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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 223 23 it is the complementary color RGB 243 32 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 223 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 223 23 shade: RGB 17 223 18, RGB 34 241 37, RGB 51 255 56, RGB 68 255 75 and RGB 85 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 223 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 223 23 shade: RGB 12 223 23, RGB 0 205 4, RGB 0 187 0, RGB 0 169 0 and RGB 0 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 223 23 shade: RGB 11 222 22, RGB 57 222 11, RGB 114 222 11, RGB 171 222 11 and RGB 222 217 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 223 23 shade: RGB 11 222 22, RGB 11 222 79, RGB 11 222 136, RGB 11 222 193 and RGB 11 195 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 223 23 shade matches the following richer shades: RGB 11 222 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 223 23 shade: RGB 11 222 22, RGB 30 203 39, RGB 49 184 56, RGB 68 165 73 and RGB 87 146 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 223 23 shade: RGB 113 222 11, RGB 57 222 11, RGB 11 222 22, RGB 11 222 78 and RGB 11 222 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 223 23 shade: RGB 7 144 14, RGB 9 183 18, RGB 11 222 22, RGB 32 243 43 and RGB 71 245 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 223 23 shade: RGB 12 223 23, RGB 11 170 222 and RGB 222 11 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 223 23 shade: RGB 12 223 23, RGB 22 11 222 and RGB 222 22 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 223 23 shade: RGB 12 223 23, RGB 11 170 222, RGB 222 11 212 and RGB 222 64 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 223 23 shade: RGB 12 223 23, RGB 11 106 222, RGB 222 11 212 and RGB 222 127 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

Complementary color

CMYK 0 / 87 / 5 / 5

HEX #F320E8

RGB 243 32 232

HSL 303.13, 0.9%, 0.54%

LAB 57.96, 90.28, -51.9

 

CMYK 92 / 0 / 92 / 13

HEX #11DF12

RGB 17 223 18

HSL 120.29, 0.86%, 0.47%

LAB 77.84, -76.9, 73.45

 

CMYK 86 / 0 / 85 / 5

HEX #22F125

RGB 34 241 37

HSL 120.87, 0.88%, 0.54%

LAB 83.64, -80.05, 75.19

 

CMYK 80 / 0 / 78 / 0

HEX #33FF38

RGB 51 255 56

HSL 121.47, 1%, 0.6%

LAB 88.21, -81.37, 74.71

 

CMYK 73 / 0 / 71 / 0

HEX #44FF4B

RGB 68 255 75

HSL 122.25, 1%, 0.63%

LAB 88.57, -77.88, 69.08

 

CMYK 67 / 0 / 63 / 0

HEX #55FF5E

RGB 85 255 94

HSL 123.18, 1%, 0.67%

LAB 89.04, -73.38, 62.46

 

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

CMYK 100 / 0 / 98 / 20

HEX #00CD04

RGB 0 205 4

HSL 121.17, 1%, 0.4%

LAB 72.01, -73.04, 70.15

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 74 / 0 / 95 / 13

HEX #39DE0B

RGB 57 222 11

HSL 106.92, 0.91%, 0.46%

LAB 77.96, -72.81, 74.54

 

CMYK 49 / 0 / 95 / 13

HEX #72DE0B

RGB 114 222 11

HSL 90.71, 0.91%, 0.46%

LAB 79.53, -59.89, 76.46

 

CMYK 23 / 0 / 95 / 13

HEX #ABDE0B

RGB 171 222 11

HSL 74.5, 0.91%, 0.46%

LAB 82.34, -40.11, 79.88

 

CMYK 0 / 2 / 95 / 13

HEX #DED90B

RGB 222 217 11

HSL 58.58, 0.91%, 0.46%

LAB 84.58, -16.87, 83.18

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 95 / 0 / 64 / 13

HEX #0BDE4F

RGB 11 222 79

HSL 139.34, 0.91%, 0.46%

LAB 77.8, -72.94, 55.87

 

CMYK 95 / 0 / 39 / 13

HEX #0BDE88

RGB 11 222 136

HSL 155.55, 0.91%, 0.46%

LAB 78.51, -64.32, 29.83

 

CMYK 95 / 0 / 13 / 13

HEX #0BDEC1

RGB 11 222 193

HSL 171.75, 0.91%, 0.46%

LAB 79.71, -51.15, 1.59

 

CMYK 95 / 12 / 0 / 13

HEX #0BC3DE

RGB 11 195 222

HSL 187.68, 0.91%, 0.46%

LAB 72.48, -30.53, -24.82

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 85 / 0 / 81 / 20

HEX #1ECB27

RGB 30 203 39

HSL 123.12, 0.74%, 0.46%

LAB 71.65, -69.6, 63.76

 

