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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 53 213 it is the complementary color RGB 125 202 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 53 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 53 213 shade: RGB 135 53 208, RGB 152 71 227, RGB 169 89 246, RGB 186 107 255 and RGB 203 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 53 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 53 213 shade: RGB 130 53 213, RGB 113 35 194, RGB 96 17 175, RGB 79 0 156 and RGB 62 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 53 213 shade: RGB 130 52 213, RGB 173 52 213, RGB 213 52 210, RGB 213 52 166 and RGB 213 52 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 53 213 shade: RGB 130 52 213, RGB 86 52 213 and RGB 52 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 53 213 shade matches the following richer shades: RGB 130 52 213, RGB 129 32 233 and RGB 128 12 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 53 213 shade: RGB 130 52 213, RGB 130 72 194, RGB 131 91 174, RGB 132 111 154 and RGB 133 131 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 53 213 shade: RGB 52 63 213, RGB 84 52 213, RGB 127 52 213, RGB 170 52 213 and RGB 213 52 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 53 213 shade: RGB 89 31 152, RGB 109 38 186, RGB 130 52 213, RGB 151 86 220 and RGB 172 120 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 53 213 shade: RGB 130 53 213, RGB 213 52 106 and RGB 52 213 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 53 213 shade: RGB 130 53 213, RGB 213 127 52 and RGB 52 213 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 53 213 shade: RGB 130 53 213, RGB 213 52 106, RGB 138 213 52 and RGB 52 213 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 53 213 shade: RGB 130 53 213, RGB 213 52 57, RGB 138 213 52 and RGB 52 213 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

Complementary color

CMYK 38 / 0 / 79 / 21

HEX #7DCA2A

RGB 125 202 42

HSL 88.88, 0.66%, 0.48%

LAB 74.04, -47.69, 66.11

 

CMYK 35 / 75 / 0 / 18

HEX #8735D0

RGB 135 53 208

HSL 271.74, 0.62%, 0.51%

LAB 41.61, 61.66, -65.4

 

CMYK 33 / 69 / 0 / 11

HEX #9847E3

RGB 152 71 227

HSL 271.15, 0.74%, 0.58%

LAB 47.92, 61.37, -65.93

 

CMYK 31 / 64 / 0 / 4

HEX #A959F6

RGB 169 89 246

HSL 270.57, 0.9%, 0.66%

LAB 54.27, 60.75, -66.22

 

CMYK 27 / 58 / 0 / 0

HEX #BA6BFF

RGB 186 107 255

HSL 272.03, 1%, 0.71%

LAB 60.05, 57.7, -61.82

 

CMYK 20 / 51 / 0 / 0

HEX #CB7DFF

RGB 203 125 255

HSL 276, 1%, 0.75%

LAB 65.42, 52.7, -53.14

 

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

CMYK 42 / 82 / 0 / 24

HEX #7123C2

RGB 113 35 194

HSL 269.43, 0.69%, 0.45%

LAB 35.22, 61.76, -67.82

 

CMYK 45 / 90 / 0 / 31

HEX #6011AF

RGB 96 17 175

HSL 270, 0.82%, 0.38%

LAB 29.37, 60.48, -66.25

 

CMYK 49 / 100 / 0 / 39

HEX #4F009C

RGB 79 0 156

HSL 270.38, 1%, 0.31%

LAB 23.88, 57.9, -63.87

 

CMYK 55 / 100 / 0 / 46

HEX #3E0089

RGB 62 0 137

HSL 267.15, 1%, 0.27%

LAB 19.35, 52.12, -59.65

 

CMYK 39 / 76 / 0 / 16

HEX #8234D5

RGB 130 52 213

HSL 269.07, 0.66%, 0.52%

LAB 41.23, 62.39, -68.94

 

CMYK 19 / 76 / 0 / 16

HEX #AD34D5

RGB 173 52 213

HSL 285.09, 0.66%, 0.52%

LAB 47.16, 69.95, -59.03

 

CMYK 0 / 76 / 1 / 16

HEX #D534D2

RGB 213 52 210

HSL 301.12, 0.66%, 0.52%

LAB 53.23, 77.24, -47.26

 

CMYK 0 / 76 / 22 / 16

HEX #D534A6

RGB 213 52 166

HSL 317.52, 0.66%, 0.52%

LAB 51.1, 71.03, -25.05

 

CMYK 0 / 76 / 42 / 16

HEX #D5347B

RGB 213 52 123

HSL 333.54, 0.66%, 0.52%

LAB 49.54, 66.24, -1.67

 

CMYK 39 / 76 / 0 / 16

HEX #8234D5

RGB 130 52 213

HSL 269.07, 0.66%, 0.52%

LAB 41.23, 62.39, -68.94

 

CMYK 60 / 76 / 0 / 16

HEX #5634D5

RGB 86 52 213

HSL 252.67, 0.66%, 0.52%

LAB 36.44, 56.1, -76.98

 

CMYK 76 / 76 / 0 / 16

HEX #3434D5

RGB 52 52 213

HSL 240, 0.66%, 0.52%

LAB 33.96, 52.76, -81.15

 

CMYK 39 / 76 / 0 / 16

HEX #8234D5

RGB 130 52 213

HSL 269.07, 0.66%, 0.52%

LAB 41.23, 62.39, -68.94

 

CMYK 45 / 86 / 0 / 9

HEX #8120E9

RGB 129 32 233

HSL 268.96, 0.82%, 0.52%

LAB 40.55, 73.51, -81.5

 

