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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 142 54 it is the complementary color RGB 243 113 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 142 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 142 54 shade: RGB 17 142 49, RGB 34 160 68, RGB 51 178 87, RGB 68 196 106 and RGB 85 214 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 142 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 142 54 shade: RGB 12 142 54, RGB 0 124 35, RGB 0 106 16, RGB 0 88 0 and RGB 0 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 142 54 shade: RGB 12 141 54, RGB 12 141 19, RGB 40 141 12, RGB 75 141 12 and RGB 109 141 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 142 54 shade: RGB 12 141 54, RGB 12 141 88, RGB 12 141 123, RGB 12 124 141 and RGB 12 89 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 142 54 shade matches the following richer shades: RGB 12 141 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 142 54 shade: RGB 12 141 54, RGB 25 128 58, RGB 37 116 63, RGB 49 104 67 and RGB 62 91 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 142 54 shade: RGB 40 141 12, RGB 12 141 19, RGB 12 141 53, RGB 12 141 87 and RGB 12 141 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 142 54 shade: RGB 6 65 25, RGB 9 103 39, RGB 12 141 54, RGB 16 179 68 and RGB 19 217 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 142 54 shade: RGB 12 142 54, RGB 12 74 141 and RGB 141 12 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 142 54 shade: RGB 12 142 54, RGB 53 12 141 and RGB 141 53 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 142 54 shade: RGB 12 142 54, RGB 12 74 141, RGB 141 12 100 and RGB 141 79 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 142 54 shade: RGB 12 142 54, RGB 12 36 141, RGB 141 12 100 and RGB 141 117 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

Complementary color

CMYK 0 / 53 / 17 / 5

HEX #F371C9

RGB 243 113 201

HSL 319.38, 0.84%, 0.7%

LAB 65.81, 59.96, -22.19

 

CMYK 88 / 0 / 65 / 44

HEX #118E31

RGB 17 142 49

HSL 135.36, 0.79%, 0.31%

LAB 51.48, -51.27, 39.59

 

CMYK 79 / 0 / 58 / 37

HEX #22A044

RGB 34 160 68

HSL 136.19, 0.65%, 0.38%

LAB 57.94, -52.94, 38.11

 

CMYK 71 / 0 / 51 / 30

HEX #33B257

RGB 51 178 87

HSL 137.01, 0.55%, 0.45%

LAB 64.35, -53.95, 36.57

 

CMYK 65 / 0 / 46 / 23

HEX #44C46A

RGB 68 196 106

HSL 137.81, 0.52%, 0.52%

LAB 70.7, -54.52, 35.05

 

CMYK 60 / 0 / 42 / 16

HEX #55D67D

RGB 85 214 125

HSL 138.6, 0.61%, 0.59%

LAB 76.98, -54.8, 33.62

 

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

CMYK 100 / 0 / 72 / 51

HEX #007C23

RGB 0 124 35

HSL 136.94, 1%, 0.24%

LAB 44.99, -48.34, 38.67

 

CMYK 100 / 0 / 85 / 58

HEX #006A10

RGB 0 106 16

HSL 129.06, 1%, 0.21%

LAB 38.46, -44.33, 39.33

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D36

RGB 12 141 54

HSL 139.53, 0.84%, 0.3%

LAB 51.15, -50.71, 36.85

 

CMYK 91 / 0 / 87 / 45

HEX #0C8D13

RGB 12 141 19

HSL 123.26, 0.84%, 0.3%

LAB 50.89, -53.91, 49.96

 

CMYK 72 / 0 / 91 / 45

HEX #288D0C

RGB 40 141 12

HSL 106.98, 0.84%, 0.3%

LAB 51.3, -50.42, 52.05

 

CMYK 47 / 0 / 91 / 45

HEX #4B8D0C

RGB 75 141 12

HSL 90.7, 0.84%, 0.3%

LAB 52.48, -40.94, 53.52

 

CMYK 23 / 0 / 91 / 45

HEX #6D8D0C

RGB 109 141 12

HSL 74.88, 0.84%, 0.3%

LAB 54.37, -27.84, 55.86

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D36

RGB 12 141 54

HSL 139.53, 0.84%, 0.3%

LAB 51.15, -50.71, 36.85

 

CMYK 91 / 0 / 38 / 45

HEX #0C8D58

RGB 12 141 88

HSL 155.35, 0.84%, 0.3%

LAB 51.65, -44.73, 19.54

 

CMYK 91 / 0 / 13 / 45

HEX #0C8D7B

RGB 12 141 123

HSL 171.63, 0.84%, 0.3%

LAB 52.46, -35.83, 0.66

 

CMYK 91 / 12 / 0 / 45

HEX #0C7C8D

RGB 12 124 141

HSL 187.91, 0.84%, 0.3%

LAB 47.52, -21.79, -17.26

 

CMYK 91 / 37 / 0 / 45

HEX #0C598D

RGB 12 89 141

HSL 204.19, 0.84%, 0.3%

LAB 36.26, -1.4, -34.78

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D36

RGB 12 141 54

HSL 139.53, 0.84%, 0.3%

LAB 51.15, -50.71, 36.85

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D36

RGB 12 141 54

HSL 139.53, 0.84%, 0.3%

LAB 51.15, -50.71, 36.85

 

