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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 74.2 74.6 it is the complementary color RGB 243 180.8 180.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 74.2 74.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 74.2 74.6 shade: RGB 17 74.2 69.6, RGB 34 92.2 88.6, RGB 51 110.2 107.6, RGB 68 128.2 126.6 and RGB 85 146.2 145.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 74.2 74.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 74.2 74.6 shade: RGB 12 74.2 74.6, RGB 0 56.2 55.6, RGB 0 38.2 36.6, RGB 0 20.2 17.6 and RGB 0 2.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 74.2 74.6 shade: RGB 12 74 75, RGB 12 57 75, RGB 12 40 75, RGB 12 24 75 and RGB 17 12 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 74.2 74.6 shade: RGB 12 74 75, RGB 12 57 75, RGB 12 40 75, RGB 12 24 75 and RGB 12 12 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 74.2 74.6 shade matches the following richer shades: RGB 12 74 75 and RGB 5 81 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 74.2 74.6 shade: RGB 12 74 75, RGB 19 67 68, RGB 26 60 61, RGB 33 53 54 and RGB 40 46 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 74.2 74.6 shade: RGB 12 75 41, RGB 12 75 58, RGB 12 75 75, RGB 12 58 75 and RGB 12 41 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 74.2 74.6 shade: RGB 1 4 4, RGB 6 39 39, RGB 12 74 75, RGB 18 109 110 and RGB 24 145 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 74.2 74.6 shade: RGB 12 74.2 74.6, RGB 25 12 75 and RGB 75 50 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 74.2 74.6 shade: RGB 12 74.2 74.6, RGB 75 12 75 and RGB 75 75 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 74.2 74.6 shade: RGB 12 74.2 74.6, RGB 25 12 75, RGB 75 12 12 and RGB 62 75 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 74.2 74.6 shade: RGB 12 74.2 74.6, RGB 43 12 75, RGB 75 12 12 and RGB 43 75 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

Complementary color

CMYK 0 / 26 / 26 / 5

HEX #F3B4B4

RGB 243 180.8 180.4

HSL 0.38, 0.72%, 0.83%

LAB 79.23, 22.5, 9.05

 

CMYK 77 / 0 / 6 / 71

HEX #114A45

RGB 17 74.2 69.6

HSL 175.17, 0.63%, 0.18%

LAB 28.06, -19.16, -2.54

 

CMYK 63 / 0 / 4 / 64

HEX #225C58

RGB 34 92.2 88.6

HSL 176.29, 0.46%, 0.25%

LAB 35.49, -19.67, -3.58

 

CMYK 54 / 0 / 2 / 57

HEX #336E6B

RGB 51 110.2 107.6

HSL 177.36, 0.37%, 0.32%

LAB 42.72, -19.87, -4.45

 

CMYK 47 / 0 / 1 / 50

HEX #44807E

RGB 68 128.2 126.6

HSL 178.41, 0.31%, 0.38%

LAB 49.79, -19.93, -5.21

 

CMYK 42 / 0 / 0 / 43

HEX #559291

RGB 85 146.2 145.6

HSL 179.41, 0.26%, 0.45%

LAB 56.7, -19.91, -5.91

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

CMYK 100 / 0 / 1 / 78

HEX #003837

RGB 0 56.2 55.6

HSL 179.36, 1%, 0.11%

LAB 20.55, -16.64, -4.45

 

CMYK 100 / 0 / 4 / 85

HEX #002624

RGB 0 38.2 36.6

HSL 177.49, 1%, 0.07%

LAB 12.8, -13.58, -2.75

 

CMYK 100 / 0 / 13 / 92

HEX #001411

RGB 0 20.2 17.6

HSL 172.28, 1%, 0.04%

LAB 4.97, -6.67, -0.63

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2.2 0

HSL 120, 1%, 0%

LAB 0.43, -0.88, 0.63

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4B

RGB 12 74 75

HSL 180.95, 0.72%, 0.17%

LAB 28.07, -17.94, -6.04

 

CMYK 84 / 24 / 0 / 71

HEX #0C394B

RGB 12 57 75

HSL 197.14, 0.72%, 0.17%

LAB 21.99, -7.78, -15.31

 

CMYK 84 / 47 / 0 / 71

HEX #0C284B

RGB 12 40 75

HSL 213.33, 0.72%, 0.17%

LAB 16.02, 4.04, -24.71

 

CMYK 84 / 68 / 0 / 71

HEX #0C184B

RGB 12 24 75

HSL 228.57, 0.72%, 0.17%

LAB 10.85, 16.27, -33.08

 

CMYK 77 / 84 / 0 / 71

HEX #110C4B

RGB 17 12 75

HSL 244.76, 0.72%, 0.17%

LAB 8.04, 25.39, -37.68

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4B

RGB 12 74 75

HSL 180.95, 0.72%, 0.17%

LAB 28.07, -17.94, -6.04

 

CMYK 84 / 24 / 0 / 71

HEX #0C394B

RGB 12 57 75

HSL 197.14, 0.72%, 0.17%

LAB 21.99, -7.78, -15.31

 

CMYK 84 / 47 / 0 / 71

HEX #0C284B

RGB 12 40 75

HSL 213.33, 0.72%, 0.17%

LAB 16.02, 4.04, -24.71

 

CMYK 84 / 68 / 0 / 71

HEX #0C184B

RGB 12 24 75

HSL 228.57, 0.72%, 0.17%

LAB 10.85, 16.27, -33.08

 

