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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131.7 92.6 148 it is the complementary color RGB 123.3 162.4 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131.7 92.6 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131.7 92.6 148 shade: RGB 136.7 92.6 143, RGB 153.7 110.6 162, RGB 170.7 128.6 181, RGB 187.7 146.6 200 and RGB 204.7 164.6 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131.7 92.6 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131.7 92.6 148 shade: RGB 131.7 92.6 148, RGB 114.7 74.6 129, RGB 97.7 56.6 110, RGB 80.7 38.6 91 and RGB 63.7 20.6 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131.7 92.6 148 shade: RGB 131 92 147, RGB 146 92 147, RGB 147 92 134, RGB 147 92 119 and RGB 147 92 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131.7 92.6 148 shade: RGB 131 92 147, RGB 116 92 147, RGB 101 92 147 and RGB 92 92 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131.7 92.6 148 shade matches the following richer shades: RGB 131 92 147, RGB 139 73 167, RGB 147 54 186, RGB 155 34 206 and RGB 163 15 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131.7 92.6 148 shade: RGB 131 92 147, RGB 123 112 128, RGB 115 131 109, RGB 107 150 89 and RGB 99 170 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131.7 92.6 148 shade: RGB 101 92 147, RGB 116 92 147, RGB 131 92 147, RGB 146 92 147 and RGB 147 92 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131.7 92.6 148 shade: RGB 86 61 97, RGB 109 76 122, RGB 131 92 147, RGB 151 114 167 and RGB 170 140 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131.7 92.6 148 shade: RGB 131.7 92.6 148, RGB 147 92 98 and RGB 92 147 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131.7 92.6 148 shade: RGB 131.7 92.6 148, RGB 147 131 92 and RGB 92 147 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131.7 92.6 148 shade: RGB 131.7 92.6 148, RGB 147 92 98, RGB 109 147 92 and RGB 92 147 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131.7 92.6 148 shade: RGB 131.7 92.6 148, RGB 147 103 92, RGB 109 147 92 and RGB 92 136 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

Complementary color

CMYK 24 / 0 / 34 / 36

HEX #7BA26B

RGB 123.3 162.4 107

HSL 102.35, 0.23%, 0.53%

LAB 62.74, -24, 24.61

 

CMYK 4 / 35 / 0 / 44

HEX #885C8F

RGB 136.7 92.6 143

HSL 292.5, 0.21%, 0.46%

LAB 45.68, 27.02, -20.66

 

CMYK 5 / 32 / 0 / 36

HEX #996EA2

RGB 153.7 110.6 162

HSL 290.31, 0.22%, 0.53%

LAB 52.65, 26.27, -21

 

CMYK 6 / 29 / 0 / 29

HEX #AA80B5

RGB 170.7 128.6 181

HSL 288.21, 0.26%, 0.61%

LAB 59.49, 25.58, -21.33

 

CMYK 6 / 27 / 0 / 22

HEX #BB92C8

RGB 187.7 146.6 200

HSL 286.18, 0.33%, 0.68%

LAB 66.19, 24.95, -21.65

 

CMYK 7 / 25 / 0 / 14

HEX #CCA4DB

RGB 204.7 164.6 219

HSL 284.23, 0.43%, 0.75%

LAB 72.77, 24.36, -21.96

 

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

CMYK 11 / 42 / 0 / 49

HEX #724A81

RGB 114.7 74.6 129

HSL 284.23, 0.27%, 0.4%

LAB 38.18, 27.24, -23.99

 

CMYK 11 / 49 / 0 / 57

HEX #61386E

RGB 97.7 56.6 110

HSL 286.18, 0.32%, 0.33%

LAB 30.86, 28.1, -23.72

 

CMYK 11 / 58 / 0 / 64

HEX #50265B

RGB 80.7 38.6 91

HSL 288.21, 0.4%, 0.25%

LAB 23.39, 28.94, -23.32

 

CMYK 12 / 71 / 0 / 72

HEX #3F1448

RGB 63.7 20.6 72

HSL 290.31, 0.56%, 0.18%

LAB 15.85, 29.47, -22.63

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 1 / 37 / 0 / 42

HEX #925C93

RGB 146 92 147

HSL 298.91, 0.23%, 0.47%

LAB 46.81, 31.3, -21.22

 

CMYK 0 / 37 / 9 / 42

HEX #935C86

RGB 147 92 134

HSL 314.18, 0.23%, 0.47%

LAB 46.42, 29.16, -14.03

 

CMYK 0 / 37 / 19 / 42

HEX #935C77

RGB 147 92 119

HSL 330.55, 0.23%, 0.47%

LAB 45.89, 26.55, -5.78

 

CMYK 0 / 37 / 29 / 42

HEX #935C68

RGB 147 92 104

HSL 346.91, 0.23%, 0.47%

LAB 45.44, 24.21, 2.64

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 21 / 37 / 0 / 42

HEX #745C93

RGB 116 92 147

HSL 266.18, 0.23%, 0.47%

LAB 43.47, 21.44, -26.66

 

CMYK 31 / 37 / 0 / 42

HEX #655C93

RGB 101 92 147

HSL 249.82, 0.23%, 0.47%

LAB 42.04, 16.74, -28.99

 

CMYK 37 / 37 / 0 / 42

HEX #5C5C93

RGB 92 92 147

HSL 240, 0.23%, 0.47%

LAB 41.27, 14.05, -30.25

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 17 / 56 / 0 / 35

HEX #8B49A7

RGB 139 73 167

HSL 282.13, 0.39%, 0.47%

LAB 42.83, 43.84, -39.41

 

