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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 162 143 it is the complementary color RGB 124 93 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 162 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 162 143 shade: RGB 136 162 138, RGB 153 180 157, RGB 170 198 176, RGB 187 216 195 and RGB 204 234 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 162 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 162 143 shade: RGB 131 162 143, RGB 114 144 124, RGB 97 126 105, RGB 80 108 86 and RGB 63 90 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 162 143 shade: RGB 130 161 142, RGB 130 161 134, RGB 135 161 130, RGB 143 161 130 and RGB 151 161 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 162 143 shade: RGB 130 161 142, RGB 130 161 150, RGB 130 161 158, RGB 130 155 161 and RGB 130 146 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 162 143 shade matches the following richer shades: RGB 130 161 142, RGB 112 178 138, RGB 95 196 134, RGB 77 214 130 and RGB 59 232 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 162 143 shade: RGB 130 161 142, RGB 148 143 146, RGB 165 125 150, RGB 183 107 154 and RGB 201 90 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 162 143 shade: RGB 135 161 130, RGB 130 161 134, RGB 130 161 142, RGB 130 161 150 and RGB 130 161 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 162 143 shade: RGB 90 119 101, RGB 107 142 121, RGB 130 161 142, RGB 154 178 163 and RGB 177 196 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 162 143 shade: RGB 131 162 143, RGB 130 143 161 and RGB 161 130 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 162 143 shade: RGB 131 162 143, RGB 142 130 161 and RGB 161 142 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 162 143 shade: RGB 131 162 143, RGB 130 143 161, RGB 161 130 149 and RGB 161 148 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 162 143 shade: RGB 131 162 143, RGB 130 134 161, RGB 161 130 149 and RGB 161 157 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

Complementary color

CMYK 0 / 25 / 10 / 51

HEX #7C5D70

RGB 124 93 112

HSL 323.23, 0.14%, 0.43%

LAB 43.19, 15.99, -5.85

 

CMYK 16 / 0 / 15 / 36

HEX #88A28A

RGB 136 162 138

HSL 124.62, 0.12%, 0.58%

LAB 64.09, -13.86, 9.49

 

CMYK 15 / 0 / 13 / 29

HEX #99B49D

RGB 153 180 157

HSL 128.89, 0.15%, 0.65%

LAB 70.77, -13.77, 8.66

 

CMYK 14 / 0 / 11 / 22

HEX #AAC6B0

RGB 170 198 176

HSL 132.86, 0.2%, 0.72%

LAB 77.32, -13.69, 7.87

 

CMYK 13 / 0 / 10 / 15

HEX #BBD8C3

RGB 187 216 195

HSL 136.55, 0.27%, 0.79%

LAB 83.77, -13.62, 7.12

 

CMYK 13 / 0 / 9 / 8

HEX #CCEAD6

RGB 204 234 214

HSL 140, 0.42%, 0.86%

LAB 90.11, -13.57, 6.4

 

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

CMYK 21 / 0 / 14 / 44

HEX #72907C

RGB 114 144 124

HSL 140, 0.12%, 0.51%

LAB 57.06, -14.79, 7.18

 

CMYK 23 / 0 / 17 / 51

HEX #617E69

RGB 97 126 105

HSL 136.55, 0.13%, 0.44%

LAB 50.08, -14.97, 8.07

 

CMYK 26 / 0 / 20 / 58

HEX #506C56

RGB 80 108 86

HSL 132.86, 0.15%, 0.37%

LAB 42.92, -15.18, 9.04

 

CMYK 30 / 0 / 26 / 65

HEX #3F5A43

RGB 63 90 67

HSL 128.89, 0.18%, 0.3%

LAB 35.55, -15.44, 10.11

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 19 / 0 / 17 / 37

HEX #82A186

RGB 130 161 134

HSL 127.74, 0.14%, 0.57%

LAB 63.31, -16.21, 10.56

 

CMYK 16 / 0 / 19 / 37

HEX #87A182

RGB 135 161 130

HSL 110.32, 0.14%, 0.57%

LAB 63.55, -15.16, 13.18

 

CMYK 11 / 0 / 19 / 37

HEX #8FA182

RGB 143 161 130

HSL 94.84, 0.14%, 0.57%

LAB 64.11, -12.22, 14.05

 

CMYK 6 / 0 / 19 / 37

HEX #97A182

RGB 151 161 130

HSL 79.35, 0.14%, 0.57%

LAB 64.71, -9.21, 14.97

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 19 / 0 / 7 / 37

HEX #82A196

RGB 130 161 150

HSL 158.71, 0.14%, 0.57%

LAB 63.7, -13.02, 2.18

 

CMYK 19 / 0 / 2 / 37

HEX #82A19E

RGB 130 161 158

HSL 174.19, 0.14%, 0.57%

LAB 63.92, -11.31, -1.99

 

CMYK 19 / 4 / 0 / 37

HEX #829BA1

RGB 130 155 161

HSL 191.61, 0.14%, 0.57%

LAB 62.31, -7.39, -6.06

 

CMYK 19 / 9 / 0 / 37

HEX #8292A1

RGB 130 146 161

HSL 209.03, 0.14%, 0.57%

LAB 59.78, -2.39, -9.83

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 37 / 0 / 22 / 30

HEX #70B28A

RGB 112 178 138

HSL 143.64, 0.3%, 0.57%

LAB 67.37, -29.89, 13.92

 

