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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 204 197 it is the complementary color RGB 124 51 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 204 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 204 197 shade: RGB 136 204 192, RGB 153 222 211, RGB 170 240 230, RGB 187 255 249 and RGB 204 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 204 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 204 197 shade: RGB 131 204 197, RGB 114 186 178, RGB 97 168 159, RGB 80 150 140 and RGB 63 132 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 204 197 shade: RGB 132 205 198, RGB 132 205 178, RGB 132 205 158, RGB 132 205 139 and RGB 145 205 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 204 197 shade: RGB 132 205 198, RGB 132 192 205, RGB 132 172 205, RGB 132 153 205 and RGB 132 133 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 204 197 shade matches the following richer shades: RGB 132 205 198, RGB 118 219 209, RGB 104 233 220 and RGB 90 247 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 204 197 shade: RGB 132 205 198, RGB 146 191 186, RGB 160 177 175, RGB 174 163 164 and RGB 188 149 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 204 197 shade: RGB 132 205 159, RGB 132 205 178, RGB 132 205 197, RGB 132 193 205 and RGB 132 173 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 204 197 shade: RGB 74 180 170, RGB 103 193 184, RGB 132 205 198, RGB 161 217 211 and RGB 190 229 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 204 197 shade: RGB 131 204 197, RGB 139 132 205 and RGB 205 168 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 204 197 shade: RGB 131 204 197, RGB 197 132 205 and RGB 205 197 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 204 197 shade: RGB 131 204 197, RGB 139 132 205, RGB 205 132 139 and RGB 197 205 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 204 197 shade: RGB 131 204 197, RGB 161 132 205, RGB 205 132 139 and RGB 176 205 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

Complementary color

CMYK 0 / 59 / 53 / 51

HEX #7C333A

RGB 124 51 58

HSL 354.25, 0.42%, 0.34%

LAB 31.71, 32.42, 11.58

 

CMYK 33 / 0 / 6 / 20

HEX #88CCC0

RGB 136 204 192

HSL 169.41, 0.4%, 0.67%

LAB 77.42, -24.06, -0.85

 

CMYK 31 / 0 / 5 / 13

HEX #99DED3

RGB 153 222 211

HSL 170.43, 0.51%, 0.74%

LAB 83.82, -23.91, -1.52

 

CMYK 29 / 0 / 4 / 6

HEX #AAF0E6

RGB 170 240 230

HSL 171.43, 0.7%, 0.8%

LAB 90.13, -23.77, -2.16

 

CMYK 27 / 0 / 2 / 0

HEX #BBFFF9

RGB 187 255 249

HSL 174.71, 1%, 0.87%

LAB 95.55, -22.18, -3.96

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

CMYK 39 / 0 / 4 / 27

HEX #72BAB2

RGB 114 186 178

HSL 173.33, 0.34%, 0.59%

LAB 70.81, -24.41, -3.07

 

CMYK 42 / 0 / 5 / 34

HEX #61A89F

RGB 97 168 159

HSL 172.39, 0.29%, 0.52%

LAB 64.2, -24.52, -2.35

 

CMYK 47 / 0 / 7 / 41

HEX #50968C

RGB 80 150 140

HSL 171.43, 0.3%, 0.45%

LAB 57.47, -24.61, -1.58

 

CMYK 52 / 0 / 8 / 48

HEX #3F8479

RGB 63 132 121

HSL 170.43, 0.35%, 0.38%

LAB 50.62, -24.65, -0.73

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC6

RGB 132 205 198

HSL 174.25, 0.42%, 0.66%

LAB 77.67, -24.29, -3.74

 

CMYK 36 / 0 / 13 / 20

HEX #84CDB2

RGB 132 205 178

HSL 157.81, 0.42%, 0.66%

LAB 77.15, -28.75, 6.26

 

CMYK 36 / 0 / 23 / 20

HEX #84CD9E

RGB 132 205 158

HSL 141.37, 0.42%, 0.66%

LAB 76.7, -32.79, 16.33

 

CMYK 36 / 0 / 32 / 20

HEX #84CD8B

RGB 132 205 139

HSL 125.75, 0.42%, 0.66%

LAB 76.33, -36.2, 25.86

 

CMYK 29 / 0 / 36 / 20

HEX #91CD84

RGB 145 205 132

HSL 109.32, 0.42%, 0.66%

LAB 76.89, -33.1, 30.37

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC6

RGB 132 205 198

HSL 174.25, 0.42%, 0.66%

LAB 77.67, -24.29, -3.74

 

CMYK 36 / 6 / 0 / 20

HEX #84C0CD

RGB 132 192 205

HSL 190.68, 0.42%, 0.66%

LAB 74.2, -16.02, -12.68

 

CMYK 36 / 16 / 0 / 20

HEX #84ACCD

RGB 132 172 205

HSL 207.12, 0.42%, 0.66%

LAB 68.62, -5.38, -21.1

 

CMYK 36 / 25 / 0 / 20

HEX #8499CD

RGB 132 153 205

HSL 222.74, 0.42%, 0.66%

LAB 63.42, 5.23, -29.08

 

CMYK 36 / 35 / 0 / 20

HEX #8485CD

RGB 132 133 205

HSL 239.18, 0.42%, 0.66%

LAB 58.12, 16.82, -37.32

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC6

RGB 132 205 198

HSL 174.25, 0.42%, 0.66%

LAB 77.67, -24.29, -3.74

 

CMYK 46 / 0 / 5 / 14

HEX #76DBD1

RGB 118 219 209

HSL 174.06, 0.58%, 0.66%

LAB 81.36, -31.94, -4.26

 

