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Color name
RGB 128 59 144

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 59 144 it is the complementary color RGB 127 196 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 59 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 59 144 shade: RGB 133 59 139, RGB 150 77 158, RGB 167 95 177, RGB 184 113 196 and RGB 201 131 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 59 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 59 144 shade: RGB 128 59 144, RGB 111 41 125, RGB 94 23 106, RGB 77 5 87 and RGB 60 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 59 144 shade: RGB 129 59 145, RGB 145 59 138, RGB 145 59 115, RGB 145 59 92 and RGB 145 59 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 59 144 shade: RGB 129 59 145, RGB 106 59 145, RGB 83 59 145 and RGB 59 59 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 59 144 shade matches the following richer shades: RGB 129 59 145, RGB 139 43 161, RGB 149 26 178 and RGB 160 10 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 59 144 shade: RGB 129 59 145, RGB 118 76 128, RGB 108 92 112, RGB 98 109 95 and RGB 88 125 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 59 144 shade: RGB 82 59 145, RGB 105 59 145, RGB 128 59 145, RGB 145 59 139 and RGB 145 59 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 59 144 shade: RGB 77 35 86, RGB 103 47 116, RGB 129 59 145, RGB 155 71 174 and RGB 173 96 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 59 144 shade: RGB 128 59 144, RGB 145 59 59 and RGB 59 145 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 59 144 shade: RGB 128 59 144, RGB 145 128 59 and RGB 59 145 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 59 144 shade: RGB 128 59 144, RGB 145 59 59, RGB 76 145 59 and RGB 59 145 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 59 144 shade: RGB 128 59 144, RGB 145 85 59, RGB 76 145 59 and RGB 59 119 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

Complementary color

CMYK 35 / 0 / 43 / 23

HEX #7FC46F

RGB 127 196 111

HSL 108.71, 0.42%, 0.6%

LAB 72.98, -38.04, 35.89

 

CMYK 4 / 58 / 0 / 45

HEX #853B8B

RGB 133 59 139

HSL 295.5, 0.4%, 0.39%

LAB 37.8, 43.57, -30.54

 

CMYK 5 / 51 / 0 / 38

HEX #964D9E

RGB 150 77 158

HSL 294.07, 0.34%, 0.46%

LAB 44.6, 42.97, -31.16

 

CMYK 6 / 46 / 0 / 31

HEX #A75FB1

RGB 167 95 177

HSL 292.68, 0.34%, 0.53%

LAB 51.35, 42.24, -31.63

 

CMYK 6 / 42 / 0 / 23

HEX #B871C4

RGB 184 113 196

HSL 291.33, 0.41%, 0.61%

LAB 58.02, 41.47, -32

 

CMYK 7 / 39 / 0 / 16

HEX #C983D7

RGB 201 131 215

HSL 290, 0.51%, 0.68%

LAB 64.61, 40.71, -32.33

 

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

CMYK 11 / 67 / 0 / 51

HEX #6F297D

RGB 111 41 125

HSL 290, 0.51%, 0.33%

LAB 30.51, 43.55, -33.62

 

CMYK 11 / 78 / 0 / 58

HEX #5E176A

RGB 94 23 106

HSL 291.33, 0.64%, 0.25%

LAB 23.78, 43.22, -32.4

 

CMYK 11 / 94 / 0 / 66

HEX #4D0557

RGB 77 5 87

HSL 292.68, 0.89%, 0.18%

LAB 17.34, 41.55, -30.34

 

CMYK 12 / 100 / 0 / 73

HEX #3C0044

RGB 60 0 68

HSL 292.94, 1%, 0.13%

LAB 11.81, 36.49, -26.35

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 0 / 59 / 5 / 43

HEX #913B8A

RGB 145 59 138

HSL 304.88, 0.42%, 0.4%

LAB 39.55, 46.77, -27.06

 

CMYK 0 / 59 / 21 / 43

HEX #913B73

RGB 145 59 115

HSL 320.93, 0.42%, 0.4%

LAB 38.53, 42.97, -14.45

 

CMYK 0 / 59 / 37 / 43

HEX #913B5C

RGB 145 59 92

HSL 336.98, 0.42%, 0.4%

LAB 37.7, 39.77, -1.24

 

CMYK 0 / 59 / 52 / 43

HEX #913B45

RGB 145 59 69

HSL 353.02, 0.42%, 0.4%

LAB 37.07, 37.26, 12.45

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 27 / 59 / 0 / 43

HEX #6A3B91

RGB 106 59 145

HSL 272.79, 0.42%, 0.4%

LAB 34.47, 37.53, -39.73

 

CMYK 43 / 59 / 0 / 43

HEX #533B91

RGB 83 59 145

HSL 256.74, 0.42%, 0.4%

LAB 31.83, 31.76, -44.11

 

CMYK 59 / 59 / 0 / 43

HEX #3B3B91

RGB 59 59 145

HSL 240, 0.42%, 0.4%

LAB 29.67, 26.56, -47.71

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 14 / 73 / 0 / 37

HEX #8B2BA1

RGB 139 43 161

HSL 288.81, 0.58%, 0.4%

LAB 37.46, 56.39, -44.38

 

