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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 115 120 it is the complementary color RGB 126 140 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 115 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 115 120 shade: RGB 134 115 115, RGB 151 133 134, RGB 168 151 153, RGB 185 169 172 and RGB 202 187 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 115 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 115 120 shade: RGB 129 115 120, RGB 112 97 101, RGB 95 79 82, RGB 78 61 63 and RGB 61 43 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 115 120 shade: RGB 130 115 120, RGB 130 115 116 and RGB 130 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 115 120 shade: RGB 130 115 120, RGB 130 115 124, RGB 130 115 128, RGB 127 115 130 and RGB 123 115 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 115 120 shade matches the following richer shades: RGB 130 115 120, RGB 150 95 115, RGB 169 75 109, RGB 189 56 103 and RGB 209 36 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 115 120 shade: RGB 130 115 120, RGB 110 135 126, RGB 90 155 132, RGB 70 174 137 and RGB 51 194 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 115 120 shade: RGB 130 115 128, RGB 130 115 124, RGB 130 115 120, RGB 130 115 117 and RGB 130 118 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 115 120 shade: RGB 86 76 80, RGB 108 96 100, RGB 130 115 120, RGB 150 136 141 and RGB 169 158 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 115 120 shade: RGB 129 115 120, RGB 130 127 115 and RGB 115 126 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 115 120 shade: RGB 129 115 120, RGB 120 130 115 and RGB 115 120 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 115 120 shade: RGB 129 115 120, RGB 130 127 115, RGB 115 130 124 and RGB 115 118 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 115 120 shade: RGB 129 115 120, RGB 128 130 115, RGB 115 130 124 and RGB 117 115 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

Complementary color

CMYK 10 / 0 / 4 / 45

HEX #7E8C87

RGB 126 140 135

HSL 158.57, 0.06%, 0.52%

LAB 57.02, -6.09, 0.93

 

CMYK 0 / 14 / 14 / 47

HEX #867373

RGB 134 115 115

HSL 0, 0.08%, 0.49%

LAB 50.18, 7.4, 2.73

 

CMYK 0 / 12 / 11 / 41

HEX #978586

RGB 151 133 134

HSL 356.67, 0.08%, 0.56%

LAB 57.15, 6.99, 1.96

 

CMYK 0 / 10 / 9 / 34

HEX #A89799

RGB 168 151 153

HSL 352.94, 0.09%, 0.63%

LAB 63.96, 6.62, 1.23

 

CMYK 0 / 9 / 7 / 27

HEX #B9A9AC

RGB 185 169 172

HSL 348.75, 0.1%, 0.69%

LAB 70.64, 6.3, 0.54

 

CMYK 0 / 7 / 5 / 21

HEX #CABBBF

RGB 202 187 191

HSL 344, 0.12%, 0.76%

LAB 77.2, 6, -0.11

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 13 / 10 / 56

HEX #706165

RGB 112 97 101

HSL 344, 0.07%, 0.41%

LAB 42.66, 6.76, -0.06

 

CMYK 0 / 17 / 14 / 63

HEX #5F4F52

RGB 95 79 82

HSL 348.75, 0.09%, 0.34%

LAB 35.27, 7.23, 0.72

 

CMYK 0 / 22 / 19 / 69

HEX #4E3D3F

RGB 78 61 63

HSL 352.94, 0.12%, 0.27%

LAB 27.62, 7.8, 1.59

 

CMYK 0 / 30 / 28 / 76

HEX #3D2B2C

RGB 61 43 44

HSL 356.67, 0.17%, 0.2%

LAB 19.65, 8.52, 2.62

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 0 / 12 / 11 / 49

HEX #827374

RGB 130 115 116

HSL 356, 0.06%, 0.48%

LAB 49.82, 6, 1.57

 

CMYK 0 / 12 / 12 / 49

HEX #827373

RGB 130 115 115

HSL 0, 0.06%, 0.48%

LAB 49.79, 5.82, 2.13

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 0 / 12 / 5 / 49

HEX #82737C

RGB 130 115 124

HSL 324, 0.06%, 0.48%

LAB 50.05, 7.52, -2.82

 

CMYK 0 / 12 / 2 / 49

HEX #827380

RGB 130 115 128

HSL 308, 0.06%, 0.48%

LAB 50.18, 8.31, -5

 

CMYK 2 / 12 / 0 / 49

HEX #7F7382

RGB 127 115 130

HSL 288, 0.06%, 0.48%

LAB 49.96, 7.59, -6.53

 

CMYK 5 / 12 / 0 / 49

HEX #7B7382

RGB 123 115 130

HSL 272, 0.06%, 0.48%

LAB 49.6, 6.12, -7.11

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 0 / 37 / 23 / 41

HEX #965F73

RGB 150 95 115

HSL 338.18, 0.22%, 0.48%

LAB 46.85, 25.31, -1.9

 

CMYK 0 / 56 / 36 / 34

HEX #A94B6D

RGB 169 75 109

HSL 338.3, 0.39%, 0.48%

LAB 45.04, 42.2, -0.6

 

