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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 216.8 187 it is the complementary color RGB 127 38.2 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 216.8 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 216.8 187 shade: RGB 133 216.8 182, RGB 150 234.8 201, RGB 167 252.8 220, RGB 184 255 239 and RGB 201 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 216.8 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 216.8 187 shade: RGB 128 216.8 187, RGB 111 198.8 168, RGB 94 180.8 149, RGB 77 162.8 130 and RGB 60 144.8 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 216.8 187 shade: RGB 129 217 188, RGB 129 217 164, RGB 129 217 140, RGB 142 217 129 and RGB 166 217 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 216.8 187 shade: RGB 129 217 188, RGB 129 217 212, RGB 129 200 217, RGB 129 176 217 and RGB 129 152 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 216.8 187 shade matches the following richer shades: RGB 129 217 188, RGB 116 231 192 and RGB 103 244 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 216.8 187 shade: RGB 129 217 188, RGB 143 204 184, RGB 156 191 179, RGB 169 178 175 and RGB 182 165 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 216.8 187 shade: RGB 129 217 140, RGB 129 217 163, RGB 129 217 187, RGB 129 217 210 and RGB 129 201 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 216.8 187 shade: RGB 66 198 154, RGB 98 208 171, RGB 129 217 188, RGB 161 227 205 and RGB 193 236 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 216.8 187 shade: RGB 128 216.8 187, RGB 129 143 217 and RGB 217 151 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 216.8 187 shade: RGB 128 216.8 187, RGB 187 129 217 and RGB 217 187 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 216.8 187 shade: RGB 128 216.8 187, RGB 129 143 217, RGB 217 129 160 and RGB 217 204 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 216.8 187 shade: RGB 128 216.8 187, RGB 143 129 217, RGB 217 129 160 and RGB 204 217 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

Complementary color

CMYK 0 / 70 / 46 / 50

HEX #7F2644

RGB 127 38.2 68

HSL 339.86, 0.54%, 0.32%

LAB 30.23, 40.63, 3.02

 

CMYK 39 / 0 / 16 / 15

HEX #85D8B6

RGB 133 216.8 182

HSL 155.08, 0.52%, 0.69%

LAB 80.68, -33.23, 9.19

 

CMYK 36 / 0 / 14 / 8

HEX #96EAC9

RGB 150 234.8 201

HSL 156.08, 0.68%, 0.75%

LAB 87, -33.01, 8.33

 

CMYK 34 / 0 / 13 / 1

HEX #A7FCDC

RGB 167 252.8 220

HSL 157.06, 0.95%, 0.82%

LAB 93.24, -32.79, 7.52

 

CMYK 28 / 0 / 6 / 0

HEX #B8FFEF

RGB 184 255 239

HSL 166.48, 1%, 0.86%

LAB 95.14, -25.14, 0.58

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

CMYK 44 / 0 / 15 / 22

HEX #6FC6A8

RGB 111 198.8 168

HSL 158.95, 0.44%, 0.61%

LAB 74.17, -33.7, 7.24

 

CMYK 48 / 0 / 18 / 29

HEX #5EB495

RGB 94 180.8 149

HSL 158.02, 0.37%, 0.54%

LAB 67.66, -33.87, 8.19

 

CMYK 53 / 0 / 20 / 36

HEX #4DA282

RGB 77 162.8 130

HSL 157.06, 0.36%, 0.47%

LAB 61.06, -34, 9.23

 

CMYK 59 / 0 / 23 / 43

HEX #3C906F

RGB 60 144.8 111

HSL 156.08, 0.41%, 0.4%

LAB 54.34, -34.04, 10.38

 

CMYK 41 / 0 / 13 / 15

HEX #81D9BC

RGB 129 217 188

HSL 160.23, 0.54%, 0.68%

LAB 80.7, -33.13, 6.01

 

CMYK 41 / 0 / 24 / 15

HEX #81D9A4

RGB 129 217 164

HSL 143.86, 0.54%, 0.68%

LAB 80.16, -38.05, 17.96

 

CMYK 41 / 0 / 35 / 15

HEX #81D98C

RGB 129 217 140

HSL 127.5, 0.54%, 0.68%

LAB 79.72, -42.31, 29.85

 

CMYK 35 / 0 / 41 / 15

HEX #8ED981

RGB 142 217 129

HSL 111.14, 0.54%, 0.68%

LAB 80.16, -40, 36.14

 

CMYK 24 / 0 / 41 / 15

HEX #A6D981

RGB 166 217 129

HSL 94.77, 0.54%, 0.68%

LAB 81.47, -31.86, 38.09

 

CMYK 41 / 0 / 13 / 15

HEX #81D9BC

RGB 129 217 188

HSL 160.23, 0.54%, 0.68%

LAB 80.7, -33.13, 6.01

 

CMYK 41 / 0 / 2 / 15

HEX #81D9D4

RGB 129 217 212

HSL 176.59, 0.54%, 0.68%

LAB 81.32, -27.62, -5.87

 

CMYK 41 / 8 / 0 / 15

HEX #81C8D9

RGB 129 200 217

HSL 191.59, 0.54%, 0.68%

LAB 76.67, -17.9, -15.48

 

CMYK 41 / 19 / 0 / 15

HEX #81B0D9

RGB 129 176 217

HSL 207.95, 0.54%, 0.68%

LAB 69.98, -5.2, -25.63

 

CMYK 41 / 30 / 0 / 15

HEX #8198D9

RGB 129 152 217

HSL 224.32, 0.54%, 0.68%

LAB 63.45, 8.26, -35.72

 

CMYK 41 / 0 / 13 / 15

HEX #81D9BC

RGB 129 217 188

HSL 160.23, 0.54%, 0.68%

LAB 80.7, -33.13, 6.01

 

