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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 110.2 207.6 it is the complementary color RGB 125 144.8 47.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 110.2 207.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 110.2 207.6 shade: RGB 135 110.2 202.6, RGB 152 128.2 221.6, RGB 169 146.2 240.6, RGB 186 164.2 255 and RGB 203 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 110.2 207.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 110.2 207.6 shade: RGB 130 110.2 207.6, RGB 113 92.2 188.6, RGB 96 74.2 169.6, RGB 79 56.2 150.6 and RGB 62 38.2 131.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 110.2 207.6 shade: RGB 129 109 208, RGB 155 109 208, RGB 182 109 208, RGB 208 109 206 and RGB 208 109 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 110.2 207.6 shade: RGB 129 109 208 and RGB 109 109 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 110.2 207.6 shade matches the following richer shades: RGB 129 109 208, RGB 119 93 223, RGB 110 77 239 and RGB 101 62 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 110.2 207.6 shade: RGB 129 109 208, RGB 138 124 192, RGB 147 140 176, RGB 157 156 160 and RGB 166 171 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 110.2 207.6 shade: RGB 109 142 208, RGB 109 115 208, RGB 128 109 208, RGB 155 109 208 and RGB 181 109 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 110.2 207.6 shade: RGB 81 57 176, RGB 102 78 197, RGB 129 109 208, RGB 156 140 218 and RGB 183 171 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 110.2 207.6 shade: RGB 130 110.2 207.6, RGB 208 109 168 and RGB 128 208 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 110.2 207.6 shade: RGB 130 110.2 207.6, RGB 208 128 109 and RGB 109 208 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 110.2 207.6 shade: RGB 130 110.2 207.6, RGB 208 109 168, RGB 188 208 109 and RGB 109 208 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 110.2 207.6 shade: RGB 130 110.2 207.6, RGB 208 109 138, RGB 188 208 109 and RGB 109 208 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

Complementary color

CMYK 14 / 0 / 67 / 43

HEX #7D902F

RGB 125 144.8 47.4

HSL 72.2, 0.51%, 0.38%

LAB 56.84, -21.23, 47.4

 

CMYK 33 / 46 / 0 / 21

HEX #876ECA

RGB 135 110.2 202.6

HSL 256.1, 0.47%, 0.61%

LAB 52.55, 30.42, -44.72

 

CMYK 31 / 42 / 0 / 13

HEX #9880DD

RGB 152 128.2 221.6

HSL 255.29, 0.58%, 0.69%

LAB 59.36, 29.5, -44.58

 

CMYK 30 / 39 / 0 / 6

HEX #A992F0

RGB 169 146.2 240.6

HSL 254.49, 0.77%, 0.76%

LAB 66.04, 28.67, -44.48

 

CMYK 27 / 36 / 0 / 0

HEX #BAA4FF

RGB 186 164.2 255

HSL 254.41, 1%, 0.82%

LAB 72.42, 26.81, -42.25

 

CMYK 20 / 29 / 0 / 0

HEX #CBB6FF

RGB 203 182.2 255

HSL 257.14, 1%, 0.86%

LAB 78.14, 21.81, -33.25

 

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

CMYK 40 / 51 / 0 / 26

HEX #715CBC

RGB 113 92.2 188.6

HSL 252.95, 0.42%, 0.55%

LAB 45.44, 31.57, -48.11

 

CMYK 43 / 56 / 0 / 33

HEX #604AA9

RGB 96 74.2 169.6

HSL 253.71, 0.39%, 0.48%

LAB 38.37, 32.83, -48.36

 

CMYK 48 / 63 / 0 / 41

HEX #4F3896

RGB 79 56.2 150.6

HSL 254.49, 0.46%, 0.41%

LAB 31.19, 34.23, -48.6

 

CMYK 53 / 71 / 0 / 48

HEX #3E2683

RGB 62 38.2 131.6

HSL 255.29, 0.55%, 0.33%

LAB 23.93, 35.7, -48.72

 

CMYK 38 / 48 / 0 / 18

HEX #816DD0

RGB 129 109 208

HSL 252.12, 0.51%, 0.62%

LAB 52.02, 31.02, -48.68

 

CMYK 25 / 48 / 0 / 18

HEX #9B6DD0

RGB 155 109 208

HSL 267.88, 0.51%, 0.62%

LAB 54.51, 37.9, -44.56

 

CMYK 13 / 48 / 0 / 18

HEX #B66DD0

RGB 182 109 208

HSL 284.24, 0.51%, 0.62%

LAB 57.5, 45.45, -39.65

 

CMYK 0 / 48 / 1 / 18

HEX #D06DCE

RGB 208 109 206

HSL 301.21, 0.51%, 0.62%

LAB 60.61, 52.5, -33.43

 

CMYK 0 / 48 / 13 / 18

HEX #D06DB4

RGB 208 109 180

HSL 316.97, 0.51%, 0.62%

LAB 59.56, 48.11, -20.24

 

CMYK 38 / 48 / 0 / 18

HEX #816DD0

RGB 129 109 208

HSL 252.12, 0.51%, 0.62%

LAB 52.02, 31.02, -48.68

 

CMYK 48 / 48 / 0 / 18

HEX #6D6DD0

RGB 109 109 208

HSL 240, 0.51%, 0.62%

LAB 50.38, 26.16, -51.38

 

CMYK 38 / 48 / 0 / 18

HEX #816DD0

RGB 129 109 208

HSL 252.12, 0.51%, 0.62%

LAB 52.02, 31.02, -48.68

 

CMYK 47 / 58 / 0 / 13

HEX #775DDF

RGB 119 93 223

HSL 252, 0.67%, 0.62%

LAB 48.36, 42.27, -63.12

 

