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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 196 72 it is the complementary color RGB 124 59 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 196 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 196 72 shade: RGB 136 196 67, RGB 153 214 86, RGB 170 232 105, RGB 187 250 124 and RGB 204 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 196 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 196 72 shade: RGB 131 196 72, RGB 114 178 53, RGB 97 160 34, RGB 80 142 15 and RGB 63 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 196 72 shade: RGB 132 196 74, RGB 165 196 74, RGB 196 194 74, RGB 196 161 74 and RGB 196 128 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 196 72 shade: RGB 132 196 74, RGB 99 196 74, RGB 74 196 82, RGB 74 196 115 and RGB 74 196 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 196 72 shade matches the following richer shades: RGB 132 196 74, RGB 131 216 55, RGB 130 235 35 and RGB 129 254 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 196 72 shade: RGB 132 196 74, RGB 133 177 93, RGB 134 157 113, RGB 135 138 132 and RGB 136 119 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 196 72 shade: RGB 196 194 74, RGB 166 196 74, RGB 133 196 74, RGB 101 196 74 and RGB 74 196 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 196 72 shade: RGB 92 142 46, RGB 112 173 56, RGB 132 196 74, RGB 153 206 105 and RGB 174 216 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 196 72 shade: RGB 131 196 72, RGB 74 196 162 and RGB 196 74 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 196 72 shade: RGB 131 196 72, RGB 74 133 196 and RGB 196 74 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 196 72 shade: RGB 131 196 72, RGB 74 196 162, RGB 137 74 196 and RGB 196 74 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 196 72 shade: RGB 131 196 72, RGB 74 194 196, RGB 137 74 196 and RGB 196 76 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

Complementary color

CMYK 32 / 68 / 0 / 28

HEX #7C3BB7

RGB 124 59 183

HSL 271.45, 0.51%, 0.47%

LAB 39.3, 51.02, -54.65

 

CMYK 31 / 0 / 66 / 23

HEX #88C443

RGB 136 196 67

HSL 87.91, 0.52%, 0.52%

LAB 72.97, -39.67, 56.48

 

CMYK 29 / 0 / 60 / 16

HEX #99D656

RGB 153 214 86

HSL 88.59, 0.61%, 0.59%

LAB 79.35, -39.88, 55.71

 

CMYK 27 / 0 / 55 / 9

HEX #AAE869

RGB 170 232 105

HSL 89.29, 0.73%, 0.66%

LAB 85.64, -40, 54.74

 

CMYK 25 / 0 / 50 / 2

HEX #BBFA7C

RGB 187 250 124

HSL 90, 0.93%, 0.73%

LAB 91.86, -40.04, 53.67

 

CMYK 20 / 0 / 44 / 0

HEX #CCFF8F

RGB 204 255 143

HSL 87.32, 1%, 0.78%

LAB 94.46, -34.2, 48.17

 

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

CMYK 36 / 0 / 70 / 30

HEX #72B235

RGB 114 178 53

HSL 90.72, 0.54%, 0.45%

LAB 66.27, -40.79, 54.68

 

CMYK 39 / 0 / 79 / 37

HEX #61A022

RGB 97 160 34

HSL 90, 0.65%, 0.38%

LAB 59.71, -40.31, 54.67

 

CMYK 44 / 0 / 89 / 44

HEX #508E0F

RGB 80 142 15

HSL 89.29, 0.81%, 0.31%

LAB 53.04, -39.54, 53.49

 

CMYK 49 / 0 / 100 / 51

HEX #3F7C00

RGB 63 124 0

HSL 89.52, 1%, 0.24%

LAB 46.27, -38.37, 50.54

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 16 / 0 / 62 / 23

HEX #A5C44A

RGB 165 196 74

HSL 75.25, 0.51%, 0.53%

LAB 74.81, -28.01, 56.07

 

CMYK 0 / 1 / 62 / 23

HEX #C4C24A

RGB 196 194 74

HSL 59.02, 0.51%, 0.53%

LAB 76.57, -14.29, 58.64

 

CMYK 0 / 18 / 62 / 23

HEX #C4A14A

RGB 196 161 74

HSL 42.79, 0.51%, 0.53%

LAB 67.81, 2.98, 49.09

 

CMYK 0 / 35 / 62 / 23

HEX #C4804A

RGB 196 128 74

HSL 26.56, 0.51%, 0.53%

LAB 59.59, 21.01, 39.65

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 49 / 0 / 62 / 23

HEX #63C44A

RGB 99 196 74

HSL 107.7, 0.51%, 0.53%

LAB 71.3, -51.22, 51.21

 

CMYK 62 / 0 / 58 / 23

HEX #4AC452

RGB 74 196 82

HSL 123.93, 0.51%, 0.53%

LAB 70.56, -56.68, 46.56

 

CMYK 62 / 0 / 41 / 23

HEX #4AC473

RGB 74 196 115

HSL 140.16, 0.51%, 0.53%

LAB 70.99, -51.81, 30.86

 

CMYK 62 / 0 / 24 / 23

HEX #4AC494

RGB 74 196 148

HSL 156.39, 0.51%, 0.53%

LAB 71.61, -45.28, 14.22

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 39 / 0 / 75 / 15

HEX #83D837

RGB 131 216 55

HSL 91.68, 0.67%, 0.53%

LAB 78.59, -50.67, 66.52

 

