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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 174 103 it is the complementary color RGB 243 81 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 174 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 174 103 shade: RGB 17 174 98, RGB 34 192 117, RGB 51 210 136, RGB 68 228 155 and RGB 85 246 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 174 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 174 103 shade: RGB 12 174 103, RGB 0 156 84, RGB 0 138 65, RGB 0 120 46 and RGB 0 102 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 174 103 shade: RGB 12 172 102, RGB 12 172 59, RGB 12 172 16, RGB 51 172 12 and RGB 95 172 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 174 103 shade: RGB 12 172 102, RGB 12 172 145, RGB 12 156 172, RGB 12 112 172 and RGB 12 69 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 174 103 shade matches the following richer shades: RGB 12 172 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 174 103 shade: RGB 12 172 102, RGB 27 157 100, RGB 42 142 98, RGB 56 127 96 and RGB 71 112 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 174 103 shade: RGB 12 172 15, RGB 12 172 57, RGB 12 172 100, RGB 12 172 142 and RGB 12 158 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 174 103 shade: RGB 7 95 56, RGB 9 133 79, RGB 12 172 102, RGB 15 210 124 and RGB 27 239 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 174 103 shade: RGB 12 174 103, RGB 12 52 172 and RGB 172 36 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 174 103 shade: RGB 12 174 103, RGB 100 12 172 and RGB 172 100 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 174 103 shade: RGB 12 174 103, RGB 12 52 172, RGB 172 12 84 and RGB 172 132 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 174 103 shade: RGB 12 174 103, RGB 20 12 172, RGB 172 12 84 and RGB 164 172 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

Complementary color

CMYK 0 / 67 / 37 / 5

HEX #F35198

RGB 243 81 152

HSL 333.7, 0.87%, 0.64%

LAB 59.17, 67.36, -4.14

 

CMYK 90 / 0 / 44 / 32

HEX #11AE62

RGB 17 174 98

HSL 150.96, 0.82%, 0.37%

LAB 62.74, -54.55, 28.77

 

CMYK 82 / 0 / 39 / 25

HEX #22C075

RGB 34 192 117

HSL 151.52, 0.7%, 0.44%

LAB 68.99, -56.01, 27.03

 

CMYK 76 / 0 / 35 / 18

HEX #33D288

RGB 51 210 136

HSL 152.08, 0.64%, 0.51%

LAB 75.19, -56.99, 25.44

 

CMYK 70 / 0 / 32 / 11

HEX #44E49B

RGB 68 228 155

HSL 152.63, 0.75%, 0.58%

LAB 81.34, -57.65, 23.97

 

CMYK 65 / 0 / 29 / 4

HEX #55F6AE

RGB 85 246 174

HSL 153.17, 0.9%, 0.65%

LAB 87.44, -58.05, 22.62

 

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

CMYK 100 / 0 / 46 / 39

HEX #009C54

RGB 0 156 84

HSL 152.31, 1%, 0.31%

LAB 56.5, -51.71, 28.09

 

CMYK 100 / 0 / 53 / 46

HEX #008A41

RGB 0 138 65

HSL 148.26, 1%, 0.27%

LAB 50.17, -48.82, 30.13

 

CMYK 100 / 0 / 62 / 53

HEX #00782E

RGB 0 120 46

HSL 143, 1%, 0.24%

LAB 43.7, -45.66, 32.1

 

CMYK 100 / 0 / 74 / 60

HEX #00661B

RGB 0 102 27

HSL 135.88, 1%, 0.2%

LAB 37.08, -42.09, 33.74

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 93 / 0 / 66 / 33

HEX #0CAC3B

RGB 12 172 59

HSL 137.63, 0.87%, 0.36%

LAB 61.57, -60.04, 46.35

 

CMYK 93 / 0 / 91 / 33

HEX #0CAC10

RGB 12 172 16

HSL 121.5, 0.87%, 0.36%

LAB 61.33, -63.11, 59.76

 

CMYK 70 / 0 / 93 / 33

HEX #33AC0C

RGB 51 172 12

HSL 105.38, 0.87%, 0.36%

LAB 61.86, -58.46, 61.07

 

CMYK 45 / 0 / 93 / 33

HEX #5FAC0C

RGB 95 172 12

HSL 88.88, 0.87%, 0.36%

LAB 63.31, -46.78, 62.87

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 93 / 0 / 16 / 33

HEX #0CAC91

RGB 12 172 145

HSL 169.88, 0.87%, 0.36%

LAB 63.03, -43.19, 3.52

 

CMYK 93 / 9 / 0 / 33

HEX #0C9CAC

RGB 12 156 172

HSL 186, 0.87%, 0.36%

LAB 58.82, -27.67, -17.94

 

CMYK 93 / 35 / 0 / 33

HEX #0C70AC

RGB 12 112 172

HSL 202.5, 0.87%, 0.36%

LAB 45.14, -3.37, -39.18

 

