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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 122 105 it is the complementary color RGB 243 133 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 122 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 122 105 shade: RGB 17 122 100, RGB 34 140 119, RGB 51 158 138, RGB 68 176 157 and RGB 85 194 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 122 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 122 105 shade: RGB 12 122 105, RGB 0 104 86, RGB 0 86 67, RGB 0 68 48 and RGB 0 50 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 122 105 shade: RGB 11 120 103, RGB 11 120 74, RGB 11 120 45, RGB 11 120 15 and RGB 37 120 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 122 105 shade: RGB 11 120 103, RGB 11 108 120, RGB 11 78 120, RGB 11 49 120 and RGB 11 20 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 122 105 shade matches the following richer shades: RGB 11 120 103 and RGB 1 131 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 122 105 shade: RGB 11 120 103, RGB 22 109 96, RGB 33 99 89, RGB 44 88 81 and RGB 54 77 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 122 105 shade: RGB 11 120 44, RGB 11 120 73, RGB 11 120 102, RGB 11 109 120 and RGB 11 80 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 122 105 shade: RGB 4 45 39, RGB 8 83 71, RGB 11 120 103, RGB 15 158 136 and RGB 19 195 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 122 105 shade: RGB 12 122 105, RGB 15 11 120 and RGB 120 59 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 122 105 shade: RGB 12 122 105, RGB 102 11 120 and RGB 120 102 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 122 105 shade: RGB 12 122 105, RGB 15 11 120, RGB 120 11 30 and RGB 117 120 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 122 105 shade: RGB 12 122 105, RGB 48 11 120, RGB 120 11 30 and RGB 84 120 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

Complementary color

CMYK 0 / 45 / 38 / 5

HEX #F38596

RGB 243 133 150

HSL 350.73, 0.82%, 0.74%

LAB 68.04, 43.66, 9.87

 

CMYK 86 / 0 / 18 / 52

HEX #117A64

RGB 17 122 100

HSL 167.43, 0.76%, 0.27%

LAB 45.58, -33.45, 4.17

 

CMYK 76 / 0 / 15 / 45

HEX #228C77

RGB 34 140 119

HSL 168.11, 0.61%, 0.34%

LAB 52.32, -34.45, 2.81

 

CMYK 68 / 0 / 13 / 38

HEX #339E8A

RGB 51 158 138

HSL 168.79, 0.51%, 0.41%

LAB 58.97, -35.05, 1.62

 

CMYK 61 / 0 / 11 / 31

HEX #44B09D

RGB 68 176 157

HSL 169.44, 0.44%, 0.48%

LAB 65.53, -35.39, 0.58

 

CMYK 56 / 0 / 9 / 24

HEX #55C2B0

RGB 85 194 176

HSL 170.09, 0.47%, 0.55%

LAB 71.99, -35.57, -0.37

 

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

CMYK 100 / 0 / 17 / 59

HEX #006856

RGB 0 104 86

HSL 169.62, 1%, 0.2%

LAB 38.85, -30.6, 2.87

 

CMYK 100 / 0 / 22 / 66

HEX #005643

RGB 0 86 67

HSL 166.74, 1%, 0.17%

LAB 31.94, -27.93, 4.72

 

CMYK 100 / 0 / 29 / 73

HEX #004430

RGB 0 68 48

HSL 162.35, 1%, 0.13%

LAB 24.79, -25.15, 6.74

 

CMYK 100 / 0 / 42 / 80

HEX #00321D

RGB 0 50 29

HSL 154.8, 1%, 0.1%

LAB 17.32, -22.16, 9

 

CMYK 91 / 0 / 14 / 53

HEX #0B7867

RGB 11 120 103

HSL 170.64, 0.83%, 0.26%

LAB 44.92, -32.16, 1.42

 

CMYK 91 / 0 / 38 / 53

HEX #0B784A

RGB 11 120 74

HSL 154.68, 0.83%, 0.26%

LAB 44.23, -39.67, 17.53

 

CMYK 91 / 0 / 63 / 53

HEX #0B782D

RGB 11 120 45

HSL 138.72, 0.83%, 0.26%

LAB 43.79, -44.91, 32.73

 

CMYK 91 / 0 / 88 / 53

HEX #0B780F

RGB 11 120 15

HSL 122.2, 0.83%, 0.26%

LAB 43.56, -47.75, 44.38

 

CMYK 69 / 0 / 91 / 53

HEX #25780B

RGB 37 120 11

HSL 105.69, 0.83%, 0.26%

LAB 44.02, -43.86, 45.94

 

CMYK 91 / 0 / 14 / 53

HEX #0B7867

RGB 11 120 103

HSL 170.64, 0.83%, 0.26%

LAB 44.92, -32.16, 1.42

 

CMYK 91 / 10 / 0 / 53

HEX #0B6C78

RGB 11 108 120

HSL 186.61, 0.83%, 0.26%

LAB 41.46, -20.69, -13.95

 

CMYK 91 / 35 / 0 / 53

HEX #0B4E78

RGB 11 78 120

HSL 203.12, 0.83%, 0.26%

LAB 31.52, -3, -29.37

 

CMYK 91 / 59 / 0 / 53

HEX #0B3178

RGB 11 49 120

HSL 219.08, 0.83%, 0.26%

LAB 22.39, 17.1, -44.04

 

CMYK 91 / 83 / 0 / 53

HEX #0B1478

RGB 11 20 120

HSL 235.05, 0.83%, 0.26%

LAB 15.1, 36.58, -56.02

 

