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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 138 65 it is the complementary color RGB 124 117 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 138 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 138 65 shade: RGB 136 138 60, RGB 153 156 79, RGB 170 174 98, RGB 187 192 117 and RGB 204 210 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 138 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 114 120 46, RGB 97 102 27, RGB 80 84 8 and RGB 63 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 138 125 65, RGB 138 106 65, RGB 138 86 65 and RGB 138 66 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 111 138 65, RGB 92 138 65, RGB 72 138 65 and RGB 65 138 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 138 65 shade matches the following richer shades: RGB 131 138 65, RGB 145 155 48, RGB 158 171 32 and RGB 171 188 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 118 122 81, RGB 105 105 98, RGB 91 89 114 and RGB 78 72 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 138 65 shade: RGB 138 105 65, RGB 138 125 65, RGB 132 138 65, RGB 113 138 65 and RGB 93 138 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 138 65 shade: RGB 78 82 38, RGB 105 110 52, RGB 131 138 65, RGB 158 166 78 and RGB 175 183 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 65 138 86 and RGB 115 65 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 65 132 138 and RGB 138 65 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 65 138 86, RGB 71 65 138 and RGB 138 65 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 138 65 shade: RGB 131 138 65, RGB 65 138 108, RGB 71 65 138 and RGB 138 65 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

Complementary color

CMYK 35 / 38 / 0 / 25

HEX #7C75BE

RGB 124 117 190

HSL 245.75, 0.36%, 0.6%

LAB 52.65, 19.99, -37.42

 

CMYK 1 / 0 / 57 / 46

HEX #888A3C

RGB 136 138 60

HSL 61.54, 0.39%, 0.39%

LAB 55.82, -11.91, 40.77

 

CMYK 2 / 0 / 49 / 39

HEX #999C4F

RGB 153 156 79

HSL 62.34, 0.33%, 0.46%

LAB 62.6, -12.43, 39.61

 

CMYK 2 / 0 / 44 / 32

HEX #AAAE62

RGB 170 174 98

HSL 63.16, 0.32%, 0.53%

LAB 69.26, -12.83, 38.4

 

CMYK 3 / 0 / 39 / 25

HEX #BBC075

RGB 187 192 117

HSL 64, 0.37%, 0.61%

LAB 75.79, -13.15, 37.2

 

CMYK 3 / 0 / 35 / 18

HEX #CCD288

RGB 204 210 136

HSL 64.86, 0.45%, 0.68%

LAB 82.22, -13.4, 36.03

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 5 / 0 / 62 / 53

HEX #72782E

RGB 114 120 46

HSL 64.86, 0.45%, 0.33%

LAB 48.52, -13.11, 38.86

 

CMYK 5 / 0 / 74 / 60

HEX #61661B

RGB 97 102 27

HSL 64, 0.58%, 0.25%

LAB 41.41, -12.38, 39.56

 

CMYK 5 / 0 / 90 / 67

HEX #505408

RGB 80 84 8

HSL 63.16, 0.83%, 0.18%

LAB 34.12, -11.31, 39.08

 

CMYK 5 / 0 / 100 / 74

HEX #3F4200

RGB 63 66 0

HSL 62.73, 1%, 0.13%

LAB 26.6, -9.73, 35.2

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 0 / 9 / 53 / 46

HEX #8A7D41

RGB 138 125 65

HSL 49.32, 0.36%, 0.4%

LAB 52.34, -3.43, 34.21

 

CMYK 0 / 23 / 53 / 46

HEX #8A6A41

RGB 138 106 65

HSL 33.7, 0.36%, 0.4%

LAB 47.1, 7.46, 27.79

 

CMYK 0 / 38 / 53 / 46

HEX #8A5641

RGB 138 86 65

HSL 17.26, 0.36%, 0.4%

LAB 41.91, 19.17, 21.18

 

CMYK 0 / 52 / 53 / 46

HEX #8A4241

RGB 138 66 65

HSL 0.82, 0.36%, 0.4%

LAB 37.26, 30.54, 15.04

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 20 / 0 / 53 / 46

HEX #6F8A41

RGB 111 138 65

HSL 82.19, 0.36%, 0.4%

LAB 53.96, -22.08, 35.62

 

CMYK 33 / 0 / 53 / 46

HEX #5C8A41

RGB 92 138 65

HSL 97.81, 0.36%, 0.4%

LAB 52.77, -29.51, 33.9

 

CMYK 48 / 0 / 53 / 46

HEX #488A41

RGB 72 138 65

HSL 114.25, 0.36%, 0.4%

LAB 51.77, -36.37, 32.45

 

CMYK 53 / 0 / 43 / 46

HEX #418A4E

RGB 65 138 78

HSL 130.68, 0.36%, 0.4%

LAB 51.67, -36.43, 25.33

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 6 / 0 / 69 / 39

HEX #919B30

RGB 145 155 48

HSL 65.61, 0.53%, 0.4%

LAB 61.37, -17.78, 52.29

 