CMYK 54 / 68 / 0 / 6

HEX #6E4DEF

RGB 110 77 239

HSL 252.22, 0.84%, 0.62%

LAB 45.43, 54.11, -76.94

 

CMYK 60 / 76 / 0 / 0

HEX #653EFF

RGB 101 62 255

HSL 252.12, 1%, 0.62%

LAB 43.41, 64.89, -89.27

 

CMYK 38 / 48 / 0 / 18

HEX #816DD0

RGB 129 109 208

HSL 252.12, 0.51%, 0.62%

LAB 52.02, 31.02, -48.68

 

CMYK 28 / 35 / 0 / 25

HEX #8A7CC0

RGB 138 124 192

HSL 252.35, 0.35%, 0.62%

LAB 55.71, 20.41, -33.68

 

CMYK 16 / 20 / 0 / 31

HEX #938CB0

RGB 147 140 176

HSL 251.67, 0.19%, 0.62%

LAB 59.97, 10.09, -17.94

 

CMYK 2 / 2 / 0 / 37

HEX #9D9CA0

RGB 157 156 160

HSL 255, 0.02%, 0.62%

LAB 64.55, 1.14, -1.96

 

CMYK 3 / 0 / 15 / 33

HEX #A6AB91

RGB 166 171 145

HSL 71.54, 0.13%, 0.62%

LAB 68.95, -6.43, 12.8

 

CMYK 48 / 32 / 0 / 18

HEX #6D8ED0

RGB 109 142 208

HSL 220, 0.51%, 0.62%

LAB 59.11, 6.39, -37.57

 

CMYK 48 / 45 / 0 / 18

HEX #6D73D0

RGB 109 115 208

HSL 236.36, 0.51%, 0.62%

LAB 51.91, 22.52, -48.94

 

CMYK 38 / 48 / 0 / 18

HEX #806DD0

RGB 128 109 208

HSL 251.52, 0.51%, 0.62%

LAB 51.93, 30.76, -48.82

 

CMYK 25 / 48 / 0 / 18

HEX #9B6DD0

RGB 155 109 208

HSL 267.88, 0.51%, 0.62%

LAB 54.51, 37.9, -44.56

 

CMYK 13 / 48 / 0 / 18

HEX #B56DD0

RGB 181 109 208

HSL 283.64, 0.51%, 0.62%

LAB 57.38, 45.16, -39.84

 

CMYK 54 / 68 / 0 / 31

HEX #5139B0

RGB 81 57 176

HSL 252.1, 0.51%, 0.46%

LAB 33.58, 41.85, -60

 

CMYK 48 / 60 / 0 / 23

HEX #664EC5

RGB 102 78 197

HSL 252.1, 0.51%, 0.54%

LAB 41.7, 39.93, -59.06

 

CMYK 38 / 48 / 0 / 18

HEX #816DD0

RGB 129 109 208

HSL 252.12, 0.51%, 0.62%

LAB 52.02, 31.02, -48.68

 

CMYK 28 / 36 / 0 / 15

HEX #9C8CDA

RGB 156 140 218

HSL 252.31, 0.51%, 0.7%

LAB 62.41, 22.92, -37.76

 

CMYK 20 / 25 / 0 / 11

HEX #B7ABE4

RGB 183 171 228

HSL 252.63, 0.51%, 0.78%

LAB 72.76, 15.86, -27.07

 

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

CMYK 0 / 48 / 19 / 18

HEX #D06DA8

RGB 208 109 168

HSL 324.24, 0.51%, 0.62%

LAB 59.14, 46.25, -14

 

CMYK 38 / 0 / 48 / 18

HEX #80D06D

RGB 128 208 109

HSL 108.48, 0.51%, 0.62%

LAB 76.56, -43.27, 41.4

 

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

CMYK 0 / 38 / 48 / 18

HEX #D0806D

RGB 208 128 109

HSL 11.52, 0.51%, 0.62%

LAB 61.61, 28.86, 23.39

 

CMYK 48 / 0 / 38 / 18

HEX #6DD080

RGB 109 208 128

HSL 131.52, 0.51%, 0.62%

LAB 76.02, -46.08, 30.97

 

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

CMYK 0 / 48 / 19 / 18

HEX #D06DA8

RGB 208 109 168

HSL 324.24, 0.51%, 0.62%

LAB 59.14, 46.25, -14

 

CMYK 10 / 0 / 48 / 18

HEX #BCD06D

RGB 188 208 109

HSL 72.12, 0.51%, 0.62%

LAB 80.13, -21.62, 46.58

 

CMYK 48 / 0 / 29 / 18

HEX #6DD094

RGB 109 208 148

HSL 143.64, 0.51%, 0.62%

LAB 76.38, -42.51, 21.02

 

CMYK 37 / 47 / 0 / 19

HEX #826ECF

RGB 130 110.2 207.6

HSL 252.2, 0.51%, 0.62%

LAB 52.37, 30.45, -47.88

 

CMYK 0 / 48 / 34 / 18

HEX #D06D8A

RGB 208 109 138

HSL 342.42, 0.51%, 0.62%

LAB 58.21, 42.12, 1.99

 

CMYK 10 / 0 / 48 / 18

HEX #BCD06D

RGB 188 208 109

HSL 72.12, 0.51%, 0.62%

LAB 80.13, -21.62, 46.58

 

CMYK 48 / 0 / 14 / 18

HEX #6DD0B2

RGB 109 208 178

HSL 161.82, 0.51%, 0.62%

LAB 77.03, -36.23, 5.96

 

Description

Color code: RGB 130 110.2 207.6 | qconv.com Color code: RGB 130 110.2 207.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 110.2 green and 207.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 110.2 207.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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