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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 253 8 it is the complementary color RGB 125 2 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 253 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 253 8 shade: RGB 135 253 3, RGB 152 255 22, RGB 169 255 41, RGB 186 255 60 and RGB 203 255 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 253 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 113 235 0, RGB 96 217 0, RGB 79 199 0 and RGB 62 181 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 196 253 8, RGB 253 243 8, RGB 253 177 8 and RGB 253 111 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 64 253 8, RGB 8 253 18, RGB 8 253 84 and RGB 8 253 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 253 8 shade matches the following richer shades: RGB 130 253 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 130 232 28, RGB 130 212 48, RGB 130 192 68 and RGB 130 172 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 253 8 shade: RGB 253 244 8, RGB 195 253 8, RGB 130 253 8, RGB 65 253 8 and RGB 8 253 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 253 8 shade: RGB 88 176 2, RGB 109 217 2, RGB 130 253 8, RGB 150 253 48 and RGB 171 253 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 8 253 179 and RGB 253 8 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 8 130 253 and RGB 253 8 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 8 253 179, RGB 130 8 253 and RGB 253 8 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 253 8 shade: RGB 130 253 8, RGB 8 253 253, RGB 130 8 253 and RGB 253 8 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

Complementary color

CMYK 49 / 99 / 0 / 3

HEX #7D02F7

RGB 125 2 247

HSL 270.12, 0.98%, 0.49%

LAB 39.78, 81.07, -90.69

 

CMYK 47 / 0 / 99 / 1

HEX #87FD03

RGB 135 253 3

HSL 88.32, 0.98%, 0.5%

LAB 89.58, -65.02, 85.46

 

CMYK 40 / 0 / 91 / 0

HEX #98FF16

RGB 152 255 22

HSL 86.52, 1%, 0.54%

LAB 90.9, -60.24, 85.1

 

CMYK 34 / 0 / 84 / 0

HEX #A9FF29

RGB 169 255 41

HSL 84.11, 1%, 0.58%

LAB 91.74, -54.08, 82.94

 

CMYK 27 / 0 / 76 / 0

HEX #BAFF3C

RGB 186 255 60

HSL 81.23, 1%, 0.62%

LAB 92.7, -47.32, 79.38

 

CMYK 20 / 0 / 69 / 0

HEX #CBFF4F

RGB 203 255 79

HSL 77.73, 1%, 0.65%

LAB 93.79, -40.06, 74.65

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 52 / 0 / 100 / 8

HEX #71EB00

RGB 113 235 0

HSL 91.15, 1%, 0.46%

LAB 83.4, -64.97, 80.49

 

CMYK 56 / 0 / 100 / 15

HEX #60D900

RGB 96 217 0

HSL 93.46, 1%, 0.43%

LAB 77.35, -63.31, 75.48

 

CMYK 60 / 0 / 100 / 22

HEX #4FC700

RGB 79 199 0

HSL 96.18, 1%, 0.39%

LAB 71.22, -61.47, 70.42

 

CMYK 66 / 0 / 100 / 29

HEX #3EB500

RGB 62 181 0

HSL 99.45, 1%, 0.35%

LAB 65.02, -59.4, 65.31

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 23 / 0 / 97 / 1

HEX #C4FD08

RGB 196 253 8

HSL 73.96, 0.98%, 0.51%

LAB 92.58, -44.06, 88.71

 

CMYK 0 / 4 / 97 / 1

HEX #FDF308

RGB 253 243 8

HSL 57.55, 0.98%, 0.51%

LAB 93.88, -16.58, 91.45

 

CMYK 0 / 30 / 97 / 1

HEX #FDB108

RGB 253 177 8

HSL 41.39, 0.98%, 0.51%

LAB 77.49, 16.89, 79.69

 

CMYK 0 / 56 / 97 / 1

HEX #FD6F08

RGB 253 111 8

HSL 25.22, 0.98%, 0.51%

LAB 63.56, 50.28, 70.58

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 75 / 0 / 97 / 1

HEX #40FD08

RGB 64 253 8

HSL 106.29, 0.98%, 0.51%

LAB 87.66, -80.79, 82.73

 

CMYK 97 / 0 / 93 / 1

HEX #08FD12

RGB 8 253 18

HSL 122.45, 0.98%, 0.51%

LAB 87.17, -85.16, 81.22

 

CMYK 97 / 0 / 67 / 1

HEX #08FD54

RGB 8 253 84

HSL 138.61, 0.98%, 0.51%

LAB 87.46, -81.43, 64.42

 

