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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 205 178 it is the complementary color RGB 124 50 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 205 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 205 178 shade: RGB 136 205 173, RGB 153 223 192, RGB 170 241 211, RGB 187 255 230 and RGB 204 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 205 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 114 187 159, RGB 97 169 140, RGB 80 151 121 and RGB 63 133 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 131 205 158, RGB 131 205 138, RGB 143 205 131 and RGB 164 205 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 131 205 198, RGB 131 192 205, RGB 131 172 205 and RGB 131 152 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 205 178 shade matches the following richer shades: RGB 131 205 178, RGB 116 219 182, RGB 102 233 185 and RGB 88 247 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 145 191 174, RGB 159 177 170, RGB 173 163 167 and RGB 187 149 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 205 178 shade: RGB 131 205 138, RGB 131 205 158, RGB 131 205 178, RGB 131 205 198 and RGB 131 193 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 205 178 shade: RGB 72 181 141, RGB 101 193 160, RGB 131 205 178, RGB 160 217 196 and RGB 190 229 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 131 143 205 and RGB 205 148 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 178 131 205 and RGB 205 178 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 131 143 205, RGB 205 131 158 and RGB 205 193 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 205 178 shade: RGB 131 205 178, RGB 140 131 205, RGB 205 131 158 and RGB 195 205 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

Complementary color

CMYK 0 / 60 / 38 / 51

HEX #7C324D

RGB 124 50 77

HSL 338.11, 0.43%, 0.34%

LAB 32.04, 35.06, -0.32

 

CMYK 34 / 0 / 16 / 20

HEX #88CDAD

RGB 136 205 173

HSL 152.17, 0.41%, 0.67%

LAB 77.23, -28.64, 9.09

 

CMYK 31 / 0 / 14 / 13

HEX #99DFC0

RGB 153 223 192

HSL 153.43, 0.52%, 0.74%

LAB 83.63, -28.41, 8.25

 

CMYK 29 / 0 / 12 / 5

HEX #AAF1D3

RGB 170 241 211

HSL 154.65, 0.72%, 0.81%

LAB 89.93, -28.19, 7.46

 

CMYK 27 / 0 / 10 / 0

HEX #BBFFE6

RGB 187 255 230

HSL 157.94, 1%, 0.87%

LAB 95.08, -26.09, 5.15

 

CMYK 20 / 0 / 2 / 0

HEX #CCFFF9

RGB 204 255 249

HSL 172.94, 1%, 0.9%

LAB 96.49, -17.24, -2.46

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 39 / 0 / 15 / 27

HEX #72BB9F

RGB 114 187 159

HSL 156.99, 0.35%, 0.59%

LAB 70.61, -29.26, 7.04

 

CMYK 43 / 0 / 17 / 34

HEX #61A98C

RGB 97 169 140

HSL 155.83, 0.3%, 0.52%

LAB 64.01, -29.48, 7.97

 

CMYK 47 / 0 / 20 / 41

HEX #509779

RGB 80 151 121

HSL 154.65, 0.31%, 0.45%

LAB 57.29, -29.69, 8.97

 

CMYK 53 / 0 / 23 / 48

HEX #3F8566

RGB 63 133 102

HSL 153.43, 0.36%, 0.38%

LAB 50.44, -29.86, 10.08

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 36 / 0 / 23 / 20

HEX #83CD9E

RGB 131 205 158

HSL 141.89, 0.43%, 0.66%

LAB 76.65, -33.09, 16.25

 

CMYK 36 / 0 / 33 / 20

HEX #83CD8A

RGB 131 205 138

HSL 125.68, 0.43%, 0.66%

LAB 76.27, -36.68, 26.29

 

CMYK 30 / 0 / 36 / 20

HEX #8FCD83

RGB 143 205 131

HSL 110.27, 0.43%, 0.66%

LAB 76.76, -33.92, 30.7

 

CMYK 20 / 0 / 36 / 20

HEX #A4CD83

RGB 164 205 131

HSL 93.24, 0.43%, 0.66%

LAB 77.99, -26.61, 32.54

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 36 / 0 / 3 / 20

HEX #83CDC6

RGB 131 205 198

HSL 174.32, 0.43%, 0.66%

LAB 77.62, -24.56, -3.82

 

CMYK 36 / 6 / 0 / 20

HEX #83C0CD

RGB 131 192 205

HSL 190.54, 0.43%, 0.66%

LAB 74.15, -16.29, -12.76

 

CMYK 36 / 16 / 0 / 20

HEX #83ACCD

RGB 131 172 205

HSL 206.76, 0.43%, 0.66%

LAB 68.56, -5.66, -21.2

 

CMYK 36 / 26 / 0 / 20

HEX #8398CD

RGB 131 152 205

HSL 222.97, 0.43%, 0.66%

LAB 63.09, 5.52, -29.6

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 47 / 0 / 17 / 14

HEX #74DBB6

RGB 116 219 182

HSL 158.45, 0.59%, 0.66%

LAB 80.6, -38.66, 8.99

 

