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Color name
RGB 129 65 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 65 94 it is the complementary color RGB 126 190 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 65 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 65 94 shade: RGB 134 65 89, RGB 151 83 108, RGB 168 101 127, RGB 185 119 146 and RGB 202 137 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 65 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 112 47 75, RGB 95 29 56, RGB 78 11 37 and RGB 61 0 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 129 65 77 and RGB 129 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 129 65 111, RGB 129 65 128, RGB 112 65 129 and RGB 95 65 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 65 94 shade matches the following richer shades: RGB 129 65 94, RGB 145 49 92, RGB 160 34 91, RGB 176 18 89 and RGB 192 2 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 113 81 95, RGB 98 96 97, RGB 82 112 98 and RGB 66 128 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 65 94 shade: RGB 129 65 129, RGB 129 65 112, RGB 129 65 95, RGB 129 65 78 and RGB 129 69 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 65 94 shade: RGB 74 37 54, RGB 101 51 74, RGB 129 65 94, RGB 156 79 114 and RGB 177 100 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 129 112 65 and RGB 65 120 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 95 129 65 and RGB 65 95 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 129 112 65, RGB 65 129 99 and RGB 65 82 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 65 94 shade: RGB 129 65 94, RGB 127 129 65, RGB 65 129 99 and RGB 67 65 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

Complementary color

CMYK 34 / 0 / 15 / 25

HEX #7EBEA1

RGB 126 190 161

HSL 152.81, 0.33%, 0.62%

LAB 72.12, -26.81, 8.19

 

CMYK 0 / 51 / 34 / 47

HEX #864159

RGB 134 65 89

HSL 339.13, 0.35%, 0.39%

LAB 37.06, 32.33, -0.48

 

CMYK 0 / 45 / 28 / 41

HEX #97536C

RGB 151 83 108

HSL 337.94, 0.29%, 0.46%

LAB 44.01, 31.41, -1.81

 

CMYK 0 / 40 / 24 / 34

HEX #A8657F

RGB 168 101 127

HSL 336.72, 0.28%, 0.53%

LAB 50.88, 30.51, -2.9

 

CMYK 0 / 36 / 21 / 27

HEX #B97792

RGB 185 119 146

HSL 335.45, 0.32%, 0.6%

LAB 57.64, 29.67, -3.83

 

CMYK 0 / 32 / 18 / 21

HEX #CA89A5

RGB 202 137 165

HSL 334.15, 0.38%, 0.66%

LAB 64.29, 28.89, -4.67

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 58 / 33 / 56

HEX #702F4B

RGB 112 47 75

HSL 334.15, 0.41%, 0.31%

LAB 29.38, 32.04, -3.16

 

CMYK 0 / 69 / 41 / 63

HEX #5F1D38

RGB 95 29 56

HSL 335.45, 0.53%, 0.24%

LAB 22.29, 32.61, -1.16

 

CMYK 0 / 86 / 53 / 69

HEX #4E0B25

RGB 78 11 37

HSL 336.72, 0.75%, 0.17%

LAB 15.45, 32.29, 1.94

 

CMYK 0 / 100 / 70 / 76

HEX #3D0012

RGB 61 0 18

HSL 342.3, 1%, 0.12%

LAB 9.29, 29.82, 6.5

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 50 / 40 / 49

HEX #81414D

RGB 129 65 77

HSL 348.75, 0.33%, 0.38%

LAB 35.95, 28.86, 5.43

 

CMYK 0 / 50 / 50 / 49

HEX #814141

RGB 129 65 65

HSL 0, 0.33%, 0.38%

LAB 35.65, 27.47, 12.62

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 50 / 14 / 49

HEX #81416F

RGB 129 65 111

HSL 316.88, 0.33%, 0.38%

LAB 37.11, 33.97, -14.33

 

CMYK 0 / 50 / 1 / 49

HEX #814180

RGB 129 65 128

HSL 300.94, 0.33%, 0.38%

LAB 37.85, 37.11, -23.74

 

CMYK 13 / 50 / 0 / 49

HEX #704181

RGB 112 65 129

HSL 284.06, 0.33%, 0.38%

LAB 35.62, 32.02, -28.02

 

CMYK 26 / 50 / 0 / 49

HEX #5F4181

RGB 95 65 129

HSL 268.13, 0.33%, 0.38%

LAB 33.56, 26.84, -31.41

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 66 / 37 / 43

HEX #91315C

RGB 145 49 92

HSL 333.13, 0.49%, 0.38%

LAB 35.96, 44.45, -3.8

 

CMYK 0 / 79 / 43 / 37

HEX #A0225B

RGB 160 34 91

HSL 332.86, 0.65%, 0.38%

LAB 36.69, 54.35, -1.77

 

