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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 103 97 it is the complementary color RGB 125 152 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 103 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 103 97 shade: RGB 135 103 92, RGB 152 121 111, RGB 169 139 130, RGB 186 157 149 and RGB 203 175 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 103 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 103 97 shade: RGB 130 103 97, RGB 113 85 78, RGB 96 67 59, RGB 79 49 40 and RGB 62 31 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 103 97 shade: RGB 132 104 98 and RGB 132 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 103 97 shade: RGB 132 104 98, RGB 132 113 98, RGB 132 122 98, RGB 132 132 98 and RGB 123 132 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 103 97 shade matches the following richer shades: RGB 132 104 98, RGB 151 92 79, RGB 169 80 60, RGB 188 68 42 and RGB 206 57 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 103 97 shade: RGB 132 104 98, RGB 113 116 116, RGB 95 127 135, RGB 76 139 153 and RGB 58 151 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 103 97 shade: RGB 132 98 110, RGB 132 98 101, RGB 132 103 98, RGB 132 112 98 and RGB 132 122 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 103 97 shade: RGB 85 66 62, RGB 108 85 80, RGB 132 104 98, RGB 153 124 117 and RGB 171 147 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 103 97 shade: RGB 130 103 97, RGB 119 132 98 and RGB 98 106 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 103 97 shade: RGB 130 103 97, RGB 98 132 103 and RGB 103 98 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 103 97 shade: RGB 130 103 97, RGB 119 132 98, RGB 98 126 132 and RGB 110 98 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 103 97 shade: RGB 130 103 97, RGB 109 132 98, RGB 98 126 132 and RGB 120 98 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

Complementary color

CMYK 21 / 4 / 0 / 38

HEX #7D989E

RGB 125 152 158

HSL 190.91, 0.15%, 0.55%

LAB 61.03, -8.06, -6.29

 

CMYK 0 / 24 / 32 / 47

HEX #87675C

RGB 135 103 92

HSL 15.35, 0.19%, 0.45%

LAB 46.48, 11.16, 11.15

 

CMYK 0 / 20 / 27 / 40

HEX #98796F

RGB 152 121 111

HSL 14.63, 0.17%, 0.52%

LAB 53.49, 10.49, 10.06

 

CMYK 0 / 18 / 23 / 34

HEX #A98B82

RGB 169 139 130

HSL 13.85, 0.18%, 0.59%

LAB 60.35, 9.92, 9.07

 

CMYK 0 / 16 / 20 / 27

HEX #BA9D95

RGB 186 157 149

HSL 12.97, 0.21%, 0.66%

LAB 67.07, 9.42, 8.16

 

CMYK 0 / 14 / 17 / 20

HEX #CBAFA8

RGB 203 175 168

HSL 12, 0.25%, 0.73%

LAB 73.66, 8.98, 7.31

 

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

CMYK 0 / 25 / 31 / 56

HEX #71554E

RGB 113 85 78

HSL 12, 0.18%, 0.37%

LAB 38.83, 10.51, 8.57

 

CMYK 0 / 30 / 39 / 62

HEX #60433B

RGB 96 67 59

HSL 12.97, 0.24%, 0.3%

LAB 31.39, 11.35, 9.83

 

CMYK 0 / 38 / 49 / 69

HEX #4F3128

RGB 79 49 40

HSL 13.85, 0.33%, 0.23%

LAB 23.71, 12.43, 11.37

 

CMYK 0 / 50 / 66 / 76

HEX #3E1F15

RGB 62 31 21

HSL 14.63, 0.49%, 0.16%

LAB 15.79, 13.86, 13.36

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 0 / 26 / 26 / 48

HEX #846262

RGB 132 98 98

HSL 0, 0.15%, 0.45%

LAB 44.97, 13.77, 5.37

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 0 / 14 / 26 / 48

HEX #847162

RGB 132 113 98

HSL 26.47, 0.15%, 0.45%

LAB 49, 4.93, 11.08

 

CMYK 0 / 8 / 26 / 48

HEX #847A62

RGB 132 122 98

HSL 42.35, 0.15%, 0.45%

LAB 51.5, -0.26, 14.55

 

CMYK 0 / 0 / 26 / 48

HEX #848462

RGB 132 132 98

HSL 60, 0.15%, 0.45%

LAB 54.33, -5.91, 18.42

 

CMYK 7 / 0 / 26 / 48

HEX #7B8462

RGB 123 132 98

HSL 75.88, 0.15%, 0.45%

LAB 53.59, -9.56, 17.29

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 0 / 39 / 48 / 41

HEX #975C4F

RGB 151 92 79

HSL 10.83, 0.31%, 0.45%

LAB 45.36, 22.67, 17.69

 

CMYK 0 / 53 / 64 / 34

HEX #A9503C

RGB 169 80 60

HSL 11.01, 0.48%, 0.45%

LAB 44.94, 34.95, 28.89

 