CMYK 55 / 0 / 6 / 9

HEX #68E9DC

RGB 104 233 220

HSL 173.95, 0.75%, 0.66%

LAB 85.19, -38.66, -4.49

 

CMYK 64 / 0 / 6 / 3

HEX #5AF7E8

RGB 90 247 232

HSL 174.27, 0.91%, 0.66%

LAB 89.17, -44.26, -4.96

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC6

RGB 132 205 198

HSL 174.25, 0.42%, 0.66%

LAB 77.67, -24.29, -3.74

 

CMYK 24 / 0 / 3 / 25

HEX #92BFBA

RGB 146 191 186

HSL 173.33, 0.26%, 0.66%

LAB 74.14, -15.88, -2.35

 

CMYK 10 / 0 / 1 / 31

HEX #A0B1AF

RGB 160 177 175

HSL 172.94, 0.1%, 0.66%

LAB 70.88, -6.28, -1

 

CMYK 0 / 6 / 6 / 32

HEX #AEA3A4

RGB 174 163 164

HSL 354.55, 0.06%, 0.66%

LAB 67.93, 4.16, 0.91

 

CMYK 0 / 21 / 19 / 26

HEX #BC9598

RGB 188 149 152

HSL 355.38, 0.23%, 0.66%

LAB 65.32, 15.07, 3.99

 

CMYK 36 / 0 / 22 / 20

HEX #84CD9F

RGB 132 205 159

HSL 142.19, 0.42%, 0.66%

LAB 76.72, -32.6, 15.82

 

CMYK 36 / 0 / 13 / 20

HEX #84CDB2

RGB 132 205 178

HSL 157.81, 0.42%, 0.66%

LAB 77.15, -28.75, 6.26

 

CMYK 36 / 0 / 4 / 20

HEX #84CDC5

RGB 132 205 197

HSL 173.42, 0.42%, 0.66%

LAB 77.64, -24.52, -3.24

 

CMYK 36 / 6 / 0 / 20

HEX #84C1CD

RGB 132 193 205

HSL 189.86, 0.42%, 0.66%

LAB 74.48, -16.54, -12.26

 

CMYK 36 / 16 / 0 / 20

HEX #84ADCD

RGB 132 173 205

HSL 206.3, 0.42%, 0.66%

LAB 68.9, -5.92, -20.68

 

CMYK 59 / 0 / 6 / 29

HEX #4AB4AA

RGB 74 180 170

HSL 174.34, 0.42%, 0.5%

LAB 67.28, -32.72, -4.04

 

CMYK 47 / 0 / 5 / 24

HEX #67C1B8

RGB 103 193 184

HSL 174, 0.42%, 0.58%

LAB 72.55, -29.15, -3.83

 

CMYK 36 / 0 / 3 / 20

HEX #84CDC6

RGB 132 205 198

HSL 174.25, 0.42%, 0.66%

LAB 77.67, -24.29, -3.74

 

CMYK 26 / 0 / 3 / 15

HEX #A1D9D3

RGB 161 217 211

HSL 173.57, 0.42%, 0.74%

LAB 82.86, -19.12, -2.88

 

CMYK 17 / 0 / 2 / 10

HEX #BEE5E1

RGB 190 229 225

HSL 173.85, 0.43%, 0.82%

LAB 88.17, -13.42, -2.28

 

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

CMYK 32 / 36 / 0 / 20

HEX #8B84CD

RGB 139 132 205

HSL 245.75, 0.42%, 0.66%

LAB 58.41, 19.37, -36.82

 

CMYK 0 / 18 / 36 / 20

HEX #CDA884

RGB 205 168 132

HSL 29.59, 0.42%, 0.66%

LAB 71.32, 8.49, 23.7

 

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

CMYK 4 / 36 / 0 / 20

HEX #C584CD

RGB 197 132 205

HSL 293.42, 0.42%, 0.66%

LAB 63.98, 36.98, -27.74

 

CMYK 0 / 4 / 36 / 20

HEX #CDC584

RGB 205 197 132

HSL 53.42, 0.42%, 0.66%

LAB 78.8, -6.85, 33.64

 

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

CMYK 32 / 36 / 0 / 20

HEX #8B84CD

RGB 139 132 205

HSL 245.75, 0.42%, 0.66%

LAB 58.41, 19.37, -36.82

 

CMYK 0 / 36 / 32 / 20

HEX #CD848B

RGB 205 132 139

HSL 354.25, 0.42%, 0.66%

LAB 62.8, 28.98, 7.97

 

CMYK 4 / 0 / 36 / 20

HEX #C5CD84

RGB 197 205 132

HSL 66.58, 0.42%, 0.66%

LAB 80.29, -14.07, 35.46

 

CMYK 36 / 0 / 3 / 20

HEX #83CCC5

RGB 131 204 197

HSL 174.25, 0.42%, 0.66%

LAB 77.31, -24.3, -3.74

 

CMYK 21 / 36 / 0 / 20

HEX #A184CD

RGB 161 132 205

HSL 263.84, 0.42%, 0.66%

LAB 60.33, 25.83, -33.7

 

CMYK 0 / 36 / 32 / 20

HEX #CD848B

RGB 205 132 139

HSL 354.25, 0.42%, 0.66%

LAB 62.8, 28.98, 7.97

 

CMYK 14 / 0 / 36 / 20

HEX #B0CD84

RGB 176 205 132

HSL 83.84, 0.42%, 0.66%

LAB 78.79, -22.06, 33.22

 

Description

Color code: RGB 131 204 197 | qconv.com Color code: RGB 131 204 197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 204 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 204 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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