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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 111 255 it is the complementary color RGB 124 144 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 111 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 111 255: RGB 136 111 250, RGB 153 129 255, RGB 170 147 255, RGB 187 165 255 and RGB 204 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 111 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 111 255: RGB 131 111 255, RGB 114 93 236, RGB 97 75 217, RGB 80 57 198 and RGB 63 39 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

Complementary color

CMYK 14 / 0 / 100 / 44

HEX #7C9000

RGB 124 144 0

HSL 68.33, 1%, 0.28%

LAB 56.32, -23.08, 59.83

 

CMYK 46 / 56 / 0 / 2

HEX #886FFA

RGB 136 111 250

HSL 250.79, 0.93%, 0.71%

LAB 55.59, 43.18, -66.49

 

CMYK 40 / 49 / 0 / 0

HEX #9981FF

RGB 153 129 255

HSL 251.43, 1%, 0.75%

LAB 61.39, 38.09, -59.86

 

CMYK 33 / 42 / 0 / 0

HEX #AA93FF

RGB 170 147 255

HSL 252.78, 1%, 0.79%

LAB 67, 32.11, -50.85

 

CMYK 27 / 35 / 0 / 0

HEX #BBA5FF

RGB 187 165 255

HSL 254.67, 1%, 0.82%

LAB 72.69, 26.65, -41.81

 

CMYK 20 / 28 / 0 / 0

HEX #CCB7FF

RGB 204 183 255

HSL 257.5, 1%, 0.86%

LAB 78.42, 21.67, -32.82

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 52 / 61 / 0 / 7

HEX #725DEC

RGB 114 93 236

HSL 248.81, 0.79%, 0.65%

LAB 48.84, 45.08, -69.7

 

CMYK 55 / 65 / 0 / 15

HEX #614BD9

RGB 97 75 217

HSL 249.3, 0.65%, 0.57%

LAB 42.13, 46.69, -69.91

 

CMYK 60 / 71 / 0 / 22

HEX #5039C6

RGB 80 57 198

HSL 249.79, 0.55%, 0.5%

LAB 35.42, 48.36, -69.97

 

CMYK 65 / 78 / 0 / 30

HEX #3F27B3

RGB 63 39 179

HSL 250.29, 0.64%, 0.43%

LAB 28.81, 49.89, -69.69

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 39 / 56 / 0 / 0

HEX #9B70FF

RGB 155 112 255

HSL 258.04, 1%, 0.72%

LAB 57.82, 48.06, -65.56

 

CMYK 30 / 56 / 0 / 0

HEX #B270FF

RGB 178 112 255

HSL 267.69, 1%, 0.72%

LAB 60.13, 53.29, -61.73

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 11 / 56 / 0 / 0

HEX #E270FF

RGB 226 112 255

HSL 287.83, 1%, 0.72%

LAB 65.73, 64.89, -52.48

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 49 / 57 / 0 / 80

HEX #1A1633

RGB 26 22 51

HSL 248.28, 0.4%, 0.14%

LAB 9.26, 11.02, -18.57

 

CMYK 49 / 57 / 0 / 60

HEX #342C66

RGB 52 44 102

HSL 248.28, 0.4%, 0.29%

LAB 21.91, 20.31, -33.11

 

CMYK 48 / 56 / 0 / 40

HEX #4F4399

RGB 79 67 153

HSL 248.37, 0.39%, 0.43%

LAB 33.93, 28.29, -45.62

 

CMYK 49 / 56 / 0 / 20

HEX #6959CC

RGB 105 89 204

HSL 248.35, 0.53%, 0.57%

LAB 44.95, 36.14, -57.83

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 0 / 56 / 19 / 0

HEX #FF70CF

RGB 255 112 207

HSL 320.14, 1%, 0.72%

LAB 67.54, 64.73, -22.77

 

CMYK 41 / 0 / 56 / 0

HEX #96FF70

RGB 150 255 112

HSL 104.06, 1%, 0.72%

LAB 91.31, -55.56, 57.98

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 0 / 49 / 56 / 0

HEX #FF8370

RGB 255 131 112

HSL 7.97, 1%, 0.72%

LAB 68.51, 45.42, 31.94

 

CMYK 56 / 0 / 49 / 0

HEX #70FF83

RGB 112 255 131

HSL 127.97, 1%, 0.72%

LAB 90.14, -63.4, 47.57

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 0 / 56 / 19 / 0

HEX #FF70CF

RGB 255 112 207

HSL 320.14, 1%, 0.72%

LAB 67.54, 64.73, -22.77

 

CMYK 8 / 0 / 56 / 0

HEX #EBFF70

RGB 235 255 112

HSL 68.39, 1%, 0.72%

LAB 96.14, -25.59, 64.78

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9F

RGB 112 255 159

HSL 139.72, 1%, 0.72%

LAB 90.54, -59.11, 34.5

 

CMYK 49 / 56 / 0 / 0

HEX #836FFF

RGB 131 111 255

HSL 248.33, 1%, 0.72%

LAB 55.5, 43.58, -69.43

 

CMYK 0 / 56 / 36 / 0

HEX #FF70A4

RGB 255 112 164

HSL 338.18, 1%, 0.72%

LAB 66.16, 59.31, -0.56

 

CMYK 8 / 0 / 56 / 0

HEX #EBFF70

RGB 235 255 112

HSL 68.39, 1%, 0.72%

LAB 96.14, -25.59, 64.78

 

CMYK 56 / 0 / 21 / 0

HEX #70FFCA

RGB 112 255 202

HSL 157.76, 1%, 0.72%

LAB 91.34, -50.85, 13.8

 

Description

Color code: RGB 131 111 255 | qconv.com Color code: RGB 131 111 255 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as SlateBlue1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 111 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 111 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 56 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 56% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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