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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 15 8 it is the complementary color RGB 125 240 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 15 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 15 8 shade: RGB 135 15 3, RGB 152 33 22, RGB 169 51 41, RGB 186 69 60 and RGB 203 87 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 15 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 15 8 shade: RGB 130 15 8, RGB 113 0 0, RGB 96 0 0, RGB 79 0 0 and RGB 62 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 15 8 shade: RGB 129 15 8 and RGB 129 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 15 8 shade: RGB 129 15 8, RGB 129 48 8, RGB 129 81 8, RGB 129 113 8 and RGB 113 129 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 15 8 shade matches the following richer shades: RGB 129 15 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 15 8 shade: RGB 129 15 8, RGB 118 25 19, RGB 107 35 31, RGB 96 45 42 and RGB 85 55 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 15 8 shade: RGB 129 8 67, RGB 129 8 35, RGB 129 14 8, RGB 129 47 8 and RGB 129 79 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 15 8 shade: RGB 52 6 3, RGB 91 11 6, RGB 129 15 8, RGB 168 20 11 and RGB 207 24 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 15 8 shade: RGB 130 15 8, RGB 99 129 8 and RGB 8 51 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 15 8 shade: RGB 130 15 8, RGB 8 129 14 and RGB 14 8 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 15 8 shade: RGB 130 15 8, RGB 99 129 8, RGB 8 123 129 and RGB 39 8 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 15 8 shade: RGB 130 15 8, RGB 63 129 8, RGB 8 123 129 and RGB 75 8 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

Complementary color

CMYK 49 / 3 / 0 / 3

HEX #7DF0F7

RGB 125 240 247

HSL 183.44, 0.88%, 0.73%

LAB 88.64, -30.84, -13.47

 

CMYK 0 / 89 / 98 / 47

HEX #870F03

RGB 135 15 3

HSL 5.45, 0.96%, 0.27%

LAB 28.11, 47.3, 39.73

 

CMYK 0 / 78 / 86 / 40

HEX #982116

RGB 152 33 22

HSL 5.08, 0.75%, 0.34%

LAB 33.61, 47.93, 37.06

 

CMYK 0 / 70 / 76 / 34

HEX #A93329

RGB 169 51 41

HSL 4.69, 0.61%, 0.41%

LAB 39.52, 47.55, 33.57

 

CMYK 0 / 63 / 68 / 27

HEX #BA453C

RGB 186 69 60

HSL 4.29, 0.51%, 0.48%

LAB 45.66, 46.66, 30.41

 

CMYK 0 / 57 / 61 / 20

HEX #CB574F

RGB 203 87 79

HSL 3.87, 0.54%, 0.55%

LAB 51.92, 45.55, 27.73

 

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 88 / 94 / 49

HEX #810F08

RGB 129 15 8

HSL 3.47, 0.88%, 0.27%

LAB 26.81, 45.61, 36.05

 

CMYK 0 / 94 / 94 / 49

HEX #810808

RGB 129 8 8

HSL 0, 0.88%, 0.27%

LAB 26.33, 46.99, 35.62

 

CMYK 0 / 88 / 94 / 49

HEX #810F08

RGB 129 15 8

HSL 3.47, 0.88%, 0.27%

LAB 26.81, 45.61, 36.05

 

CMYK 0 / 63 / 94 / 49

HEX #813008

RGB 129 48 8

HSL 19.83, 0.88%, 0.27%

LAB 31.34, 33.18, 39.65

 

CMYK 0 / 37 / 94 / 49

HEX #815108

RGB 129 81 8

HSL 36.2, 0.88%, 0.27%

LAB 38.85, 14.7, 45.22

 

CMYK 0 / 12 / 94 / 49

HEX #817108

RGB 129 113 8

HSL 52.07, 0.88%, 0.27%

LAB 47.62, -4, 51.92

 

CMYK 12 / 0 / 94 / 49

HEX #718108

RGB 113 129 8

HSL 67.93, 0.88%, 0.27%

LAB 50.95, -20.18, 53.94

 

CMYK 0 / 88 / 94 / 49

HEX #810F08

RGB 129 15 8

HSL 3.47, 0.88%, 0.27%

LAB 26.81, 45.61, 36.05

 

CMYK 0 / 88 / 94 / 49

HEX #810F08

RGB 129 15 8

HSL 3.47, 0.88%, 0.27%

LAB 26.81, 45.61, 36.05

 

CMYK 0 / 79 / 84 / 54

HEX #761913

RGB 118 25 19

HSL 3.64, 0.72%, 0.27%

LAB 25.54, 39.47, 28.6

 

CMYK 0 / 67 / 71 / 58

HEX #6B231F

RGB 107 35 31

HSL 3.16, 0.55%, 0.27%

LAB 25.03, 31.82, 19.93

 

