

LAB 77.78, -38.44, 26.76

 

CMYK 32 / 0 / 38 / 18

HEX #8ED283

RGB 142 210 131

HSL 111.65, 0.47%, 0.67%

LAB 78.16, -36.55, 32.52

 

CMYK 22 / 0 / 38 / 18

HEX #A4D283

RGB 164 210 131

HSL 94.94, 0.47%, 0.67%

LAB 79.4, -29, 34.38

 

CMYK 12 / 0 / 38 / 18

HEX #B9D283

RGB 185 210 131

HSL 78.99, 0.47%, 0.67%

LAB 80.76, -21.28, 36.42

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 38 / 0 / 13 / 18

HEX #83D2B7

RGB 131 210 183

HSL 159.49, 0.47%, 0.67%

LAB 78.66, -30.36, 5.75

 

CMYK 38 / 0 / 3 / 18

HEX #83D2CC

RGB 131 210 204

HSL 175.44, 0.47%, 0.67%

LAB 79.2, -25.61, -4.7

 

CMYK 38 / 8 / 0 / 18

HEX #83C2D2

RGB 131 194 210

HSL 192.15, 0.47%, 0.67%

LAB 74.86, -16.07, -14.4

 

CMYK 38 / 18 / 0 / 18

HEX #83ADD2

RGB 131 173 210

HSL 208.1, 0.47%, 0.67%

LAB 69.02, -4.89, -23.26

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 48 / 0 / 29 / 12

HEX #75E09F

RGB 117 224 159

HSL 143.55, 0.63%, 0.67%

LAB 81.62, -45.3, 22.51

 

CMYK 56 / 0 / 34 / 7

HEX #68ED9C

RGB 104 237 156

HSL 143.46, 0.79%, 0.67%

LAB 84.95, -54.32, 28.51

 

CMYK 64 / 0 / 39 / 2

HEX #5AFB99

RGB 90 251 153

HSL 143.48, 0.95%, 0.67%

LAB 88.67, -63.02, 34.91

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 27 / 0 / 16 / 23

HEX #90C4A5

RGB 144 196 165

HSL 144.23, 0.31%, 0.67%

LAB 74.9, -23.38, 10.13

 

CMYK 14 / 0 / 8 / 28

HEX #9EB7A8

RGB 158 183 168

HSL 144, 0.15%, 0.67%

LAB 72.2, -11.52, 4.75

 

CMYK 0 / 2 / 1 / 33

HEX #ACA9AB

RGB 172 169 171

HSL 320, 0.02%, 0.67%

LAB 69.53, 1.45, -0.66

 

CMYK 0 / 16 / 6 / 27

HEX #B99BAE

RGB 185 155 174

HSL 322, 0.18%, 0.67%

LAB 67.14, 14.37, -5.72

 

CMYK 32 / 0 / 38 / 18

HEX #8FD283

RGB 143 210 131

HSL 110.89, 0.47%, 0.67%

LAB 78.21, -36.22, 32.6

 

CMYK 38 / 0 / 33 / 18

HEX #83D28C

RGB 131 210 140

HSL 126.84, 0.47%, 0.67%

LAB 77.76, -38.61, 27.25

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A1

RGB 131 210 161

HSL 142.78, 0.47%, 0.67%

LAB 78.16, -34.85, 16.77

 

CMYK 38 / 0 / 13 / 18

HEX #83D2B6

RGB 131 210 182

HSL 158.73, 0.47%, 0.67%

LAB 78.63, -30.57, 6.25

 

CMYK 38 / 0 / 3 / 18

HEX #83D2CB

RGB 131 210 203

HSL 174.68, 0.47%, 0.67%

LAB 79.17, -25.84, -4.21

 

CMYK 63 / 0 / 38 / 26

HEX #46BC74

RGB 70 188 116

HSL 143.39, 0.47%, 0.51%

LAB 68.41, -49.3, 26.92

 

CMYK 50 / 0 / 30 / 22

HEX #64C78B

RGB 100 199 139

HSL 143.64, 0.47%, 0.59%

LAB 73.17, -42.63, 21.33

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 27 / 0 / 16 / 13

HEX #A1DDB9

RGB 161 221 185

HSL 144, 0.47%, 0.75%

LAB 83.33, -26.39, 11.58

 

CMYK 18 / 0 / 11 / 9

HEX #BFE8CF

RGB 191 232 207

HSL 143.41, 0.47%, 0.83%

LAB 88.59, -18.1, 7.77

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 38 / 22 / 0 / 18

HEX #83A4D2

RGB 131 164 210

HSL 214.94, 0.47%, 0.67%

LAB 66.54, 0.08, -27.05

 

CMYK 0 / 38 / 37 / 18

HEX #D28384

RGB 210 131 132

HSL 359.24, 0.47%, 0.67%

LAB 63.01, 30.53, 12.34

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 23 / 38 / 0 / 18

HEX #A183D2

RGB 161 131 210

HSL 262.78, 0.47%, 0.67%

LAB 60.3, 27.59, -36.54

 

CMYK 0 / 23 / 38 / 18

HEX #D2A183

RGB 210 161 131

HSL 22.78, 0.47%, 0.67%

LAB 70.06, 14.15, 22.62

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 38 / 22 / 0 / 18

HEX #83A4D2

RGB 131 164 210

HSL 214.94, 0.47%, 0.67%

LAB 66.54, 0.08, -27.05

 

CMYK 0 / 38 / 14 / 18

HEX #D283B4

RGB 210 131 180

HSL 322.78, 0.47%, 0.67%

LAB 64.35, 37.32, -12.98

 

CMYK 0 / 16 / 38 / 18

HEX #D2B183

RGB 210 177 131

HSL 34.94, 0.47%, 0.67%

LAB 74.05, 5.54, 27.99

 

CMYK 38 / 0 / 23 / 18

HEX #83D2A2

RGB 131 210 162

HSL 143.54, 0.47%, 0.67%

LAB 78.19, -34.65, 16.27

 

CMYK 38 / 33 / 0 / 18

HEX #838CD2

RGB 131 140 210

HSL 233.16, 0.47%, 0.67%

LAB 60.1, 13.81, -37.04

 

CMYK 0 / 38 / 14 / 18

HEX #D283B4

RGB 210 131 180

HSL 322.78, 0.47%, 0.67%

LAB 64.35, 37.32, -12.98

 

CMYK 0 / 4 / 38 / 18

HEX #D2C983

RGB 210 201 131

HSL 53.16, 0.47%, 0.67%

LAB 80.24, -7.06, 36.12

 

Description

Color code: RGB 131 210 162 | qconv.com Color code: RGB 131 210 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 210 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 210 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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