CMYK 97 / 0 / 41 / 1

HEX #08FD96

RGB 8 253 150

HSL 154.78, 0.98%, 0.51%

LAB 88.21, -72.22, 35.6

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 44 / 0 / 88 / 9

HEX #82E81C

RGB 130 232 28

HSL 90, 0.82%, 0.51%

LAB 83.2, -58.37, 77.46

 

CMYK 39 / 0 / 77 / 17

HEX #82D430

RGB 130 212 48

HSL 90, 0.66%, 0.51%

LAB 77.31, -49.77, 67.48

 

CMYK 32 / 0 / 65 / 25

HEX #82C044

RGB 130 192 68

HSL 90, 0.5%, 0.51%

LAB 71.46, -40, 54.35

 

CMYK 24 / 0 / 49 / 33

HEX #82AC58

RGB 130 172 88

HSL 90, 0.34%, 0.51%

LAB 65.71, -28.81, 38.46

 

CMYK 0 / 4 / 97 / 1

HEX #FDF408

RGB 253 244 8

HSL 57.8, 0.98%, 0.51%

LAB 94.14, -17.06, 91.64

 

CMYK 23 / 0 / 97 / 1

HEX #C3FD08

RGB 195 253 8

HSL 74.2, 0.98%, 0.51%

LAB 92.52, -44.44, 88.64

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 74 / 0 / 97 / 1

HEX #41FD08

RGB 65 253 8

HSL 106.04, 0.98%, 0.51%

LAB 87.68, -80.65, 82.75

 

CMYK 97 / 0 / 94 / 1

HEX #08FD10

RGB 8 253 16

HSL 121.96, 0.98%, 0.51%

LAB 87.16, -85.2, 81.43

 

CMYK 50 / 0 / 99 / 31

HEX #58B002

RGB 88 176 2

HSL 90.34, 0.98%, 0.35%

LAB 64.27, -50.77, 64.81

 

CMYK 50 / 0 / 99 / 15

HEX #6DD902

RGB 109 217 2

HSL 90.14, 0.98%, 0.43%

LAB 77.8, -59.68, 75.84

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 41 / 0 / 81 / 1

HEX #96FD30

RGB 150 253 48

HSL 90.15, 0.98%, 0.59%

LAB 90.3, -59.35, 79.73

 

CMYK 32 / 0 / 65 / 1

HEX #ABFD59

RGB 171 253 89

HSL 90, 0.98%, 0.67%

LAB 91.52, -50.04, 68.04

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 97 / 0 / 29 / 1

HEX #08FDB3

RGB 8 253 179

HSL 161.88, 0.98%, 0.51%

LAB 88.71, -66.44, 21.68

 

CMYK 0 / 97 / 10 / 1

HEX #FD08E4

RGB 253 8 228

HSL 306.12, 0.98%, 0.51%

LAB 58.66, 93.85, -48.43

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 97 / 49 / 0 / 1

HEX #0882FD

RGB 8 130 253

HSL 210.12, 0.98%, 0.51%

LAB 55.18, 16.96, -69.07

 

CMYK 0 / 97 / 49 / 1

HEX #FD0882

RGB 253 8 130

HSL 330.12, 0.98%, 0.51%

LAB 54.73, 83.74, 2.59

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 97 / 0 / 29 / 1

HEX #08FDB3

RGB 8 253 179

HSL 161.88, 0.98%, 0.51%

LAB 88.71, -66.44, 21.68

 

CMYK 49 / 97 / 0 / 1

HEX #8208FD

RGB 130 8 253

HSL 269.88, 0.98%, 0.51%

LAB 41.23, 82.08, -91.64

 

CMYK 0 / 97 / 68 / 1

HEX #FD0851

RGB 253 8 81

HSL 342.12, 0.98%, 0.51%

LAB 53.65, 80.85, 30.63

 

CMYK 49 / 0 / 97 / 1

HEX #82FD08

RGB 130 253 8

HSL 90.12, 0.98%, 0.51%

LAB 89.4, -66.42, 84.86

 

CMYK 97 / 0 / 0 / 1

HEX #08FDFD

RGB 8 253 253

HSL 180, 0.98%, 0.51%

LAB 90.5, -47.64, -14.02

 

CMYK 49 / 97 / 0 / 1

HEX #8208FD

RGB 130 8 253

HSL 269.88, 0.98%, 0.51%

LAB 41.23, 82.08, -91.64

 

CMYK 0 / 97 / 97 / 1

HEX #FD0808

RGB 253 8 8

HSL 0, 0.98%, 0.51%

LAB 53.03, 79.13, 64.91

 

Description

Color code: RGB 130 253 8 | qconv.com Color code: RGB 130 253 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 253 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 253 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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