CMYK 0 / 53 / 56 / 62

HEX #602D2A

RGB 96 45 42

HSL 3.33, 0.39%, 0.27%

LAB 25.35, 22.81, 12.7

 

CMYK 0 / 35 / 38 / 67

HEX #553735

RGB 85 55 53

HSL 3.75, 0.23%, 0.27%

LAB 26.51, 13.12, 6.72

 

CMYK 0 / 94 / 48 / 49

HEX #810843

RGB 129 8 67

HSL 330.74, 0.88%, 0.27%

LAB 27.42, 50.07, -0.33

 

CMYK 0 / 94 / 73 / 49

HEX #810823

RGB 129 8 35

HSL 346.61, 0.88%, 0.27%

LAB 26.63, 47.84, 20.29

 

CMYK 0 / 89 / 94 / 49

HEX #810E08

RGB 129 14 8

HSL 2.98, 0.88%, 0.27%

LAB 26.73, 45.84, 35.98

 

CMYK 0 / 64 / 94 / 49

HEX #812F08

RGB 129 47 8

HSL 19.34, 0.88%, 0.27%

LAB 31.16, 33.68, 39.51

 

CMYK 0 / 39 / 94 / 49

HEX #814F08

RGB 129 79 8

HSL 35.21, 0.88%, 0.27%

LAB 38.33, 15.89, 44.83

 

CMYK 0 / 88 / 94 / 80

HEX #340603

RGB 52 6 3

HSL 3.67, 0.89%, 0.11%

LAB 7.83, 22.64, 11

 

CMYK 0 / 88 / 93 / 64

HEX #5B0B06

RGB 91 11 6

HSL 3.53, 0.88%, 0.19%

LAB 17.81, 34.69, 24.78

 

CMYK 0 / 88 / 94 / 49

HEX #810F08

RGB 129 15 8

HSL 3.47, 0.88%, 0.27%

LAB 26.81, 45.61, 36.05

 

CMYK 0 / 88 / 93 / 34

HEX #A8140B

RGB 168 20 11

HSL 3.44, 0.88%, 0.35%

LAB 35.69, 55.88, 45.15

 

CMYK 0 / 88 / 94 / 19

HEX #CF180D

RGB 207 24 13

HSL 3.4, 0.88%, 0.43%

LAB 44.16, 65.82, 53.78

 

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

CMYK 23 / 0 / 94 / 49

HEX #638108

RGB 99 129 8

HSL 74.88, 0.88%, 0.27%

LAB 49.94, -26.36, 52.7

 

CMYK 94 / 60 / 0 / 49

HEX #083381

RGB 8 51 129

HSL 218.68, 0.88%, 0.27%

LAB 23.69, 19.32, -47.61

 

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

CMYK 94 / 0 / 89 / 49

HEX #08810E

RGB 8 129 14

HSL 122.98, 0.88%, 0.27%

LAB 46.69, -50.82, 47.42

 

CMYK 89 / 94 / 0 / 49

HEX #0E0881

RGB 14 8 129

HSL 242.98, 0.88%, 0.27%

LAB 14.69, 44.91, -62.46

 

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

CMYK 23 / 0 / 94 / 49

HEX #638108

RGB 99 129 8

HSL 74.88, 0.88%, 0.27%

LAB 49.94, -26.36, 52.7

 

CMYK 94 / 5 / 0 / 49

HEX #087B81

RGB 8 123 129

HSL 182.98, 0.88%, 0.27%

LAB 46.71, -25.59, -11.38

 

CMYK 70 / 94 / 0 / 49

HEX #270881

RGB 39 8 129

HSL 255.37, 0.88%, 0.27%

LAB 16.45, 46.02, -59.48

 

CMYK 0 / 88 / 94 / 49

HEX #820F08

RGB 130 15 8

HSL 3.44, 0.88%, 0.27%

LAB 27.03, 45.91, 36.33

 

CMYK 51 / 0 / 94 / 49

HEX #3F8108

RGB 63 129 8

HSL 92.73, 0.88%, 0.27%

LAB 47.98, -40.15, 50.28

 

CMYK 94 / 5 / 0 / 49

HEX #087B81

RGB 8 123 129

HSL 182.98, 0.88%, 0.27%

LAB 46.71, -25.59, -11.38

 

CMYK 42 / 94 / 0 / 49

HEX #4B0881

RGB 75 8 129

HSL 273.22, 0.88%, 0.27%

LAB 21.04, 49.46, -51.76

 

Description

Color code: RGB 130 15 8 | qconv.com Color code: RGB 130 15 8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 15 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 15 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 94 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 94% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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