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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 201 101.6 it is the complementary color RGB 124 54 153.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 201 101.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 201 101.6 shade: RGB 136 201 96.6, RGB 153 219 115.6, RGB 170 237 134.6, RGB 187 255 153.6 and RGB 204 255 172.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 201 101.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 201 101.6 shade: RGB 131 201 101.6, RGB 114 183 82.6, RGB 97 165 63.6, RGB 80 147 44.6 and RGB 63 129 25.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 201 101.6 shade: RGB 130 201 100, RGB 157 201 100, RGB 184 201 100, RGB 201 190 100 and RGB 201 163 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 201 101.6 shade: RGB 130 201 100, RGB 103 201 100, RGB 100 201 125, RGB 100 201 152 and RGB 100 201 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 201 101.6 shade matches the following richer shades: RGB 130 201 100, RGB 123 218 83, RGB 116 234 66 and RGB 109 251 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 201 101.6 shade: RGB 130 201 100, RGB 137 184 117, RGB 144 167 134, RGB 151 150 151 and RGB 158 133 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 201 101.6 shade: RGB 184 201 100, RGB 157 201 100, RGB 130 201 100, RGB 104 201 100 and RGB 100 201 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 201 101.6 shade: RGB 88 162 57, RGB 105 190 70, RGB 130 201 100, RGB 155 211 131 and RGB 179 222 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 201 101.6 shade: RGB 131 201 101.6, RGB 100 201 191 and RGB 201 100 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 201 101.6 shade: RGB 131 201 101.6, RGB 100 130 201 and RGB 201 100 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 201 101.6 shade: RGB 131 201 101.6, RGB 100 201 191, RGB 171 100 201 and RGB 201 100 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 201 101.6 shade: RGB 131 201 101.6, RGB 100 181 201, RGB 171 100 201 and RGB 201 120 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

Complementary color

CMYK 19 / 65 / 0 / 40

HEX #7C3699

RGB 124 54 153.4

HSL 282.25, 0.48%, 0.41%

LAB 36.44, 46.65, -41.56

 

CMYK 32 / 0 / 52 / 21

HEX #88C960

RGB 136 201 96.6

HSL 97.36, 0.49%, 0.58%

LAB 74.74, -39.06, 45.27

 

CMYK 30 / 0 / 47 / 14

HEX #99DB73

RGB 153 219 115.6

HSL 98.3, 0.59%, 0.66%

LAB 81.12, -39, 44.11

 

CMYK 28 / 0 / 43 / 7

HEX #AAED86

RGB 170 237 134.6

HSL 99.26, 0.74%, 0.73%

LAB 87.41, -38.9, 42.94

 

CMYK 27 / 0 / 40 / 0

HEX #BBFF99

RGB 187 255 153.6

HSL 100.24, 1%, 0.8%

LAB 93.63, -38.77, 41.8

 

CMYK 20 / 0 / 32 / 0

HEX #CCFFAC

RGB 204 255 172.6

HSL 97.14, 1%, 0.84%

LAB 94.89, -30.42, 34.26

 

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

CMYK 38 / 0 / 55 / 28

HEX #72B752

RGB 114 183 82.6

HSL 101.24, 0.41%, 0.52%

LAB 68.07, -40.22, 43.73

 

CMYK 41 / 0 / 61 / 35

HEX #61A53F

RGB 97 165 63.6

HSL 100.24, 0.44%, 0.45%

LAB 61.5, -40.16, 44.82

 

CMYK 46 / 0 / 70 / 42

HEX #50932C

RGB 80 147 44.6

HSL 99.26, 0.53%, 0.38%

LAB 54.82, -39.91, 45.64

 

CMYK 51 / 0 / 80 / 49

HEX #3F8119

RGB 63 129 25.6

HSL 98.3, 0.67%, 0.3%

LAB 48.05, -39.37, 45.81

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 22 / 0 / 50 / 21

HEX #9DC964

RGB 157 201 100

HSL 86.14, 0.48%, 0.59%

LAB 75.98, -31.1, 45.43

 

CMYK 8 / 0 / 50 / 21

HEX #B8C964

RGB 184 201 100

HSL 70.1, 0.48%, 0.59%

LAB 77.81, -20.64, 48.05

 

CMYK 0 / 5 / 50 / 21

HEX #C9BE64

RGB 201 190 100

HSL 53.47, 0.48%, 0.59%

LAB 76.17, -8.16, 46.42

 

CMYK 0 / 19 / 50 / 21

HEX #C9A364

RGB 201 163 100

HSL 37.43, 0.48%, 0.59%

LAB 69.13, 6.12, 37.83

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 49 / 0 / 50 / 21

HEX #67C964

RGB 103 201 100

HSL 118.22, 0.48%, 0.59%

LAB 73.27, -49.03, 41.5

 

CMYK 50 / 0 / 38 / 21

HEX #64C97D

RGB 100 201 125

HSL 134.85, 0.48%, 0.59%

LAB 73.52, -46.03, 29.16

 

CMYK 50 / 0 / 24 / 21

HEX #64C998

RGB 100 201 152

HSL 150.89, 0.48%, 0.59%

LAB 74.03, -40.91, 15.59

 

CMYK 50 / 0 / 11 / 21

HEX #64C9B3

RGB 100 201 179

HSL 166.93, 0.48%, 0.59%

LAB 74.66, -34.87, 1.95

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 44 / 0 / 62 / 15

HEX #7BDA53

RGB 123 218 83

HSL 102.22, 0.65%, 0.59%

LAB 79.03, -51.9, 56.23

 

