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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 148 163 it is the complementary color RGB 124 107 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 148 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 148 163 shade: RGB 136 148 158, RGB 153 166 177, RGB 170 184 196, RGB 187 202 215 and RGB 204 220 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 148 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 148 163 shade: RGB 131 148 163, RGB 114 130 144, RGB 97 112 125, RGB 80 94 106 and RGB 63 76 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 148 163 shade: RGB 132 149 164, RGB 132 140 164, RGB 132 132 164, RGB 141 132 164 and RGB 149 132 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 148 163 shade: RGB 132 149 164, RGB 132 140 164 and RGB 132 132 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 148 163 shade matches the following richer shades: RGB 132 149 164, RGB 115 150 181, RGB 97 151 199, RGB 80 152 216 and RGB 63 153 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 148 163 shade: RGB 132 149 164, RGB 149 148 147, RGB 166 147 129, RGB 184 146 112 and RGB 201 145 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 148 163 shade: RGB 132 164 162, RGB 132 158 164, RGB 132 149 164, RGB 132 140 164 and RGB 132 132 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 148 163 shade: RGB 91 108 123, RGB 108 128 146, RGB 132 149 164, RGB 156 169 182 and RGB 179 190 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 148 163 shade: RGB 131 148 163, RGB 153 132 164 and RGB 162 164 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 148 163 shade: RGB 131 148 163, RGB 164 132 149 and RGB 149 164 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 148 163 shade: RGB 131 148 163, RGB 153 132 164, RGB 164 147 132 and RGB 143 164 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 148 163 shade: RGB 131 148 163, RGB 163 132 164, RGB 164 147 132 and RGB 133 164 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

Complementary color

CMYK 0 / 14 / 26 / 51

HEX #7C6B5C

RGB 124 107 92

HSL 28.13, 0.15%, 0.42%

LAB 46.41, 4.17, 10.88

 

CMYK 14 / 6 / 0 / 38

HEX #88949E

RGB 136 148 158

HSL 207.27, 0.1%, 0.58%

LAB 60.68, -2.17, -6.74

 

CMYK 14 / 6 / 0 / 31

HEX #99A6B1

RGB 153 166 177

HSL 207.5, 0.13%, 0.65%

LAB 67.44, -2.27, -7.23

 

CMYK 13 / 6 / 0 / 23

HEX #AAB8C4

RGB 170 184 196

HSL 207.69, 0.18%, 0.72%

LAB 74.07, -2.38, -7.72

 

CMYK 13 / 6 / 0 / 16

HEX #BBCAD7

RGB 187 202 215

HSL 207.86, 0.26%, 0.79%

LAB 80.58, -2.48, -8.2

 

CMYK 13 / 6 / 0 / 8

HEX #CCDCEA

RGB 204 220 234

HSL 208, 0.42%, 0.86%

LAB 86.98, -2.58, -8.68

 

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

CMYK 21 / 10 / 0 / 44

HEX #728290

RGB 114 130 144

HSL 208, 0.12%, 0.51%

LAB 53.55, -2.62, -9.49

 

CMYK 22 / 10 / 0 / 51

HEX #61707D

RGB 97 112 125

HSL 207.86, 0.13%, 0.44%

LAB 46.46, -2.51, -9.05

 

CMYK 25 / 11 / 0 / 58

HEX #505E6A

RGB 80 94 106

HSL 207.69, 0.14%, 0.36%

LAB 39.16, -2.4, -8.62

 

CMYK 28 / 13 / 0 / 66

HEX #3F4C57

RGB 63 76 87

HSL 207.5, 0.16%, 0.29%

LAB 31.61, -2.28, -8.2

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 20 / 15 / 0 / 36

HEX #848CA4

RGB 132 140 164

HSL 225, 0.15%, 0.58%

LAB 58.36, 2.36, -13.66

 

CMYK 20 / 20 / 0 / 36

HEX #8484A4

RGB 132 132 164

HSL 240, 0.15%, 0.58%

LAB 56.18, 6.97, -16.96

 

CMYK 14 / 20 / 0 / 36

HEX #8D84A4

RGB 141 132 164

HSL 256.88, 0.15%, 0.58%

LAB 56.92, 9.98, -15.76

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 20 / 15 / 0 / 36

HEX #848CA4

RGB 132 140 164

HSL 225, 0.15%, 0.58%

LAB 58.36, 2.36, -13.66

 

CMYK 20 / 20 / 0 / 36

HEX #8484A4

RGB 132 132 164

HSL 240, 0.15%, 0.58%

LAB 56.18, 6.97, -16.96

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 36 / 17 / 0 / 29

HEX #7396B5

RGB 115 150 181

HSL 208.18, 0.31%, 0.58%

LAB 60.6, -4.28, -20.03

 

CMYK 51 / 24 / 0 / 22

HEX #6197C7

RGB 97 151 199

HSL 208.24, 0.48%, 0.58%

LAB 60.6, -4.35, -30.24

 

CMYK 63 / 30 / 0 / 15

HEX #5098D8

RGB 80 152 216

HSL 208.24, 0.64%, 0.58%

LAB 60.89, -3.01, -39.36

 