CMYK 45 / 0 / 85 / 8

HEX #82EB23

RGB 130 235 35

HSL 91.5, 0.83%, 0.53%

LAB 84.11, -59.29, 76.9

 

CMYK 49 / 0 / 94 / 0

HEX #81FE10

RGB 129 254 16

HSL 91.51, 0.99%, 0.53%

LAB 89.67, -66.96, 84.39

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 25 / 0 / 47 / 31

HEX #85B15D

RGB 133 177 93

HSL 91.43, 0.35%, 0.53%

LAB 67.44, -29.48, 38.11

 

CMYK 15 / 0 / 28 / 38

HEX #869D71

RGB 134 157 113

HSL 91.36, 0.18%, 0.53%

LAB 61.98, -16.3, 20.42

 

CMYK 2 / 0 / 4 / 46

HEX #878A84

RGB 135 138 132

HSL 90, 0.02%, 0.53%

LAB 57.07, -2.27, 2.82

 

CMYK 11 / 22 / 0 / 40

HEX #887798

RGB 136 119 152

HSL 270.91, 0.14%, 0.53%

LAB 52.61, 13.18, -15.39

 

CMYK 0 / 1 / 62 / 23

HEX #C4C24A

RGB 196 194 74

HSL 59.02, 0.51%, 0.53%

LAB 76.57, -14.29, 58.64

 

CMYK 15 / 0 / 62 / 23

HEX #A6C44A

RGB 166 196 74

HSL 74.75, 0.51%, 0.53%

LAB 74.88, -27.61, 56.16

 

CMYK 32 / 0 / 62 / 23

HEX #85C44A

RGB 133 196 74

HSL 90.98, 0.51%, 0.53%

LAB 72.87, -40.17, 53.39

 

CMYK 48 / 0 / 62 / 23

HEX #65C44A

RGB 101 196 74

HSL 106.72, 0.51%, 0.53%

LAB 71.38, -50.64, 51.32

 

CMYK 62 / 0 / 59 / 23

HEX #4AC450

RGB 74 196 80

HSL 122.95, 0.51%, 0.53%

LAB 70.54, -56.91, 47.45

 

CMYK 35 / 0 / 68 / 44

HEX #5C8E2E

RGB 92 142 46

HSL 91.25, 0.51%, 0.37%

LAB 53.83, -33.35, 44.18

 

CMYK 35 / 0 / 68 / 32

HEX #70AD38

RGB 112 173 56

HSL 91.28, 0.51%, 0.45%

LAB 64.66, -39.1, 51.77

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 26 / 0 / 49 / 19

HEX #99CE69

RGB 153 206 105

HSL 91.49, 0.51%, 0.61%

LAB 77.24, -34.35, 44.48

 

CMYK 19 / 0 / 37 / 15

HEX #AED888

RGB 174 216 136

HSL 91.5, 0.51%, 0.69%

LAB 81.78, -27.6, 35.05

 

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

CMYK 62 / 0 / 17 / 23

HEX #4AC4A2

RGB 74 196 162

HSL 163.28, 0.51%, 0.53%

LAB 71.92, -42.04, 7.1

 

CMYK 0 / 62 / 7 / 23

HEX #C44AB6

RGB 196 74 182

HSL 306.89, 0.51%, 0.53%

LAB 51.85, 61.29, -33.46

 

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

CMYK 62 / 32 / 0 / 23

HEX #4A85C4

RGB 74 133 196

HSL 210.98, 0.51%, 0.53%

LAB 54.26, 0.28, -38.53

 

CMYK 0 / 62 / 32 / 23

HEX #C44A85

RGB 196 74 133

HSL 330.98, 0.51%, 0.53%

LAB 49.89, 54.32, -7.5

 

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

CMYK 62 / 0 / 17 / 23

HEX #4AC4A2

RGB 74 196 162

HSL 163.28, 0.51%, 0.53%

LAB 71.92, -42.04, 7.1

 

CMYK 30 / 62 / 0 / 23

HEX #894AC4

RGB 137 74 196

HSL 270.98, 0.51%, 0.53%

LAB 44.52, 49.49, -53.74

 

CMYK 0 / 62 / 44 / 23

HEX #C44A6D

RGB 196 74 109

HSL 342.79, 0.51%, 0.53%

LAB 49.18, 51.66, 5.92

 

CMYK 33 / 0 / 63 / 23

HEX #83C448

RGB 131 196 72

HSL 91.45, 0.51%, 0.53%

LAB 72.74, -41.06, 54.08

 

CMYK 62 / 1 / 0 / 23

HEX #4AC2C4

RGB 74 194 196

HSL 180.98, 0.51%, 0.53%

LAB 72.25, -32.24, -10.93

 

CMYK 30 / 62 / 0 / 23

HEX #894AC4

RGB 137 74 196

HSL 270.98, 0.51%, 0.53%

LAB 44.52, 49.49, -53.74

 

CMYK 0 / 61 / 62 / 23

HEX #C44C4A

RGB 196 76 74

HSL 0.98, 0.51%, 0.53%

LAB 48.76, 47.86, 26.39

 

Description

Color code: RGB 131 196 72 | qconv.com Color code: RGB 131 196 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 196 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 196 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 63 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 63% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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