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Color name
RGB 128 24 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 24 142 it is the complementary color RGB 127 231 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 24 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 24 142 shade: RGB 133 24 137, RGB 150 42 156, RGB 167 60 175, RGB 184 78 194 and RGB 201 96 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 24 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 24 142 shade: RGB 128 24 142, RGB 111 6 123, RGB 94 0 104, RGB 77 0 85 and RGB 60 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 24 142 shade: RGB 130 24 144, RGB 144 24 126, RGB 144 24 94, RGB 144 24 61 and RGB 144 24 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 24 142 shade: RGB 130 24 144, RGB 97 24 144, RGB 65 24 144, RGB 33 24 144 and RGB 24 24 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 24 142 shade matches the following richer shades: RGB 130 24 144 and RGB 140 11 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 24 142 shade: RGB 130 24 144, RGB 119 38 130, RGB 109 52 117, RGB 99 65 103 and RGB 88 79 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 24 142 shade: RGB 64 24 144, RGB 96 24 144, RGB 128 24 144, RGB 144 24 128 and RGB 144 24 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 24 142 shade: RGB 66 12 73, RGB 98 18 109, RGB 130 24 144, RGB 162 30 179 and RGB 193 36 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 24 142 shade: RGB 128 24 142, RGB 144 32 24 and RGB 24 144 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 24 142 shade: RGB 128 24 142, RGB 144 128 24 and RGB 24 144 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 24 142 shade: RGB 128 24 142, RGB 144 32 24, RGB 40 144 24 and RGB 24 136 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 24 142 shade: RGB 128 24 142, RGB 144 68 24, RGB 40 144 24 and RGB 24 100 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

Complementary color

CMYK 45 / 0 / 51 / 9

HEX #7FE771

RGB 127 231 113

HSL 112.88, 0.71%, 0.67%

LAB 83.37, -52.65, 47.83

 

CMYK 3 / 82 / 0 / 46

HEX #851889

RGB 133 24 137

HSL 297.88, 0.7%, 0.32%

LAB 32.8, 56.91, -37.24

 

CMYK 4 / 73 / 0 / 39

HEX #962A9C

RGB 150 42 156

HSL 296.84, 0.58%, 0.39%

LAB 38.8, 58.24, -39.14

 

CMYK 5 / 66 / 0 / 31

HEX #A73CAF

RGB 167 60 175

HSL 295.83, 0.49%, 0.46%

LAB 45, 58.66, -40.45

 

CMYK 5 / 60 / 0 / 24

HEX #B84EC2

RGB 184 78 194

HSL 294.83, 0.49%, 0.53%

LAB 51.31, 58.55, -41.39

 

CMYK 6 / 55 / 0 / 16

HEX #C960D5

RGB 201 96 213

HSL 293.85, 0.58%, 0.61%

LAB 57.64, 58.14, -42.09

 

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

CMYK 10 / 95 / 0 / 52

HEX #6F067B

RGB 111 6 123

HSL 293.85, 0.91%, 0.25%

LAB 26.56, 54.11, -38.68

 

CMYK 10 / 100 / 0 / 59

HEX #5E0068

RGB 94 0 104

HSL 294.23, 1%, 0.2%

LAB 21.5, 49.07, -34.76

 

CMYK 9 / 100 / 0 / 67

HEX #4D0055

RGB 77 0 85

HSL 294.35, 1%, 0.17%

LAB 16.67, 42.71, -30.07

 

CMYK 9 / 100 / 0 / 74

HEX #3C0042

RGB 60 0 66

HSL 294.55, 1%, 0.13%

LAB 11.65, 36.11, -25.2

 

CMYK 10 / 83 / 0 / 44

HEX #821890

RGB 130 24 144

HSL 293, 0.71%, 0.33%

LAB 32.73, 57.54, -41.71

 

CMYK 0 / 83 / 13 / 44

HEX #90187E

RGB 144 24 126

HSL 309, 0.71%, 0.33%

LAB 34.17, 57.48, -28.09

 

CMYK 0 / 83 / 35 / 44

HEX #90185E

RGB 144 24 94

HSL 325, 0.71%, 0.33%

LAB 32.68, 53.27, -10.02

 

CMYK 0 / 83 / 58 / 44

HEX #90183D

RGB 144 24 61

HSL 341.5, 0.71%, 0.33%

LAB 31.62, 50.15, 10.1

 

CMYK 0 / 83 / 80 / 44

HEX #90181D

RGB 144 24 29

HSL 357.5, 0.71%, 0.33%

LAB 31.05, 48.39, 30.02

 

CMYK 10 / 83 / 0 / 44

HEX #821890

RGB 130 24 144

HSL 293, 0.71%, 0.33%

LAB 32.73, 57.54, -41.71

 

CMYK 33 / 83 / 0 / 44

HEX #611890

RGB 97 24 144

HSL 276.5, 0.71%, 0.33%

LAB 27.32, 51.58, -50.73

 

CMYK 55 / 83 / 0 / 44

HEX #411890

RGB 65 24 144

HSL 260.5, 0.71%, 0.33%

LAB 22.97, 46.88, -58.03

 

CMYK 77 / 83 / 0 / 44

HEX #211890

RGB 33 24 144

HSL 244.5, 0.71%, 0.33%

LAB 20, 43.76, -63.02

 

CMYK 83 / 83 / 0 / 44

HEX #181890

RGB 24 24 144

HSL 240, 0.71%, 0.33%

LAB 19.48, 43.21, -63.91

 

