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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 163 71 it is the complementary color RGB 125 92 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 163 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 163 71 shade: RGB 135 163 66, RGB 152 181 85, RGB 169 199 104, RGB 186 217 123 and RGB 203 235 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 163 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 113 145 52, RGB 96 127 33, RGB 79 109 14 and RGB 62 91 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 154 163 71, RGB 163 146 71, RGB 163 121 71 and RGB 163 97 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 105 163 71, RGB 80 163 71, RGB 71 163 86 and RGB 71 163 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 163 71 shade matches the following richer shades: RGB 130 163 71, RGB 135 182 52, RGB 140 201 33 and RGB 146 219 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 124 144 90, RGB 119 125 109, RGB 114 106 128 and RGB 108 87 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 163 71 shade: RGB 163 146 71, RGB 155 163 71, RGB 131 163 71, RGB 106 163 71 and RGB 82 163 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 163 71 shade: RGB 84 105 46, RGB 107 134 58, RGB 130 163 71, RGB 150 183 92 and RGB 169 196 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 71 163 121 and RGB 158 71 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 71 131 163 and RGB 163 71 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 71 163 121, RGB 103 71 163 and RGB 163 71 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 163 71 shade: RGB 130 163 71, RGB 71 163 149, RGB 103 71 163 and RGB 163 71 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

Complementary color

CMYK 32 / 50 / 0 / 28

HEX #7D5CB8

RGB 125 92 184

HSL 261.52, 0.39%, 0.54%

LAB 46.28, 33.53, -44.02

 

CMYK 17 / 0 / 60 / 36

HEX #87A342

RGB 135 163 66

HSL 77.32, 0.42%, 0.45%

LAB 63.13, -24.72, 46.15

 

CMYK 16 / 0 / 53 / 29

HEX #98B555

RGB 152 181 85

HSL 78.13, 0.39%, 0.52%

LAB 69.74, -24.97, 45.11

 

CMYK 15 / 0 / 48 / 22

HEX #A9C768

RGB 169 199 104

HSL 78.95, 0.46%, 0.59%

LAB 76.24, -25.15, 43.98

 

CMYK 14 / 0 / 43 / 15

HEX #BAD97B

RGB 186 217 123

HSL 79.79, 0.55%, 0.67%

LAB 82.64, -25.26, 42.82

 

CMYK 14 / 0 / 40 / 8

HEX #CBEB8E

RGB 203 235 142

HSL 80.65, 0.7%, 0.74%

LAB 88.95, -25.34, 41.68

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 22 / 0 / 64 / 43

HEX #719134

RGB 113 145 52

HSL 80.65, 0.47%, 0.39%

LAB 56.1, -26.02, 44.35

 

CMYK 24 / 0 / 74 / 50

HEX #607F21

RGB 96 127 33

HSL 79.79, 0.59%, 0.31%

LAB 49.22, -25.6, 44.87

 

CMYK 28 / 0 / 87 / 57

HEX #4F6D0E

RGB 79 109 14

HSL 78.95, 0.77%, 0.24%

LAB 42.2, -24.91, 44.34

 

CMYK 32 / 0 / 100 / 64

HEX #3E5B00

RGB 62 91 0

HSL 79.12, 1%, 0.18%

LAB 35.02, -23.87, 41.78

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 6 / 0 / 56 / 36

HEX #9AA347

RGB 154 163 71

HSL 65.87, 0.39%, 0.46%

LAB 64.58, -16.38, 45.84

 

CMYK 0 / 10 / 56 / 36

HEX #A39247

RGB 163 146 71

HSL 48.91, 0.39%, 0.46%

LAB 60.6, -3.46, 41.47

 

CMYK 0 / 26 / 56 / 36

HEX #A37947

RGB 163 121 71

HSL 32.61, 0.39%, 0.46%

LAB 53.94, 10.48, 33.54

 

CMYK 0 / 40 / 56 / 36

HEX #A36147

RGB 163 97 71

HSL 16.96, 0.39%, 0.46%

LAB 48, 24.09, 26.15

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 36 / 0 / 56 / 36

HEX #69A347

RGB 105 163 71

HSL 97.83, 0.39%, 0.46%

LAB 61.35, -35.73, 41.28

 

CMYK 51 / 0 / 56 / 36

HEX #50A347

RGB 80 163 71

HSL 114.13, 0.39%, 0.46%

LAB 60.21, -43.8, 39.65

 

CMYK 56 / 0 / 47 / 36

HEX #47A356

RGB 71 163 86

HSL 129.78, 0.39%, 0.46%

LAB 60.07, -44.13, 31.85

 

CMYK 56 / 0 / 32 / 36

HEX #47A36F

RGB 71 163 111

HSL 146.09, 0.39%, 0.46%

LAB 60.5, -39.63, 18.98

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 26 / 0 / 71 / 29

HEX #87B634

RGB 135 182 52

HSL 81.69, 0.56%, 0.46%

LAB 68.65, -34.8, 57.84

 

