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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 78 145 it is the complementary color RGB 243 177 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 78 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 78 145 shade: RGB 17 78 140, RGB 34 96 159, RGB 51 114 178, RGB 68 132 197 and RGB 85 150 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 78 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 78 145 shade: RGB 12 78 145, RGB 0 60 126, RGB 0 42 107, RGB 0 24 88 and RGB 0 6 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 78 145 shade: RGB 12 79 146, RGB 12 42 146, RGB 18 12 146, RGB 54 12 146 and RGB 90 12 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 78 145 shade: RGB 12 79 146, RGB 12 42 146 and RGB 12 12 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 78 145 shade matches the following richer shades: RGB 12 79 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 78 145 shade: RGB 12 79 146, RGB 25 79 133, RGB 37 79 121, RGB 50 79 108 and RGB 63 79 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 78 145 shade: RGB 12 146 142, RGB 12 115 146, RGB 12 79 146, RGB 12 43 146 and RGB 16 12 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 78 145 shade: RGB 6 38 70, RGB 9 58 108, RGB 12 79 146, RGB 15 99 184 and RGB 18 120 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 78 145 shade: RGB 12 78 145, RGB 106 12 146 and RGB 133 146 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 78 145 shade: RGB 12 78 145, RGB 146 12 79 and RGB 79 146 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 78 145 shade: RGB 12 78 145, RGB 106 12 146, RGB 146 79 12 and RGB 52 146 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 78 145 shade: RGB 12 78 145, RGB 146 12 146, RGB 146 79 12 and RGB 12 146 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

Complementary color

CMYK 0 / 27 / 55 / 5

HEX #F3B16E

RGB 243 177 110

HSL 30.23, 0.85%, 0.69%

LAB 77.06, 16.81, 43.45

 

CMYK 88 / 44 / 0 / 45

HEX #114E8C

RGB 17 78 140

HSL 210.24, 0.78%, 0.31%

LAB 32.84, 5.75, -39.64

 

CMYK 79 / 40 / 0 / 38

HEX #22609F

RGB 34 96 159

HSL 210.24, 0.65%, 0.38%

LAB 39.93, 3.32, -39.76

 

CMYK 71 / 36 / 0 / 30

HEX #3372B2

RGB 51 114 178

HSL 210.24, 0.55%, 0.45%

LAB 46.91, 1.52, -39.82

 

CMYK 65 / 33 / 0 / 23

HEX #4484C5

RGB 68 132 197

HSL 210.23, 0.53%, 0.52%

LAB 53.77, 0.14, -39.88

 

CMYK 61 / 31 / 0 / 15

HEX #5596D8

RGB 85 150 216

HSL 210.23, 0.63%, 0.59%

LAB 60.52, -0.94, -39.93

 

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

CMYK 100 / 52 / 0 / 51

HEX #003C7E

RGB 0 60 126

HSL 211.43, 1%, 0.25%

LAB 25.98, 11.07, -42.01

 

CMYK 100 / 61 / 0 / 58

HEX #002A6B

RGB 0 42 107

HSL 216.45, 1%, 0.21%

LAB 18.87, 15.73, -41.42

 

CMYK 100 / 73 / 0 / 65

HEX #001858

RGB 0 24 88

HSL 223.64, 1%, 0.17%

LAB 11.67, 20.75, -40.63

 

CMYK 100 / 91 / 0 / 73

HEX #000645

RGB 0 6 69

HSL 234.78, 1%, 0.14%

LAB 5.06, 23.66, -38.42

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 92 / 71 / 0 / 43

HEX #0C2A92

RGB 12 42 146

HSL 226.57, 0.85%, 0.31%

LAB 23.03, 32.69, -59.29

 

CMYK 88 / 92 / 0 / 43

HEX #120C92

RGB 18 12 146

HSL 242.69, 0.85%, 0.31%

LAB 17.77, 48.65, -68.01

 

CMYK 63 / 92 / 0 / 43

HEX #360C92

RGB 54 12 146

HSL 258.81, 0.85%, 0.31%

LAB 20.53, 50.54, -63.34

 

CMYK 38 / 92 / 0 / 43

HEX #5A0C92

RGB 90 12 146

HSL 274.93, 0.85%, 0.31%

LAB 25.3, 54.33, -55.32

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 92 / 71 / 0 / 43

HEX #0C2A92

RGB 12 42 146

HSL 226.57, 0.85%, 0.31%

LAB 23.03, 32.69, -59.29

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 81 / 41 / 0 / 48

HEX #194F85

RGB 25 79 133

HSL 210, 0.68%, 0.31%

LAB 32.9, 3.01, -35.22

 