CMYK 50 / 0 / 17 / 9

HEX #74E7C0

RGB 116 231 192

HSL 159.65, 0.71%, 0.68%

LAB 84.31, -41.85, 9.02

 

CMYK 58 / 0 / 19 / 4

HEX #67F4C5

RGB 103 244 197

HSL 160, 0.87%, 0.68%

LAB 87.78, -49.11, 11.3

 

CMYK 41 / 0 / 13 / 15

HEX #81D9BC

RGB 129 217 188

HSL 160.23, 0.54%, 0.68%

LAB 80.7, -33.13, 6.01

 

CMYK 30 / 0 / 10 / 20

HEX #8FCCB8

RGB 143 204 184

HSL 160.33, 0.37%, 0.68%

LAB 77.57, -23.78, 3.72

 

CMYK 18 / 0 / 6 / 25

HEX #9CBFB3

RGB 156 191 179

HSL 159.43, 0.21%, 0.68%

LAB 74.56, -14.17, 2.15

 

CMYK 5 / 0 / 2 / 30

HEX #A9B2AF

RGB 169 178 175

HSL 160, 0.06%, 0.68%

LAB 71.81, -3.72, 0.43

 

CMYK 0 / 9 / 6 / 29

HEX #B6A5AB

RGB 182 165 171

HSL 338.82, 0.1%, 0.68%

LAB 69.32, 7.22, -0.86

 

CMYK 41 / 0 / 35 / 15

HEX #81D98C

RGB 129 217 140

HSL 127.5, 0.54%, 0.68%

LAB 79.72, -42.31, 29.85

 

CMYK 41 / 0 / 25 / 15

HEX #81D9A3

RGB 129 217 163

HSL 143.18, 0.54%, 0.68%

LAB 80.14, -38.24, 18.46

 

CMYK 41 / 0 / 14 / 15

HEX #81D9BB

RGB 129 217 187

HSL 159.55, 0.54%, 0.68%

LAB 80.67, -33.34, 6.5

 

CMYK 41 / 0 / 3 / 15

HEX #81D9D2

RGB 129 217 210

HSL 175.23, 0.54%, 0.68%

LAB 81.26, -28.1, -4.88

 

CMYK 41 / 7 / 0 / 15

HEX #81C9D9

RGB 129 201 217

HSL 190.91, 0.54%, 0.68%

LAB 76.95, -18.41, -15.06

 

CMYK 67 / 0 / 22 / 22

HEX #42C69A

RGB 66 198 154

HSL 160, 0.54%, 0.52%

LAB 72.15, -46.18, 11.72

 

CMYK 53 / 0 / 18 / 18

HEX #62D0AB

RGB 98 208 171

HSL 159.82, 0.54%, 0.6%

LAB 76.47, -40.37, 8.85

 

CMYK 41 / 0 / 13 / 15

HEX #81D9BC

RGB 129 217 188

HSL 160.23, 0.54%, 0.68%

LAB 80.7, -33.13, 6.01

 

CMYK 29 / 0 / 10 / 11

HEX #A1E3CD

RGB 161 227 205

HSL 160, 0.54%, 0.76%

LAB 85.47, -25.32, 4.09

 

CMYK 18 / 0 / 6 / 7

HEX #C1ECDE

RGB 193 236 222

HSL 160.47, 0.53%, 0.84%

LAB 90.14, -16.59, 2.18

 

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

CMYK 41 / 34 / 0 / 15

HEX #818FD9

RGB 129 143 217

HSL 230.45, 0.54%, 0.68%

LAB 61.06, 13.47, -39.46

 

CMYK 0 / 30 / 41 / 15

HEX #D99781

RGB 217 151 129

HSL 15, 0.54%, 0.68%

LAB 68.37, 22.1, 21.55

 

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

CMYK 14 / 41 / 0 / 15

HEX #BB81D9

RGB 187 129 217

HSL 279.55, 0.54%, 0.68%

LAB 62.74, 37.99, -36.47

 

CMYK 0 / 14 / 41 / 15

HEX #D9BB81

RGB 217 187 129

HSL 39.55, 0.54%, 0.68%

LAB 77.21, 2.81, 33.33

 

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

CMYK 41 / 34 / 0 / 15

HEX #818FD9

RGB 129 143 217

HSL 230.45, 0.54%, 0.68%

LAB 61.06, 13.47, -39.46

 

CMYK 0 / 41 / 26 / 15

HEX #D981A0

RGB 217 129 160

HSL 338.86, 0.54%, 0.68%

LAB 64.15, 37.79, -1.83

 

CMYK 0 / 6 / 41 / 15

HEX #D9CC81

RGB 217 204 129

HSL 51.14, 0.54%, 0.68%

LAB 81.58, -6.04, 38.97

 

CMYK 41 / 0 / 14 / 15

HEX #80D8BB

RGB 128 216.8 187

HSL 159.86, 0.54%, 0.68%

LAB 80.57, -33.51, 6.35

 

CMYK 34 / 41 / 0 / 15

HEX #8F81D9

RGB 143 129 217

HSL 249.55, 0.54%, 0.68%

LAB 58.56, 25.39, -43.33

 

CMYK 0 / 41 / 26 / 15

HEX #D981A0

RGB 217 129 160

HSL 338.86, 0.54%, 0.68%

LAB 64.15, 37.79, -1.83

 

CMYK 6 / 0 / 41 / 15

HEX #CCD981

RGB 204 217 129

HSL 68.86, 0.54%, 0.68%

LAB 83.99, -17.71, 41.82

 

Description

Color code: RGB 128 216.8 187 | qconv.com Color code: RGB 128 216.8 187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 216.8 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 216.8 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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