CMYK 0 / 90 / 49 / 31

HEX #B01259

RGB 176 18 89

HSL 333.04, 0.81%, 0.38%

LAB 38.52, 62.01, 2.57

 

CMYK 0 / 99 / 54 / 25

HEX #C00258

RGB 192 2 88

HSL 332.84, 0.98%, 0.38%

LAB 41.14, 67.61, 7.39

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 28 / 16 / 56

HEX #71515F

RGB 113 81 95

HSL 333.75, 0.16%, 0.38%

LAB 38.24, 15.78, -2.84

 

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

 

CMYK 27 / 0 / 13 / 56

HEX #527062

RGB 82 112 98

HSL 152, 0.15%, 0.38%

LAB 44.61, -14.1, 4.27

 

CMYK 48 / 0 / 22 / 50

HEX #428064

RGB 66 128 100

HSL 152.9, 0.32%, 0.38%

LAB 48.9, -27.09, 9.09

 

CMYK 0 / 50 / 0 / 49

HEX #814181

RGB 129 65 129

HSL 300, 0.33%, 0.38%

LAB 37.9, 37.3, -24.28

 

CMYK 0 / 50 / 13 / 49

HEX #814170

RGB 129 65 112

HSL 315.94, 0.33%, 0.38%

LAB 37.15, 34.14, -14.9

 

CMYK 0 / 50 / 26 / 49

HEX #81415F

RGB 129 65 95

HSL 331.88, 0.33%, 0.38%

LAB 36.51, 31.35, -5.18

 

CMYK 0 / 50 / 40 / 49

HEX #81414E

RGB 129 65 78

HSL 347.81, 0.33%, 0.38%

LAB 35.98, 28.98, 4.84

 

CMYK 0 / 47 / 50 / 49

HEX #814541

RGB 129 69 65

HSL 3.75, 0.33%, 0.38%

LAB 36.57, 25.2, 13.86

 

CMYK 0 / 50 / 27 / 71

HEX #4A2536

RGB 74 37 54

HSL 332.43, 0.33%, 0.22%

LAB 20.22, 19.95, -3.24

 

CMYK 0 / 50 / 27 / 60

HEX #65334A

RGB 101 51 74

HSL 332.4, 0.33%, 0.3%

LAB 28.46, 25.54, -4.06

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 49 / 27 / 39

HEX #9C4F72

RGB 156 79 114

HSL 332.73, 0.33%, 0.46%

LAB 44.05, 36.27, -5.34

 

CMYK 0 / 44 / 24 / 31

HEX #B16487

RGB 177 100 135

HSL 332.73, 0.33%, 0.54%

LAB 52.07, 35.51, -5.74

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 13 / 50 / 49

HEX #817041

RGB 129 112 65

HSL 44.06, 0.33%, 0.38%

LAB 47.8, -0.07, 28.46

 

CMYK 50 / 7 / 0 / 49

HEX #417881

RGB 65 120 129

HSL 188.44, 0.33%, 0.38%

LAB 47.16, -15.56, -10.57

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 26 / 0 / 50 / 49

HEX #5F8141

RGB 95 129 65

HSL 91.88, 0.33%, 0.38%

LAB 50.11, -23.95, 30.71

 

CMYK 50 / 26 / 0 / 49

HEX #415F81

RGB 65 95 129

HSL 211.88, 0.33%, 0.38%

LAB 39.4, -0.92, -22.43

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 13 / 50 / 49

HEX #817041

RGB 129 112 65

HSL 44.06, 0.33%, 0.38%

LAB 47.8, -0.07, 28.46

 

CMYK 50 / 0 / 23 / 49

HEX #418163

RGB 65 129 99

HSL 151.88, 0.33%, 0.38%

LAB 49.16, -28.08, 10.03

 

CMYK 50 / 36 / 0 / 49

HEX #415281

RGB 65 82 129

HSL 224.06, 0.33%, 0.38%

LAB 35.49, 7.32, -28.54

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 2 / 0 / 50 / 49

HEX #7F8141

RGB 127 129 65

HSL 61.88, 0.33%, 0.38%

LAB 52.5, -10.51, 34.16

 

CMYK 50 / 0 / 23 / 49

HEX #418163

RGB 65 129 99

HSL 151.88, 0.33%, 0.38%

LAB 49.16, -28.08, 10.03

 

CMYK 48 / 50 / 0 / 49

HEX #434181

RGB 67 65 129

HSL 241.88, 0.33%, 0.38%

LAB 30.78, 19, -36

 

Description

Color code: RGB 129 65 94 | qconv.com Color code: RGB 129 65 94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 65 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 65 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 27 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 27% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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