CMYK 73 / 34 / 0 / 9

HEX #3F99E9

RGB 63 153 233

HSL 208.24, 0.79%, 0.58%

LAB 61.41, -0.4, -48

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 0 / 1 / 1 / 42

HEX #959493

RGB 149 148 147

HSL 30, 0.01%, 0.58%

LAB 61.37, 0.18, 0.65

 

CMYK 0 / 11 / 22 / 35

HEX #A69381

RGB 166 147 129

HSL 29.19, 0.17%, 0.58%

LAB 62.13, 4.11, 12.12

 

CMYK 0 / 21 / 39 / 28

HEX #B89270

RGB 184 146 112

HSL 28.33, 0.34%, 0.58%

LAB 63.28, 9.61, 23.46

 

CMYK 0 / 28 / 53 / 21

HEX #C9915F

RGB 201 145 95

HSL 28.3, 0.5%, 0.58%

LAB 64.56, 15.45, 34.74

 

CMYK 20 / 0 / 1 / 36

HEX #84A4A2

RGB 132 164 162

HSL 176.25, 0.15%, 0.58%

LAB 65.01, -11.39, -2.61

 

CMYK 20 / 4 / 0 / 36

HEX #849EA4

RGB 132 158 164

HSL 191.25, 0.15%, 0.58%

LAB 63.38, -7.7, -6.15

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 20 / 15 / 0 / 36

HEX #848CA4

RGB 132 140 164

HSL 225, 0.15%, 0.58%

LAB 58.36, 2.36, -13.66

 

CMYK 20 / 20 / 0 / 36

HEX #8484A4

RGB 132 132 164

HSL 240, 0.15%, 0.58%

LAB 56.18, 6.97, -16.96

 

CMYK 26 / 12 / 0 / 52

HEX #5B6C7B

RGB 91 108 123

HSL 208.13, 0.15%, 0.42%

LAB 44.77, -2.68, -10.44

 

CMYK 26 / 12 / 0 / 43

HEX #6C8092

RGB 108 128 146

HSL 208.42, 0.15%, 0.5%

LAB 52.62, -2.96, -12.09

 

CMYK 20 / 9 / 0 / 36

HEX #8495A4

RGB 132 149 164

HSL 208.13, 0.15%, 0.58%

LAB 60.85, -2.72, -9.91

 

CMYK 14 / 7 / 0 / 29

HEX #9CA9B6

RGB 156 169 182

HSL 210, 0.15%, 0.66%

LAB 68.62, -1.84, -8.23

 

CMYK 10 / 5 / 0 / 22

HEX #B3BEC7

RGB 179 190 199

HSL 207, 0.15%, 0.74%

LAB 76.4, -2, -5.83

 

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

CMYK 7 / 20 / 0 / 36

HEX #9984A4

RGB 153 132 164

HSL 279.38, 0.15%, 0.58%

LAB 57.99, 14.1, -14.03

 

CMYK 1 / 0 / 20 / 36

HEX #A2A484

RGB 162 164 132

HSL 63.75, 0.15%, 0.58%

LAB 66.44, -6.29, 16.41

 

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

CMYK 0 / 20 / 9 / 36

HEX #A48495

RGB 164 132 149

HSL 328.13, 0.15%, 0.58%

LAB 58.57, 15.13, -4.45

 

CMYK 9 / 0 / 20 / 36

HEX #95A484

RGB 149 164 132

HSL 88.13, 0.15%, 0.58%

LAB 65.44, -11.23, 14.86

 

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

CMYK 7 / 20 / 0 / 36

HEX #9984A4

RGB 153 132 164

HSL 279.38, 0.15%, 0.58%

LAB 57.99, 14.1, -14.03

 

CMYK 0 / 10 / 20 / 36

HEX #A49384

RGB 164 147 132

HSL 28.13, 0.15%, 0.58%

LAB 62.02, 3.79, 10.24

 

CMYK 13 / 0 / 20 / 36

HEX #8FA484

RGB 143 164 132

HSL 99.38, 0.15%, 0.58%

LAB 65.01, -13.46, 14.19

 

CMYK 20 / 9 / 0 / 36

HEX #8394A3

RGB 131 148 163

HSL 208.13, 0.15%, 0.58%

LAB 60.47, -2.72, -9.92

 

CMYK 1 / 20 / 0 / 36

HEX #A384A4

RGB 163 132 164

HSL 298.13, 0.15%, 0.58%

LAB 58.95, 17.6, -12.51

 

CMYK 0 / 10 / 20 / 36

HEX #A49384

RGB 164 147 132

HSL 28.13, 0.15%, 0.58%

LAB 62.02, 3.79, 10.24

 

CMYK 19 / 0 / 20 / 36

HEX #85A484

RGB 133 164 132

HSL 118.13, 0.15%, 0.58%

LAB 64.33, -17.09, 13.14

 

Description

Color code: RGB 131 148 163 | qconv.com Color code: RGB 131 148 163 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 148 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 148 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 9 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 9% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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