CMYK 0 / 64 / 78 / 26

HEX #BC442A

RGB 188 68 42

HSL 10.68, 0.63%, 0.45%

LAB 45.62, 46.96, 40.55

 

CMYK 0 / 72 / 89 / 19

HEX #CE3917

RGB 206 57 23

HSL 11.15, 0.8%, 0.45%

LAB 47.12, 56.91, 52.03

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 30 / 6 / 0 / 47

HEX #5F7F87

RGB 95 127 135

HSL 192, 0.17%, 0.45%

LAB 51.11, -9.31, -8.03

 

CMYK 50 / 9 / 0 / 40

HEX #4C8B99

RGB 76 139 153

HSL 190.91, 0.34%, 0.45%

LAB 54.35, -16.28, -13.73

 

CMYK 66 / 12 / 0 / 33

HEX #3A97AC

RGB 58 151 172

HSL 191.05, 0.5%, 0.45%

LAB 58.05, -20.5, -19.05

 

CMYK 0 / 26 / 17 / 48

HEX #84626E

RGB 132 98 110

HSL 338.82, 0.15%, 0.45%

LAB 45.31, 15.75, -1.39

 

CMYK 0 / 26 / 23 / 48

HEX #846265

RGB 132 98 101

HSL 354.71, 0.15%, 0.45%

LAB 45.05, 14.24, 3.67

 

CMYK 0 / 22 / 26 / 48

HEX #846762

RGB 132 103 98

HSL 8.82, 0.15%, 0.45%

LAB 46.3, 10.81, 7.26

 

CMYK 0 / 15 / 26 / 48

HEX #847062

RGB 132 112 98

HSL 24.71, 0.15%, 0.45%

LAB 48.73, 5.52, 10.69

 

CMYK 0 / 8 / 26 / 48

HEX #847A62

RGB 132 122 98

HSL 42.35, 0.15%, 0.45%

LAB 51.5, -0.26, 14.55

 

CMYK 0 / 22 / 27 / 67

HEX #55423E

RGB 85 66 62

HSL 10.43, 0.16%, 0.29%

LAB 29.85, 7.5, 5.56

 

CMYK 0 / 21 / 26 / 58

HEX #6C5550

RGB 108 85 80

HSL 10.71, 0.15%, 0.37%

LAB 38.31, 8.67, 6.53

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 0 / 19 / 24 / 40

HEX #997C75

RGB 153 124 117

HSL 11.67, 0.15%, 0.53%

LAB 54.52, 10.08, 8.05

 

CMYK 0 / 14 / 18 / 33

HEX #AB938D

RGB 171 147 141

HSL 12, 0.15%, 0.61%

LAB 62.88, 7.95, 6.47

 

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

CMYK 10 / 0 / 26 / 48

HEX #778462

RGB 119 132 98

HSL 82.94, 0.15%, 0.45%

LAB 53.28, -11.16, 16.82

 

CMYK 26 / 20 / 0 / 48

HEX #626A84

RGB 98 106 132

HSL 225.88, 0.15%, 0.45%

LAB 45.04, 3.17, -15.38

 

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

CMYK 26 / 0 / 22 / 48

HEX #628467

RGB 98 132 103

HSL 128.82, 0.15%, 0.45%

LAB 51.93, -18.23, 11.84

 

CMYK 22 / 26 / 0 / 48

HEX #676284

RGB 103 98 132

HSL 248.82, 0.15%, 0.45%

LAB 43.19, 9.72, -18.17

 

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

CMYK 10 / 0 / 26 / 48

HEX #778462

RGB 119 132 98

HSL 82.94, 0.15%, 0.45%

LAB 53.28, -11.16, 16.82

 

CMYK 26 / 5 / 0 / 48

HEX #627E84

RGB 98 126 132

HSL 190.59, 0.15%, 0.45%

LAB 50.9, -8.53, -6.55

 

CMYK 17 / 26 / 0 / 48

HEX #6E6284

RGB 110 98 132

HSL 261.18, 0.15%, 0.45%

LAB 43.82, 12.12, -17.14

 

CMYK 0 / 21 / 25 / 49

HEX #826761

RGB 130 103 97

HSL 10.91, 0.15%, 0.45%

LAB 46.06, 9.82, 7.49

 

CMYK 17 / 0 / 26 / 48

HEX #6D8462

RGB 109 132 98

HSL 100.59, 0.15%, 0.45%

LAB 52.55, -15.07, 15.69

 

CMYK 26 / 5 / 0 / 48

HEX #627E84

RGB 98 126 132

HSL 190.59, 0.15%, 0.45%

LAB 50.9, -8.53, -6.55

 

CMYK 9 / 26 / 0 / 48

HEX #786284

RGB 120 98 132

HSL 278.82, 0.15%, 0.45%

LAB 44.79, 15.63, -15.58

 

Description

Color code: RGB 130 103 97 | qconv.com Color code: RGB 130 103 97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 103 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 103 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 25 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 25% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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