CMYK 8 / 0 / 81 / 33

HEX #9EAB20

RGB 158 171 32

HSL 65.61, 0.68%, 0.4%

LAB 66.9, -21.01, 63.24

 

CMYK 9 / 0 / 92 / 26

HEX #ABBC0F

RGB 171 188 15

HSL 65.9, 0.85%, 0.4%

LAB 72.67, -24.27, 71.87

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 3 / 0 / 34 / 52

HEX #767A51

RGB 118 122 81

HSL 65.85, 0.2%, 0.4%

LAB 49.94, -8.61, 21.99

 

CMYK 0 / 0 / 7 / 59

HEX #696962

RGB 105 105 98

HSL 60, 0.03%, 0.4%

LAB 44.22, -1.4, 3.93

 

CMYK 20 / 22 / 0 / 55

HEX #5B5972

RGB 91 89 114

HSL 244.8, 0.12%, 0.4%

LAB 38.87, 6.59, -13.9

 

CMYK 40 / 45 / 0 / 49

HEX #4E4883

RGB 78 72 131

HSL 246.1, 0.29%, 0.4%

LAB 33.76, 18.02, -32.44

 

CMYK 0 / 24 / 53 / 46

HEX #8A6941

RGB 138 105 65

HSL 32.88, 0.36%, 0.4%

LAB 46.83, 8.04, 27.45

 

CMYK 0 / 9 / 53 / 46

HEX #8A7D41

RGB 138 125 65

HSL 49.32, 0.36%, 0.4%

LAB 52.34, -3.43, 34.21

 

CMYK 4 / 0 / 53 / 46

HEX #848A41

RGB 132 138 65

HSL 64.93, 0.36%, 0.4%

LAB 55.55, -13.2, 37.88

 

CMYK 18 / 0 / 53 / 46

HEX #718A41

RGB 113 138 65

HSL 80.55, 0.36%, 0.4%

LAB 54.1, -21.26, 35.82

 

CMYK 33 / 0 / 53 / 46

HEX #5D8A41

RGB 93 138 65

HSL 96.99, 0.36%, 0.4%

LAB 52.82, -29.14, 33.98

 

CMYK 5 / 0 / 54 / 68

HEX #4E5226

RGB 78 82 38

HSL 65.45, 0.37%, 0.24%

LAB 33.55, -9.02, 25.06

 

CMYK 5 / 0 / 53 / 57

HEX #696E34

RGB 105 110 52

HSL 65.17, 0.36%, 0.32%

LAB 44.81, -11.11, 31.38

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 5 / 0 / 53 / 35

HEX #9EA64E

RGB 158 166 78

HSL 65.45, 0.36%, 0.48%

LAB 65.82, -15.63, 44

 

CMYK 4 / 0 / 44 / 28

HEX #AFB767

RGB 175 183 103

HSL 66, 0.36%, 0.56%

LAB 72.2, -14.9, 39.6

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 53 / 0 / 38 / 46

HEX #418A56

RGB 65 138 86

HSL 137.26, 0.36%, 0.4%

LAB 51.81, -35, 21.08

 

CMYK 17 / 53 / 0 / 46

HEX #73418A

RGB 115 65 138

HSL 281.1, 0.36%, 0.4%

LAB 36.48, 34.97, -32.18

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 53 / 4 / 0 / 46

HEX #41848A

RGB 65 132 138

HSL 184.93, 0.36%, 0.4%

LAB 51.22, -19.44, -9.76

 

CMYK 0 / 53 / 4 / 46

HEX #8A4184

RGB 138 65 132

HSL 304.93, 0.36%, 0.4%

LAB 39.33, 40.65, -23.81

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 53 / 0 / 38 / 46

HEX #418A56

RGB 65 138 86

HSL 137.26, 0.36%, 0.4%

LAB 51.81, -35, 21.08

 

CMYK 49 / 53 / 0 / 46

HEX #47418A

RGB 71 65 138

HSL 244.93, 0.36%, 0.4%

LAB 31.7, 22.92, -40.07

 

CMYK 0 / 53 / 15 / 46

HEX #8A4175

RGB 138 65 117

HSL 317.26, 0.36%, 0.4%

LAB 38.67, 38.01, -15.57

 

CMYK 5 / 0 / 53 / 46

HEX #838A41

RGB 131 138 65

HSL 65.75, 0.36%, 0.4%

LAB 55.47, -13.64, 37.77

 

CMYK 53 / 0 / 22 / 46

HEX #418A6C

RGB 65 138 108

HSL 155.34, 0.36%, 0.4%

LAB 52.27, -30.36, 9.2

 

CMYK 49 / 53 / 0 / 46

HEX #47418A

RGB 71 65 138

HSL 244.93, 0.36%, 0.4%

LAB 31.7, 22.92, -40.07

 

CMYK 0 / 53 / 31 / 46

HEX #8A415F

RGB 138 65 95

HSL 335.34, 0.36%, 0.4%

LAB 37.86, 34.62, -3.02

 

Description

Color code: RGB 131 138 65 | qconv.com Color code: RGB 131 138 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 138 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 138 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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