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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 44 200 it is the complementary color RGB 126 211 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 44 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 44 200 shade: RGB 134 44 195, RGB 151 62 214, RGB 168 80 233, RGB 185 98 252 and RGB 202 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 44 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 112 26 181, RGB 95 8 162, RGB 78 0 143 and RGB 61 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 171 44 200, RGB 200 44 187, RGB 200 44 145 and RGB 200 44 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 87 44 200, RGB 44 44 200 and RGB 44 44 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 44 200 shade matches the following richer shades: RGB 129 44 200, RGB 131 24 220 and RGB 132 4 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 127 63 180, RGB 125 83 161, RGB 124 103 141 and RGB 122 123 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 44 200 shade: RGB 44 44 200, RGB 85 44 200, RGB 127 44 200, RGB 169 44 200 and RGB 200 44 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 44 200 shade: RGB 85 29 133, RGB 107 36 166, RGB 129 44 200, RGB 149 71 214 and RGB 168 105 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 200 44 85 and RGB 44 200 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 200 127 44 and RGB 44 200 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 200 44 85, RGB 117 200 44 and RGB 44 200 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 44 200 shade: RGB 129 44 200, RGB 200 49 44, RGB 117 200 44 and RGB 44 195 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

Complementary color

CMYK 40 / 0 / 74 / 17

HEX #7ED337

RGB 126 211 55

HSL 92.69, 0.64%, 0.52%

LAB 76.86, -50.31, 64.75

 

CMYK 31 / 77 / 0 / 24

HEX #862CC3

RGB 134 44 195

HSL 275.76, 0.63%, 0.47%

LAB 39.26, 62.07, -61.69

 

CMYK 29 / 71 / 0 / 16

HEX #973ED6

RGB 151 62 214

HSL 275.13, 0.65%, 0.54%

LAB 45.47, 62.19, -62.5

 

CMYK 28 / 66 / 0 / 9

HEX #A850E9

RGB 168 80 233

HSL 274.51, 0.78%, 0.61%

LAB 51.78, 61.84, -62.99

 

CMYK 27 / 61 / 0 / 1

HEX #B962FC

RGB 185 98 252

HSL 273.9, 0.96%, 0.69%

LAB 58.11, 61.23, -63.28

 

CMYK 21 / 55 / 0 / 0

HEX #CA74FF

RGB 202 116 255

HSL 277.12, 1%, 0.73%

LAB 63.56, 57.02, -56.1

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 38 / 86 / 0 / 29

HEX #701AB5

RGB 112 26 181

HSL 273.29, 0.75%, 0.41%

LAB 32.96, 61.49, -63.84

 

CMYK 41 / 95 / 0 / 36

HEX #5F08A2

RGB 95 8 162

HSL 273.9, 0.91%, 0.33%

LAB 27.34, 59.25, -61.75

 

CMYK 45 / 100 / 0 / 44

HEX #4E008F

RGB 78 0 143

HSL 272.73, 1%, 0.28%

LAB 22.31, 54.89, -58.43

 

CMYK 51 / 100 / 0 / 51

HEX #3D007C

RGB 61 0 124

HSL 269.52, 1%, 0.24%

LAB 17.68, 48.96, -54.18

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 15 / 78 / 0 / 22

HEX #AB2CC8

RGB 171 44 200

HSL 288.85, 0.64%, 0.48%

LAB 45.12, 69.71, -54.84

 

CMYK 0 / 78 / 7 / 22

HEX #C82CBB

RGB 200 44 187

HSL 305, 0.64%, 0.48%

LAB 49.09, 73.29, -40.67

 

CMYK 0 / 78 / 28 / 22

HEX #C82C91

RGB 200 44 145

HSL 321.15, 0.64%, 0.48%

LAB 47.14, 67.64, -18.82

 

CMYK 0 / 78 / 49 / 22

HEX #C82C67

RGB 200 44 103

HSL 337.31, 0.64%, 0.48%

LAB 45.72, 63.35, 4.73

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 57 / 78 / 0 / 22

HEX #572CC8

RGB 87 44 200

HSL 256.54, 0.64%, 0.48%

LAB 33.98, 56.31, -73.48

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 40 / 89 / 0 / 14

HEX #8318DC

RGB 131 24 220

HSL 272.76, 0.8%, 0.48%

LAB 38.98, 72.81, -76.64

 