CMYK 91 / 0 / 14 / 53

HEX #0B7867

RGB 11 120 103

HSL 170.64, 0.83%, 0.26%

LAB 44.92, -32.16, 1.42

 

CMYK 99 / 0 / 15 / 49

HEX #01836F

RGB 1 131 111

HSL 170.77, 0.98%, 0.26%

LAB 48.74, -35.42, 2.24

 

CMYK 91 / 0 / 14 / 53

HEX #0B7867

RGB 11 120 103

HSL 170.64, 0.83%, 0.26%

LAB 44.92, -32.16, 1.42

 

CMYK 80 / 0 / 12 / 57

HEX #166D60

RGB 22 109 96

HSL 171.03, 0.66%, 0.26%

LAB 41.14, -27.99, 0.15

 

CMYK 67 / 0 / 10 / 61

HEX #216359

RGB 33 99 89

HSL 170.91, 0.5%, 0.26%

LAB 37.79, -23.33, -0.45

 

CMYK 50 / 0 / 8 / 65

HEX #2C5851

RGB 44 88 81

HSL 170.45, 0.33%, 0.26%

LAB 34.21, -17.18, -0.66

 

CMYK 30 / 0 / 4 / 70

HEX #364D4A

RGB 54 77 74

HSL 172.17, 0.18%, 0.26%

LAB 30.85, -9.57, -1.09

 

CMYK 91 / 0 / 63 / 53

HEX #0B782C

RGB 11 120 44

HSL 138.17, 0.83%, 0.26%

LAB 43.78, -45.04, 33.21

 

CMYK 91 / 0 / 39 / 53

HEX #0B7849

RGB 11 120 73

HSL 154.13, 0.83%, 0.26%

LAB 44.21, -39.89, 18.08

 

CMYK 91 / 0 / 15 / 53

HEX #0B7866

RGB 11 120 102

HSL 170.09, 0.83%, 0.26%

LAB 44.89, -32.45, 1.98

 

CMYK 91 / 9 / 0 / 53

HEX #0B6D78

RGB 11 109 120

HSL 186.06, 0.83%, 0.26%

LAB 41.79, -21.22, -13.45

 

CMYK 91 / 33 / 0 / 53

HEX #0B5078

RGB 11 80 120

HSL 202.02, 0.83%, 0.26%

LAB 32.18, -4.28, -28.33

 

CMYK 91 / 0 / 13 / 82

HEX #042D27

RGB 4 45 39

HSL 171.22, 0.84%, 0.1%

LAB 15.74, -15.59, -0.1

 

CMYK 90 / 0 / 14 / 67

HEX #085347

RGB 8 83 71

HSL 170.4, 0.82%, 0.18%

LAB 31.1, -24.42, 0.99

 

CMYK 91 / 0 / 14 / 53

HEX #0B7867

RGB 11 120 103

HSL 170.64, 0.83%, 0.26%

LAB 44.92, -32.16, 1.42

 

CMYK 91 / 0 / 14 / 38

HEX #0F9E88

RGB 15 158 136

HSL 170.77, 0.83%, 0.34%

LAB 58.35, -39.5, 1.79

 

CMYK 90 / 0 / 14 / 24

HEX #13C3A8

RGB 19 195 168

HSL 170.8, 0.82%, 0.42%

LAB 70.87, -46.35, 2.2

 

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

CMYK 88 / 91 / 0 / 53

HEX #0F0B78

RGB 15 11 120

HSL 242.2, 0.83%, 0.26%

LAB 13.81, 41.07, -58.17

 

CMYK 0 / 51 / 91 / 53

HEX #783B0B

RGB 120 59 11

HSL 26.42, 0.83%, 0.26%

LAB 32.14, 23.5, 38.46

 

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

CMYK 15 / 91 / 0 / 53

HEX #660B78

RGB 102 11 120

HSL 290.09, 0.83%, 0.26%

LAB 25.01, 51.02, -39.35

 

CMYK 0 / 15 / 91 / 53

HEX #78660B

RGB 120 102 11

HSL 50.09, 0.83%, 0.26%

LAB 43.54, -1.96, 47.65

 

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

CMYK 88 / 91 / 0 / 53

HEX #0F0B78

RGB 15 11 120

HSL 242.2, 0.83%, 0.26%

LAB 13.81, 41.07, -58.17

 

CMYK 0 / 91 / 75 / 53

HEX #780B1E

RGB 120 11 30

HSL 349.54, 0.83%, 0.26%

LAB 24.72, 44.51, 20.85

 

CMYK 3 / 0 / 91 / 53

HEX #75780B

RGB 117 120 11

HSL 61.65, 0.83%, 0.26%

LAB 48.56, -13.51, 51.58

 

CMYK 90 / 0 / 14 / 52

HEX #0C7A69

RGB 12 122 105

HSL 170.73, 0.82%, 0.26%

LAB 45.66, -32.42, 1.31

 

CMYK 60 / 91 / 0 / 53

HEX #300B78

RGB 48 11 120

HSL 260.37, 0.83%, 0.26%

LAB 16.62, 43.29, -53.42

 

CMYK 0 / 91 / 75 / 53

HEX #780B1E

RGB 120 11 30

HSL 349.54, 0.83%, 0.26%

LAB 24.72, 44.51, 20.85

 

CMYK 30 / 0 / 91 / 53

HEX #54780B

RGB 84 120 11

HSL 79.82, 0.83%, 0.26%

LAB 46.1, -28.27, 48.54

 

Description

Color code: RGB 12 122 105 | qconv.com Color code: RGB 12 122 105 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 122 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 122 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 14 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 14% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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