CMYK 80 / 0 / 55 / 50

HEX #19803A

RGB 25 128 58

HSL 139.22, 0.67%, 0.3%

LAB 46.91, -44.25, 29.85

 

CMYK 68 / 0 / 46 / 55

HEX #25743F

RGB 37 116 63

HSL 139.75, 0.52%, 0.3%

LAB 43.13, -36.6, 22.43

 

CMYK 53 / 0 / 36 / 59

HEX #316843

RGB 49 104 67

HSL 139.64, 0.36%, 0.3%

LAB 39.51, -27.42, 15.42

 

CMYK 32 / 0 / 22 / 64

HEX #3E5B47

RGB 62 91 71

HSL 138.62, 0.19%, 0.3%

LAB 35.91, -15.52, 8.14

 

CMYK 72 / 0 / 91 / 45

HEX #288D0C

RGB 40 141 12

HSL 106.98, 0.84%, 0.3%

LAB 51.3, -50.42, 52.05

 

CMYK 91 / 0 / 87 / 45

HEX #0C8D13

RGB 12 141 19

HSL 123.26, 0.84%, 0.3%

LAB 50.89, -53.91, 49.96

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D35

RGB 12 141 53

HSL 139.07, 0.84%, 0.3%

LAB 51.13, -50.85, 37.32

 

CMYK 91 / 0 / 38 / 45

HEX #0C8D57

RGB 12 141 87

HSL 154.88, 0.84%, 0.3%

LAB 51.63, -44.95, 20.07

 

CMYK 91 / 0 / 14 / 45

HEX #0C8D79

RGB 12 141 121

HSL 170.7, 0.84%, 0.3%

LAB 52.41, -36.4, 1.74

 

CMYK 91 / 0 / 62 / 75

HEX #064119

RGB 6 65 25

HSL 139.32, 0.83%, 0.14%

LAB 23.3, -28.2, 19.21

 

CMYK 91 / 0 / 62 / 60

HEX #096727

RGB 9 103 39

HSL 139.15, 0.84%, 0.22%

LAB 37.67, -39.97, 28.64

 

CMYK 91 / 0 / 62 / 45

HEX #0C8D36

RGB 12 141 54

HSL 139.53, 0.84%, 0.3%

LAB 51.15, -50.71, 36.85

 

CMYK 91 / 0 / 62 / 30

HEX #10B344

RGB 16 179 68

HSL 139.14, 0.84%, 0.38%

LAB 63.97, -60.93, 45.08

 

CMYK 91 / 0 / 62 / 15

HEX #13D953

RGB 19 217 83

HSL 139.39, 0.84%, 0.46%

LAB 76.31, -70.65, 52.51

 

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

CMYK 91 / 48 / 0 / 45

HEX #0C4A8D

RGB 12 74 141

HSL 211.16, 0.84%, 0.3%

LAB 31.58, 8.51, -42.28

 

CMYK 0 / 91 / 84 / 45

HEX #8D0C17

RGB 141 12 23

HSL 354.88, 0.84%, 0.3%

LAB 29.38, 50.04, 31.7

 

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

CMYK 62 / 91 / 0 / 45

HEX #350C8D

RGB 53 12 141

HSL 259.07, 0.84%, 0.3%

LAB 19.81, 49.12, -61.42

 

CMYK 0 / 62 / 91 / 45

HEX #8D350C

RGB 141 53 12

HSL 19.07, 0.84%, 0.3%

LAB 34.47, 35.53, 41.45

 

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

CMYK 91 / 48 / 0 / 45

HEX #0C4A8D

RGB 12 74 141

HSL 211.16, 0.84%, 0.3%

LAB 31.58, 8.51, -42.28

 

CMYK 0 / 91 / 29 / 45

HEX #8D0C64

RGB 141 12 100

HSL 319.07, 0.84%, 0.3%

LAB 31.45, 55.8, -15.83

 

CMYK 0 / 44 / 91 / 45

HEX #8D4F0C

RGB 141 79 12

HSL 31.16, 0.84%, 0.3%

LAB 40.05, 21.5, 45.73

 

CMYK 92 / 0 / 62 / 44

HEX #0C8E36

RGB 12 142 54

HSL 139.38, 0.84%, 0.3%

LAB 51.49, -51.05, 37.25

 

CMYK 91 / 74 / 0 / 45

HEX #0C248D

RGB 12 36 141

HSL 228.84, 0.84%, 0.3%

LAB 21.07, 34.67, -59.42

 

CMYK 0 / 91 / 29 / 45

HEX #8D0C64

RGB 141 12 100

HSL 319.07, 0.84%, 0.3%

LAB 31.45, 55.8, -15.83

 

CMYK 0 / 17 / 91 / 45

HEX #8D750C

RGB 141 117 12

HSL 48.84, 0.84%, 0.3%

LAB 49.99, -0.48, 53.48

 

Description

Color code: RGB 12 142 54 | qconv.com Color code: RGB 12 142 54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 142 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 142 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 62 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 62% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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