CMYK 21 / 71 / 0 / 27

HEX #9336BA

RGB 147 54 186

HSL 282.27, 0.55%, 0.47%

LAB 41.82, 58.75, -52.17

 

CMYK 25 / 83 / 0 / 19

HEX #9B22CE

RGB 155 34 206

HSL 282.21, 0.72%, 0.47%

LAB 42.11, 70.88, -63.32

 

CMYK 28 / 93 / 0 / 12

HEX #A30FE1

RGB 163 15 225

HSL 282.29, 0.88%, 0.47%

LAB 43.6, 79.18, -71.75

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 4 / 13 / 0 / 50

HEX #7B7080

RGB 123 112 128

HSL 281.25, 0.07%, 0.47%

LAB 48.71, 7.47, -7.25

 

CMYK 12 / 0 / 17 / 49

HEX #73836D

RGB 115 131 109

HSL 103.64, 0.09%, 0.47%

LAB 52.93, -10.26, 9.95

 

CMYK 29 / 0 / 41 / 41

HEX #6B9659

RGB 107 150 89

HSL 102.3, 0.26%, 0.47%

LAB 57.71, -26.54, 27.57

 

CMYK 42 / 0 / 59 / 33

HEX #63AA46

RGB 99 170 70

HSL 102.6, 0.42%, 0.47%

LAB 63.21, -40.97, 43.84

 

CMYK 31 / 37 / 0 / 42

HEX #655C93

RGB 101 92 147

HSL 249.82, 0.23%, 0.47%

LAB 42.04, 16.74, -28.99

 

CMYK 21 / 37 / 0 / 42

HEX #745C93

RGB 116 92 147

HSL 266.18, 0.23%, 0.47%

LAB 43.47, 21.44, -26.66

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 1 / 37 / 0 / 42

HEX #925C93

RGB 146 92 147

HSL 298.91, 0.23%, 0.47%

LAB 46.81, 31.3, -21.22

 

CMYK 0 / 37 / 8 / 42

HEX #935C87

RGB 147 92 135

HSL 313.09, 0.23%, 0.47%

LAB 46.45, 29.35, -14.57

 

CMYK 11 / 37 / 0 / 62

HEX #563D61

RGB 86 61 97

HSL 281.67, 0.23%, 0.31%

LAB 29.86, 18.34, -17.08

 

CMYK 11 / 38 / 0 / 52

HEX #6D4C7A

RGB 109 76 122

HSL 283.04, 0.23%, 0.39%

LAB 37.53, 22.9, -20.74

 

CMYK 11 / 37 / 0 / 42

HEX #835C93

RGB 131 92 147

HSL 282.55, 0.23%, 0.47%

LAB 45.06, 26.33, -24.06

 

CMYK 10 / 32 / 0 / 35

HEX #9772A7

RGB 151 114 167

HSL 281.89, 0.23%, 0.55%

LAB 53.39, 24.46, -22.8

 

CMYK 7 / 23 / 0 / 28

HEX #AA8CB7

RGB 170 140 183

HSL 281.86, 0.23%, 0.63%

LAB 62.27, 19.3, -18.22

 

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

CMYK 0 / 37 / 33 / 42

HEX #935C62

RGB 147 92 98

HSL 353.45, 0.23%, 0.47%

LAB 45.27, 23.36, 6.05

 

CMYK 37 / 0 / 26 / 42

HEX #5C936D

RGB 92 147 109

HSL 138.55, 0.23%, 0.47%

LAB 56.33, -26.75, 14.5

 

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

CMYK 0 / 11 / 37 / 42

HEX #93835C

RGB 147 131 92

HSL 42.55, 0.23%, 0.47%

LAB 55.29, 0.1, 23.32

 

CMYK 37 / 0 / 11 / 42

HEX #5C9383

RGB 92 147 131

HSL 162.55, 0.23%, 0.47%

LAB 56.86, -21.99, 2.74

 

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

CMYK 0 / 37 / 33 / 42

HEX #935C62

RGB 147 92 98

HSL 353.45, 0.23%, 0.47%

LAB 45.27, 23.36, 6.05

 

CMYK 26 / 0 / 37 / 42

HEX #6D935C

RGB 109 147 92

HSL 101.45, 0.23%, 0.47%

LAB 56.97, -23.86, 24.99

 

CMYK 37 / 0 / 3 / 42

HEX #5C938E

RGB 92 147 142

HSL 174.55, 0.23%, 0.47%

LAB 57.17, -19.33, -3.11

 

CMYK 11 / 37 / 0 / 42

HEX #835C94

RGB 131.7 92.6 148

HSL 282.35, 0.23%, 0.47%

LAB 45.33, 26.42, -24.23

 

CMYK 0 / 30 / 37 / 42

HEX #93675C

RGB 147 103 92

HSL 12, 0.23%, 0.47%

LAB 47.85, 16.19, 13.27

 

CMYK 26 / 0 / 37 / 42

HEX #6D935C

RGB 109 147 92

HSL 101.45, 0.23%, 0.47%

LAB 56.97, -23.86, 24.99

 

CMYK 37 / 7 / 0 / 42

HEX #5C8893

RGB 92 136 147

HSL 192, 0.23%, 0.47%

LAB 54.02, -12.11, -10.68

 

Description

Color code: RGB 131.7 92.6 148 | qconv.com Color code: RGB 131.7 92.6 148 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131.7 red, 92.6 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131.7 92.6 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 37 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 37% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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