CMYK 50 / 0 / 72 / 8

HEX #74EA42

RGB 116 234 66

HSL 102.14, 0.8%, 0.59%

LAB 83.42, -61.45, 67.38

 

CMYK 57 / 0 / 80 / 2

HEX #6DFB32

RGB 109 251 50

HSL 102.39, 0.96%, 0.59%

LAB 88.2, -70.17, 76.76

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 26 / 0 / 36 / 28

HEX #89B875

RGB 137 184 117

HSL 102.09, 0.32%, 0.59%

LAB 70.09, -28.16, 29.15

 

CMYK 14 / 0 / 20 / 35

HEX #90A786

RGB 144 167 134

HSL 101.82, 0.16%, 0.59%

LAB 65.97, -14.33, 14.45

 

CMYK 0 / 1 / 0 / 41

HEX #979697

RGB 151 150 151

HSL 300, 0%, 0.59%

LAB 62.19, 0.56, -0.4

 

CMYK 6 / 21 / 0 / 34

HEX #9E85A8

RGB 158 133 168

HSL 282.86, 0.17%, 0.59%

LAB 58.86, 16.09, -14.98

 

CMYK 8 / 0 / 50 / 21

HEX #B8C964

RGB 184 201 100

HSL 70.1, 0.48%, 0.59%

LAB 77.81, -20.64, 48.05

 

CMYK 22 / 0 / 50 / 21

HEX #9DC964

RGB 157 201 100

HSL 86.14, 0.48%, 0.59%

LAB 75.98, -31.1, 45.43

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 48 / 0 / 50 / 21

HEX #68C964

RGB 104 201 100

HSL 117.62, 0.48%, 0.59%

LAB 73.31, -48.75, 41.55

 

CMYK 50 / 0 / 38 / 21

HEX #64C97C

RGB 100 201 124

HSL 134.26, 0.48%, 0.59%

LAB 73.51, -46.2, 29.66

 

CMYK 46 / 0 / 65 / 36

HEX #58A239

RGB 88 162 57

HSL 102.29, 0.48%, 0.43%

LAB 60.08, -42.49, 46.08

 

CMYK 45 / 0 / 63 / 25

HEX #69BE46

RGB 105 190 70

HSL 102.5, 0.48%, 0.51%

LAB 69.66, -47.41, 51.19

 

CMYK 35 / 0 / 50 / 21

HEX #82C964

RGB 130 201 100

HSL 102.18, 0.48%, 0.59%

LAB 74.47, -40.7, 43.24

 

CMYK 27 / 0 / 38 / 17

HEX #9BD383

RGB 155 211 131

HSL 102, 0.48%, 0.67%

LAB 79.15, -32.64, 33.96

 

CMYK 19 / 0 / 27 / 13

HEX #B3DEA1

RGB 179 222 161

HSL 102.3, 0.48%, 0.75%

LAB 84.17, -25.1, 25.46

 

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

CMYK 50 / 0 / 5 / 21

HEX #64C9BF

RGB 100 201 191

HSL 174.06, 0.48%, 0.59%

LAB 74.98, -31.91, -4.07

 

CMYK 0 / 50 / 15 / 21

HEX #C964AB

RGB 201 100 171

HSL 317.82, 0.48%, 0.59%

LAB 56.56, 49, -19.74

 

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

CMYK 50 / 35 / 0 / 21

HEX #6482C9

RGB 100 130 201

HSL 222.18, 0.48%, 0.59%

LAB 54.96, 9.2, -40.17

 

CMYK 0 / 50 / 35 / 21

HEX #C96482

RGB 201 100 130

HSL 342.18, 0.48%, 0.59%

LAB 55.22, 43.28, 2.21

 

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

CMYK 50 / 0 / 5 / 21

HEX #64C9BF

RGB 100 201 191

HSL 174.06, 0.48%, 0.59%

LAB 74.98, -31.91, -4.07

 

CMYK 15 / 50 / 0 / 21

HEX #AB64C9

RGB 171 100 201

HSL 282.18, 0.48%, 0.59%

LAB 54.02, 45.66, -41.24

 

CMYK 0 / 50 / 45 / 21

HEX #C9646E

RGB 201 100 110

HSL 354.06, 0.48%, 0.59%

LAB 54.72, 41.05, 13.26

 

CMYK 35 / 0 / 49 / 21

HEX #83C965

RGB 131 201 101.6

HSL 102.25, 0.48%, 0.59%

LAB 74.54, -40.17, 42.56

 

CMYK 50 / 10 / 0 / 21

HEX #64B5C9

RGB 100 181 201

HSL 191.88, 0.48%, 0.59%

LAB 69.45, -19.33, -17.79

 

CMYK 15 / 50 / 0 / 21

HEX #AB64C9

RGB 171 100 201

HSL 282.18, 0.48%, 0.59%

LAB 54.02, 45.66, -41.24

 

CMYK 0 / 40 / 50 / 21

HEX #C97864

RGB 201 120 100

HSL 11.88, 0.48%, 0.59%

LAB 58.76, 29.54, 24.52

 

Description

Color code: RGB 131 201 101.6 | qconv.com Color code: RGB 131 201 101.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 201 green and 101.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 201 101.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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