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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 133 142 it is the complementary color RGB 124 122 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 133 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 133 142 shade: RGB 136 133 137, RGB 153 151 156, RGB 170 169 175, RGB 187 187 194 and RGB 204 205 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 133 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 133 142 shade: RGB 131 133 142, RGB 114 115 123, RGB 97 97 104, RGB 80 79 85 and RGB 63 61 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 133 142 shade: RGB 132 134 144, RGB 133 132 144, RGB 136 132 144, RGB 139 132 144 and RGB 142 132 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 133 142 shade: RGB 132 134 144 and RGB 132 132 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 133 142 shade matches the following richer shades: RGB 132 134 144, RGB 113 122 163, RGB 94 110 182, RGB 75 98 201 and RGB 56 86 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 133 142 shade: RGB 132 134 144, RGB 151 146 125, RGB 170 158 106, RGB 189 170 87 and RGB 208 182 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 133 142 shade: RGB 132 140 144, RGB 132 137 144, RGB 132 134 144, RGB 133 132 144 and RGB 136 132 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 133 142 shade: RGB 92 93 101, RGB 111 113 123, RGB 132 134 144, RGB 153 155 163 and RGB 175 177 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 133 142 shade: RGB 131 133 142, RGB 144 132 143 and RGB 139 144 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 133 142 shade: RGB 131 133 142, RGB 144 132 134 and RGB 134 144 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 133 142 shade: RGB 131 133 142, RGB 144 132 143, RGB 144 141 132 and RGB 132 144 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 133 142 shade: RGB 131 133 142, RGB 144 132 140, RGB 144 141 132 and RGB 132 144 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

Complementary color

CMYK 0 / 2 / 9 / 51

HEX #7C7A71

RGB 124 122 113

HSL 49.09, 0.05%, 0.46%

LAB 51.15, -0.96, 5.19

 

CMYK 1 / 3 / 0 / 46

HEX #888589

RGB 136 133 137

HSL 285, 0.02%, 0.53%

LAB 55.9, 1.91, -1.76

 

CMYK 2 / 3 / 0 / 39

HEX #99979C

RGB 153 151 156

HSL 264, 0.02%, 0.6%

LAB 62.76, 1.7, -2.37

 

CMYK 3 / 3 / 0 / 31

HEX #AAA9AF

RGB 170 169 175

HSL 250, 0.04%, 0.67%

LAB 69.48, 1.51, -2.96

 

CMYK 4 / 4 / 0 / 24

HEX #BBBBC2

RGB 187 187 194

HSL 240, 0.05%, 0.75%

LAB 76.07, 1.32, -3.53

 

CMYK 4 / 4 / 0 / 16

HEX #CCCDD5

RGB 204 205 213

HSL 233.33, 0.1%, 0.82%

LAB 82.54, 1.15, -4.09

 

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

CMYK 7 / 7 / 0 / 52

HEX #72737B

RGB 114 115 123

HSL 233.33, 0.04%, 0.46%

LAB 48.6, 1.3, -4.54

 

CMYK 7 / 7 / 0 / 59

HEX #616168

RGB 97 97 104

HSL 240, 0.03%, 0.39%

LAB 41.36, 1.51, -3.97

 

CMYK 6 / 7 / 0 / 67

HEX #504F55

RGB 80 79 85

HSL 250, 0.04%, 0.32%

LAB 33.89, 1.74, -3.38

 

CMYK 5 / 8 / 0 / 74

HEX #3F3D42

RGB 63 61 66

HSL 264, 0.04%, 0.25%

LAB 26.12, 1.99, -2.76

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 8 / 8 / 0 / 44

HEX #858490

RGB 133 132 144

HSL 245, 0.05%, 0.54%

LAB 55.59, 2.83, -6.3

 

CMYK 6 / 8 / 0 / 44

HEX #888490

RGB 136 132 144

HSL 260, 0.05%, 0.54%

LAB 55.84, 3.9, -5.9

 

CMYK 3 / 8 / 0 / 44

HEX #8B8490

RGB 139 132 144

HSL 275, 0.05%, 0.54%

LAB 56.09, 4.99, -5.49

 

CMYK 1 / 8 / 0 / 44

HEX #8E8490

RGB 142 132 144

HSL 290, 0.05%, 0.54%

LAB 56.35, 6.08, -5.08

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 8 / 8 / 0 / 44

HEX #848490

RGB 132 132 144

HSL 240, 0.05%, 0.54%

LAB 55.5, 2.47, -6.43

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 31 / 25 / 0 / 36

HEX #717AA3

RGB 113 122 163

HSL 229.2, 0.21%, 0.54%

LAB 51.92, 6.51, -23.02

 

CMYK 48 / 40 / 0 / 29

HEX #5E6EB6

RGB 94 110 182

HSL 229.09, 0.38%, 0.54%

LAB 48.15, 13.98, -40.06

 

CMYK 63 / 51 / 0 / 21

HEX #4B62C9

RGB 75 98 201

HSL 229.05, 0.54%, 0.54%

LAB 44.87, 23.76, -56.34

 