CMYK 52 / 0 / 32 / 23

HEX #5FC486

RGB 95 196 134

HSL 143.17, 0.46%, 0.57%

LAB 71.98, -43.55, 22.34

 

CMYK 64 / 0 / 39 / 16

HEX #4DD682

RGB 77 214 130

HSL 143.21, 0.63%, 0.57%

LAB 76.85, -55.54, 30.85

 

CMYK 75 / 0 / 46 / 9

HEX #3BE87E

RGB 59 232 126

HSL 143.24, 0.79%, 0.57%

LAB 81.92, -65.65, 39.36

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 0 / 3 / 1 / 42

HEX #948F92

RGB 148 143 146

HSL 324, 0.02%, 0.57%

LAB 59.9, 2.42, -0.94

 

CMYK 0 / 24 / 9 / 35

HEX #A57D96

RGB 165 125 150

HSL 322.5, 0.18%, 0.57%

LAB 56.95, 19.67, -7.42

 

CMYK 0 / 42 / 16 / 28

HEX #B76B9A

RGB 183 107 154

HSL 322.89, 0.35%, 0.57%

LAB 54.99, 36.79, -12.47

 

CMYK 0 / 55 / 21 / 21

HEX #C95A9E

RGB 201 90 158

HSL 323.24, 0.51%, 0.57%

LAB 54.24, 51.9, -15.7

 

CMYK 16 / 0 / 19 / 37

HEX #87A182

RGB 135 161 130

HSL 110.32, 0.14%, 0.57%

LAB 63.55, -15.16, 13.18

 

CMYK 19 / 0 / 17 / 37

HEX #82A186

RGB 130 161 134

HSL 127.74, 0.14%, 0.57%

LAB 63.31, -16.21, 10.56

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 19 / 0 / 7 / 37

HEX #82A196

RGB 130 161 150

HSL 158.71, 0.14%, 0.57%

LAB 63.7, -13.02, 2.18

 

CMYK 19 / 0 / 2 / 37

HEX #82A19E

RGB 130 161 158

HSL 174.19, 0.14%, 0.57%

LAB 63.92, -11.31, -1.99

 

CMYK 24 / 0 / 15 / 53

HEX #5A7765

RGB 90 119 101

HSL 142.76, 0.14%, 0.41%

LAB 47.37, -14.48, 6.51

 

CMYK 25 / 0 / 15 / 44

HEX #6B8E79

RGB 107 142 121

HSL 144, 0.14%, 0.49%

LAB 55.94, -16.77, 7.24

 

CMYK 19 / 0 / 12 / 37

HEX #82A18E

RGB 130 161 142

HSL 143.23, 0.14%, 0.57%

LAB 63.5, -14.66, 6.36

 

CMYK 13 / 0 / 8 / 30

HEX #9AB2A3

RGB 154 178 163

HSL 142.5, 0.13%, 0.65%

LAB 70.42, -11.23, 4.89

 

CMYK 10 / 0 / 6 / 23

HEX #B1C4B8

RGB 177 196 184

HSL 142.11, 0.14%, 0.73%

LAB 77.45, -8.77, 3.81

 

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

CMYK 19 / 11 / 0 / 37

HEX #828FA1

RGB 130 143 161

HSL 214.84, 0.14%, 0.57%

LAB 58.94, -0.7, -11.08

 

CMYK 0 / 19 / 19 / 37

HEX #A18283

RGB 161 130 131

HSL 358.06, 0.14%, 0.57%

LAB 57.25, 12.04, 3.96

 

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

CMYK 12 / 19 / 0 / 37

HEX #8E82A1

RGB 142 130 161

HSL 263.23, 0.14%, 0.57%

LAB 56.38, 10.81, -14.85

 

CMYK 0 / 12 / 19 / 37

HEX #A18E82

RGB 161 142 130

HSL 23.23, 0.14%, 0.57%

LAB 60.37, 5.09, 8.99

 

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

CMYK 19 / 11 / 0 / 37

HEX #828FA1

RGB 130 143 161

HSL 214.84, 0.14%, 0.57%

LAB 58.94, -0.7, -11.08

 

CMYK 0 / 19 / 7 / 37

HEX #A18295

RGB 161 130 149

HSL 323.23, 0.14%, 0.57%

LAB 57.76, 15.17, -5.68

 

CMYK 0 / 8 / 19 / 37

HEX #A19482

RGB 161 148 130

HSL 34.84, 0.14%, 0.57%

LAB 61.97, 1.75, 11.26

 

CMYK 19 / 0 / 12 / 36

HEX #83A28F

RGB 131 162 143

HSL 143.23, 0.14%, 0.57%

LAB 63.88, -14.64, 6.35

 

CMYK 19 / 17 / 0 / 37

HEX #8286A1

RGB 130 134 161

HSL 232.26, 0.14%, 0.57%

LAB 56.46, 4.44, -14.83

 

CMYK 0 / 19 / 7 / 37

HEX #A18295

RGB 161 130 149

HSL 323.23, 0.14%, 0.57%

LAB 57.76, 15.17, -5.68

 

CMYK 0 / 2 / 19 / 37

HEX #A19D82

RGB 161 157 130

HSL 52.26, 0.14%, 0.57%

LAB 64.41, -3.2, 14.67

 

Description

Color code: RGB 131 162 143 | qconv.com Color code: RGB 131 162 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 162 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 162 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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