CMYK 10 / 83 / 0 / 44

HEX #821890

RGB 130 24 144

HSL 293, 0.71%, 0.33%

LAB 32.73, 57.54, -41.71

 

CMYK 11 / 93 / 0 / 38

HEX #8C0B9E

RGB 140 11 158

HSL 292.65, 0.87%, 0.33%

LAB 34.57, 64.34, -47.22

 

CMYK 10 / 83 / 0 / 44

HEX #821890

RGB 130 24 144

HSL 293, 0.71%, 0.33%

LAB 32.73, 57.54, -41.71

 

CMYK 8 / 71 / 0 / 49

HEX #772682

RGB 119 38 130

HSL 292.83, 0.55%, 0.33%

LAB 31.62, 47.84, -34.9

 

CMYK 7 / 56 / 0 / 54

HEX #6D3475

RGB 109 52 117

HSL 292.62, 0.38%, 0.33%

LAB 31.79, 35.79, -26.58

 

CMYK 4 / 37 / 0 / 60

HEX #634167

RGB 99 65 103

HSL 293.68, 0.23%, 0.33%

LAB 32.73, 21.88, -16.36

 

CMYK 1 / 11 / 0 / 65

HEX #584F59

RGB 88 79 89

HSL 294, 0.06%, 0.33%

LAB 34.78, 5.8, -4.5

 

CMYK 56 / 83 / 0 / 44

HEX #401890

RGB 64 24 144

HSL 260, 0.71%, 0.33%

LAB 22.85, 46.76, -58.23

 

CMYK 33 / 83 / 0 / 44

HEX #601890

RGB 96 24 144

HSL 276, 0.71%, 0.33%

LAB 27.17, 51.42, -50.98

 

CMYK 11 / 83 / 0 / 44

HEX #801890

RGB 128 24 144

HSL 292, 0.71%, 0.33%

LAB 32.38, 57.15, -42.29

 

CMYK 0 / 83 / 11 / 44

HEX #901880

RGB 144 24 128

HSL 308, 0.71%, 0.33%

LAB 34.27, 57.78, -29.17

 

CMYK 0 / 83 / 33 / 44

HEX #901860

RGB 144 24 96

HSL 324, 0.71%, 0.33%

LAB 32.76, 53.51, -11.19

 

CMYK 10 / 84 / 0 / 71

HEX #420C49

RGB 66 12 73

HSL 293.11, 0.72%, 0.17%

LAB 14.97, 34.14, -24.7

 

CMYK 10 / 83 / 0 / 57

HEX #62126D

RGB 98 18 109

HSL 292.75, 0.72%, 0.25%

LAB 24.11, 46.37, -33.78

 

CMYK 10 / 83 / 0 / 44

HEX #821890

RGB 130 24 144

HSL 293, 0.71%, 0.33%

LAB 32.73, 57.54, -41.71

 

CMYK 9 / 83 / 0 / 30

HEX #A21EB3

RGB 162 30 179

HSL 293.15, 0.71%, 0.41%

LAB 41, 68.13, -49.25

 

CMYK 10 / 83 / 0 / 16

HEX #C124D6

RGB 193 36 214

HSL 292.92, 0.71%, 0.49%

LAB 48.83, 78.14, -56.76

 

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

CMYK 0 / 78 / 83 / 44

HEX #902018

RGB 144 32 24

HSL 4, 0.71%, 0.33%

LAB 31.87, 45.76, 33.77

 

CMYK 83 / 0 / 44 / 44

HEX #189050

RGB 24 144 80

HSL 148, 0.71%, 0.33%

LAB 52.64, -46.45, 25.29

 

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

CMYK 0 / 11 / 83 / 44

HEX #908018

RGB 144 128 24

HSL 52, 0.71%, 0.33%

LAB 53.42, -4.91, 53.32

 

CMYK 83 / 0 / 11 / 44

HEX #189080

RGB 24 144 128

HSL 172, 0.71%, 0.33%

LAB 53.71, -34.86, -0.39

 

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

CMYK 0 / 78 / 83 / 44

HEX #902018

RGB 144 32 24

HSL 4, 0.71%, 0.33%

LAB 31.87, 45.76, 33.77

 

CMYK 72 / 0 / 83 / 44

HEX #289018

RGB 40 144 24

HSL 112, 0.71%, 0.33%

LAB 52.36, -50.88, 50.1

 

CMYK 83 / 6 / 0 / 44

HEX #188890

RGB 24 136 144

HSL 184, 0.71%, 0.33%

LAB 51.63, -26.1, -12.76

 

CMYK 10 / 83 / 0 / 44

HEX #80188E

RGB 128 24 142

HSL 292.88, 0.71%, 0.33%

LAB 32.25, 56.79, -41.27

 

CMYK 0 / 53 / 83 / 44

HEX #904418

RGB 144 68 24

HSL 22, 0.71%, 0.33%

LAB 38.07, 29.3, 39.63

 

CMYK 72 / 0 / 83 / 44

HEX #289018

RGB 40 144 24

HSL 112, 0.71%, 0.33%

LAB 52.36, -50.88, 50.1

 

CMYK 83 / 31 / 0 / 44

HEX #186490

RGB 24 100 144

HSL 202, 0.71%, 0.33%

LAB 40.12, -6.1, -30.5

 

Description

Color code: RGB 128 24 142 | qconv.com Color code: RGB 128 24 142 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 24 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 24 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 83 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 83% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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