CMYK 45 / 98 / 0 / 6

HEX #8404F0

RGB 132 4 240

HSL 272.54, 0.97%, 0.48%

LAB 40.05, 79.97, -86.26

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 29 / 65 / 0 / 29

HEX #7F3FB4

RGB 127 63 180

HSL 272.82, 0.48%, 0.48%

LAB 40.18, 48.99, -51.42

 

CMYK 22 / 48 / 0 / 37

HEX #7D53A1

RGB 125 83 161

HSL 272.31, 0.32%, 0.48%

LAB 42.94, 32.98, -35.77

 

CMYK 12 / 27 / 0 / 45

HEX #7C678D

RGB 124 103 141

HSL 273.16, 0.16%, 0.48%

LAB 46.85, 16.05, -17.78

 

CMYK 1 / 0 / 2 / 52

HEX #7A7B79

RGB 122 123 121

HSL 90, 0.01%, 0.48%

LAB 51.48, -0.77, 0.95

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 58 / 78 / 0 / 22

HEX #552CC8

RGB 85 44 200

HSL 255.77, 0.64%, 0.48%

LAB 33.78, 56.07, -73.81

 

CMYK 37 / 78 / 0 / 22

HEX #7F2CC8

RGB 127 44 200

HSL 271.92, 0.64%, 0.48%

LAB 38.7, 62.02, -65.56

 

CMYK 16 / 78 / 0 / 22

HEX #A92CC8

RGB 169 44 200

HSL 288.08, 0.64%, 0.48%

LAB 44.81, 69.34, -55.36

 

CMYK 0 / 78 / 5 / 22

HEX #C82CBE

RGB 200 44 190

HSL 303.85, 0.64%, 0.48%

LAB 49.25, 73.73, -42.17

 

CMYK 36 / 78 / 0 / 48

HEX #551D85

RGB 85 29 133

HSL 272.31, 0.64%, 0.32%

LAB 25.27, 45, -47.29

 

CMYK 36 / 78 / 0 / 35

HEX #6B24A6

RGB 107 36 166

HSL 272.77, 0.64%, 0.4%

LAB 32.13, 53.94, -56.26

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 30 / 67 / 0 / 16

HEX #9547D6

RGB 149 71 214

HSL 272.73, 0.64%, 0.56%

LAB 46.65, 57.78, -60.6

 

CMYK 24 / 53 / 0 / 13

HEX #A869DE

RGB 168 105 222

HSL 272.31, 0.64%, 0.64%

LAB 55.79, 46.84, -50.36

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 0 / 78 / 58 / 22

HEX #C82C55

RGB 200 44 85

HSL 344.23, 0.64%, 0.48%

LAB 45.27, 61.96, 15.26

 

CMYK 78 / 0 / 68 / 22

HEX #2CC840

RGB 44 200 64

HSL 127.69, 0.64%, 0.48%

LAB 71.02, -65.23, 54.66

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 0 / 37 / 78 / 22

HEX #C87F2C

RGB 200 127 44

HSL 31.92, 0.64%, 0.48%

LAB 59.56, 21.64, 54.01

 

CMYK 78 / 0 / 37 / 22

HEX #2CC87F

RGB 44 200 127

HSL 151.92, 0.64%, 0.48%

LAB 71.81, -55.91, 25.58

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 0 / 78 / 58 / 22

HEX #C82C55

RGB 200 44 85

HSL 344.23, 0.64%, 0.48%

LAB 45.27, 61.96, 15.26

 

CMYK 42 / 0 / 78 / 22

HEX #75C82C

RGB 117 200 44

HSL 91.92, 0.64%, 0.48%

LAB 73.07, -49.48, 64.49

 

CMYK 78 / 0 / 21 / 22

HEX #2CC89E

RGB 44 200 158

HSL 163.85, 0.64%, 0.48%

LAB 72.44, -49.04, 9.92

 

CMYK 36 / 78 / 0 / 22

HEX #812CC8

RGB 129 44 200

HSL 272.69, 0.64%, 0.48%

LAB 38.97, 62.35, -65.11

 

CMYK 0 / 76 / 78 / 22

HEX #C8312C

RGB 200 49 44

HSL 1.92, 0.64%, 0.48%

LAB 45.16, 58.31, 39.67

 

CMYK 42 / 0 / 78 / 22

HEX #75C82C

RGB 117 200 44

HSL 91.92, 0.64%, 0.48%

LAB 73.07, -49.48, 64.49

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

Description

Color code: RGB 129 44 200 | qconv.com Color code: RGB 129 44 200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 44 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 44 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 78 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 78% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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