CMYK 49 / 95 / 0 / 1

HEX #800CFD

RGB 128 12 253

HSL 268.88, 0.98%, 0.52%

LAB 41.13, 81.48, -91.82

 

CMYK 39 / 76 / 0 / 16

HEX #8234D5

RGB 130 52 213

HSL 269.07, 0.66%, 0.52%

LAB 41.23, 62.39, -68.94

 

CMYK 33 / 63 / 0 / 24

HEX #8248C2

RGB 130 72 194

HSL 268.52, 0.5%, 0.52%

LAB 43.18, 48.45, -54.78

 

CMYK 25 / 48 / 0 / 32

HEX #835BAE

RGB 131 91 174

HSL 268.92, 0.34%, 0.52%

LAB 46.13, 33.23, -38.37

 

CMYK 14 / 28 / 0 / 40

HEX #846F9A

RGB 132 111 154

HSL 269.3, 0.18%, 0.52%

LAB 50.22, 16.98, -20.24

 

CMYK 1 / 2 / 0 / 47

HEX #858386

RGB 133 131 134

HSL 280, 0.01%, 0.52%

LAB 55.01, 1.34, -1.36

 

CMYK 76 / 70 / 0 / 16

HEX #343FD5

RGB 52 63 213

HSL 235.9, 0.66%, 0.52%

LAB 36.16, 46.61, -77.53

 

CMYK 61 / 76 / 0 / 16

HEX #5434D5

RGB 84 52 213

HSL 251.93, 0.66%, 0.52%

LAB 36.26, 55.86, -77.28

 

CMYK 40 / 76 / 0 / 16

HEX #7F34D5

RGB 127 52 213

HSL 267.95, 0.66%, 0.52%

LAB 40.85, 61.9, -69.57

 

CMYK 20 / 76 / 0 / 16

HEX #AA34D5

RGB 170 52 213

HSL 283.98, 0.66%, 0.52%

LAB 46.72, 69.39, -59.77

 

CMYK 0 / 76 / 0 / 16

HEX #D534D5

RGB 213 52 213

HSL 300, 0.66%, 0.52%

LAB 53.39, 77.7, -48.71

 

CMYK 41 / 80 / 0 / 40

HEX #591F98

RGB 89 31 152

HSL 268.76, 0.66%, 0.36%

LAB 27.77, 49.56, -54.97

 

CMYK 41 / 80 / 0 / 27

HEX #6D26BA

RGB 109 38 186

HSL 268.78, 0.66%, 0.44%

LAB 34.36, 58.21, -64.53

 

CMYK 39 / 76 / 0 / 16

HEX #8234D5

RGB 130 52 213

HSL 269.07, 0.66%, 0.52%

LAB 41.23, 62.39, -68.94

 

CMYK 31 / 61 / 0 / 14

HEX #9756DC

RGB 151 86 220

HSL 269.1, 0.66%, 0.6%

LAB 49.98, 52.24, -58.64

 

CMYK 24 / 47 / 0 / 11

HEX #AC78E3

RGB 172 120 227

HSL 269.16, 0.66%, 0.68%

LAB 59.66, 40.9, -47

 

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

CMYK 0 / 76 / 50 / 16

HEX #D5346A

RGB 213 52 106

HSL 339.88, 0.66%, 0.52%

LAB 49.06, 64.74, 7.98

 

CMYK 76 / 0 / 70 / 16

HEX #34D53F

RGB 52 213 63

HSL 124.1, 0.66%, 0.52%

LAB 75.25, -68.3, 59.55

 

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

CMYK 0 / 40 / 76 / 16

HEX #D57F34

RGB 213 127 52

HSL 27.95, 0.66%, 0.52%

LAB 61.28, 27.47, 52.83

 

CMYK 76 / 0 / 40 / 16

HEX #34D57F

RGB 52 213 127

HSL 147.95, 0.66%, 0.52%

LAB 75.98, -59.69, 31.14

 

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

CMYK 0 / 76 / 50 / 16

HEX #D5346A

RGB 213 52 106

HSL 339.88, 0.66%, 0.52%

LAB 49.06, 64.74, 7.98

 

CMYK 35 / 0 / 76 / 16

HEX #8AD534

RGB 138 213 52

HSL 87.95, 0.66%, 0.52%

LAB 78.02, -47.22, 67.05

 

CMYK 76 / 0 / 25 / 16

HEX #34D5A0

RGB 52 213 160

HSL 160.25, 0.66%, 0.52%

LAB 76.59, -52.89, 14.74

 

CMYK 39 / 75 / 0 / 16

HEX #8235D5

RGB 130 53 213

HSL 268.88, 0.66%, 0.52%

LAB 41.37, 61.98, -68.71

 

CMYK 0 / 76 / 73 / 16

HEX #D53439

RGB 213 52 57

HSL 358.14, 0.66%, 0.52%

LAB 48.13, 61.75, 36.27

 

CMYK 35 / 0 / 76 / 16

HEX #8AD534

RGB 138 213 52

HSL 87.95, 0.66%, 0.52%

LAB 78.02, -47.22, 67.05

 

CMYK 76 / 0 / 2 / 16

HEX #34D5D0

RGB 52 213 208

HSL 178.14, 0.66%, 0.52%

LAB 77.8, -40.56, -9.19

 

Description

Color code: RGB 130 53 213 | qconv.com Color code: RGB 130 53 213 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 53 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 53 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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