CMYK 0 / 70 / 46 / 26

HEX #BD3867

RGB 189 56 103

HSL 338.8, 0.54%, 0.48%

LAB 45.12, 56.27, 3.61

 

CMYK 0 / 83 / 53 / 18

HEX #D12462

RGB 209 36 98

HSL 338.5, 0.71%, 0.48%

LAB 46.58, 67.38, 9.28

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 19 / 0 / 7 / 47

HEX #6E877E

RGB 110 135 126

HSL 158.4, 0.1%, 0.48%

LAB 54.19, -10.89, 1.86

 

CMYK 42 / 0 / 15 / 39

HEX #5A9B84

RGB 90 155 132

HSL 158.77, 0.27%, 0.48%

LAB 59.23, -26.38, 5.58

 

CMYK 60 / 0 / 21 / 32

HEX #46AE89

RGB 70 174 137

HSL 158.65, 0.43%, 0.48%

LAB 64.47, -39.03, 10.15

 

CMYK 74 / 0 / 26 / 24

HEX #33C28F

RGB 51 194 143

HSL 158.6, 0.58%, 0.48%

LAB 70.37, -49.3, 15.1

 

CMYK 0 / 12 / 2 / 49

HEX #827380

RGB 130 115 128

HSL 308, 0.06%, 0.48%

LAB 50.18, 8.31, -5

 

CMYK 0 / 12 / 5 / 49

HEX #82737C

RGB 130 115 124

HSL 324, 0.06%, 0.48%

LAB 50.05, 7.52, -2.82

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 0 / 12 / 10 / 49

HEX #827375

RGB 130 115 117

HSL 352, 0.06%, 0.48%

LAB 49.85, 6.19, 1.02

 

CMYK 0 / 9 / 12 / 49

HEX #827673

RGB 130 118 115

HSL 12, 0.06%, 0.48%

LAB 50.62, 4.07, 3.32

 

CMYK 0 / 12 / 7 / 66

HEX #564C50

RGB 86 76 80

HSL 336, 0.06%, 0.32%

LAB 33.41, 4.97, -0.85

 

CMYK 0 / 11 / 7 / 58

HEX #6C6064

RGB 108 96 100

HSL 340, 0.06%, 0.4%

LAB 41.96, 5.57, -0.52

 

CMYK 0 / 12 / 8 / 49

HEX #827378

RGB 130 115 120

HSL 340, 0.06%, 0.48%

LAB 49.93, 6.75, -0.63

 

CMYK 0 / 9 / 6 / 41

HEX #96888D

RGB 150 136 141

HSL 338.57, 0.06%, 0.56%

LAB 58.05, 6.17, -0.77

 

CMYK 0 / 7 / 4 / 34

HEX #A99EA2

RGB 169 158 162

HSL 338.18, 0.06%, 0.64%

LAB 66.13, 4.73, -0.65

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 2 / 12 / 49

HEX #827F73

RGB 130 127 115

HSL 48, 0.06%, 0.48%

LAB 53.13, -1.11, 6.92

 

CMYK 12 / 3 / 0 / 49

HEX #737E82

RGB 115 126 130

HSL 196, 0.06%, 0.48%

LAB 52.04, -3.19, -3.57

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 8 / 0 / 12 / 49

HEX #788273

RGB 120 130 115

HSL 100, 0.06%, 0.48%

LAB 53.16, -6.68, 6.86

 

CMYK 12 / 8 / 0 / 49

HEX #737882

RGB 115 120 130

HSL 220, 0.06%, 0.48%

LAB 50.32, 0.28, -6.11

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 0 / 2 / 12 / 49

HEX #827F73

RGB 130 127 115

HSL 48, 0.06%, 0.48%

LAB 53.13, -1.11, 6.92

 

CMYK 12 / 0 / 5 / 49

HEX #73827C

RGB 115 130 124

HSL 156, 0.06%, 0.48%

LAB 53.02, -6.74, 1.38

 

CMYK 12 / 9 / 0 / 49

HEX #737682

RGB 115 118 130

HSL 228, 0.06%, 0.48%

LAB 49.75, 1.45, -6.95

 

CMYK 0 / 11 / 7 / 49

HEX #817378

RGB 129 115 120

HSL 338.57, 0.06%, 0.48%

LAB 49.84, 6.36, -0.78

 

CMYK 2 / 0 / 12 / 49

HEX #808273

RGB 128 130 115

HSL 68, 0.06%, 0.48%

LAB 53.81, -3.6, 7.87

 

CMYK 12 / 0 / 5 / 49

HEX #73827C

RGB 115 130 124

HSL 156, 0.06%, 0.48%

LAB 53.02, -6.74, 1.38

 

CMYK 10 / 12 / 0 / 49

HEX #757382

RGB 117 115 130

HSL 248, 0.06%, 0.48%

LAB 49.08, 3.93, -7.95

 

Description

Color code: RGB 129 115 120 | qconv.com Color code: RGB 129 115 120 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 115 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 115 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 7 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 7% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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