CMYK 84 / 84 / 0 / 71

HEX #0C0C4B

RGB 12 12 75

HSL 240, 0.72%, 0.17%

LAB 7.67, 24.85, -38.3

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4B

RGB 12 74 75

HSL 180.95, 0.72%, 0.17%

LAB 28.07, -17.94, -6.04

 

CMYK 94 / 1 / 0 / 68

HEX #055152

RGB 5 81 82

HSL 180.78, 0.89%, 0.17%

LAB 30.7, -20.05, -6.61

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4B

RGB 12 74 75

HSL 180.95, 0.72%, 0.17%

LAB 28.07, -17.94, -6.04

 

CMYK 72 / 1 / 0 / 73

HEX #134344

RGB 19 67 68

HSL 181.22, 0.56%, 0.17%

LAB 25.47, -15.33, -5.34

 

CMYK 57 / 2 / 0 / 76

HEX #1A3C3D

RGB 26 60 61

HSL 181.71, 0.4%, 0.17%

LAB 22.96, -11.97, -4.42

 

CMYK 39 / 2 / 0 / 79

HEX #213536

RGB 33 53 54

HSL 182.86, 0.24%, 0.17%

LAB 20.58, -7.67, -3.19

 

CMYK 15 / 2 / 0 / 82

HEX #282E2F

RGB 40 46 47

HSL 188.57, 0.08%, 0.17%

LAB 18.41, -2.35, -1.53

 

CMYK 84 / 0 / 45 / 71

HEX #0C4B29

RGB 12 75 41

HSL 147.62, 0.72%, 0.17%

LAB 27.49, -28.27, 14.89

 

CMYK 84 / 0 / 23 / 71

HEX #0C4B3A

RGB 12 75 58

HSL 163.81, 0.72%, 0.17%

LAB 27.89, -23.92, 4.69

 

CMYK 84 / 0 / 0 / 71

HEX #0C4B4B

RGB 12 75 75

HSL 180, 0.72%, 0.17%

LAB 28.43, -18.49, -5.51

 

CMYK 84 / 23 / 0 / 71

HEX #0C3A4B

RGB 12 58 75

HSL 196.19, 0.72%, 0.17%

LAB 22.35, -8.42, -14.76

 

CMYK 84 / 45 / 0 / 71

HEX #0C294B

RGB 12 41 75

HSL 212.38, 0.72%, 0.17%

LAB 16.37, 3.3, -24.16

 

CMYK 75 / 0 / 0 / 98

HEX #010404

RGB 1 4 4

HSL 180, 0.6%, 0.01%

LAB 0.92, -0.78, -0.28

 

CMYK 85 / 0 / 0 / 85

HEX #062727

RGB 6 39 39

HSL 180, 0.73%, 0.09%

LAB 13.45, -11.59, -3.48

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4B

RGB 12 74 75

HSL 180.95, 0.72%, 0.17%

LAB 28.07, -17.94, -6.04

 

CMYK 84 / 1 / 0 / 57

HEX #126D6E

RGB 18 109 110

HSL 180.65, 0.72%, 0.25%

LAB 41.52, -24.05, -7.79

 

CMYK 84 / 1 / 0 / 43

HEX #189192

RGB 24 145 146

HSL 180.49, 0.72%, 0.33%

LAB 54.57, -29.92, -9.49

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

CMYK 67 / 84 / 0 / 71

HEX #190C4B

RGB 25 12 75

HSL 252.38, 0.72%, 0.17%

LAB 8.8, 26.42, -36.39

 

CMYK 0 / 33 / 84 / 71

HEX #4B320C

RGB 75 50 12

HSL 36.19, 0.72%, 0.17%

LAB 23.01, 7.33, 27.3

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

CMYK 0 / 84 / 0 / 71

HEX #4B0C4B

RGB 75 12 75

HSL 300, 0.72%, 0.17%

LAB 16.83, 36.7, -23.01

 

CMYK 0 / 0 / 84 / 71

HEX #4B4B0C

RGB 75 75 12

HSL 60, 0.72%, 0.17%

LAB 30.77, -8.39, 34.65

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

CMYK 67 / 84 / 0 / 71

HEX #190C4B

RGB 25 12 75

HSL 252.38, 0.72%, 0.17%

LAB 8.8, 26.42, -36.39

 

CMYK 0 / 84 / 84 / 71

HEX #4B0C0C

RGB 75 12 12

HSL 0, 0.72%, 0.17%

LAB 14.32, 29.06, 17.12

 

CMYK 17 / 0 / 84 / 71

HEX #3E4B0C

RGB 62 75 12

HSL 72.38, 0.72%, 0.17%

LAB 29.62, -14.84, 33.17

 

CMYK 84 / 1 / 0 / 71

HEX #0C4A4A

RGB 12 74.2 74.6

HSL 180.38, 0.72%, 0.17%

LAB 28.13, -18.19, -5.7

 

CMYK 43 / 84 / 0 / 71

HEX #2B0C4B

RGB 43 12 75

HSL 269.52, 0.72%, 0.17%

LAB 11.17, 29.54, -32.43

 

CMYK 0 / 84 / 84 / 71

HEX #4B0C0C

RGB 75 12 12

HSL 0, 0.72%, 0.17%

LAB 14.32, 29.06, 17.12

 

CMYK 43 / 0 / 84 / 71

HEX #2B4B0C

RGB 43 75 12

HSL 90.48, 0.72%, 0.17%

LAB 28.31, -23.39, 31.46

 

Description

Color code: RGB 12 74.2 74.6 | qconv.com Color code: RGB 12 74.2 74.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 74.2 green and 74.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 74.2 74.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 1 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 1% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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