CMYK 56 / 0 / 21 / 9

HEX #66E9B9

RGB 102 233 185

HSL 158.02, 0.75%, 0.66%

LAB 84.28, -47.29, 12.58

 

CMYK 64 / 0 / 23 / 3

HEX #58F7BD

RGB 88 247 189

HSL 158.11, 0.91%, 0.66%

LAB 88.1, -54.8, 15.84

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 24 / 0 / 9 / 25

HEX #91BFAE

RGB 145 191 174

HSL 157.83, 0.26%, 0.66%

LAB 73.76, -18.74, 3.63

 

CMYK 10 / 0 / 4 / 31

HEX #9FB1AA

RGB 159 177 170

HSL 156.67, 0.1%, 0.66%

LAB 70.68, -7.61, 1.45

 

CMYK 0 / 6 / 3 / 32

HEX #ADA3A7

RGB 173 163 167

HSL 336, 0.06%, 0.66%

LAB 67.92, 4.35, -0.78

 

CMYK 0 / 20 / 13 / 27

HEX #BB95A3

RGB 187 149 163

HSL 337.89, 0.22%, 0.66%

LAB 65.52, 16.49, -1.92

 

CMYK 36 / 0 / 33 / 20

HEX #83CD8A

RGB 131 205 138

HSL 125.68, 0.43%, 0.66%

LAB 76.27, -36.68, 26.29

 

CMYK 36 / 0 / 23 / 20

HEX #83CD9E

RGB 131 205 158

HSL 141.89, 0.43%, 0.66%

LAB 76.65, -33.09, 16.25

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 36 / 0 / 3 / 20

HEX #83CDC6

RGB 131 205 198

HSL 174.32, 0.43%, 0.66%

LAB 77.62, -24.56, -3.82

 

CMYK 36 / 6 / 0 / 20

HEX #83C1CD

RGB 131 193 205

HSL 189.73, 0.43%, 0.66%

LAB 74.43, -16.81, -12.34

 

CMYK 60 / 0 / 22 / 29

HEX #48B58D

RGB 72 181 141

HSL 157.98, 0.43%, 0.5%

LAB 66.79, -40.79, 11.23

 

CMYK 48 / 0 / 17 / 24

HEX #65C1A0

RGB 101 193 160

HSL 158.48, 0.43%, 0.58%

LAB 71.86, -35.32, 8.21

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 26 / 0 / 10 / 15

HEX #A0D9C4

RGB 160 217 196

HSL 157.89, 0.43%, 0.74%

LAB 82.42, -22.58, 4.45

 

CMYK 17 / 0 / 7 / 10

HEX #BEE5D6

RGB 190 229 214

HSL 156.92, 0.43%, 0.82%

LAB 87.89, -15.6, 3.09

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 36 / 30 / 0 / 20

HEX #838FCD

RGB 131 143 205

HSL 230.27, 0.43%, 0.66%

LAB 60.67, 10.7, -33.34

 

CMYK 0 / 28 / 36 / 20

HEX #CD9483

RGB 205 148 131

HSL 13.78, 0.43%, 0.66%

LAB 66.37, 19.25, 17.48

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 13 / 36 / 0 / 20

HEX #B283CD

RGB 178 131 205

HSL 278.11, 0.43%, 0.66%

LAB 61.75, 31.6, -31.36

 

CMYK 0 / 13 / 36 / 20

HEX #CDB283

RGB 205 178 131

HSL 38.11, 0.43%, 0.66%

LAB 73.84, 3.01, 27.63

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 36 / 30 / 0 / 20

HEX #838FCD

RGB 131 143 205

HSL 230.27, 0.43%, 0.66%

LAB 60.67, 10.7, -33.34

 

CMYK 0 / 36 / 23 / 20

HEX #CD839E

RGB 205 131 158

HSL 338.11, 0.43%, 0.66%

LAB 63.08, 32.16, -2.44

 

CMYK 0 / 6 / 36 / 20

HEX #CDC183

RGB 205 193 131

HSL 50.27, 0.43%, 0.66%

LAB 77.73, -4.9, 32.77

 

CMYK 36 / 0 / 13 / 20

HEX #83CDB2

RGB 131 205 178

HSL 158.11, 0.43%, 0.66%

LAB 77.1, -29.04, 6.19

 

CMYK 32 / 36 / 0 / 20

HEX #8C83CD

RGB 140 131 205

HSL 247.3, 0.43%, 0.66%

LAB 58.24, 20.24, -37.09

 

CMYK 0 / 36 / 23 / 20

HEX #CD839E

RGB 205 131 158

HSL 338.11, 0.43%, 0.66%

LAB 63.08, 32.16, -2.44

 

CMYK 5 / 0 / 36 / 20

HEX #C3CD83

RGB 195 205 131

HSL 68.11, 0.43%, 0.66%

LAB 80.13, -14.97, 35.73

 

Description

Color code: RGB 131 205 178 | qconv.com Color code: RGB 131 205 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 205 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 205 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 13% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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