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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131.1 180.8 213 it is the complementary color RGB 123.9 74.2 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131.1 180.8 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131.1 180.8 213 shade: RGB 136.1 180.8 208, RGB 153.1 198.8 227, RGB 170.1 216.8 246, RGB 187.1 234.8 255 and RGB 204.1 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131.1 180.8 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131.1 180.8 213 shade: RGB 131.1 180.8 213, RGB 114.1 162.8 194, RGB 97.1 144.8 175, RGB 80.1 126.8 156 and RGB 63.1 108.8 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131.1 180.8 213 shade: RGB 129 179 212, RGB 129 157 212, RGB 129 135 212, RGB 146 129 212 and RGB 168 129 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131.1 180.8 213 shade: RGB 129 179 212, RGB 129 157 212, RGB 129 135 212 and RGB 129 129 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131.1 180.8 213 shade matches the following richer shades: RGB 129 179 212, RGB 116 182 225, RGB 102 185 239 and RGB 88 188 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131.1 180.8 213 shade: RGB 129 179 212, RGB 143 176 198, RGB 156 173 184, RGB 170 170 171 and RGB 184 168 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131.1 180.8 213 shade: RGB 129 212 199, RGB 129 202 212, RGB 129 180 212, RGB 129 158 212 and RGB 129 136 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131.1 180.8 213 shade: RGB 68 142 191, RGB 98 161 201, RGB 129 179 212, RGB 160 198 222 and RGB 191 216 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131.1 180.8 213 shade: RGB 131.1 180.8 213, RGB 177 129 212 and RGB 212 210 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131.1 180.8 213 shade: RGB 131.1 180.8 213, RGB 212 129 180 and RGB 180 212 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131.1 180.8 213 shade: RGB 131.1 180.8 213, RGB 177 129 212, RGB 212 161 129 and RGB 163 212 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131.1 180.8 213 shade: RGB 131.1 180.8 213, RGB 202 129 212, RGB 212 161 129 and RGB 139 212 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

Complementary color

CMYK 0 / 40 / 66 / 51

HEX #7B4A2A

RGB 123.9 74.2 42

HSL 23.59, 0.49%, 0.33%

LAB 36.69, 17.88, 27.8

 

CMYK 35 / 13 / 0 / 18

HEX #88B4D0

RGB 136.1 180.8 208

HSL 202.7, 0.43%, 0.67%

LAB 71.39, -8.23, -18.52

 

CMYK 33 / 12 / 0 / 11

HEX #99C6E3

RGB 153.1 198.8 227

HSL 202.9, 0.57%, 0.75%

LAB 77.92, -8.34, -18.85

 

CMYK 31 / 12 / 0 / 4

HEX #AAD8F6

RGB 170.1 216.8 246

HSL 203.08, 0.81%, 0.82%

LAB 84.35, -8.44, -19.18

 

CMYK 27 / 8 / 0 / 0

HEX #BBEAFF

RGB 187.1 234.8 255

HSL 197.85, 1%, 0.87%

LAB 90.37, -10.81, -14.76

 

CMYK 20 / 1 / 0 / 0

HEX #CCFCFF

RGB 204.1 252.8 255

HSL 182.59, 1%, 0.9%

LAB 96.08, -14.89, -6.16

 

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

CMYK 41 / 16 / 0 / 24

HEX #72A2C2

RGB 114.1 162.8 194

HSL 203.43, 0.4%, 0.6%

LAB 64.65, -8.12, -21.15

 

CMYK 45 / 17 / 0 / 31

HEX #6190AF

RGB 97.1 144.8 175

HSL 203.26, 0.33%, 0.53%

LAB 57.88, -7.89, -20.87

 

CMYK 49 / 19 / 0 / 39

HEX #507E9C

RGB 80.1 126.8 156

HSL 203.08, 0.32%, 0.46%

LAB 50.96, -7.58, -20.6

 

CMYK 54 / 21 / 0 / 46

HEX #3F6C89

RGB 63.1 108.8 137

HSL 202.9, 0.37%, 0.39%

LAB 43.89, -7.17, -20.33

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 39 / 26 / 0 / 17

HEX #819DD4

RGB 129 157 212

HSL 219.76, 0.49%, 0.67%

LAB 64.59, 4.02, -31.18

 

CMYK 39 / 36 / 0 / 17

HEX #8187D4

RGB 129 135 212

HSL 235.66, 0.49%, 0.67%

LAB 58.74, 16.76, -40.3

 

CMYK 31 / 39 / 0 / 17

HEX #9281D4

RGB 146 129 212

HSL 252.29, 0.49%, 0.67%

LAB 58.57, 24.92, -40.48

 

CMYK 21 / 39 / 0 / 17

HEX #A881D4

RGB 168 129 212

HSL 268.19, 0.49%, 0.67%

LAB 60.59, 31.26, -37.17

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 39 / 26 / 0 / 17

HEX #819DD4

RGB 129 157 212

HSL 219.76, 0.49%, 0.67%

LAB 64.59, 4.02, -31.18

 

CMYK 39 / 36 / 0 / 17

HEX #8187D4

RGB 129 135 212

HSL 235.66, 0.49%, 0.67%

LAB 58.74, 16.76, -40.3

 