CMYK 74 / 61 / 0 / 14

HEX #3856DB

RGB 56 86 219

HSL 228.96, 0.69%, 0.54%

LAB 42.17, 35.03, -71.09

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 0 / 3 / 17 / 41

HEX #97927D

RGB 151 146 125

HSL 48.46, 0.11%, 0.54%

LAB 60.44, -1.86, 11.8

 

CMYK 0 / 7 / 38 / 33

HEX #AA9E6A

RGB 170 158 106

HSL 48.75, 0.27%, 0.54%

LAB 64.99, -3.45, 28.77

 

CMYK 0 / 10 / 54 / 26

HEX #BDAA57

RGB 189 170 87

HSL 48.82, 0.44%, 0.54%

LAB 69.65, -3.84, 44.77

 

CMYK 0 / 13 / 67 / 18

HEX #D0B644

RGB 208 182 68

HSL 48.86, 0.6%, 0.54%

LAB 74.37, -3.37, 59.16

 

CMYK 8 / 3 / 0 / 44

HEX #848C90

RGB 132 140 144

HSL 200, 0.05%, 0.54%

LAB 57.73, -2.08, -3.14

 

CMYK 8 / 5 / 0 / 44

HEX #848990

RGB 132 137 144

HSL 215, 0.05%, 0.54%

LAB 56.89, -0.38, -4.38

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 8 / 8 / 0 / 44

HEX #858490

RGB 133 132 144

HSL 245, 0.05%, 0.54%

LAB 55.59, 2.83, -6.3

 

CMYK 6 / 8 / 0 / 44

HEX #888490

RGB 136 132 144

HSL 260, 0.05%, 0.54%

LAB 55.84, 3.9, -5.9

 

CMYK 9 / 8 / 0 / 60

HEX #5C5D65

RGB 92 93 101

HSL 233.33, 0.05%, 0.38%

LAB 39.65, 1.37, -4.7

 

CMYK 10 / 8 / 0 / 52

HEX #6F717B

RGB 111 113 123

HSL 230, 0.05%, 0.46%

LAB 47.78, 1.38, -5.78

 

CMYK 8 / 7 / 0 / 44

HEX #848690

RGB 132 134 144

HSL 230, 0.05%, 0.54%

LAB 56.06, 1.32, -5.61

 

CMYK 6 / 5 / 0 / 36

HEX #999BA3

RGB 153 155 163

HSL 228, 0.05%, 0.62%

LAB 64.05, 0.87, -4.43

 

CMYK 4 / 3 / 0 / 28

HEX #AFB1B7

RGB 175 177 183

HSL 225, 0.05%, 0.7%

LAB 72.21, 0.45, -3.31

 

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

CMYK 0 / 8 / 1 / 44

HEX #90848F

RGB 144 132 143

HSL 305, 0.05%, 0.54%

LAB 56.5, 6.62, -4.26

 

CMYK 3 / 0 / 8 / 44

HEX #8B9084

RGB 139 144 132

HSL 85, 0.05%, 0.54%

LAB 59.07, -4.13, 5.74

 

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

CMYK 0 / 8 / 7 / 44

HEX #908486

RGB 144 132 134

HSL 350, 0.05%, 0.54%

LAB 56.24, 4.89, 0.56

 

CMYK 7 / 0 / 8 / 44

HEX #869084

RGB 134 144 132

HSL 110, 0.05%, 0.54%

LAB 58.68, -5.99, 5.13

 

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

CMYK 0 / 8 / 1 / 44

HEX #90848F

RGB 144 132 143

HSL 305, 0.05%, 0.54%

LAB 56.5, 6.62, -4.26

 

CMYK 0 / 2 / 8 / 44

HEX #908D84

RGB 144 141 132

HSL 45, 0.05%, 0.54%

LAB 58.64, -0.57, 5.18

 

CMYK 8 / 0 / 8 / 44

HEX #849084

RGB 132 144 132

HSL 120, 0.05%, 0.54%

LAB 58.53, -6.73, 4.89

 

CMYK 8 / 6 / 0 / 44

HEX #83858E

RGB 131 133 142

HSL 229.09, 0.05%, 0.54%

LAB 55.64, 1.11, -5.08

 

CMYK 0 / 8 / 3 / 44

HEX #90848C

RGB 144 132 140

HSL 320, 0.05%, 0.54%

LAB 56.41, 6.03, -2.66

 

CMYK 0 / 2 / 8 / 44

HEX #908D84

RGB 144 141 132

HSL 45, 0.05%, 0.54%

LAB 58.64, -0.57, 5.18

 

CMYK 8 / 0 / 6 / 44

HEX #849088

RGB 132 144 136

HSL 140, 0.05%, 0.54%

LAB 58.63, -5.95, 2.76

 

Description

Color code: RGB 131 133 142 | qconv.com Color code: RGB 131 133 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 133 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 133 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 6 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 6% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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