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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 180 214 it is the complementary color RGB 125 75 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 180 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 180 214: RGB 135 180 209, RGB 152 198 228, RGB 169 216 247, RGB 186 234 255 and RGB 203 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 180 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 180 214: RGB 130 180 214, RGB 113 162 195, RGB 96 144 176, RGB 79 126 157 and RGB 62 108 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

Complementary color

CMYK 0 / 40 / 67 / 51

HEX #7D4B29

RGB 125 75 41

HSL 24.29, 0.51%, 0.33%

LAB 37.03, 17.83, 28.8

 

CMYK 35 / 14 / 0 / 18

HEX #87B4D1

RGB 135 180 209

HSL 203.51, 0.45%, 0.67%

LAB 71.14, -7.85, -19.45

 

CMYK 33 / 13 / 0 / 11

HEX #98C6E4

RGB 152 198 228

HSL 203.68, 0.58%, 0.75%

LAB 77.68, -7.98, -19.77

 

CMYK 32 / 13 / 0 / 3

HEX #A9D8F7

RGB 169 216 247

HSL 203.85, 0.83%, 0.82%

LAB 84.1, -8.09, -20.09

 

CMYK 27 / 8 / 0 / 0

HEX #BAEAFF

RGB 186 234 255

HSL 198.26, 1%, 0.86%

LAB 90.09, -10.72, -15.18

 

CMYK 20 / 1 / 0 / 0

HEX #CBFCFF

RGB 203 252 255

HSL 183.46, 1%, 0.9%

LAB 95.8, -14.82, -6.57

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 42 / 17 / 0 / 24

HEX #71A2C3

RGB 113 162 195

HSL 204.15, 0.41%, 0.6%

LAB 64.4, -7.7, -22.1

 

CMYK 45 / 18 / 0 / 31

HEX #6090B0

RGB 96 144 176

HSL 204, 0.34%, 0.53%

LAB 57.62, -7.43, -21.83

 

CMYK 50 / 20 / 0 / 38

HEX #4F7E9D

RGB 79 126 157

HSL 203.85, 0.33%, 0.46%

LAB 50.71, -7.09, -21.58

 

CMYK 55 / 22 / 0 / 46

HEX #3E6C8A

RGB 62 108 138

HSL 203.68, 0.38%, 0.39%

LAB 43.63, -6.64, -21.33

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 40 / 23 / 0 / 16

HEX #7FA5D5

RGB 127 165 213

HSL 213.49, 0.51%, 0.67%

LAB 66.69, -0.74, -28.5

 

CMYK 40 / 30 / 0 / 16

HEX #7F96D5

RGB 127 150 213

HSL 223.95, 0.51%, 0.67%

LAB 62.62, 7.77, -34.81

 

CMYK 40 / 36 / 0 / 16

HEX #7F88D5

RGB 127 136 213

HSL 233.72, 0.51%, 0.67%

LAB 58.9, 15.92, -40.62

 

CMYK 38 / 40 / 0 / 16

HEX #857FD5

RGB 133 127 213

HSL 244.19, 0.51%, 0.67%

LAB 57.05, 22.81, -43.52

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 40 / 20 / 0 / 96

HEX #06080A

RGB 6 8 10

HSL 210, 0.25%, 0.03%

LAB 2.12, -0.24, -0.94

 

CMYK 39 / 16 / 0 / 76

HEX #25333D

RGB 37 51 61

HSL 205, 0.24%, 0.19%

LAB 20.43, -2.81, -8.16

 

CMYK 39 / 16 / 0 / 56

HEX #445E70

RGB 68 94 112

HSL 204.55, 0.24%, 0.35%

LAB 38.56, -4.67, -13.3

 

CMYK 39 / 16 / 0 / 36

HEX #6389A3

RGB 99 137 163

HSL 204.38, 0.26%, 0.51%

LAB 55.27, -6.34, -17.98

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 16 / 40 / 0 / 16

HEX #B37FD5

RGB 179 127 213

HSL 276.28, 0.51%, 0.67%

LAB 61.28, 35.86, -36.57

 

CMYK 0 / 0 / 40 / 16

HEX #D5D57F

RGB 213 213 127

HSL 60, 0.51%, 0.67%

LAB 83.58, -12.41, 42.44

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 0 / 40 / 16 / 16

HEX #D57FB3

RGB 213 127 179

HSL 323.72, 0.51%, 0.67%

LAB 63.82, 40.28, -13.17

 

CMYK 16 / 0 / 40 / 16

HEX #B3D57F

RGB 179 213 127

HSL 83.72, 0.51%, 0.67%

LAB 81.13, -25.48, 38.82

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 16 / 40 / 0 / 16

HEX #B37FD5

RGB 179 127 213

HSL 276.28, 0.51%, 0.67%

LAB 61.28, 35.86, -36.57

 

CMYK 0 / 24 / 40 / 16

HEX #D5A27F

RGB 213 162 127

HSL 24.42, 0.51%, 0.67%

LAB 70.54, 14.34, 25.5

 

CMYK 24 / 0 / 40 / 16

HEX #A2D57F

RGB 162 213 127

HSL 95.58, 0.51%, 0.67%

LAB 80.07, -31.67, 37.25

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130 180 214

HSL 204.29, 0.51%, 0.67%

LAB 71.04, -7.91, -22.37

 

CMYK 4 / 40 / 0 / 16

HEX #CD7FD5

RGB 205 127 213

HSL 294.42, 0.51%, 0.67%

LAB 64.13, 43.66, -31.92

 

CMYK 0 / 24 / 40 / 16

HEX #D5A27F

RGB 213 162 127

HSL 24.42, 0.51%, 0.67%

LAB 70.54, 14.34, 25.5

 

CMYK 36 / 0 / 40 / 16

HEX #88D57F

RGB 136 213 127

HSL 113.72, 0.51%, 0.67%

LAB 78.67, -40.43, 35.17

 

Description

Color code: RGB 130 180 214 | qconv.com Color code: RGB 130 180 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 180 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 180 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 16 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 16% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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