CMYK 39 / 39 / 0 / 17

HEX #8181D4

RGB 129 129 212

HSL 240, 0.49%, 0.67%

LAB 57.19, 20.29, -42.74

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 48 / 19 / 0 / 12

HEX #74B6E1

RGB 116 182 225

HSL 203.67, 0.64%, 0.67%

LAB 71.29, -9.45, -28.06

 

CMYK 57 / 23 / 0 / 6

HEX #66B9EF

RGB 102 185 239

HSL 203.65, 0.81%, 0.67%

LAB 72.06, -9.93, -34.52

 

CMYK 65 / 25 / 0 / 1

HEX #58BCFC

RGB 88 188 252

HSL 203.41, 0.96%, 0.67%

LAB 72.94, -9.98, -40.23

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 28 / 11 / 0 / 22

HEX #8FB0C6

RGB 143 176 198

HSL 204, 0.33%, 0.67%

LAB 70.15, -6.12, -14.86

 

CMYK 15 / 6 / 0 / 28

HEX #9CADB8

RGB 156 173 184

HSL 203.57, 0.16%, 0.67%

LAB 69.76, -3.59, -7.64

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 0 / 9 / 15 / 28

HEX #B8A89D

RGB 184 168 157

HSL 24.44, 0.16%, 0.67%

LAB 69.92, 3.92, 7.77

 

CMYK 39 / 0 / 6 / 17

HEX #81D4C7

RGB 129 212 199

HSL 170.6, 0.49%, 0.67%

LAB 79.54, -28.27, -1.53

 

CMYK 39 / 5 / 0 / 17

HEX #81CAD4

RGB 129 202 212

HSL 187.23, 0.49%, 0.67%

LAB 77.08, -20.19, -12.17

 

CMYK 39 / 15 / 0 / 17

HEX #81B4D4

RGB 129 180 212

HSL 203.13, 0.49%, 0.67%

LAB 70.91, -8.7, -21.47

 

CMYK 39 / 25 / 0 / 17

HEX #819ED4

RGB 129 158 212

HSL 219.04, 0.49%, 0.67%

LAB 64.86, 3.46, -30.76

 

CMYK 39 / 36 / 0 / 17

HEX #8188D4

RGB 129 136 212

HSL 234.94, 0.49%, 0.67%

LAB 59, 16.17, -39.9

 

CMYK 64 / 26 / 0 / 25

HEX #448EBF

RGB 68 142 191

HSL 203.9, 0.49%, 0.51%

LAB 56.42, -7.7, -32.32

 

CMYK 51 / 20 / 0 / 21

HEX #62A1C9

RGB 98 161 201

HSL 203.3, 0.49%, 0.59%

LAB 63.59, -9.1, -26.74

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 28 / 11 / 0 / 13

HEX #A0C6DE

RGB 160 198 222

HSL 203.23, 0.48%, 0.75%

LAB 77.96, -7.15, -16.07

 

CMYK 18 / 7 / 0 / 9

HEX #BFD8E9

RGB 191 216 233

HSL 204.29, 0.49%, 0.83%

LAB 85.03, -4.79, -11.14

 

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

CMYK 17 / 39 / 0 / 17

HEX #B181D4

RGB 177 129 212

HSL 274.7, 0.49%, 0.67%

LAB 61.48, 33.93, -35.71

 

CMYK 0 / 1 / 39 / 17

HEX #D4D281

RGB 212 210 129

HSL 58.55, 0.49%, 0.67%

LAB 82.74, -11.08, 40.36

 

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

CMYK 0 / 39 / 15 / 17

HEX #D481B4

RGB 212 129 180

HSL 323.13, 0.49%, 0.67%

LAB 64.16, 39.05, -13.24

 

CMYK 15 / 0 / 39 / 17

HEX #B4D481

RGB 180 212 129

HSL 83.13, 0.49%, 0.67%

LAB 80.95, -24.38, 37.6

 

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

CMYK 17 / 39 / 0 / 17

HEX #B181D4

RGB 177 129 212

HSL 274.7, 0.49%, 0.67%

LAB 61.48, 33.93, -35.71

 

CMYK 0 / 24 / 39 / 17

HEX #D4A181

RGB 212 161 129

HSL 23.13, 0.49%, 0.67%

LAB 70.23, 14.71, 23.98

 

CMYK 23 / 0 / 39 / 17

HEX #A3D481

RGB 163 212 129

HSL 95.42, 0.49%, 0.67%

LAB 79.87, -30.58, 36

 

CMYK 38 / 15 / 0 / 16

HEX #83B4D5

RGB 131.1 180.8 213

HSL 203.59, 0.49%, 0.67%

LAB 71.29, -8.31, -21.44

 

CMYK 5 / 39 / 0 / 17

HEX #CA81D4

RGB 202 129 212

HSL 292.77, 0.49%, 0.67%

LAB 64.17, 41.5, -31.32

 

CMYK 0 / 24 / 39 / 17

HEX #D4A181

RGB 212 161 129

HSL 23.13, 0.49%, 0.67%

LAB 70.23, 14.71, 23.98

 

CMYK 34 / 0 / 39 / 17

HEX #8BD481

RGB 139 212 129

HSL 112.77, 0.49%, 0.67%

LAB 78.56, -38.73, 34.03

 

Description

Color code: RGB 131.1 180.8 213 | qconv.com Color code: RGB 131.1 180.8 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131.1 red, 180.8 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131.1 180.8 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 15 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 15% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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