CMYK 69 / 35 / 0 / 53

HEX #254F79

RGB 37 79 121

HSL 210, 0.53%, 0.31%

LAB 32.63, 0.09, -28.2

 

CMYK 54 / 27 / 0 / 58

HEX #324F6C

RGB 50 79 108

HSL 210, 0.37%, 0.31%

LAB 32.6, -1.72, -20.07

 

CMYK 34 / 17 / 0 / 63

HEX #3F4F5F

RGB 63 79 95

HSL 210, 0.2%, 0.31%

LAB 32.86, -1.93, -11.39

 

CMYK 92 / 0 / 3 / 43

HEX #0C928E

RGB 12 146 142

HSL 178.21, 0.85%, 0.31%

LAB 54.65, -32.44, -7.09

 

CMYK 92 / 21 / 0 / 43

HEX #0C7392

RGB 12 115 146

HSL 193.88, 0.85%, 0.31%

LAB 44.82, -15.08, -24.36

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 92 / 71 / 0 / 43

HEX #0C2B92

RGB 12 43 146

HSL 226.12, 0.85%, 0.31%

LAB 23.27, 32.03, -58.88

 

CMYK 89 / 92 / 0 / 43

HEX #100C92

RGB 16 12 146

HSL 241.79, 0.85%, 0.31%

LAB 17.68, 48.6, -68.15

 

CMYK 91 / 46 / 0 / 73

HEX #062646

RGB 6 38 70

HSL 210, 0.84%, 0.15%

LAB 14.77, 2.42, -23.28

 

CMYK 92 / 46 / 0 / 58

HEX #093A6C

RGB 9 58 108

HSL 210.3, 0.85%, 0.23%

LAB 24.22, 5.27, -33.41

 

CMYK 92 / 46 / 0 / 43

HEX #0C4F92

RGB 12 79 146

HSL 210, 0.85%, 0.31%

LAB 33.45, 7.22, -42.32

 

CMYK 92 / 46 / 0 / 28

HEX #0F63B8

RGB 15 99 184

HSL 210.18, 0.85%, 0.39%

LAB 41.98, 9.74, -51.25

 

CMYK 92 / 46 / 0 / 13

HEX #1278DF

RGB 18 120 223

HSL 210.15, 0.85%, 0.47%

LAB 50.56, 11.92, -59.8

 

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

CMYK 27 / 92 / 0 / 43

HEX #6A0C92

RGB 106 12 146

HSL 282.09, 0.85%, 0.31%

LAB 27.85, 56.58, -51.03

 

CMYK 9 / 0 / 92 / 43

HEX #85920C

RGB 133 146 12

HSL 65.82, 0.85%, 0.31%

LAB 57.63, -19.87, 59.22

 

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

CMYK 0 / 92 / 46 / 43

HEX #920C4F

RGB 146 12 79

HSL 330, 0.85%, 0.31%

LAB 31.67, 54.75, -1.69

 

CMYK 46 / 0 / 92 / 43

HEX #4F920C

RGB 79 146 12

HSL 90, 0.85%, 0.31%

LAB 54.29, -41.64, 55.11

 

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

CMYK 27 / 92 / 0 / 43

HEX #6A0C92

RGB 106 12 146

HSL 282.09, 0.85%, 0.31%

LAB 27.85, 56.58, -51.03

 

CMYK 0 / 46 / 92 / 43

HEX #924F0C

RGB 146 79 12

HSL 30, 0.85%, 0.31%

LAB 40.78, 23.73, 46.61

 

CMYK 64 / 0 / 92 / 43

HEX #34920C

RGB 52 146 12

HSL 102.09, 0.85%, 0.31%

LAB 53.29, -49.51, 53.87

 

CMYK 92 / 46 / 0 / 43

HEX #0C4E91

RGB 12 78 145

HSL 210.23, 0.85%, 0.31%

LAB 33.07, 7.48, -42.31

 

CMYK 0 / 92 / 0 / 43

HEX #920C92

RGB 146 12 146

HSL 300, 0.85%, 0.31%

LAB 34.9, 63.27, -39.3

 

CMYK 0 / 46 / 92 / 43

HEX #924F0C

RGB 146 79 12

HSL 30, 0.85%, 0.31%

LAB 40.78, 23.73, 46.61

 

CMYK 92 / 0 / 92 / 43

HEX #0C920C

RGB 12 146 12

HSL 120, 0.85%, 0.31%

LAB 52.58, -55.71, 52.98

 

Description

Color code: RGB 12 78 145 | qconv.com Color code: RGB 12 78 145 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 78 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 78 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 46 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 46% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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