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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 183 47 it is the complementary color RGB 124 72 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 183 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 183 47 shade: RGB 136 183 42, RGB 153 201 61, RGB 170 219 80, RGB 187 237 99 and RGB 204 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 183 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 183 47 shade: RGB 131 183 47, RGB 114 165 28, RGB 97 147 9, RGB 80 129 0 and RGB 63 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 183 47 shade: RGB 131 182 47, RGB 167 182 47, RGB 182 161 47, RGB 182 125 47 and RGB 182 88 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 183 47 shade: RGB 131 182 47, RGB 94 182 47, RGB 58 182 47, RGB 47 182 73 and RGB 47 182 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 183 47 shade matches the following richer shades: RGB 131 182 47, RGB 135 201 28 and RGB 139 220 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 183 47 shade: RGB 131 182 47, RGB 126 164 66, RGB 122 145 84, RGB 118 127 103 and RGB 113 108 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 183 47 shade: RGB 182 160 47, RGB 169 182 47, RGB 133 182 47, RGB 97 182 47 and RGB 61 182 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 183 47 shade: RGB 84 117 30, RGB 107 150 39, RGB 131 182 47, RGB 152 206 65 and RGB 170 214 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 183 47 shade: RGB 131 183 47, RGB 47 182 124 and RGB 178 47 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 183 47 shade: RGB 131 183 47, RGB 47 133 182 and RGB 182 47 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 183 47 shade: RGB 131 183 47, RGB 47 182 124, RGB 97 47 182 and RGB 182 47 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 183 47 shade: RGB 131 183 47, RGB 47 182 164, RGB 97 47 182 and RGB 182 47 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

Complementary color

CMYK 40 / 65 / 0 / 18

HEX #7C48D0

RGB 124 72 208

HSL 262.94, 0.59%, 0.55%

LAB 43.47, 50.73, -62.45

 

CMYK 26 / 0 / 77 / 28

HEX #88B72A

RGB 136 183 42

HSL 80, 0.63%, 0.44%

LAB 68.95, -35.42, 61.59

 

CMYK 24 / 0 / 70 / 21

HEX #99C93D

RGB 153 201 61

HSL 80.57, 0.56%, 0.51%

LAB 75.38, -35.95, 61.63

 

CMYK 22 / 0 / 63 / 14

HEX #AADB50

RGB 170 219 80

HSL 81.15, 0.66%, 0.59%

LAB 81.72, -36.32, 61.12

 

CMYK 21 / 0 / 58 / 7

HEX #BBED63

RGB 187 237 99

HSL 81.74, 0.79%, 0.66%

LAB 87.98, -36.59, 60.32

 

CMYK 20 / 0 / 54 / 0

HEX #CCFF76

RGB 204 255 118

HSL 82.34, 1%, 0.73%

LAB 94.17, -36.78, 59.37

 

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

CMYK 31 / 0 / 83 / 35

HEX #72A51C

RGB 114 165 28

HSL 82.34, 0.71%, 0.38%

LAB 62.14, -36.47, 58.99

 

CMYK 34 / 0 / 94 / 42

HEX #619309

RGB 97 147 9

HSL 81.74, 0.88%, 0.31%

LAB 55.51, -35.58, 56.99

 

CMYK 38 / 0 / 100 / 49

HEX #508100

RGB 80 129 0

HSL 82.79, 1%, 0.25%

LAB 48.77, -34.34, 52.84

 

CMYK 43 / 0 / 100 / 56

HEX #3F6F00

RGB 63 111 0

HSL 85.95, 1%, 0.22%

LAB 41.88, -32.83, 47.11

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 8 / 0 / 74 / 29

HEX #A7B62F

RGB 167 182 47

HSL 66.67, 0.59%, 0.45%

LAB 70.79, -22.03, 62.43

 

CMYK 0 / 12 / 74 / 29

HEX #B6A12F

RGB 182 161 47

HSL 50.67, 0.59%, 0.45%

LAB 66.24, -4.69, 58.55

 

CMYK 0 / 31 / 74 / 29

HEX #B67D2F

RGB 182 125 47

HSL 34.67, 0.59%, 0.45%

LAB 56.9, 15.03, 49.37

 

CMYK 0 / 52 / 74 / 29

HEX #B6582F

RGB 182 88 47

HSL 18.22, 0.59%, 0.45%

LAB 48.42, 35.21, 40.58

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 48 / 0 / 74 / 29

HEX #5EB62F

RGB 94 182 47

HSL 99.11, 0.59%, 0.45%

LAB 66.55, -49.49, 56.87

 

CMYK 68 / 0 / 74 / 29

HEX #3AB62F

RGB 58 182 47

HSL 115.11, 0.59%, 0.45%

LAB 65.41, -58.6, 55.35

 

CMYK 74 / 0 / 60 / 29

HEX #2FB649

RGB 47 182 73

HSL 131.56, 0.59%, 0.45%

LAB 65.39, -57.94, 44.54

 

CMYK 74 / 0 / 40 / 29

HEX #2FB66D

RGB 47 182 109

HSL 147.56, 0.59%, 0.45%

LAB 65.88, -52.28, 27.16

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 33 / 0 / 86 / 21

HEX #87C91C

RGB 135 201 28

HSL 82.89, 0.76%, 0.45%

LAB 74.19, -44.27, 69.92

 