CMYK 16 / 85 / 0 / 30

HEX #951AB2

RGB 149 26 178

HSL 288.55, 0.75%, 0.4%

LAB 38.45, 66.61, -52.88

 

CMYK 18 / 95 / 0 / 24

HEX #A00AC2

RGB 160 10 194

HSL 288.91, 0.9%, 0.4%

LAB 40.55, 73.78, -58.82

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 8 / 41 / 0 / 50

HEX #764C80

RGB 118 76 128

HSL 288.46, 0.25%, 0.4%

LAB 38.86, 27.28, -22.29

 

CMYK 4 / 18 / 0 / 56

HEX #6C5C70

RGB 108 92 112

HSL 288, 0.1%, 0.4%

LAB 41.24, 10.49, -8.94

 

CMYK 10 / 0 / 13 / 57

HEX #626D5F

RGB 98 109 95

HSL 107.14, 0.07%, 0.4%

LAB 44.75, -7.08, 6.41

 

CMYK 30 / 0 / 37 / 51

HEX #587D4F

RGB 88 125 79

HSL 108.26, 0.23%, 0.4%

LAB 48.64, -22.55, 21.03

 

CMYK 43 / 59 / 0 / 43

HEX #523B91

RGB 82 59 145

HSL 256.05, 0.42%, 0.4%

LAB 31.73, 31.52, -44.28

 

CMYK 28 / 59 / 0 / 43

HEX #693B91

RGB 105 59 145

HSL 272.09, 0.42%, 0.4%

LAB 34.35, 37.26, -39.94

 

CMYK 12 / 59 / 0 / 43

HEX #803B91

RGB 128 59 145

HSL 288.14, 0.42%, 0.4%

LAB 37.41, 43.4, -34.87

 

CMYK 0 / 59 / 4 / 43

HEX #913B8B

RGB 145 59 139

HSL 304.19, 0.42%, 0.4%

LAB 39.6, 46.95, -27.59

 

CMYK 0 / 59 / 20 / 43

HEX #913B74

RGB 145 59 116

HSL 320.23, 0.42%, 0.4%

LAB 38.57, 43.12, -15.01

 

CMYK 10 / 59 / 0 / 66

HEX #4D2356

RGB 77 35 86

HSL 289.41, 0.42%, 0.24%

LAB 21.77, 28.72, -22.61

 

CMYK 11 / 59 / 0 / 55

HEX #672F74

RGB 103 47 116

HSL 288.7, 0.42%, 0.32%

LAB 29.86, 36.5, -29.05

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 11 / 59 / 0 / 32

HEX #9B47AE

RGB 155 71 174

HSL 288.93, 0.42%, 0.48%

LAB 44.99, 50.56, -40

 

CMYK 9 / 49 / 0 / 25

HEX #AD60BE

RGB 173 96 190

HSL 289.15, 0.42%, 0.56%

LAB 52.91, 46.06, -36.65

 

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

CMYK 0 / 59 / 59 / 43

HEX #913B3B

RGB 145 59 59

HSL 0, 0.42%, 0.4%

LAB 36.86, 36.4, 18.46

 

CMYK 59 / 0 / 36 / 43

HEX #3B915D

RGB 59 145 93

HSL 143.72, 0.42%, 0.4%

LAB 54, -38.25, 20.07

 

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

CMYK 0 / 12 / 59 / 43

HEX #91803B

RGB 145 128 59

HSL 48.14, 0.42%, 0.4%

LAB 53.79, -2.49, 39.16

 

CMYK 59 / 0 / 12 / 43

HEX #3B9180

RGB 59 145 128

HSL 168.14, 0.42%, 0.4%

LAB 54.8, -30.11, 1.3

 

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

CMYK 0 / 59 / 59 / 43

HEX #913B3B

RGB 145 59 59

HSL 0, 0.42%, 0.4%

LAB 36.86, 36.4, 18.46

 

CMYK 48 / 0 / 59 / 43

HEX #4C913B

RGB 76 145 59

HSL 108.14, 0.42%, 0.4%

LAB 54.14, -38.91, 38.32

 

CMYK 59 / 0 / 0 / 43

HEX #3B9191

RGB 59 145 145

HSL 180, 0.42%, 0.4%

LAB 55.3, -25.41, -7.74

 

CMYK 11 / 59 / 0 / 44

HEX #803B90

RGB 128 59 144

HSL 288.71, 0.42%, 0.4%

LAB 37.35, 43.19, -34.35

 

CMYK 0 / 41 / 59 / 43

HEX #91553B

RGB 145 85 59

HSL 18.14, 0.42%, 0.4%

LAB 42.51, 22.23, 25.69

 

CMYK 48 / 0 / 59 / 43

HEX #4C913B

RGB 76 145 59

HSL 108.14, 0.42%, 0.4%

LAB 54.14, -38.91, 38.32

 

CMYK 59 / 18 / 0 / 43

HEX #3B7791

RGB 59 119 145

HSL 198.14, 0.42%, 0.4%

LAB 47.19, -11.44, -20.01

 

Description

Color code: RGB 128 59 144 | qconv.com Color code: RGB 128 59 144 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 59 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 59 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 59 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 59% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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