CMYK 73 / 0 / 70 / 28

HEX #31B838

RGB 49 184 56

HSL 123.11, 0.58%, 0.46%

LAB 65.92, -60.13, 52.44

 

CMYK 59 / 0 / 56 / 35

HEX #44A549

RGB 68 165 73

HSL 123.09, 0.42%, 0.46%

LAB 60.45, -47.56, 38.85

 

CMYK 40 / 0 / 38 / 43

HEX #57925A

RGB 87 146 90

HSL 123.05, 0.25%, 0.46%

LAB 55.4, -31.38, 23.8

 

CMYK 49 / 0 / 95 / 13

HEX #71DE0B

RGB 113 222 11

HSL 91, 0.91%, 0.46%

LAB 79.49, -60.19, 76.42

 

CMYK 74 / 0 / 95 / 13

HEX #39DE0B

RGB 57 222 11

HSL 106.92, 0.91%, 0.46%

LAB 77.96, -72.81, 74.54

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 95 / 0 / 65 / 13

HEX #0BDE4E

RGB 11 222 78

HSL 139.05, 0.91%, 0.46%

LAB 77.79, -73.05, 56.27

 

CMYK 95 / 0 / 40 / 13

HEX #0BDE86

RGB 11 222 134

HSL 154.98, 0.91%, 0.46%

LAB 78.48, -64.7, 30.8

 

CMYK 95 / 0 / 90 / 44

HEX #07900E

RGB 7 144 14

HSL 123.07, 0.91%, 0.3%

LAB 51.86, -55.38, 51.96

 

CMYK 95 / 0 / 90 / 28

HEX #09B712

RGB 9 183 18

HSL 123.1, 0.91%, 0.38%

LAB 64.94, -66.3, 62.5

 

CMYK 95 / 0 / 90 / 13

HEX #0BDE16

RGB 11 222 22

HSL 123.13, 0.91%, 0.46%

LAB 77.5, -76.78, 72.58

 

CMYK 87 / 0 / 82 / 5

HEX #20F32B

RGB 32 243 43

HSL 123.13, 0.9%, 0.54%

LAB 84.27, -80.48, 74.37

 

CMYK 71 / 0 / 67 / 4

HEX #47F550

RGB 71 245 80

HSL 123.1, 0.9%, 0.62%

LAB 85.62, -73.91, 64.17

 

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

CMYK 95 / 23 / 0 / 13

HEX #0BAADE

RGB 11 170 222

HSL 194.79, 0.91%, 0.46%

LAB 65.04, -17.81, -36.3

 

CMYK 0 / 95 / 62 / 13

HEX #DE0B55

RGB 222 11 85

HSL 338.96, 0.91%, 0.46%

LAB 47.53, 73.59, 19.04

 

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

CMYK 90 / 95 / 0 / 13

HEX #160BDE

RGB 22 11 222

HSL 243.13, 0.91%, 0.46%

LAB 28.6, 69.5, -95.29

 

CMYK 0 / 90 / 95 / 13

HEX #DE160B

RGB 222 22 11

HSL 3.13, 0.91%, 0.46%

LAB 47.14, 70.05, 57.69

 

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

CMYK 95 / 23 / 0 / 13

HEX #0BAADE

RGB 11 170 222

HSL 194.79, 0.91%, 0.46%

LAB 65.04, -17.81, -36.3

 

CMYK 0 / 95 / 5 / 13

HEX #DE0BD4

RGB 222 11 212

HSL 302.84, 0.91%, 0.46%

LAB 52.42, 86.3, -49.59

 

CMYK 0 / 71 / 95 / 13

HEX #DE400B

RGB 222 64 11

HSL 15.07, 0.91%, 0.46%

LAB 50.94, 59.35, 59.82

 

CMYK 95 / 0 / 90 / 13

HEX #0CDF17

RGB 12 223 23

HSL 123.13, 0.9%, 0.46%

LAB 77.83, -76.98, 72.7

 

CMYK 95 / 52 / 0 / 13

HEX #0B6ADE

RGB 11 106 222

HSL 212.99, 0.91%, 0.46%

LAB 46.52, 20.18, -65.77

 

CMYK 0 / 95 / 5 / 13

HEX #DE0BD4

RGB 222 11 212

HSL 302.84, 0.91%, 0.46%

LAB 52.42, 86.3, -49.59

 

CMYK 0 / 43 / 95 / 13

HEX #DE7F0B

RGB 222 127 11

HSL 32.99, 0.91%, 0.46%

LAB 62.28, 30.19, 67.08

 

Description

Color code: RGB 12 223 23 | qconv.com Color code: RGB 12 223 23 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 223 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 223 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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