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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 151 6 it is the complementary color RGB 127 104 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 151 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 151 6 shade: RGB 133 151 1, RGB 150 169 20, RGB 167 187 39, RGB 184 205 58 and RGB 201 223 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 151 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 111 133 0, RGB 94 115 0, RGB 77 97 0 and RGB 60 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 151 135 6, RGB 151 96 6, RGB 151 57 6 and RGB 151 17 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 89 151 6, RGB 50 151 6, RGB 11 151 6 and RGB 6 151 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 151 6 shade matches the following richer shades: RGB 128 151 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 119 138 19, RGB 111 126 31, RGB 102 113 44 and RGB 93 100 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 151 6 shade: RGB 151 96 6, RGB 151 134 6, RGB 129 151 6, RGB 91 151 6 and RGB 52 151 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 151 6 shade: RGB 61 72 3, RGB 95 112 4, RGB 128 151 6, RGB 162 191 7 and RGB 195 230 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 6 151 57 and RGB 115 6 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 6 129 151 and RGB 151 6 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 6 151 57, RGB 28 6 151 and RGB 151 6 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 151 6 shade: RGB 128 151 6, RGB 6 151 100, RGB 28 6 151 and RGB 151 6 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

Complementary color

CMYK 49 / 58 / 0 / 2

HEX #7F68F9

RGB 127 104 249

HSL 249.52, 0.92%, 0.69%

LAB 53.22, 45.06, -69.79

 

CMYK 12 / 0 / 99 / 41

HEX #859701

RGB 133 151 1

HSL 67.2, 0.99%, 0.3%

LAB 59.09, -22.61, 62.04

 

CMYK 11 / 0 / 88 / 34

HEX #96A914

RGB 150 169 20

HSL 67.65, 0.79%, 0.37%

LAB 65.68, -23.82, 64.79

 

CMYK 11 / 0 / 79 / 27

HEX #A7BB27

RGB 167 187 39

HSL 68.11, 0.65%, 0.44%

LAB 72.16, -24.82, 66.2

 

CMYK 10 / 0 / 72 / 20

HEX #B8CD3A

RGB 184 205 58

HSL 68.57, 0.6%, 0.52%

LAB 78.55, -25.63, 66.54

 

CMYK 10 / 0 / 65 / 13

HEX #C9DF4D

RGB 201 223 77

HSL 69.04, 0.7%, 0.59%

LAB 84.86, -26.28, 66.25

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 17 / 0 / 100 / 48

HEX #6F8500

RGB 111 133 0

HSL 69.92, 1%, 0.26%

LAB 52.01, -23.29, 56.17

 

CMYK 18 / 0 / 100 / 55

HEX #5E7300

RGB 94 115 0

HSL 70.96, 1%, 0.23%

LAB 45.14, -21.75, 50.45

 

CMYK 21 / 0 / 100 / 62

HEX #4D6100

RGB 77 97 0

HSL 72.37, 1%, 0.19%

LAB 38.07, -20.18, 44.56

 

CMYK 24 / 0 / 100 / 69

HEX #3C4F00

RGB 60 79 0

HSL 74.43, 1%, 0.15%

LAB 30.77, -18.58, 38.48

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 0 / 11 / 96 / 41

HEX #978706

RGB 151 135 6

HSL 53.38, 0.92%, 0.31%

LAB 56.01, -5.92, 59.62

 

CMYK 0 / 36 / 96 / 41

HEX #976006

RGB 151 96 6

HSL 37.24, 0.92%, 0.31%

LAB 45.58, 16.18, 51.99

 

CMYK 0 / 62 / 96 / 41

HEX #973906

RGB 151 57 6

HSL 21.1, 0.92%, 0.31%

LAB 36.96, 37.38, 46.1

 

CMYK 0 / 89 / 96 / 41

HEX #971106

RGB 151 17 6

HSL 4.55, 0.92%, 0.31%

LAB 31.79, 51.59, 42.84

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 41 / 0 / 96 / 41

HEX #599706

RGB 89 151 6

HSL 85.66, 0.92%, 0.31%

LAB 56.36, -40.37, 57.97

 

CMYK 67 / 0 / 96 / 41

HEX #329706

RGB 50 151 6

HSL 101.79, 0.92%, 0.31%

LAB 54.89, -51.87, 56.17

 

CMYK 93 / 0 / 96 / 41

HEX #0B9706

RGB 11 151 6

HSL 117.93, 0.92%, 0.31%

LAB 54.26, -57.43, 55.38

 

CMYK 96 / 0 / 74 / 41

HEX #069728

RGB 6 151 40

HSL 134.07, 0.92%, 0.31%

LAB 54.37, -55.84, 46.47

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 14 / 0 / 86 / 46

HEX #778A13

RGB 119 138 19

HSL 69.58, 0.76%, 0.31%

LAB 54.18, -21.83, 54.49

 