CMYK 30 / 0 / 84 / 21

HEX #8CC921

RGB 140 201 33

HSL 81.79, 0.72%, 0.46%

LAB 74.48, -42.26, 69.16

 

CMYK 33 / 0 / 94 / 14

HEX #92DB0E

RGB 146 219 14

HSL 81.37, 0.88%, 0.46%

LAB 80.07, -48.14, 77.19

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 14 / 0 / 38 / 44

HEX #7C905A

RGB 124 144 90

HSL 82.22, 0.23%, 0.46%

LAB 57.05, -16.81, 26.38

 

CMYK 5 / 0 / 13 / 51

HEX #777D6D

RGB 119 125 109

HSL 82.5, 0.07%, 0.46%

LAB 51.49, -5.36, 7.96

 

CMYK 11 / 17 / 0 / 50

HEX #726A80

RGB 114 106 128

HSL 261.82, 0.09%, 0.46%

LAB 46.24, 7.76, -11.04

 

CMYK 27 / 41 / 0 / 42

HEX #6C5793

RGB 108 87 147

HSL 261, 0.26%, 0.46%

LAB 41.39, 21.97, -29.96

 

CMYK 0 / 10 / 56 / 36

HEX #A39247

RGB 163 146 71

HSL 48.91, 0.39%, 0.46%

LAB 60.6, -3.46, 41.47

 

CMYK 5 / 0 / 56 / 36

HEX #9BA347

RGB 155 163 71

HSL 65.22, 0.39%, 0.46%

LAB 64.66, -15.96, 45.95

 

CMYK 20 / 0 / 56 / 36

HEX #83A347

RGB 131 163 71

HSL 80.87, 0.39%, 0.46%

LAB 62.91, -25.87, 43.49

 

CMYK 35 / 0 / 56 / 36

HEX #6AA347

RGB 106 163 71

HSL 97.17, 0.39%, 0.46%

LAB 61.41, -35.37, 41.36

 

CMYK 50 / 0 / 56 / 36

HEX #52A347

RGB 82 163 71

HSL 112.83, 0.39%, 0.46%

LAB 60.29, -43.22, 39.76

 

CMYK 20 / 0 / 56 / 59

HEX #54692E

RGB 84 105 46

HSL 81.36, 0.39%, 0.3%

LAB 41.51, -18.3, 30.25

 

CMYK 20 / 0 / 57 / 47

HEX #6B863A

RGB 107 134 58

HSL 81.32, 0.4%, 0.38%

LAB 52.38, -22.43, 37.21

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 18 / 0 / 50 / 28

HEX #96B75C

RGB 150 183 92

HSL 81.76, 0.39%, 0.54%

LAB 70.26, -26.02, 42.3

 

CMYK 14 / 0 / 39 / 23

HEX #A9C478

RGB 169 196 120

HSL 81.32, 0.39%, 0.62%

LAB 75.62, -21.81, 35.17

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 56 / 0 / 26 / 36

HEX #47A379

RGB 71 163 121

HSL 152.61, 0.39%, 0.46%

LAB 60.71, -37.52, 13.73

 

CMYK 3 / 56 / 0 / 36

HEX #9E47A3

RGB 158 71 163

HSL 296.74, 0.39%, 0.46%

LAB 44.83, 49.22, -33.7

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 56 / 20 / 0 / 36

HEX #4783A3

RGB 71 131 163

HSL 200.87, 0.39%, 0.46%

LAB 52.08, -9.95, -22.98

 

CMYK 0 / 56 / 20 / 36

HEX #A34783

RGB 163 71 131

HSL 320.87, 0.39%, 0.46%

LAB 44.13, 45.23, -15.48

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 56 / 0 / 26 / 36

HEX #47A379

RGB 71 163 121

HSL 152.61, 0.39%, 0.46%

LAB 60.71, -37.52, 13.73

 

CMYK 37 / 56 / 0 / 36

HEX #6747A3

RGB 103 71 163

HSL 260.87, 0.39%, 0.46%

LAB 37.9, 34.56, -45.13

 

CMYK 0 / 56 / 31 / 36

HEX #A34770

RGB 163 71 112

HSL 333.26, 0.39%, 0.46%

LAB 43.45, 42.53, -4.89

 

CMYK 20 / 0 / 56 / 36

HEX #82A347

RGB 130 163 71

HSL 81.52, 0.39%, 0.46%

LAB 62.84, -26.27, 43.39

 

CMYK 56 / 0 / 9 / 36

HEX #47A395

RGB 71 163 149

HSL 170.87, 0.39%, 0.46%

LAB 61.4, -30.76, -0.97

 

CMYK 37 / 56 / 0 / 36

HEX #6747A3

RGB 103 71 163

HSL 260.87, 0.39%, 0.46%

LAB 37.9, 34.56, -45.13

 

CMYK 0 / 56 / 48 / 36

HEX #A34755

RGB 163 71 85

HSL 350.87, 0.39%, 0.46%

LAB 42.69, 39.38, 10.67

 

Description

Color code: RGB 130 163 71 | qconv.com Color code: RGB 130 163 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 163 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 163 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 56% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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