CMYK 37 / 0 / 95 / 14

HEX #8BDC0A

RGB 139 220 10

HSL 83.14, 0.91%, 0.45%

LAB 80.01, -51.08, 77.4

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 23 / 0 / 60 / 36

HEX #7EA442

RGB 126 164 66

HSL 83.27, 0.43%, 0.45%

LAB 62.83, -28.81, 45.65

 

CMYK 16 / 0 / 42 / 43

HEX #7A9154

RGB 122 145 84

HSL 82.62, 0.27%, 0.45%

LAB 57.1, -18.94, 29.68

 

CMYK 7 / 0 / 19 / 50

HEX #767F67

RGB 118 127 103

HSL 82.5, 0.1%, 0.45%

LAB 51.85, -7.95, 11.94

 

CMYK 7 / 11 / 0 / 53

HEX #716C79

RGB 113 108 121

HSL 263.08, 0.06%, 0.45%

LAB 46.47, 4.64, -6.52

 

CMYK 0 / 12 / 74 / 29

HEX #B6A02F

RGB 182 160 47

HSL 50.22, 0.59%, 0.45%

LAB 65.98, -4.15, 58.29

 

CMYK 7 / 0 / 74 / 29

HEX #A9B62F

RGB 169 182 47

HSL 65.78, 0.59%, 0.45%

LAB 70.94, -21.18, 62.63

 

CMYK 27 / 0 / 74 / 29

HEX #85B62F

RGB 133 182 47

HSL 81.78, 0.59%, 0.45%

LAB 68.5, -35.87, 59.44

 

CMYK 47 / 0 / 74 / 29

HEX #61B62F

RGB 97 182 47

HSL 97.78, 0.59%, 0.45%

LAB 66.67, -48.57, 57.04

 

CMYK 66 / 0 / 74 / 29

HEX #3DB62F

RGB 61 182 47

HSL 113.78, 0.59%, 0.45%

LAB 65.48, -58, 55.45

 

CMYK 28 / 0 / 74 / 54

HEX #54751E

RGB 84 117 30

HSL 82.76, 0.59%, 0.29%

LAB 45.22, -25.88, 41.81

 

CMYK 29 / 0 / 74 / 41

HEX #6B9627

RGB 107 150 39

HSL 83.24, 0.59%, 0.37%

LAB 57.16, -31.78, 50.68

 

CMYK 28 / 0 / 74 / 29

HEX #83B62F

RGB 131 182 47

HSL 82.67, 0.59%, 0.45%

LAB 68.38, -36.64, 59.28

 

CMYK 26 / 0 / 68 / 19

HEX #98CE41

RGB 152 206 65

HSL 82.98, 0.59%, 0.53%

LAB 76.8, -38.32, 61.55

 

CMYK 21 / 0 / 54 / 16

HEX #AAD662

RGB 170 214 98

HSL 82.76, 0.59%, 0.61%

LAB 80.47, -32.5, 51.89

 

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

CMYK 74 / 0 / 32 / 29

HEX #2FB67C

RGB 47 182 124

HSL 154.22, 0.59%, 0.45%

LAB 66.15, -49.25, 19.51

 

CMYK 2 / 74 / 0 / 29

HEX #B22FB6

RGB 178 47 182

HSL 298.22, 0.59%, 0.45%

LAB 45.46, 67.05, -43.73

 

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

CMYK 74 / 27 / 0 / 29

HEX #2F85B6

RGB 47 133 182

HSL 201.78, 0.59%, 0.45%

LAB 52.68, -8.89, -33.07

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

CMYK 74 / 0 / 32 / 29

HEX #2FB67C

RGB 47 182 124

HSL 154.22, 0.59%, 0.45%

LAB 66.15, -49.25, 19.51

 

CMYK 47 / 74 / 0 / 29

HEX #612FB6

RGB 97 47 182

HSL 262.22, 0.59%, 0.45%

LAB 33.88, 51.48, -63.01

 

CMYK 0 / 74 / 42 / 29

HEX #B62F6A

RGB 182 47 106

HSL 333.78, 0.59%, 0.45%

LAB 42.79, 57.76, -1.79

 

CMYK 28 / 0 / 74 / 28

HEX #83B72F

RGB 131 183 47

HSL 82.94, 0.59%, 0.45%

LAB 68.68, -37.09, 59.57

 

CMYK 74 / 0 / 10 / 29

HEX #2FB6A4

RGB 47 182 164

HSL 172, 0.59%, 0.45%

LAB 67.08, -39.47, -1.08

 

CMYK 47 / 74 / 0 / 29

HEX #612FB6

RGB 97 47 182

HSL 262.22, 0.59%, 0.45%

LAB 33.88, 51.48, -63.01

 

CMYK 0 / 74 / 64 / 29

HEX #B62F41

RGB 182 47 65

HSL 352, 0.59%, 0.45%

LAB 41.78, 54.46, 22.41

 

Description

Color code: RGB 131 183 47 | qconv.com Color code: RGB 131 183 47 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 183 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 183 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 74 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 74% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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