CMYK 93 / 60 / 0 / 33

HEX #0C45AC

RGB 12 69 172

HSL 218.63, 0.87%, 0.36%

LAB 32.51, 24.78, -59.52

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 83 / 0 / 36 / 38

HEX #1B9D64

RGB 27 157 100

HSL 153.69, 0.71%, 0.36%

LAB 57.33, -47.05, 20.56

 

CMYK 70 / 0 / 31 / 44

HEX #2A8E62

RGB 42 142 98

HSL 153.6, 0.54%, 0.36%

LAB 52.64, -39.37, 15.33

 

CMYK 56 / 0 / 24 / 50

HEX #387F60

RGB 56 127 96

HSL 153.8, 0.39%, 0.36%

LAB 48.09, -30.16, 10.22

 

CMYK 37 / 0 / 16 / 56

HEX #47705E

RGB 71 112 94

HSL 153.66, 0.22%, 0.36%

LAB 43.85, -18.73, 5.49

 

CMYK 93 / 0 / 91 / 33

HEX #0CAC0F

RGB 12 172 15

HSL 121.13, 0.87%, 0.36%

LAB 61.32, -63.15, 59.93

 

CMYK 93 / 0 / 67 / 33

HEX #0CAC39

RGB 12 172 57

HSL 136.88, 0.87%, 0.36%

LAB 61.55, -60.26, 47.19

 

CMYK 93 / 0 / 42 / 33

HEX #0CAC64

RGB 12 172 100

HSL 153, 0.87%, 0.36%

LAB 62.09, -53.74, 26.86

 

CMYK 93 / 0 / 17 / 33

HEX #0CAC8E

RGB 12 172 142

HSL 168.75, 0.87%, 0.36%

LAB 62.96, -44, 5.08

 

CMYK 93 / 8 / 0 / 33

HEX #0C9EAC

RGB 12 158 172

HSL 185.25, 0.87%, 0.36%

LAB 59.44, -28.66, -16.99

 

CMYK 93 / 0 / 41 / 63

HEX #075F38

RGB 7 95 56

HSL 153.41, 0.86%, 0.2%

LAB 35.03, -33.96, 15.77

 

CMYK 93 / 0 / 41 / 48

HEX #09854F

RGB 9 133 79

HSL 153.87, 0.87%, 0.28%

LAB 48.76, -43.78, 20.72

 

CMYK 93 / 0 / 41 / 33

HEX #0CAC66

RGB 12 172 102

HSL 153.75, 0.87%, 0.36%

LAB 62.12, -53.35, 25.84

 

CMYK 93 / 0 / 41 / 18

HEX #0FD27C

RGB 15 210 124

HSL 153.54, 0.87%, 0.44%

LAB 74.6, -62.33, 30.8

 

CMYK 89 / 0 / 39 / 6

HEX #1BEF92

RGB 27 239 146

HSL 153.68, 0.87%, 0.52%

LAB 83.99, -67.53, 32.04

 

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

CMYK 93 / 70 / 0 / 33

HEX #0C34AC

RGB 12 52 172

HSL 225, 0.87%, 0.36%

LAB 28.15, 36.12, -66.68

 

CMYK 0 / 79 / 93 / 33

HEX #AC240C

RGB 172 36 12

HSL 9, 0.87%, 0.36%

LAB 37.95, 53.05, 46.66

 

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

CMYK 42 / 93 / 0 / 33

HEX #640CAC

RGB 100 12 172

HSL 273, 0.87%, 0.36%

LAB 29.29, 61.3, -64.56

 

CMYK 0 / 42 / 93 / 33

HEX #AC640C

RGB 172 100 12

HSL 33, 0.87%, 0.36%

LAB 49.39, 23.45, 54.67

 

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

CMYK 93 / 70 / 0 / 33

HEX #0C34AC

RGB 12 52 172

HSL 225, 0.87%, 0.36%

LAB 28.15, 36.12, -66.68

 

CMYK 0 / 93 / 51 / 33

HEX #AC0C54

RGB 172 12 84

HSL 333, 0.87%, 0.36%

LAB 37.25, 61.51, 3.84

 

CMYK 0 / 23 / 93 / 33

HEX #AC840C

RGB 172 132 12

HSL 45, 0.87%, 0.36%

LAB 57.37, 5.53, 60.59

 

CMYK 93 / 0 / 41 / 32

HEX #0CAE67

RGB 12 174 103

HSL 153.7, 0.87%, 0.36%

LAB 62.78, -53.87, 26.18

 

CMYK 88 / 93 / 0 / 33

HEX #140CAC

RGB 20 12 172

HSL 243, 0.87%, 0.36%

LAB 21.54, 56.07, -77.63

 

CMYK 0 / 93 / 51 / 33

HEX #AC0C54

RGB 172 12 84

HSL 333, 0.87%, 0.36%

LAB 37.25, 61.51, 3.84

 

CMYK 5 / 0 / 93 / 33

HEX #A4AC0C

RGB 164 172 12

HSL 63, 0.87%, 0.36%

LAB 67.59, -19.4, 68.09

 

Description

Color code: RGB 12 174 103 | qconv.com Color code: RGB 12 174 103 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 174 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 174 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 41 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 41% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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