CMYK 12 / 0 / 75 / 51

HEX #6F7E1F

RGB 111 126 31

HSL 69.47, 0.61%, 0.31%

LAB 49.98, -18.68, 46.74

 

CMYK 10 / 0 / 61 / 56

HEX #66712C

RGB 102 113 44

HSL 69.57, 0.44%, 0.31%

LAB 45.38, -14.87, 36.08

 

CMYK 7 / 0 / 43 / 61

HEX #5D6439

RGB 93 100 57

HSL 69.77, 0.27%, 0.31%

LAB 40.79, -10.27, 23.46

RGB 93 100 57

CMYK 0 / 36 / 96 / 41

HEX #976006

RGB 151 96 6

HSL 37.24, 0.92%, 0.31%

LAB 45.58, 16.18, 51.99

 

CMYK 0 / 11 / 96 / 41

HEX #978606

RGB 151 134 6

HSL 52.97, 0.92%, 0.31%

LAB 55.73, -5.37, 59.41

 

CMYK 15 / 0 / 96 / 41

HEX #819706

RGB 129 151 6

HSL 69.1, 0.92%, 0.31%

LAB 58.8, -24.27, 60.94

 

CMYK 40 / 0 / 96 / 41

HEX #5B9706

RGB 91 151 6

HSL 84.83, 0.92%, 0.31%

LAB 56.46, -39.65, 58.09

 

CMYK 66 / 0 / 96 / 41

HEX #349706

RGB 52 151 6

HSL 100.97, 0.92%, 0.31%

LAB 54.94, -51.42, 56.23

 

CMYK 15 / 0 / 96 / 72

HEX #3D4803

RGB 61 72 3

HSL 69.57, 0.92%, 0.15%

LAB 28.47, -14.09, 35.51

 

CMYK 15 / 0 / 96 / 56

HEX #5F7004

RGB 95 112 4

HSL 69.44, 0.93%, 0.23%

LAB 44.28, -19.63, 48.9

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 15 / 0 / 96 / 25

HEX #A2BF07

RGB 162 191 7

HSL 69.46, 0.93%, 0.39%

LAB 72.86, -29.6, 72.68

 

CMYK 15 / 0 / 96 / 10

HEX #C3E609

RGB 195 230 9

HSL 69.5, 0.92%, 0.47%

LAB 86.11, -34.24, 83.64

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 96 / 0 / 62 / 41

HEX #069739

RGB 6 151 57

HSL 141.1, 0.92%, 0.31%

LAB 54.52, -53.97, 39.31

 

CMYK 24 / 96 / 0 / 41

HEX #730697

RGB 115 6 151

HSL 285.1, 0.92%, 0.31%

LAB 29.44, 59.91, -51.47

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 96 / 15 / 0 / 41

HEX #068197

RGB 6 129 151

HSL 189.1, 0.92%, 0.31%

LAB 49.46, -21.22, -20.15

 

CMYK 0 / 96 / 15 / 41

HEX #970681

RGB 151 6 129

HSL 309.1, 0.92%, 0.31%

LAB 34.59, 62.49, -29.21

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 96 / 0 / 62 / 41

HEX #069739

RGB 6 151 57

HSL 141.1, 0.92%, 0.31%

LAB 54.52, -53.97, 39.31

 

CMYK 81 / 96 / 0 / 41

HEX #1C0697

RGB 28 6 151

HSL 249.1, 0.92%, 0.31%

LAB 18.42, 52.17, -70.02

 

CMYK 0 / 96 / 34 / 41

HEX #970664

RGB 151 6 100

HSL 321.1, 0.92%, 0.31%

LAB 33.2, 58.9, -12.97

 

CMYK 15 / 0 / 96 / 41

HEX #809706

RGB 128 151 6

HSL 69.52, 0.92%, 0.31%

LAB 58.73, -24.7, 60.85

 

CMYK 96 / 0 / 34 / 41

HEX #069764

RGB 6 151 100

HSL 158.9, 0.92%, 0.31%

LAB 55.17, -46.25, 17.59

 

CMYK 81 / 96 / 0 / 41

HEX #1C0697

RGB 28 6 151

HSL 249.1, 0.92%, 0.31%

LAB 18.42, 52.17, -70.02

 

CMYK 0 / 96 / 62 / 41

HEX #970639

RGB 151 6 57

HSL 338.9, 0.92%, 0.31%

LAB 31.82, 55.19, 13.26

 

Description

Color code: RGB 128 151 6 | qconv.com Color code: RGB 128 151 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 151 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 151 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 96 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 96% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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